SKU: GC66-EW83J In stock

Canon EW83J Lens Hood

Regular price $54.25
Sale price $54.25 Regular price $59.50 Save 9%
Pay with
Pay with

Availability

  • Availability: In stock (1 - 2 days)

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Canon EW83J Lens Hood
Canon EW83J Lens Hood
Our Price: $54.25

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock
Regular price $54.25
Sale price $54.25 Regular price $59.50
Regular price $54.25
Sale price $54.25 Regular price $59.50

Product Overview

Canon EW83J Lens Hood

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What is the purpose of the Canon EW83J Lens Hood?

The Canon EW83J Lens Hood is designed to prevent lens flare and improve image contrast by blocking stray light from entering the lens. It helps to ensure that your photographs maintain clarity and colour accuracy, especially in bright lighting conditions. Additionally, it provides a layer of protection for the lens, shielding it from accidental bumps and scratches.

How do I attach and remove the Canon EW83J Lens Hood?

To attach the Canon EW83J Lens Hood, align the hood with the lens's filter thread and twist it clockwise until it clicks into place securely. To remove it, simply twist the hood counterclockwise until it releases from the lens. It’s important to handle the hood gently to avoid any damage to the lens or hood.

Can I use the Canon EW83J Lens Hood with other lenses?

The Canon EW83J Lens Hood is specifically designed for the Canon EF-S 17-55mm f/2.8 IS USM lens. While it may fit other lenses with a similar filter thread size, using a lens hood that is not specifically designed for your lens can result in vignetting, reduced performance, or improper fit. It is recommended to use the hood intended for your specific lens model to ensure optimal results.

Does using the lens hood affect my photography in low light conditions?

In low light conditions, using a lens hood is generally not necessary, as the primary function is to prevent stray light from entering the lens. However, the hood can still provide some level of protection for the lens without impacting your ability to capture images. If you are shooting at wide apertures in low light, you may choose to remove the hood to avoid any potential obstruction.

How should I clean the Canon EW83J Lens Hood?

To clean the Canon EW83J Lens Hood, use a soft, lint-free cloth to gently wipe any dust or fingerprints from the exterior. If necessary, you can use a mild soap solution and water, but avoid using harsh chemicals that might damage the finish. Ensure that the hood is completely dry before reattaching it to the lens.

Is the Canon EW83J Lens Hood compatible with lens filters?

Yes, the Canon EW83J Lens Hood can be used with most standard filters, such as polarizers or UV filters, as long as they are mounted directly onto the lens. However, if the filter is excessively thick, it may cause vignetting or interfere with the hood's effectiveness in blocking stray light. It is advisable to test the combination to ensure optimal performance.

What materials is the Canon EW83J Lens Hood made from?

The Canon EW83J Lens Hood is typically made from high-quality, durable plastic designed to withstand daily use. This material provides both lightweight properties and adequate protection against physical impacts. The hood is designed to be robust while remaining easy to handle and transport.

Product Reviews

Verified by Trustvoice
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post