Overview

Designed with the familiar monolight form factor, intuitive design, and solid core features, the Litemons LA200 Daylight LED Light from Godox is a 230W light source with max power with variable color from 5600K and a CRI/TLCI rating of 96/97 to indicate advanced accuracy in color rendering. The light is dimmable from 0 to 100%, and while you can make these adjustments locally on the fixture, you can also make them via Bluetooth with your smartphone and a free app. The Litemons LA200D has 8 built-in customizable effects, an umbrella mount, and a Bowens reflector mount for access to all Bowens light shapers as well as those from other manufacturers that use this popular mount. The Litemons is ready for worldwide use via its built-in 100-240V power supply.

SKU: GC49-11.LA200D

Godox Litemons La200D Daylight Led Light

Designed with the familiar monolight form factor, intuitive design, and solid core features, the Litemons LA200 Daylight LED Light from Godox is a 230W light source with max power with variable color from 5600K and a CRI/TLCI rating of 96/97 to indicate advanced accuracy in color rendering. The light is dimmable from 0 to 100%, and while you can make these adjustments locally on the fixture, you can also make them via Bluetooth with your smartphone and a free app. The Litemons LA200D has 8 built-in customizable effects, an umbrella mount, and a Bowens reflector mount for access to all Bowens light shapers as well as those from other manufacturers that use this popular mount. The Litemons is ready for worldwide use via its built-in 100-240V power supply.

Uncompromising Brightness

Trustworthy brightness is the guarantee for all content creations. Small but potent, the LA Series provides a powerful 101000 lux output at 1meter (LA200D with reflector). A stepless adjustment from 0 to 100% for precise control, helping to realize the exact lighting effect in your ideas.

Free Option of Color Temperature

If you only pursue a daylight-balanced lighting, the LA150D/LA200D will do the trick; or else the bi-colored LA150Bi/LA200Bi, adjustable from 2800-7500K, is well prepared to fit in various environments and make creative scenes.

High Color Redering

A high CRI/TLCI rating of 96+/97+ ensures natural and faithful colors in any application.

APP Control at Ease

With Godox Light APP, all the adjustments are only a finger-tap away, making it so easy for LA Series to change brightness, color temperature, FX effects and cooperate with other LED members belonging to the Godox family.

Fast Setup, Easy Production

Weighing 1.4kg each, the LA Series is quick to be set up and transported, saving your time and energy in every production. The compact body can fit in narrow spaces nicely, so flexible to be used in small studios and home shooting.

Creative Special Light Effects

LA150D/LA200D features 8 FX light effects, including Flash 1, Flash 2, Flash 3, Storm 1, Storm 2, Storm 3, TV and broken bulb, providing more creative possibility without extra cost.

LA150Bi/LA200Bi adds another three light effects: Candle, Fire and Firework. (LA150Bi/LA200Bi¼eIt has three additional light effects.)

Infinite Light Shaping Potential

Compatible with any Bowens mount light shapers, it works perfectly with the Godox light shaping system and other mainstream modifiers in the market, exploring more light sculpting potential for your production.

With a built-in umbrella mount, getting softer lighting has never been easier.

Compatibility

Godox Litemons La200D Daylight Led Light

Godox Litemons200 Features

  • Uncompromising Brightness provides a powerful 101000 lux output at 1meter
  • 230W Max Power Point-Source LED Light
  • Color: 5600K, CRI/TLCI: 96/97
  • Beam Angle: 105°, Dims 0-100%
  • APP Remote Controllable
  • A stepless adjustment from 0 to 100% for precise control,

Regular price $427.50
Sale price $427.50 Regular price $475.00 Save 10%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Godox Litemons La200D Daylight Led Light
Godox Litemons La200D Daylight Led Light
Our Price: $427.50

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$427.50

Product Overview

Designed with the familiar monolight form factor, intuitive design, and solid core features, the Litemons LA200 Daylight LED Light from Godox is a 230W light source with max power with variable color from 5600K and a CRI/TLCI rating of 96/97 to indicate advanced accuracy in color rendering. The light is dimmable from 0 to 100%, and while you can make these adjustments locally on the fixture, you can also make them via Bluetooth with your smartphone and a free app. The Litemons LA200D has 8 built-in customizable effects, an umbrella mount, and a Bowens reflector mount for access to all Bowens light shapers as well as those from other manufacturers that use this popular mount. The Litemons is ready for worldwide use via its built-in 100-240V power supply.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post