-v1665700116905.png?500x500&options=w_150){kind=icon}
PolarPro Chroma CP 135 Series Filter
PolarPro Chroma CP 135 Series Filter
Pete's throwback filter collection for shooting on film or digital. The Chroma CP is a staple in the film photographer's bag, from capturing high contrast black and white images to reducing reflections on vehicles, buildings, or water. By removing reflections the CP leaves behind higher contrast and increased colour depth in your image. The Chroma CP uses modern glass tech with retro-filmic branding.
Key Features:
Chroma CP Filter Reduces Glare for High-contrast Looks
Comes with a Retro-style Film Canister
Modern Chroma Glass, Classic Design
What's in the Box:
PolarPro Chroma CP 135 Series Filter
135 Series Filter
Retro Film Canister (Protective Case)
Price Match
Fill out the price match form below, and we will be in touch shortly.
Price Match
Fill out the price match form below, and we will be in touch shortly.
If you'd like to know when it's due, we're here to help!
Call us during business hours at 02 9299 0177.
Chat live with our team on-site.
Or email us anytime at info@georges.com.au with the subject "Awaiting Arrival"Checking availability...
Product Overview
PolarPro Chroma CP 135 Series Filter
Pete's throwback filter collection for shooting on film or digital. The Chroma CP is a staple in the film photographer's bag, from capturing high contrast black and white images to reducing reflections on vehicles, buildings, or water. By removing reflections the CP leaves behind higher contrast and increased colour depth in your image. The Chroma CP uses modern glass tech with retro-filmic branding.
Need advice?
Speak to one of our dedicated Australian-based sales team members.
Product Reviews
Blog posts
Beauty Lighting: How to Combine Hard and Soft Light to Make S...
A working beauty photographerβs guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
View post
Everyone Can Take a Picture. Not Everyone Can Hold the Room
What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...
Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.
View post
Learn to Get the Shot Right In-Camera
Beauty photography tips from Oliver Minnettβs Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Stop Trying to Learn Everything at Once
Beauty photography tips from Oliver Minnettβs Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier
Beauty photography tips from Oliver Minnettβs Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
How We Lit Karla Spetic's Australian Fashion Week Show with P...
We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
View post
Sony A7R VI First Thoughts: A Portrait Photographerβs Take on...
Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
View post
Mobile Podcasting Setups Explained: From First Rig to Full Pr...
Mobile podcasting isnβt about shortcuts. Itβs about picking gear that actually works, in the places podcasts actually happen. I used to chase the βbestβ setup. Turns out, the best setup is the...
View post
Rigging Up Your Sony Cinema Camera
Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
View post