OM SYSTEM OM-5 Mark II Mirrorless Camera Body Only
What's included (1)
Checking availability...
Availability
- Availability: Awaiting stock
This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.
- Delivery: Awaiting stock
This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.
Price Match
Fill out the price match form below, and we will be in touch shortly.

Price Match
Fill out the price match form below, and we will be in touch shortly.
If you'd like to know when it's due, we're here to help!
Call us during business hours at 02 9299 0177.
Chat live with our team on-site.
Or email us anytime at info@georges.com.au with the subject "Awaiting Arrival"Recommended accessories
View allProduct Overview
OM SYSTEM OM-5 Mark II Mirrorless Camera Body Only
Returning to the light footprint and high-res imaging standards OM System is known for, the second-generation OM-5 Mark II Mirrorless Camera boasts improvements in comfort and convenience to reassert itself at the apex of adventure-friendly cameras.
Returning to the light footprint and high-res imaging standards OM System is known for, the second-generation OM-5 Mark II Mirrorless Camera boasts improvements in comfort and convenience to reassert itself at the apex of adventure-friendly cameras.
USB-C Charging
The OM-5 Mark II has a USB-C port allowing both power delivery and high-speed transfer of photos and video. The new port also makes it possible to use portable power banks, available separately, to charge the camera on the go for all-day shooting in any environment.
Computational Photography Button
The computational photography button, located on the camera's top plate next to the shutter release button, gives the user direct access to a wide array of creative tools, such as High-Res Shot, Live ND, Focus Stacking, HDR, and Multiple Exposure modes without having to enter the menu.
New Shooting Modes
Two new creative shooting modes were designed specifically to aid low-light shooters:
Night Vision mode brings out the details of a scene shrouded in darkness, clearly displaying both the night sky and the foreground and simplifying composition.
Hand Held Assist allows users to gauge the stability of handheld long exposures in real time.
New Colour Profiles
The OM-5 features two new video colour profiles, the OM Cinema 1 & 2, meant to help the user achieve a cinematic look to video footage without requiring special processing or grading.
OM SYSTEM Menu
Introduced in the OM-1 Mark II and the OM-3, the OM-5 Mark II now carries the company's newest menu system, a much-lauded and intuitive organisation of features and settings that's easy to understand, even for first-time users.
Improved Grip
The OM-5 Mark II features a more pronounced handgrip, giving users a superior hold benefitting one-handed use.
20.4MP Live MOS Sensor and TruePic IX Image Processor
The original's 20.4MP Live MOS sensor and TruePic IX image processor return, working together to provide fast shooting performance, a sensitivity range up to ISO 25600, 4K video recording capabilities, and a continuous shooting rate of up 30 fps when shooting in the camera's Pro Capture mode, which enables users to half-press the shutter button to begin capturing fast-moving subjects before normal shooting begins.
121-Point All Cross-Type Phase-Detection AF
An advanced autofocus system combines both 121 phase-detection AF points and 121 contrast-detection AF points for focusing performance that is both quick and accurate.
All 121 phase-detection points are cross-type for improved precision in mixed lighting conditions, providing enhanced subject tracking capabilities.
Different focusing modes are available to suit working in various shooting conditions as well, including Group Target 25-point mode for moving subjects such as birds and wildlife.
Face and Eye subject detection modes are available, as well as Starry Sky AF mode as well as individual AF area settings for vertical and horizontal positions.
5-Axis Sensor-Shift Image Stabilisation
In-body, sensor-shift image stabilisation helps to minimise the appearance of camera shake by up to 6.5 stops with any lens in use and compensates for camera movements that become especially noticeable when working with telephoto shots, macro imagery, and long exposures.
The image stabilisation system works across five axes to compensate for vertical angle rotation, horizontal angle rotation, horizontal shift, vertical shift, and rolling camera shake movement.
When paired with select lenses featuring optical image stabilisation, shake compensation up to 7.5 stops is possible.
The system benefits use with the High-Res Shot and Hand Held Assist shooting modes, allowing you to capture sharp images with incredible detail, even in low light.
DCI and UHD 4K Video Recording and OM-Log400
The sensor and processor also support recording both DCI (4096 x 2160) and UHD (3840 x 2160) 4K movies.
When working in DCI, a true 24p frame rate is used, while UHD 4K is available in frame rates up to 30p.
Audio recording is possible using the built-in stereo microphone, and an external mic jack is available for improved audio recording quality.
Limitless video recording is possible, within the constraints of storage and battery.
Time-lapse Movie mode is also available for recording up to 4K UHD resolution.
The camera can be used as a UVC/UAC web camera when connected to a compatible device via USB-C cable.
The rear LCD shows a red Recording rectangle when live capturing footage, and a red indicator lamp on the front of the camera lights up during recording as well.
Creative Shooting Modes
In addition to Night Mode and Hand Held Assist, the OM-5 Mark II carries a variety of creative shooting modes:
Simulating the effects of a neutral density filter, Live ND 16 mode results in blurred subject movement by combining exposures into a single image to replicate a photo taken at slower shutter speeds. This is particularly suitable for photographing moving water and clouds.
Focus stacking mode records multiple sequential frames then composites the exposures into a single image that exhibits an extended depth of field.
High-Res Shot mode offers the equivalent output of a 50MP image in handheld mode, and an 80MP image using a tripod.
Live Composite mode gradually builds up an exposure over time without overexposing key elements within the frame and is ideal for long exposures, nighttime shooting, and light painting applications.
Vertical Video mode provides a 9:16 aspect ratio for easily integrating videos on Facebook, Instagram, YouTube, and other similar platforms.
Designed for the Elements
IP53-rated, the OM-5 Mark II offers superior weather protection and withstands some of the harshest conditions in the field. Its tough construction renders the camera freezeproof, dust and splash-resistant, and operable at temperatures as low as 14°F.
Body Design and Connectivity
High-resolution 2.36m-dot electronic viewfinder for eye-level monitoring and clear, distortion-free viewing.
Rear 3.0" 1.04m-dot LCD monitor features a vari-angle design to support working from a variety of angles, and it is also a touchscreen for intuitive menu navigation and image playback.
Included BLS-50 rechargeable lithium-ion battery provides approximately 310 shots per charge.
Single SD memory card slot is UHS-II compatible for fast read/write speeds.
Wide accessory compatibility provided with the incorporation of a microphone port, a top hot shoe, micro-USB and micro-HDMI ports, and a 2.5mm port for optional remotes.
Built-in Wi-Fi and Bluetooth permits wireless image sharing and remote camera control from a linked smartphone or tablet.
Key Features:
20.4MP Live MOS Sensor
TruePic IX Image Processor
DCI 4K and UHD Recording
5-Axis Sensor-Shift Stabilisation
IP53 Weather-Sealed Construction
121-Point Hybrid AF System
SD Memory Card Slot
2.36m-Dot Eye-Level EVF
3.0" 1.04m-Dot Vari-Angle LCD
Wi-Fi and Bluetooth Connectivity
What's in the box:
OM SYSTEM OM-5 Mark II Mirrorless Camera Body Only
USB-A to USB-C Cable
Shoulder Strap

Need advice?
Speak to one of our dedicated Australian-based sales team members.
Key Features
20.4 Megapixels
OM SYSTEM OM-5 Mark II Mirrorless Camera capture stunning high resolution images with the 20.4MP CMOS sensor
DCI & UHD 4K
OM SYSTEM OM-5 Mark II Mirrorless Camera records DCI and UHD 4K video for sharp, high-detail footage suited to cinematic and broadcast-quality production.
ISO 200-25,600
OM SYSTEM OM-5 Mark II Mirrorless Camera offers a versatile ISO range of 200–25,600 for excellent low-light performance and flexible shooting in various conditions.
Electronic Viewfinder
OM SYSTEM OM-5 Mark II Mirrorless Camera features a high-resolution electronic viewfinder for precise framing and clear image preview in any lighting.
Vari-Angle Touchscreen LCD
OM SYSTEM OM-5 Mark II Mirrorless Camera has a 3.0' vari-angle touchscreen LCD for flexible shooting angles and intuitive control.
Weather-Sealed Body
OM SYSTEM OM-5 Mark II Mirrorless Camera features a weather-sealed body for reliable performance in challenging conditions.

Compact Power, Stunning Shots
OM SYSTEM OM-5 Mark II Mirrorless Camera

Capture every split second
Whether it's a quick wildlife snap or fast-paced action, the OM-5 Mark II's 121 AF points, 30fps shooting, and Pro Capture make sure you nab every adventure in brilliant detail.
Unmatched image quality
Experience brilliant clarity, even in tough conditions. The OM-5 Mark II pairs a powerful sensor and processor with advanced image stabilisation and top-notch lenses-delivering crisp, vibrant results wherever your adventure leads you.
Image Gallery
Product Reviews
Recommended Accessories
Blog posts
Sigma 28-45mm T2 FF AF Cine Review: Cinema Glass That Focuses...
The Sigma AF Cine 28-45mm T2 FF combines the optical performance of Sigma’s popular Art series with professional cinema features and reliable autofocus. In this hands-on review, Laz puts the lens through...
View post
Insta360 X6 Review: 500 km Across the Simpson Desert
We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...
View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?
Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...
View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...
If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...
View post
The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...
Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.
View post
Beauty Lighting: How to Combine Hard and Soft Light to Make S...
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
View post
Everyone Can Take a Picture. Not Everyone Can Hold the Room
What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...
Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.
View post
Learn to Get the Shot Right In-Camera
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
Stop Trying to Learn Everything at Once
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post




































