SKU: GC07-VE5024FXS

Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Fuji X

Regular price $1,756.55
RRP $1,849.00, now $1,756.55Save $92.45
Pay with
Pay with

Availability

  • Availability: Awaiting stock

This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Fuji X
Laowa Nanomorph 50mm T2.4 1.5X S35 (Silver) - (Cine) Fuji X
Our Price: $1,756.55

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $1,756.55
RRP $1,849.00, now $1,756.55
Regular price $1,756.55
RRP $1,849.00, now $1,756.55

Product Overview

This Laowa Nanomorph 50mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 50mm, a Fuji X lens mount, an aperture range of T2.4 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.

What's in the box:

Venus Optics Laowa Nanomorph 50mm T2.4 1.5x S35 Anamorphic Lens (FUJIFILM X, Silver Flare)

Front Cap

Rear Cap

Shim Set

Allen Wrench (0.9mm)

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What advantages does the 1.5x anamorphic squeeze ratio offer for filmmakers?

The 1.5x anamorphic squeeze ratio provides a unique balance between the size of the lens and the intensity of the anamorphic effect. This ratio results in a wider aspect ratio of 2.66:1 when de-squeezed on a 16:9 sensor, which is ideal for cinematic presentations. Additionally, it allows filmmakers to crop into a 2.4:1 widescreen ratio, giving them flexibility in post-production. The oval bokeh produced by this squeeze ratio adds an artistic touch to the image, enhancing the visual storytelling by isolating the subject against a beautifully blurred background.

How does the silver lens flare differ from traditional blue flares in anamorphic lenses?

The silver lens flare produced by the Laowa Nanomorph lens is distinct from the more commonly seen blue flares. Silver flares are neutral in colour and can blend more seamlessly with various lighting conditions. This adaptability allows for greater control over the flare's appearance, enabling filmmakers to achieve subtler effects that complement the scene rather than distract from it. The colour of the flare can change depending on the light source, providing a dynamic element to the visual composition.

What is the significance of having a short minimum focus distance of 27.5 inches?

The short minimum focus distance of 27.5 inches allows for closer shots, which can enhance the emotional impact of scenes by bringing viewers nearer to the subject. This feature is particularly useful for achieving a shallower depth of field, resulting in more pronounced background blur and an increased sense of compression. It enables filmmakers to create intimate and engaging visuals that draw the audience’s attention directly to the subject matter.

Can the Laowa Nanomorph lens be used with other camera mounts, and how does the interchangeable mount feature work?

Yes, the Laowa Nanomorph lens features an interchangeable mount system, allowing users to swap the Fuji X mount for other compatible mounts. This versatility makes the lens adaptable for various camera systems, expanding its usability across different projects. The process of changing mounts is designed to be straightforward, enabling filmmakers to quickly adjust their equipment without extensive downtime, facilitating seamless transitions between different shooting setups.

What are the benefits of the industry-standard 0.8 MOD gears on the lens?

The inclusion of 0.8 MOD gears on both the aperture and focus rings aligns with industry standards, making the Laowa Nanomorph lens compatible with a wide range of follow focus systems. This ensures smooth and precise adjustments during filming, enhancing the overall production quality. The unified gear position also allows for quick lens changes without the need for readjusting the focus gear, streamlining the filmmaking process, particularly during dynamic shooting scenarios.

How does the 13-blade iris contribute to the lens's performance?

The 13-blade iris of the Laowa Nanomorph lens provides a more circular aperture shape, which results in smoother and more aesthetically pleasing bokeh. This design enhances the lens's ability to create a shallow depth of field, allowing for a more pronounced separation between the subject and background. The ability to open the aperture to T2.4 also permits greater light capture, making it suitable for low-light conditions while maintaining image clarity and detail.

What types of projects or genres is the Laowa Nanomorph lens best suited for?

The Laowa Nanomorph lens is particularly well-suited for cinematic projects that demand a wide aspect ratio and artistic visual effects, such as narrative films, music videos, and commercials. The lens's ability to produce oval bokeh and distinctive lens flares makes it a favourite among filmmakers looking to create visually striking content. Its compact design also makes it ideal for run-and-gun shooting, documentaries, and other fast-paced production environments where agility and versatility are required.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Sigma 28-45mm

Sigma 28-45mm T2 FF AF Cine Review: Cinema Glass That Focuses...

The Sigma AF Cine 28-45mm T2 FF combines the optical performance of Sigma’s popular Art series with professional cinema features and reliable autofocus. In this hands-on review, Laz puts the lens through...

View post
Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post