SKU: GC07-VEIB2728SE

Laowa 27mm T2.8 Interchangeable Bayonet - (Cine) Sony E

Regular price $107.25
RRP $119.00, now $107.25Save $11.75
Pay with
Pay with

Availability

  • Availability: Awaiting stock

This item is currently on backorder. To secure your allocation from the next shipment, please place a pre-order. Contact us for estimated arrival.

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Laowa 27mm T2.8 Interchangeable Bayonet - (Cine) Sony E
Laowa 27mm T2.8 Interchangeable Bayonet - (Cine) Sony E
Our Price: $107.25

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ
Regular price $107.25
RRP $119.00, now $107.25
Regular price $107.25
RRP $119.00, now $107.25

Product Overview

Use your Laowa Nanomorph anamorphic cine lens on a variety of cameras using this Laowa Nanomorph 27mm T2.8 Interchangeable Bayonet from Venus Optics. This Sony E mount bayonet is designed to easily swap with the original mount on your 27mm T2.8 anamorphic lens. The included hardware kit makes it easy for the end user to change out the mount.

What's in the box:

Venus Optics Laowa Nanomorph 27mm T2.8 Interchangeable Bayonet (Sony E)

Mounting Kit

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What are the benefits of using an interchangeable bayonet for my Laowa 27mm T2.8 lens?

The interchangeable bayonet provides versatility, allowing you to use your Laowa 27mm T2.8 anamorphic lens across different camera systems. This flexibility means you can adapt your lens for various shooting scenarios without needing to invest in multiple lenses, ultimately saving you time and money while enhancing your creative potential.

How easy is it to swap the bayonet mount on the Laowa 27mm T2.8 lens?

Swapping the bayonet mount is designed to be user-friendly. The hardware kit included with the bayonet allows for a straightforward installation process without requiring specialised tools or technical expertise. This means you can quickly change mounts on location, ensuring that you always have the right setup for your shoot.

Will this bayonet mount affect the optical performance of the Laowa 27mm T2.8 lens?

No, using the Laowa interchangeable bayonet will not affect the optical performance of your lens. The design ensures a secure fit that maintains the alignment and integrity of the optical elements. Thus, you can expect consistent image quality whether you are shooting with the Sony E mount or other compatible systems.

What types of cameras can I use with the Laowa 27mm T2.8 Interchangeable Bayonet?

The Laowa 27mm T2.8 Interchangeable Bayonet is specifically designed for Sony E mount cameras. However, by swapping the bayonet, you can adapt the lens to other systems supported by Laowa's interchangeable mounts, expanding your shooting options and allowing creative flexibility across different camera brands.

Is there any maintenance required for the bayonet mount?

Regular maintenance is minimal for the bayonet mount. It is advisable to keep the contact points clean and free of dust or debris to ensure optimal performance. Additionally, periodically check the screws to make sure they are securely fastened, especially if you frequently swap the mount.

Can I use the Laowa 27mm T2.8 lens with a speed booster or adapter?

Yes, you can use the Laowa 27mm T2.8 lens with a speed booster or other adapters, provided they are compatible with the Sony E mount. This can enhance your lens's performance, such as increasing the effective aperture or allowing for greater compatibility with other camera systems, making it a versatile choice for filmmakers.

How does the Laowa 27mm T2.8 lens compare to other lenses in its category?

The Laowa 27mm T2.8 lens stands out due to its anamorphic design, which offers unique visual characteristics such as a wider field of view and distinctive bokeh effects that are highly sought after in cinematic production. Compared to standard lenses, the Laowa lens provides a creative edge, making it ideal for filmmakers looking to achieve a specific aesthetic in their work.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Sigma 28-45mm

Sigma 28-45mm T2 FF AF Cine Review: Cinema Glass That Focuses...

The Sigma AF Cine 28-45mm T2 FF combines the optical performance of Sigma’s popular Art series with professional cinema features and reliable autofocus. In this hands-on review, Laz puts the lens through...

View post
Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post