Overview

Like its predecessor, the Godox GM6S On-Camera Monitor is a compact, 5.5" device with a lightweight design but features an updated screen with 1200 cd/m² brightness. An HDMI input and output support both DCI and UHD 4K video. A camera control interface is available to communicate settings to the camera from the monitor with separately available proprietary cables. A 3.5mm headphone jack outputs audio for monitoring on set. Up to twenty-five 3D LUTS can be loaded into the monitor using the SD card slot.

SKU: GC49-11.GM6S

Godox Gm6S 5.5 Inch Ultra Bright 4K Hdmi Monitor

Like its predecessor, the Godox GM6S On-Camera Monitor is a compact, 5.5" device with a lightweight design but features an updated screen with 1200 cd/m² brightness. An HDMI input and output support both DCI and UHD 4K video. A camera control interface is available to communicate settings to the camera from the monitor with separately available proprietary cables. A 3.5mm headphone jack outputs audio for monitoring on set. Up to twenty-five 3D LUTS can be loaded into the monitor using the SD card slot.

Multiple function buttons can be configured to toggle between different settings and image monitoring tools. A single L-series battery plate, DC input, or USB Type-C port can power the monitor depending on your needs on set. The GM6S also has a DC output port to supply 7.8V of power to additional accessories. Included with the monitor is a sun hood to improve outdoor visibility and a cold shoe mount that attaches to any of the three 1/4"-20 threads.

Features at a Glance

  • Five function keys can be custom programmed to toggle between various settings
  • Supports up to twenty-five 3D LUTs via SD card and compatible 17/32/33/64/65 cubic files
  • DC power input, USB Type-C power input, and L-series battery plate
  • Three 1/4"-20 mounting threads for accessories
  • Rec.709 color space

Image Monitoring Tools

  • Focus assist
  • Zebra
  • Waveform
  • LUT management
  • Video aspect ratio
  • Center marker
  • Safety marker
  • Image flip
  • Grid
  • Audio meter
  • False colors
  • Monochrome
  • Pixel-to-pixel
  • Zoom

Compatibility

Godox Gm6S 5.5 Inch Ultra Bright 4K Hdmi Monitor

Key Features

  • 1200 cd/m² Brightness
  • 5.5" IPS Touchscreen Display
  • DCI and UHD 4K Video Support
  • HDMI Input and Output
  • Headphone and Camera Control Ports
  • 3D LUT Import via SD Card Slot
  • Various Image Monitoring Tools
  • L-Series Battery Plate, USB Type-C Port
  • DC Input and Output Power Ports
  • Sun Hood and Cold Shoe Mount Included

Regular price $490.50
Sale price $490.50 Regular price $545.00 Save 10%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Godox Gm6S 5.5 Inch Ultra Bright 4K Hdmi Monitor
Godox Gm6S 5.5 Inch Ultra Bright 4K Hdmi Monitor
Our Price: $490.50

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$490.50

Product Overview

Like its predecessor, the Godox GM6S On-Camera Monitor is a compact, 5.5" device with a lightweight design but features an updated screen with 1200 cd/m² brightness. An HDMI input and output support both DCI and UHD 4K video. A camera control interface is available to communicate settings to the camera from the monitor with separately available proprietary cables. A 3.5mm headphone jack outputs audio for monitoring on set. Up to twenty-five 3D LUTS can be loaded into the monitor using the SD card slot.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post