SKU: GC11-103460

NiSi Cinema 6.6x6.6" Nano IR Neutral Density 0.6 Filter (2 Stop)

Regular price $474.05
RRP $499.00, now $474.05Save $24.95
Pay with
Pay with

Availability

  • Availability: In-Stock at Warehouse (4 - 8 days)

Available to order, ready to pick up in-store within 4 - 8 days.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
NiSi Cinema 6.6x6.6
NiSi Cinema 6.6x6.6" Nano IR Neutral Density 0.6 Filter (2 Stop)
Our Price: $474.05

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $474.05
RRP $499.00, now $474.05
Regular price $474.05
RRP $499.00, now $474.05

Product Overview

The NiSi Cinema 6.6×6.6″ Nano IR Neutral Density 0.6 Filter (2 Stop) creates a darkening of the entire image by 5 stops, allowing you to compensate for bright conditions whilst keeping your Aperture, Shutter speed and iso where you need them to be. The IR Coating eliminates any unwanted colouration of the image when used in conjunction with other filters. In order to remove any colour cast and keep the Blacks as rich and true as possible, one layer of NiSi Optical Nano Coating is applied to each of this filter’s surfaces along with the IR coating to provide the highest colour accuracy as possible. This coating, coupled with high-quality optical glass and strict manufacturing standards, give you accurate colour, extreme sharpness making it perfect for today’s high-res. cameras.

What's in the box:

NiSi Nano IRND Filter (6.6 x 6.6", 2-Stop)

Filter Pouch

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What are the benefits of using a Neutral Density filter like the NiSi Cinema 0.6 filter?

A Neutral Density filter, such as the NiSi Cinema 0.6 filter, allows you to reduce the intensity of light entering your lens without affecting the colour of the scene. This is particularly beneficial in bright conditions, as it enables you to maintain optimal exposure settings, such as wide apertures for shallow depth of field or slower shutter speeds for motion blur. The 2-stop reduction offered by this filter helps create a balanced image while preserving the richness and accuracy of colours.

How does the Dual-Sided Nano Coating benefit my photography or videography?

The Dual-Sided Nano Coating on the NiSi Cinema filter enhances optical clarity by reducing reflections and glares, which can cause unwanted flare in your images. This results in sharper, clearer visuals, particularly important in high-resolution photography and videography. Additionally, the coating provides scratch, oil, and water resistance, making it easier to maintain and clean the filter during shoots in various environments.

Can I use the NiSi Cinema 0.6 filter with other filters, and how does the IR coating affect this?

Yes, the NiSi Cinema 0.6 filter can be used in conjunction with other filters. The Infrared (IR) coating is specifically designed to mitigate any colour cast that may arise when stacking multiple filters. This means you can maintain true colour accuracy even when combining it with other filters, ensuring your images remain vibrant and natural.

What types of shooting scenarios are ideal for using this filter?

This filter is ideal for various shooting scenarios, particularly in bright outdoor settings where sunlight can overpower your desired exposure settings. It is also beneficial for filmmakers looking to achieve cinematic effects, such as maintaining motion blur or controlling highlights while shooting video. The filter's design makes it suitable for landscape photography, portraiture in natural light, and any situation where managing light is crucial.

How does the 6.6x6.6 inch size of the filter affect its compatibility with my equipment?

The 6.6x6.6 inch size of the NiSi Cinema filter is a standard dimension that is compatible with most leading brands of matte boxes and filter systems designed for this size. Its 4mm thickness ensures that it can slot easily into filter cages or cageless designs, providing versatility and ease of use in various filming setups.

What makes NiSi filters stand out from other brands?

NiSi filters are known for their high-quality optical glass and advanced manufacturing standards, which ensure superior image quality with minimal colour shifting and distortion. The unique Dual-Sided Nano Coating technology enhances durability and optical performance, setting them apart from competitors. Additionally, NiSi's commitment to reducing infrared light pollution further guarantees that your images will maintain their integrity, making them a preferred choice among professional photographers and videographers.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post