Overview

Blackmagic Intensity Pro 4K

Capture and play back in up to Ultra HD resolution with Blackmagic's Intensity Pro 4K I/O Card. Intensity Pro 4K offers all the same features of the original Intensity Pro but additionally supports Ultra HD 2160p at 30 fps and Full HD 1080p at 60 fps.

SKU: GC50-BINTSPRO4K

Blackmagic Intensity Pro 4K

Blackmagic Intensity Pro 4K

Capture and play back in up to Ultra HD resolution with Blackmagic's Intensity Pro 4K I/O Card. Intensity Pro 4K offers all the same features of the original Intensity Pro but additionally supports Ultra HD 2160p at 30 fps and Full HD 1080p at 60 fps.

Ingest HDMI, YUV, S-Video, and NTSC/PAL sources to your Mac, PC, or Linux computer and save them in compressed or uncompressed formats with the included Media Express software, bypassing any unnecessary levels of compression. Pull up real-time previews on high resolution displays for more accurate colour grading and client review. Create high frame rate walk-throughs of your gameplay in full 10-bit quality YUV video and deep colour. Connect your cameras for video conferencing, presentations, and live streaming of live events, webcasts, seminars, presentations, concerts, and more. A breakout cable is included providing RCA video and audio inputs and outputs as well as SPDIF audio output, allowing you to work with equipment from old VHS decks to HDTV HDMI displays.

Intensity Pro 4K is also directly compatible with all of the most popular editing, design, streaming, audio, and video applications available for Mac and PC. This means you can capture directly to your software in formats such as ProRes, DNxHD, and QuickTime and avoid extra steps and possible extra compression. Work seamlessly with DaVinci Resolve, Final Cut Pro X, Media Composer, Premiere Pro, Fusion, After Effects, Photoshop, ProTools, Resolume, Nuendo, Flash Media Live Encoder, ProCaster, and more.

Intensity Pro 4K is a 4-lane PCIe card compatible with 4, 8, and 16 lane PCIe slots. The HDMI video connections are switchable between SD, HD, and Ultra HD, and Component analogue video connections are switchable between SD and HD. The HDMI connections feature HDMI standard 1.4b, which supports deep colour and automatically configures to connected displays. (HDMI input is unable to capture from copy protected HDMI sources, so always confirm copyright ownership before capture or distribution of content.)

Key Features:

HDMI 1.4b Standard, Capture 1080p at 60 fps

Capture & Playback in Ultra HD at 30 fps

4-Lane PCIe Card for 4, 8, 16 Lane Slots

Ingest HDMI, YUV, S-Video, and NTSC/PAL

Save Video Compressed or Uncompressed

Capture Directly to Popular NLEs

Output to High Resolution HDTVs

Connect Cameras for Live Streaming

Create 60 fps Gameplay Walk-Throughs

What's in the Box:

Blackmagic Intensity Pro 4K

Blackmagic Design Breakout Cable for Intensity Pro

Software SD Card

DaVinci Resolve Lite (Download)

Media Express (Download)

Disk Speed Test (Download)

Blackmagic Desktop Video (Download)

Regular price $434.00
Sale price $434.00 Regular price $435.00 Save 0%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Blackmagic Intensity Pro 4K
Blackmagic Intensity Pro 4K
Our Price: $434.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$434.00

Product Overview

Blackmagic Intensity Pro 4K

Capture and play back in up to Ultra HD resolution with Blackmagic's Intensity Pro 4K I/O Card. Intensity Pro 4K offers all the same features of the original Intensity Pro but additionally supports Ultra HD 2160p at 30 fps and Full HD 1080p at 60 fps.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post