-v1665700116905.png?500x500&options=w_150){kind=icon}
Winways UST Throw ALR Solid Panel Lenticular Screen
lack Grid Hard Screen is one the best choices for Home Theatre, thanks to its high performance anti-light fabric and it is outstanding optical performance. The hard frame screen also complements any situation where a permanent wall-mounted solution is preferred such as an auditorium, conference room, or in a house of worship.
Fixed Frame Projector screens generally require more assembly than other screen types. However, they are more easily wall-mounted(simply hanging like a picture frame on the included brackets), requiring less installation and no electrical connectivity.
Specs
-
Material: fabric+Aluminum
-
Format: 16:9
-
Model Number: YCSHSYP-100/ YCSHSYP-120
-
View Angle: 160 Degree
-
Fabric: Black Grid
-
Size: 100''/120‘’
-
Colour: Front: dark grey, Back: black
-
Moisture Resistant: Yes
-
Cleanable: Yes
-
Gain: 0.8
-
Roll Width: 2.8m
-
Thickness: 0.48cm
-
Application: Home Theatre
If you'd like to know when it's due, we're here to help!
Call us during business hours at 02 9299 0177.
Chat live with our team on-site.
Or email us anytime at info@georges.com.au with the subject "Awaiting Arrival"Checking availability...
Request a Price Match
Fill out the price match form below, and we will be in touch shortly.
Winways UST Throw ALR Solid Panel Lenticular Screen
Product Overview
lack Grid Hard Screen is one the best choices for Home Theatre, thanks to its high performance anti-light fabric and it is outstanding optical performance. The hard frame screen also complements any situation where a permanent wall-mounted solution is preferred such as an auditorium, conference room, or in a house of worship.
Need advice?
Speak to one of our dedicated Australian-based sales team members.
Request a Price Match
Fill out the price match form below, and we will be in touch shortly.
Product Reviews
Blog posts
Canon EOS R6 Mark III Review: First Impressions, Real-World P...
In this post, we review the new Canon EOS R6 Mark III Camera and the RF 45mm F1.2 STM Lens.
View post
First Look: Fujifilm X-T30 III - The Little Legend Returns
In this post we review the new Canon EOS C50!
View post
Canon EOS C50 Review - A Fresh Chapter in Compact Cinema
In this post we review the new Canon EOS C50!
View post
Cooke SP3 Mirrorless Prime Lens Review
The Cooke SP3 series brings the renowned Cooke Look to mirrorless cameras in a compact form. These primes draw inspiration from the classic Speed Panchro lenses, blending vintage character with modern engineering....
View post
DJI Osmo 360 Review
Recently, we got our hands on the new camera for Georges Cameras TV to take it through its paces. The DJI Osmo 360 is DJI’s first 360-degree camera, delivering immersive, all-angle footage...
View post
Sony 50-150mm F2 GM Review: The Best Zoom for Pros?
Discover why the Sony 50-150mm F2 GM is the ultimate zoom lens for weddings, portraits, and pro creatives needing speed, sharpness, and flexibility.
View post
Fujifilm X-HF1: The New Half Film Digital Camera For Creative...
It’s not often we see remarkable changes in camera configurations to deliver something truly unique, but here we are in 2025 with Fujifilm releasing the affectionately termed 'X Half', X-HF1 . This...
View post
COB vs Panel Lights: What’s Right for You?
LED Lighting: A Quick Evolution Not long ago, film sets were dominated by bulky tungsten and HMI lights — powerful but hot, expensive, and unforgiving. Then came LED technology: cooler, more efficient,...
View post
The Best Cameras for Mother's Day: Fujifilm's Top 3 Models
Find out why the Fujifilm X-T50, X-T5, and X-H2 are suitable cameras to capture cherished moments with remarkable image quality and ease this Mother's Day.
View post
Top Lenses for Newborn and Family Portraits
Find out the top lenses for newborn and family portraits, like the Fujifilm XF 35mm f/1.4 R and Canon RF 50mm f1.4L VCM. Learn tips on using natural light, props, and capturing...
View post
