SKU: GC07-VE3524FXA

Laowa Nanomorph 35mm T2.4 1.5X S35 (Amber) - (Cine) Fuji X

Regular price $1,738.06
RRP $1,849.00, now $1,738.06Save $110.94
Pay with
Pay with

Availability

  • Availability: Awaiting stock

This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Laowa Nanomorph 35mm T2.4 1.5X S35 (Amber) - (Cine) Fuji X
Laowa Nanomorph 35mm T2.4 1.5X S35 (Amber) - (Cine) Fuji X
Our Price: $1,738.06

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $1,738.06
RRP $1,849.00, now $1,738.06
Regular price $1,738.06
RRP $1,849.00, now $1,738.06

Product Overview

This Laowa Nanomorph 35mm T2.4 1.5x S35 Anamorphic Lens from Venus Optics is a slender, compact anamorphic lens that captures high-definition video with 1.5x anamorphic squeeze on cameras with S35 sensors. It features a focal length of 35mm, a Fuji X lens mount, an aperture range of T2.4 to T22 for a deep depth of field, and 13 iris blades for a shallow depth of field and soft bokeh.

What's in the box:

Venus Optics Laowa Nanomorph 35mm T2.4 1.5x S35 Anamorphic Lens (FUJIFILM X, Amber Flare)

Front Cap

Rear Cap

Shim Set

Allen Wrench (0.9mm)

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

FAQs

What advantages does the 1.5x squeeze ratio provide for filmmakers?

The 1.5x squeeze ratio of the Laowa Nanomorph 35mm T2.4 allows filmmakers to achieve a cinematic aspect ratio of 2.66:1 on a 16:9 sensor after de-squeezing. This offers a wider field of view and enhances the depth and dimension of shots, making it ideal for narrative storytelling and visually engaging compositions. The ratio also enables cropping to a 2.4:1 aspect ratio, providing versatility in framing.

How does the amber lens flare affect the overall aesthetic of my footage?

The amber lens flare produced by the Laowa Nanomorph lends a warm and inviting quality to your footage. This unique characteristic can enhance the emotional tone of your scenes, making them feel more intimate or nostalgic. Unlike typical clear flares, amber flares are less common and can add a distinctive visual signature, setting your work apart in the competitive field of cinematography.

Can I use this lens for close-up shots, and what benefits does it offer?

Yes, the Laowa Nanomorph 35mm T2.4 boasts a short minimum focus distance of just 23.6 inches, allowing for impressive close-up shots. This capability is particularly beneficial for capturing more detailed and intimate moments, as it enables a shallower depth of field that enhances subject isolation. The resulting oval bokeh further adds an artistic touch, making your close-ups pop with visual interest.

What is the significance of having dual imperial and metric scales on the lens?

The dual scales on the Laowa Nanomorph 35mm T2.4 provide convenience for filmmakers who may use different measurement systems. This feature allows for quick and accurate focus and aperture adjustments without the need to convert measurements, making it easier to collaborate with international teams or use the lens in various settings where different standards may apply.

How does the unified gear position benefit lens swapping during shoots?

The unified gear position on the Laowa Nanomorph 35mm T2.4 streamlines the process of switching lenses on set. Since the focus and aperture gears are positioned uniformly, filmmakers can change lenses quickly without needing to readjust their follow focus systems. This is particularly advantageous during fast-paced shooting scenarios where time is of the essence.

Is the lens suitable for use with aerial equipment like drones?

Absolutely. The compact design and lightweight nature of the Laowa Nanomorph 35mm T2.4 make it an excellent choice for aerial photography and videography. Its 55mm filter thread allows for the attachment of various filters, enabling creative effects while flying. The small diameter is beneficial for maintaining balance and stability when mounted on drones.

What makes the 13-blade iris significant for my video projects?

The 13-blade iris in the Laowa Nanomorph 35mm T2.4 contributes to the lens's ability to produce a pleasing and creamy bokeh. A higher number of blades helps achieve a more circular aperture shape, which results in smoother out-of-focus areas and a more aesthetically pleasing background. This is particularly important in narrative filmmaking, where the quality of bokeh can enhance the overall visual storytelling.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Sigma 28-45mm

Sigma 28-45mm T2 FF AF Cine Review: Cinema Glass That Focuses...

The Sigma AF Cine 28-45mm T2 FF combines the optical performance of Sigma’s popular Art series with professional cinema features and reliable autofocus. In this hands-on review, Laz puts the lens through...

View post
Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post