Overview

The Godox DP400III-V Professional Studio Flash with LED Modelling Lamp is a full-featured 400Ws mono-light with ample professional and convenience features. The head has a color temperature of 5600K, a fast recycle time to full power of just 1 second, and flash durations from 1/800 to an action-stopping 1/2000 sec. Power is variable from 1/64 to full power, while the DP400III's 150W LED COB modelling can be set to a percentage or proportional to the flash power to allow you to accurately preview your final shot.

SKU: GC49-11.DP400III-V

Godox Dp400Iii-V Studio Flash 400Ws Led Modeling

The Godox DP400III-V Professional Studio Flash with LED Modelling Lamp is a full-featured 400Ws mono-light with ample professional and convenience features. The head has a color temperature of 5600K, a fast recycle time to full power of just 1 second, and flash durations from 1/800 to an action-stopping 1/2000 sec. Power is variable from 1/64 to full power, while the DP400III's 150W LED COB modelling can be set to a percentage or proportional to the flash power to allow you to accurately preview your final shot.

All of these functions can not only be made manually on the unit, but also wirelessly via the head's built-in X System receiver. Remote operation requires separate purchase of an X2, XPro, XT32, or FT-16 transmitter, which will provide wireless control of power, modelling light, and ready beep signal. The DP400III has a Bowens front accessory mount that makes it compatible not only with Godox light shapers, but with those made by the many manufacturers who use this popular mount.

Compatibility

Godox Dp400Iii-V Studio Flash 400Ws Led Modeling

Key Features

  • Built-in wireless system to control flash power, On/Off, modeling lamp, and beep indicator (requires optional trigger)
  • 32 Channels, 16 groups
  • Compatible with X2, XPro, XT32, FT-16 flash triggers
  • 1/64-1/1 Flash power control
  • 150W LED COB modeling lamp
  • Bowens front accessory mount
  • Auto recovery of adjusted settings after restart

Regular price $328.50
Sale price $328.50 Regular price $365.00 Save 10%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Godox Dp400Iii-V Studio Flash 400Ws Led Modeling
Godox Dp400Iii-V Studio Flash 400Ws Led Modeling
Our Price: $328.50

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$328.50

Product Overview

The Godox DP400III-V Professional Studio Flash with LED Modelling Lamp is a full-featured 400Ws mono-light with ample professional and convenience features. The head has a color temperature of 5600K, a fast recycle time to full power of just 1 second, and flash durations from 1/800 to an action-stopping 1/2000 sec. Power is variable from 1/64 to full power, while the DP400III's 150W LED COB modelling can be set to a percentage or proportional to the flash power to allow you to accurately preview your final shot.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post