SKU: GC11-N-485843

NiSi Lens Cap for 14mm ATHENA Cinema Lens T2.4

Regular price $31.99
RRP $39.99, now $31.99Save $8
Pay with
Pay with

Availability

  • Availability: In-Stock at Warehouse (4 - 8 days)

Available to order, ready to pick up in-store within 4 - 8 days.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
NiSi Lens Cap for 14mm ATHENA Cinema Lens T2.4
NiSi Lens Cap for 14mm ATHENA Cinema Lens T2.4
Our Price: $31.99

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $31.99
RRP $39.99, now $31.99
Regular price $31.99
RRP $39.99, now $31.99

Product Overview

NiSi Lens Cap for 14mm ATHENA Cinema Lens T2.4

Grab a Replacement NiSi Lens Cap for ATHENA Prime Cinema Lens

Fluorescent Paint for Focal Length Visibility

Never lose sight of your lens' focal length again! The NiSi ATHENA Lens Cap is a game-changer for photographers and filmmakers. Its innovative fluorescent paint markings illuminate in low-light conditions, making it effortless to identify the focal lengths of your lenses. Say goodbye to fumbling in the dark and missing that perfect shot. Whether you're shooting in a dimly lit studio or under the stars, this lens cap ensures you can quickly grab the right lens and focus on capturing every moment with precision.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What makes the fluorescent paint markings on the NiSi Lens Cap beneficial for filmmakers and photographers?

The fluorescent paint markings on the NiSi Lens Cap are particularly beneficial for filmmakers and photographers who often work in low-light conditions. These markings illuminate, allowing you to easily identify the focal lengths of your lenses without needing additional light sources. This feature helps you save time and ensures you can quickly switch lenses or make adjustments without disrupting your creative process.

How does the premium aluminum construction of the NiSi Lens Cap contribute to lens protection?

The premium aluminum construction of the NiSi Lens Cap provides exceptional durability and strength, making it highly effective in protecting your lenses from physical damage during transport and storage. Unlike plastic caps, the aluminum design is less prone to cracking or breaking, ensuring your lens remains safe even in challenging environments. This level of protection is crucial for maintaining the integrity of your valuable gear.

What advantages does the knurling grip design offer when using the NiSi Lens Cap?

The knurling grip design on the top of the NiSi Lens Cap offers significant advantages in terms of usability. It provides a secure grip that allows for quick and hassle-free removal of the cap, which is essential when you're in the middle of a shoot and need to change lenses rapidly. This thoughtful design element minimizes the risk of dropping or losing the cap, allowing you to focus more on your creative work.

How does the protective foam lining inside the lens cap enhance lens safety?

The protective foam lining inside the NiSi Lens Cap adds an extra layer of safety for your lenses. This soft material helps absorb shocks and prevents dust and scratches from accumulating on the lens surface when the cap is applied. By providing this additional cushioning, the foam lining ensures that your lenses remain in pristine condition, ready for optimal performance whenever you need them.

Is the NiSi Lens Cap compatible with other lens brands besides NiSi ATHENA Cinema Prime Lenses?

The NiSi Lens Cap is specifically designed for NiSi ATHENA Cinema Prime Lenses. While its size and design may be compatible with other lenses, it is best to use the cap with the intended lens to ensure a secure fit and effective protection. If you have other lenses, it is advisable to check their specifications and dimensions to ensure compatibility before using the NiSi Lens Cap.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Sigma 28-45mm

Sigma 28-45mm T2 FF AF Cine Review: Cinema Glass That Focuses...

The Sigma AF Cine 28-45mm T2 FF combines the optical performance of Sigma’s popular Art series with professional cinema features and reliable autofocus. In this hands-on review, Laz puts the lens through...

View post
Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post