SKU: GC11-108355

NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter (7 Stop)

Regular price $299.00
Sale price $299.00 Regular price $299.00
Pay with
Pay with

Availability

  • Availability: In-Stock at Warehouse (4 - 8 days)

Available to order, ready to pick up in-store within 4 - 8 days.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
NiSi Cinema 4x4
NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter (7 Stop)
Our Price: $299.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $299.00
Sale price $299.00 Regular price $299.00
Regular price $299.00
Sale price $299.00 Regular price $299.00

Product Overview

The NiSi Cinema 4×4″ Nano IR Neutral Density 2.1 Filter (7 Stop) creates a darkening of the entire image by 7 stops, allowing you to compensate for bright conditions whilst keeping your Aperture, Shutter speed and iso where you need them to be. The IR Coating eliminates any unwanted colouration of the image when used in conjunction with other filters. In order to remove any colour cast and keep the Blacks as rich and true as possible, one layer of NiSi Optical Nano Coating is applied to each of this filter’s surfaces along with the IR coating to provide the highest colour accuracy as possible. This coating, coupled with high-quality optical glass and strict manufacturing standards, give you accurate colour, extreme sharpness making it perfect for today’s high-res. cameras.

What's in the box:

NiSi Nano IRND Filter (4 x 4", 7-Stop)

Filter Pouch

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What shooting scenarios are ideal for using the NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter?

The NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter is ideal for a variety of shooting scenarios, particularly in bright lighting conditions such as outdoor landscapes or during midday shoots. It allows filmmakers and photographers to maintain their desired aperture and shutter speed, essential for achieving a shallow depth of field or specific motion blur effects. This filter is especially beneficial when shooting video, as it helps to manage exposure while maintaining the cinematic look.

How does the IR coating enhance image quality when using multiple filters?

The IR coating on the NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter effectively eliminates any unwanted colour casts that can occur when stacking multiple filters. This ensures that the integrity of the image's colours is preserved, allowing for more accurate colour reproduction. By maintaining true blacks and enhancing overall colour accuracy, this filter is particularly valuable for professional cinematographers and photographers who rely on precise colour management.

What advantages does the Dual-Sided Nano Coating provide?

The Dual-Sided Nano Coating on the NiSi Cinema 4x4" filter offers several advantages, including enhanced scratch resistance, oil and water repellency, and superior anti-reflective properties. This protective layer not only makes the filter easier to clean but also reduces glare and reflections, enabling clearer images. As a result, photographers can expect high-quality results even in challenging lighting conditions, making it perfect for professional use.

Can this filter be used on high-resolution cameras without compromising quality?

Yes, the NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter is designed with high-quality optical glass and strict manufacturing standards, ensuring that it can be used effectively on high-resolution cameras. The filter provides extreme sharpness and minimal colour shifting, which are critical for capturing detailed images in today’s high-res environments. This makes it an excellent choice for both filmmakers and photographers who demand the highest quality in their work.

How does this filter compare to other ND filters on the market?

The NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter distinguishes itself from other ND filters with its superior colour control and minimal colour shifting, which are often issues with competing products. Additionally, the advanced nano-coating technology reduces glares and reflections, ensuring clarity and detail in images. When compared to other leading competitors, this filter offers enhanced performance and durability, making it a preferred choice for professionals.

Is this filter compatible with different types of camera lenses?

Yes, the NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter is designed for use with lenses that have standard filter threads and is particularly well-suited for use with the NiSi C4 Cinema Holder for 4mm filters. This compatibility allows for versatile use across various camera systems and lenses, making it an adaptable addition to any photographer’s or filmmaker’s kit.

What is the benefit of including a leatherette pouch with this filter?

The inclusion of a leatherette pouch with the NiSi Cinema 4x4" Nano IR Neutral Density 2.1 Filter provides essential protection during transport and storage. It safeguards the filter from scratches, dust, and other potential damage, ensuring that it remains in optimal condition for use. This thoughtful addition enhances the longevity of the product and makes it convenient for professionals who need to carry their equipment securely.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post