-v1665700116905.png?500x500&options=w_150){kind=icon}
Phottix Odin II TTL Flash Trigger Transmitter
Phottix Odin II TTL Flash Trigger Transmitter
Compatible with i-TTL flash system and equipped with a 2.4 GHz radio system, the Odin II receiver can be used to integrate shoe-mounted flashes and studio strobes into your setup and can be triggered by the original Odin receiver or Mitros+ flash at long ditacnes. To further benefit users, it can be used in a multi-system setup that involve Odin TTL, Strato, and Strato II receivers as well as Mitros+, Indra360, and Indra 500 lights.
Key Features:
2.4 GHz Radio System
Supports Shoe-Mounted Flashes
Triggers Over Long Distances
Works with Odin TTL and Strato
Compatible with Mitros+ and Indra Lights
What's in the Box:
Phottix Odin II TTL Flash Trigger Transmitter
Price Match
Fill out the price match form below, and we will be in touch shortly.
Price Match
Fill out the price match form below, and we will be in touch shortly.
If you'd like to know when it's due, we're here to help!
Call us during business hours at 02 9299 0177.
Chat live with our team on-site.
Or email us anytime at info@georges.com.au with the subject "Awaiting Arrival"Checking availability...
Product Overview
Phottix Odin II TTL Flash Trigger Transmitter
Compatible with i-TTL flash system and equipped with a 2.4 GHz radio system, the Odin II receiver can be used to integrate shoe-mounted flashes and studio strobes into your setup and can be triggered by the original Odin receiver or Mitros+ flash at long ditacnes. To further benefit users, it can be used in a multi-system setup that involve Odin TTL, Strato, and Strato II receivers as well as Mitros+, Indra360, and Indra 500 lights.
Need advice?
Speak to one of our dedicated Australian-based sales team members.
Price Match
Fill out the price match form below, and we will be in touch shortly.
Price Match
Fill out the price match form below, and we will be in touch shortly.
Product Reviews
Blog posts
Beauty Lighting: How to Combine Hard and Soft Light to Make S...
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
View post
Everyone Can Take a Picture. Not Everyone Can Hold the Room
What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...
Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.
View post
Learn to Get the Shot Right In-Camera
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Stop Trying to Learn Everything at Once
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
How We Lit Karla Spetic's Australian Fashion Week Show with P...
We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
View post
Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...
Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
View post
Mobile Podcasting Setups Explained: From First Rig to Full Pr...
Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...
View post
Rigging Up Your Sony Cinema Camera
Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
View post
