SKU: GC07-VE5024NZS

Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Nikon Z

Regular price $1,756.55
RRP $1,849.00, now $1,756.55Save $92.45
Pay with
Pay with

Availability

  • Availability: Awaiting stock

This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Nikon Z
Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Nikon Z
Our Price: $1,756.55

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $1,756.55
RRP $1,849.00, now $1,756.55
Regular price $1,756.55
RRP $1,849.00, now $1,756.55

Product Overview

This Laowa Nanomorph 50mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 50mm, a Nikon Z lens mount, an aperture range of T2.4 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.

What's in the box:

Venus Optics Laowa Nanomorph 50mm T2.4 1.5x S35 Anamorphic Lens (Nikon Z, Silver Flare)

Front Cap

Rear Cap

Shim Set

Allen Wrench (0.9mm)

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What advantages does the 1.5x anamorphic squeeze ratio provide for filmmakers?

The 1.5x anamorphic squeeze ratio strikes an optimal balance between size and visual impact, allowing filmmakers to achieve a cinematic 2.66:1 aspect ratio on a 16:9 sensor after de-squeezing. This enhanced cinematic quality results in wider compositions and a distinctive aesthetic that can elevate storytelling. Additionally, the oval bokeh produced by this squeeze ratio adds an artistic touch, making subjects stand out against beautifully blurred backgrounds.

How does the silver flare of the Laowa Nanomorph lens differ from traditional blue flares?

The silver flare of the Laowa Nanomorph lens offers a neutral colour that adapts to various lighting conditions, providing filmmakers with greater control over the visual effects. Unlike the more common blue flares, which can be quite prominent and distracting, the subtlety of silver flares enhances the scene without overwhelming it. This flexibility allows for creative expression while maintaining the integrity of the shot.

What types of projects are best suited for the Laowa Nanomorph lens?

The Laowa Nanomorph 50mm T2.4 lens is ideal for a wide range of cinematic projects, including narrative filmmaking, music videos, and commercial productions. Its compact design and short minimum focus distance make it particularly useful for dynamic shooting environments, such as run-and-gun styles or drone photography. The lens's anamorphic qualities also lend themselves well to projects seeking a distinct visual style or a high-end cinematic look.

Can the lens be used for still photography, or is it strictly for video?

While the Laowa Nanomorph lens is designed primarily for cine applications, it can also be used for still photography. The unique characteristics of the lens, such as the anamorphic squeeze and artistic bokeh, can add a creative edge to still images. However, users should be aware that the lens's features are optimised for motion capture, so ensuring proper focus and exposure in still photography may require some adjustments.

How does the unified gear position benefit cinematographers during shoots?

The unified gear position on the Laowa Nanomorph lens allows cinematographers to switch lenses quickly without needing to readjust their follow focus systems. This efficiency is particularly beneficial during complex shoots where time is of the essence. By maintaining the same gear positioning across different lenses, filmmakers can streamline their workflow and focus more on capturing the perfect shot.

What is the significance of the 27.5-inch minimum focus distance?

The 27.5-inch minimum focus distance of the Laowa Nanomorph lens allows filmmakers to get remarkably close to their subjects, which can create a sense of intimacy and detail in the shots. This capability not only enhances the storytelling by providing a stronger emotional connection but also allows for more pronounced depth of field effects, making the bokeh more pronounced and visually appealing.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post