SKU: GC35-ILMEFX3A+GC35-SELP1635G

Sony Cinema Line FX3A with FE PZ 16-35mm F4 G Lens

Regular price $6,245.56
RRP $7,398.00, now $6,245.56Save $1,152.44
Pay with
Pay with

Availability

  • Availability: Awaiting stock

This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Sony Cinema Line FX3A with FE PZ 16-35mm F4 G Lens
Sony Cinema Line FX3A with FE PZ 16-35mm F4 G Lens
Our Price: $6,245.56

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock β“˜
Regular price $6,245.56
RRP $7,398.00, now $6,245.56
Regular price $6,245.56
RRP $7,398.00, now $6,245.56

Product Overview

Sony FX3A + FE PZ 16-35mm F4 G Kit

Cinema quality in a compact rig: the Sony FX3A paired with the FE PZ 16-35mm F4 G power zoom. The FX3A is a full-frame Cinema Line camera with over 15 stops of dynamic range, dual base ISO for clean low-light footage, and 4K video at up to 120fps with built-in cooling for extended recording. The PZ 16-35mm offers smooth motorised zooming and an internal zoom design that keeps gimbals balanced, at just 350g. Ideal for gimbal work, tight interiors and cinematic wide shots.

What's in the box:

Sony FX3A Full-Frame Cinema Camera

Sony NP-FZ100 Battery (2280mAh)

Sony BC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries

Sony XLR-H1 XLR Handle Unit

Sony Body Cap

Sony M1 Accessory Shoe Cap

Sony Handle Shoe Cap

Sony Accessory Cold Shoe Kit

Sony FE PZ 16-35mm F4 G Lens

Sony ALC-F72S 72mm Front Lens Cap

Sony ALC-R1EM Rear Lens Cap

Sony ALC-SH172 Lens Hood

Sony Lens Case

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

12.1 Megapixels

The Sony Cinema Line FX3 Full Frame E-mount Camera uses a high performance BIONZ XR image-processing engine providing approx. 10.2 megapixels (effective) for movies, Approx. 12.1 megapixels (effective) for still images.

4K Video Quality

For uninterrupted 4K/60p recording, the FX3 is designed with an innovative heat dissipation system. Heatsink placement, airflow structure and a silent cooling fan work to optimise cooling even during long shoots.

Wi-Fi and Bluetooth

The Sony Cinema Line FX3 Full Frame E-mount Camera supports Wi-Fi and Bluetooth connectivity. A network connection, via Wi-Fi or wired via a USB type C connector, provides support for remote control from smartphones or tablets.

ISO 80-102400

The Sony Cinema Line FX3 Full Frame E-mount Camera has a native ISO range of 80-102400 (Movies) which can be expanded to ISO 409600.

Optional Viewfinder

The Sony FX3 doesn't have an electronic viewfinder. The camera offers zoom control for use with a servo zoom or when using Sony's digital zoom, clear zoom.

3.0" LCD Screen

The 3" (1.44 million-dot) LCD touch-screen panel features a side-opening design to allow flexible positioning and improved visibility when the camera is mounted on gimbals.

Product Specs

Download Manual

Brand

Sony

Sensor Size

Full Frame

ISO Range

80-102,400 (expandable to 409,600); dual base ISO 800 / 12,800

Dynamic Range

15+ stops

Memory Card Type

Dual CFexpress Type A / SD UHS-II

Cooling

Built-in fan for extended recording

Camera Weight

715g with battery and card

Focal Length

16-35mm (power zoom, internal zoom)

Lens Stabilisation

None (relies on in-body stabilisation)

Filter Size

72mm

Sensor Resolution

12.1 Megapixels

Lens Mount

Sony E Mount

Video Resolution

4K up to 120p 10-bit 4:2:2; S-Cinetone, S-Log3

Image Stabilisation

5-axis with Active Mode

Screen

3.0" vari-angle touchscreen (no viewfinder)

Battery

NP-FZ100

Lens

Sony FE PZ 16-35mm F4 G

Maximum Aperture

F4 constant

Minimum Focus

0.24m (wide) / 0.28m (tele)

Lens Weight

353g

New cinematic freedom.

New cinematic freedom.

Sony's FX3 Cinema Line camera brings the visions of passionate content creators to life.

High-mobility performance wherever you go

High-mobility performance wherever you go

With its compact size and light weight, the FX3 is designed for high mobility. The attached handle and cage-free accessory mounting holes make for fast setup, fluid shooting and quick pack-down.

Remote camera control and network transfer

Remote camera control and network transfer

A network connection, via Wi-Fi or wired via a USB type C connector, provides support for remote control from smartphones or tablets, with either NFC one-touch or manual pairing. Remote shooting can be controlled from a PC with Sony's Imaging Edge Desktop application, or from a mobile device with Imaging Edge Mobile. And captured still and movie files can be transferred using high-speed FTP.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Sigma 28-45mm

Sigma 28-45mm T2 FF AF Cine Review: Cinema Glass That Focuses...

The Sigma AF Cine 28-45mm T2 FF combines the optical performance of Sigma’s popular Art series with professional cinema features and reliable autofocus. In this hands-on review, Laz puts the lens through...

View post
Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360Β° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post