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9 products
Georges Cameras offers an extensive selection of Colour Negative 120 Film, catering to medium format photographers who seek the rich textures, vibrant colours, and superior detail that this film format provides.
Georges Cameras offers an extensive selection of Colour Negative 120 Film, catering to medium format photographers who seek the rich textures, vibrant colours, and superior detail that this film format provides.
Our range includes popular brands such as Kodak Portra, known for its exceptional skin tones and versatility; Fujifilm Pro 400H, celebrated for its vivid colour reproduction and fine grain; and Lomography Color Negative, which offers creative and experimental options with its unique colour shifts.
Colour negative 120 film is prized for its dynamic range and the ability to produce high-quality prints from negatives, making it a favourite among portrait, landscape, and fine art photographers. Whether you're a professional looking to capture the subtleties of light and shadow or an enthusiast eager to explore the depth and warmth of medium format film, our selection provides the perfect medium to bring your photographic vision to life with stunning clarity and colour fidelity.
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
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What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
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Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
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We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
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Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
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Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...
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Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
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Clyde Vaughan Guest post by Clyde Vaughan — ahead of Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...
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We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...
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Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...
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