SKU: GC07-VE3524RFB

Laowa Nanomorph 35mm T2.4 1.5X S35 (Blue) - (Cine) Canon RF

Name: Laowa Nanomorph 35mm T2.4 1.5X S35 (Blue) - (Cine) Canon RF
Brand: Laowa
SKU: GC07-VE3524RFB
Price: 1738.06 AUD
Availability: InStock

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Overview Key Features FAQs Image gallery Reviews Accessories

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Product Overview

This Laowa Nanomorph 35mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 35mm, a Canon RF lens mount, an aperture range of T2.4 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.

The prime lens has a very short minimum focus distance of 23.6" and offers anamorphic qualities such as high contrast, blue color lens flares, and a 57.5° horizontal field of view. Other features include measurement markings in feet and meters, 0.8 MOD cine gears on focus and aperture rings, and a 55mm front filter thread. The Canon RF lens mount is interchangeable and can be swapped out for an optional mount.

Constant 1.5x Squeeze Ratio

A 1.5x squeeze ratio is a perfect balance between the size and anamorphic intensity. With a 1.5x squeeze ratio, you will have a 2.66:1 on a 16:9 sensor after de-squeeze. There is also room for you to crop into a 2.4:1 widescreen ratio.

Artistic Oval Bokeh

A 1.5x squeeze ratio also renders oval bokeh that gives an artistic touch to the image. It also creates a blurry and creamy background that pops out the subject.

Blue Anamorphic Flare Color

The traditional blue flare is common in the market, and it is suitable for sci-fi and cool vibe movies.

Short Focus Distance

The 23.6" close focus distance is short so users can create closer shots. It renders a shallower depth of field, so the sense of compression will be stronger and the bokeh will be more oval-shaped.

Unified Gear Position

The unified gear position allows users to switch lenses quickly and without readjustment on the focus gear.

55mm Filter Thread

A 55mm filter can be attached directly to the lens for a variety of handy setups. The small diameter is favorable when doing run-and-gun shots or utilizing it with an aerial drone.

Dual Scales

Both imperial and metric scales are printed on the lens body.

0.8 MOD Gears

Industry-standard 0.8 MOD gears are installed on both the aperture and focus rings.

Flange Back Adjustment

The lens allows users to adjust the back focus easily.

Compatibility

Laowa Nanomorph 35mm T2.4 1.5X S35 (Blue) - (Cine) Canon RF

Key Features

Compact Anamorphic Lens for S35 Sensors
T2.4 to T16 Aperture Range
1.5x Anamorphic Squeeze Ratio
Blue Color Anamorphic Lens Flare
58mm Front Diameter, 55mm Filter Thread
Short 23.6" Minimum Focus Distance
Interchangeable RF Mount
0.8 MOD Gears, Metric/Imperial Markings
13-Blade Iris, 57.5° Field of View

What's in the box:

Venus Optics Laowa Nanomorph 35mm T2.4 1.5x S35 Anamorphic Lens (Canon RF, Blue Flare)

Front Cap

Rear Cap

Shim Set

Allen Wrench (0.9mm)

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Key Features

FAQs

What advantages does the 1.5x anamorphic squeeze offer for filmmakers?

The 1.5x anamorphic squeeze provides a unique blend of visual characteristics that enhance cinematic storytelling. This ratio allows for a wider field of view while maintaining a compact lens size, making it easier to achieve a cinematic look without the bulk of traditional anamorphic lenses. It also enables filmmakers to create a distinctive aspect ratio of 2.66:1 when used on a 16:9 sensor, which is ideal for modern cinematic projects. Additionally, the oval bokeh produced by the 1.5x squeeze gives the images a more artistic feel, enhancing the overall aesthetic and emotional impact of the footage.

How does the blue flare affect the visual style of my footage?

The blue flare characteristic of the Laowa Nanomorph lens adds a striking visual element, often associated with sci-fi and stylistic genre films. This unique flare can enhance highlights in your footage, giving it a dreamy and otherworldly quality. Using this lens creatively can help to evoke specific moods or themes, making it particularly useful for filmmakers looking to establish a distinctive visual signature or atmosphere in their projects. It is important to consider the lighting conditions when shooting to control the prominence of the blue flare.

What should I know about the minimum focus distance of 23.6 inches?

The short minimum focus distance of 23.6 inches allows for greater flexibility in framing shots, enabling filmmakers to capture tighter compositions without sacrificing image quality. This feature is particularly beneficial for close-up shots, as it facilitates a stronger sense of compression and enhances the oval bokeh effect. It opens up creative possibilities for storytelling by allowing subjects to be isolated against a beautifully blurred background, thus drawing the viewer's attention more effectively.

How can I effectively use the dual scales on this lens?

The dual scales, printed in both imperial and metric units, enhance usability for filmmakers who may be accustomed to different measurement systems. This feature allows for quick and accurate focus and aperture adjustments during filming, which is essential in dynamic shooting environments. Familiarising yourself with these measurements can improve your efficiency on set, ensuring that you can make precise adjustments without needing to convert measurements in your head. This is particularly useful when working with focus pullers or when coordinating shots that require exact settings.

What are the benefits of having a unified gear position on this lens?

The unified gear position is a significant advantage for filmmakers who frequently switch lenses. It allows for seamless transitions between different lenses without needing to readjust the focus gear. This is particularly valuable during multi-camera shoots or when using a follow-focus system, as it reduces setup time and maintains consistency in focus pulling. This feature enables a smoother workflow, allowing you to focus more on the creative aspects of your shoot rather than technical adjustments.