SKU: GC35-SEL814G

Sony 8-14mm f/3.5 Fisheye G Lens

Ultra-Wide 8-14mm Range
Sony E-Mount Compatibility
Bright f/3.5 Aperture
Rapid Dual Linear Motors
180° Circular to Diagonal Fisheye
Lightweight 314g Design
Ultra-Wide 8-14mm Range
Sony E-Mount Compatibility
Bright f/3.5 Aperture
Rapid Dual Linear Motors
180° Circular to Diagonal Fisheye
Lightweight 314g Design
Regular price $2,099.00
RRP $2,499.00, now $2,099.00Save $400
Pay with
Pay with

Availability

  • Availability: Awaiting stock

This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Sony 8-14mm f/3.5 Fisheye G Lens
Sony 8-14mm f/3.5 Fisheye G Lens
Our Price: $2,099.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $2,099.00
RRP $2,499.00, now $2,099.00
Regular price $2,099.00
RRP $2,499.00, now $2,099.00

Product Overview

Sony 8-14mm f/3.5 Fisheye G Lens

The Sony 8-14mm f/3.5 Fisheye G Lens is the first E-Mount fisheye zoom lens that offers new ways to see the world, capturing entire spaces and using distortion as an expressive tool. It covers everything from full-frame circular to diagonal fisheye in one lens, providing comprehensive support for stills, movies and VR imaging. It is also compact and lightweight enough for everyday shooting as well as professional use.

What's in the box:

Sony 8-14mm f/3.5 Fisheye G Lens

Lens Hood

Rear Cap

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Ultra-Wide 8-14mm Range

Sony f/3.5 Fisheye G Lens features an ultra-wide 8-14mm focal range for expansive fisheye perspectives.

Sony E-Mount Compatibility

Sony 8-14mm f/3.5 Fisheye G Lens offers Sony E-Mount compatibility for seamless camera integration.

Bright f/3.5 Aperture

Sony 8-14mm Fisheye G Lens delivers a bright f/3.5 aperture for excellent light-gathering performance.

Rapid Dual Linear Motors

Sony 8-14mm f/3.5 Fisheye G Lens features dual linear motors for fast, precise and responsive autofocus.

180° Circular to Diagonal Fisheye

Sony 8-14mm f/3.5 Fisheye G Lens features dual linear motors for fast, precise and responsive autofocus.

Lightweight 314g Design

Sony 8-14mm f/3.5 Fisheye G Lens weighs just 314g for a lightweight and highly portable setup.

The First E-Mount Fisheye Zoom Lens

The First E-Mount Fisheye Zoom Lens

Sony 8-14mm f/3.5 Fisheye G Lens

Outstanding G Lens Optical Performance

Outstanding G Lens Optical Performance

ED (Extra-low Dispersion) and aspherical elements in an innovative optical design result in a compact, lightweight lens that delivers high resolution and minimal chromatic aberration throughout the image area. 0.15 m (0.5 ft) min. focus with 0.22x max. magnification enables dynamic close-up perspectives with smooth background bokeh.

Versatile Fisheye Expression

Versatile Fisheye Expression

An ultra-wide 180° angle of view captures dynamic spaces, and an 8-14 mm zoom range goes from full-frame circular fisheye at 8 mm to natural-looking diagonal fisheye at 14 mm. The ability to choose the ideal fisheye angle of view for individual environments and creative needs opens up an extraordinary range of expressive possibilities.

Product Reviews

Verified by Trustvoice
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post