Overview

Easyrig Minimax with Stabil Light Stabiliser with Quick Release Camera System

With Easyrig's new Minimax, the new and improved spring system has resulted in a significantly smoother running of the support rope, specifically to the beginning and end of the rope's travel. This is down to a revolutionary a conical wheel that unrolls the rope. Working in conjunction with this, Easyrig have also reduced the friction through the entire support process resulting in a much more fluid feel and operation.

SKU: GC144-MM100STL

Easyrig Minimax with Stabil Light Stabiliser with Quick Release Camera System

Easyrig Minimax with Stabil Light Stabiliser with Quick Release Camera System

With Easyrig's new Minimax, the new and improved spring system has resulted in a significantly smoother running of the support rope, specifically to the beginning and end of the rope's travel. This is down to a revolutionary a conical wheel that unrolls the rope. Working in conjunction with this, Easyrig have also reduced the friction through the entire support process resulting in a much more fluid feel and operation.

The new Easyrig Minimax also has an new overload protection system. If the user overloads the spring system a tripping mechansim will activate. This means the spring will not be broken if you use too heavy a camera.

Another major difference from the previous model Easyrig Mini is the pivoting upper arm which is now similar to big brother Easyrig 3 Cinema.

The Easyrig Minimax has been created specifically with the latest generation of light weight cameras in mind and offers the same innovative features as its larger brother - The Easyrig.

The ergonomically designed Easyrig Minimax is the most comfortable way to support your camera and eliminates the fatigue associated with long periods of hand held operation. It is the perfect partner for compact video cameras, video DSLRs and lightweight film cameras.

What's in the Box:

Easyrig Minimax with Stabil Light Stabiliser with Quick Release Camera System

Regular price $3,514.00
Sale price $3,514.00 Regular price $3,515.00 Save 0%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Easyrig Minimax with Stabil Light Stabiliser with Quick Release Camera System
Easyrig Minimax with Stabil Light Stabiliser with Quick Release Camera System
Our Price: $3,514.00

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$3,514.00

Product Overview

Easyrig Minimax with Stabil Light Stabiliser with Quick Release Camera System

With Easyrig's new Minimax, the new and improved spring system has resulted in a significantly smoother running of the support rope, specifically to the beginning and end of the rope's travel. This is down to a revolutionary a conical wheel that unrolls the rope. Working in conjunction with this, Easyrig have also reduced the friction through the entire support process resulting in a much more fluid feel and operation.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post