SKU: GC11-N-419738 In stock

NiSi ATHENA PRIME 135mm T2.2 Full Frame Cinema Lens (RF Mount)

Cine Prime
Canon RF Mount
T2.2
77 mm
135 mm
1.07 kg
Cine Prime
Canon RF Mount
T2.2
77 mm
135 mm
1.07 kg
Regular price $2,042.50
RRP $2,150.00, now $2,042.50Save $107.50
Pay with
Pay with

Discount applies only while stock lasts.

Availability

  • Availability: In stock (1 - 2 days)

Available to order, ready to pick up in-store within 4 - 8 days.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
NiSi ATHENA PRIME 135mm T2.2 Full Frame Cinema Lens (RF Mount)
NiSi ATHENA PRIME 135mm T2.2 Full Frame Cinema Lens (RF Mount)
Our Price: $2,042.50

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock
Regular price $2,042.50
RRP $2,150.00, now $2,042.50
Regular price $2,042.50
RRP $2,150.00, now $2,042.50

Product Overview

NiSi ATHENA PRIME 135mm T2.2 Full Frame Cinema Lens (RF Mount)

Explore the expansive horizons of cinematic storytelling with the latest release in the Athena lens collection, the NiSi ATHENA PRIME 135mm T2.2 Full Frame Cinema Lens. Though it stands out as the largest size in the Athena Prime series, it boasts perfectly aligned characteristics, micro contrast, and colour ensuring a seamless experience across the lineup.

What's in the box:

NiSi ATHENA PRIME 135mm T2.2 Full Frame Cinema Lens (RF Mount)

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Cine Prime

NiSi ATHENA PRIME 135 mm T2.2 Full Frame Cinema Lens is a Cine Prime lens.

Canon RF Mount

NiSi ATHENA PRIME 135 mm T2.2 Full Frame Cinema Lens features a Canon RF Mount.

T2.2

NiSi ATHENA PRIME 135 mm T2.2 Full Frame Cinema Lens features a fast T2.2 aperture.

77 mm

NiSi ATHENA PRIME 135 mm T2.2 Full Frame Cinema Lens features a 77 mm filter thread.

135 mm

NiSi ATHENA PRIME T2.2 Full Frame Cinema Lens features a fixed 135 mm focal length.

1.07 kg

NiSi ATHENA PRIME 135 mm T2.2 Full Frame Cinema Lens weighs 1.07 kg.

FAQs

What cinematography styles or genres is the NiSi ATHENA PRIME 135mm T2.2 particularly suited for?

The NiSi ATHENA PRIME 135mm T2.2 is versatile and can be utilised across various cinematography styles and genres. Its ability to create beautiful subject isolation makes it ideal for narrative filmmaking, where emotional depth is crucial. Additionally, its sharpness and colour fidelity make it suitable for documentary projects, allowing for detailed close-ups that capture the essence of the subject. The lens also excels in music videos, where dramatic visuals are often needed to convey the mood and themes of the music.

How does the focus breathing characteristic of this lens impact filmmaking?

Focus breathing refers to the change in the field of view when adjusting focus, which can be distracting in cinematic storytelling. The NiSi ATHENA PRIME 135mm T2.2 is designed to minimise focus breathing, providing a consistent field of view during focus shifts. This feature is particularly beneficial when capturing dramatic scenes or interviews, as it allows for smooth transitions that maintain the integrity of the visual narrative, ensuring that the audience remains engaged without distractions.

Can this lens accommodate a variety of filters, and how does that enhance its usability?

Yes, the NiSi ATHENA PRIME 135mm T2.2 is equipped with a 77mm filter thread and a rear filter mount, allowing filmmakers to easily attach ND and Mist filters. This flexibility enhances usability by enabling quick adjustments to lighting conditions and achieving specific visual effects without the need for additional equipment. Having these options readily available simplifies workflow, making it easier to adapt to changing environments during shoots.

What advantages does the 300° focus ring rotation provide for filmmakers?

The 300° focus ring rotation on the NiSi ATHENA PRIME 135mm T2.2 allows for precise and effortless focus adjustments. This extensive rotation range is especially crucial for capturing fleeting moments and ensures that even subtle adjustments can be made with accuracy. Such precision is vital in cinematic storytelling, where maintaining sharp focus on key elements can significantly impact the emotional response of the audience, particularly in dynamic shooting scenarios.

How does the T2.2 aperture contribute to creative storytelling?

The T2.2 aperture of the NiSi ATHENA PRIME 135mm allows for excellent subject isolation by creating a beautifully soft, out-of-focus background. This bokeh effect enhances the visual depth and emotional impact of the narrative, drawing the viewer's attention to the subject. The ability to work effectively in lower light conditions also allows filmmakers to explore more creative lighting setups, expanding the possibilities for storytelling through visual composition.

What makes the NiSi ATHENA PRIME series distinct and how does the 135mm lens fit into that?

The NiSi ATHENA PRIME series is known for its exceptional image quality, micro-contrast control, and minimal chromatic aberration. The 135mm lens, being the largest in the series, maintains these high standards while offering unique advantages such as enhanced subject isolation and impressive sharpness. Its design aligns with the other lenses in the series, ensuring that filmmakers can operate efficiently and effectively across different focal lengths, making it a valuable addition to any filmmaker's toolkit.

ATHENA 135mm - Master Every Frame

ATHENA 135mm - Master Every Frame

NiSi ATHENA PRIME 135mm T2.2 Full Frame Cinema Lens (RF Mount)

Unmatched Clarity with ATHENA 135 mm

Unmatched Clarity with ATHENA 135 mm

Unleash stunning clarity with ATHENA 135 mm, perfect for flawless focus and cinematic depth.

Effortless Focus, Flawless Storytelling

Effortless Focus, Flawless Storytelling

Effortless focus, flawless storytelling with the NiSi ATHENA PRIME 135 mm lens.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post