SKU: GC11-103482

NiSi Cinema 6.6x6.6" Pure Clear Fiilter

Regular price $71.92
Sale price $71.92 Regular price $69.00
Pay with
Pay with

Availability

  • Availability: In-Stock at Warehouse (4 - 8 days)

Available to order, ready to pick up in-store within 4 - 8 days.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
NiSi Cinema 6.6x6.6
NiSi Cinema 6.6x6.6" Pure Clear Fiilter
Our Price: $71.92

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $71.92
Sale price $71.92 Regular price $69.00
Regular price $71.92
Sale price $71.92 Regular price $69.00

Product Overview

The NiSi Cinema 6.6×6.6″ Pure Clear Filter is a clear filter and is designed to provide general protection for your lens. This optically clear filter does not affect exposure or overall image quality while helping to prevent dust, scratches, moisture, and other elements from reaching or damaging your lens.

What's in the box:

NiSi 6.6 x 6.6" Pure Clear Filter

Filter Pouch

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What is the primary purpose of the NiSi Cinema 6.6x6.6" Pure Clear Filter?

The primary purpose of the NiSi Cinema 6.6x6.6" Pure Clear Filter is to provide a protective layer for your lens. It helps safeguard against dust, scratches, moisture, and other environmental factors without affecting the exposure or overall image quality of your photographs or videos.

Can this filter be used with different brands of matte boxes?

Yes, the NiSi Cinema 6.6x6.6" Pure Clear Filter is designed to be compatible with all leading brands of matte boxes that fit the 6.6 x 6.6 inch standard. This versatility makes it a great addition to your film equipment.

What is the thickness of this filter and how does it affect compatibility?

The NiSi Cinema filter has a thickness of 4mm, which allows it to fit seamlessly into both filter cages and cageless designs. This ensures that it can be used with a variety of professional setups without compromising on performance.

Does the filter come with any storage options?

Yes, the NiSi Cinema 6.6x6.6" Pure Clear Filter includes a leatherette pouch for safe storage and transport. This pouch not only protects the filter from damage but also makes it easy to carry alongside your other photography or videography gear.

How does using a clear filter impact image quality?

Using a clear filter like the NiSi Cinema 6.6x6.6" Pure Clear Filter generally has no impact on image quality or exposure settings. It is designed to be optically clear, allowing for the best possible image reproduction while providing protection to your lens.

Is this filter suitable for both photography and videography?

Absolutely, the NiSi Cinema 6.6x6.6" Pure Clear Filter is suitable for both photography and videography. Its protective capabilities make it ideal for any shooting scenario, ensuring your lens remains in pristine condition.

Can I use this filter in combination with other filters?

Yes, you can use the NiSi Cinema 6.6x6.6" Pure Clear Filter in combination with other filters, such as ND or polarising filters, depending on your creative needs. Its clear design means it will not interfere with the effectiveness of any additional filters used in conjunction.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post