SKU: GC49-24.AP20337A22 In stock

Aputure Storm 1000C Colour LED Light

Regular price $4,602.74
RRP $5,100.00, now $4,602.74Save $497.26
Pay with
Pay with

Discount applies only while stock lasts.

Availability

  • Availability: In stock (1 - 2 days)

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Aputure Storm 1000C Colour LED Light
Aputure Storm 1000C Colour LED Light
Our Price: $4,602.74

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
In Stock
Regular price $4,602.74
RRP $5,100.00, now $4,602.74
Regular price $4,602.74
RRP $5,100.00, now $4,602.74

Product Overview

Aputure Storm 1000C Bi-Colour LED Light

Introducing the Aputure STORM 1000c, the latest addition to the STORM family of high-performance point-source fixtures. As a 1000W colour-tunable point source fixture featuring our revolutionary BLAIR-CG LED chipset and ProLock mount, the STORM 1000c offers unparalleled colour accuracy, advanced white-point control, and secure modifier mounting. Whether on a high-end film set or a small-crew video production, this versatile fixture delivers the power and precision required for any professional application.

What's in the box:

Aputure Storm 1000C Bi-Colour LED Light

STORM 1000c Lamp Head With Yoke

STORM 1000c Control Box

45° Hyper Reflector

Neutrik PowerCon AC Power Cable (6m)

Head Cable (75m)

Rolling Case

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

FAQs

What are the advantages of the BLAIR-CG LED chipset in the Aputure Storm 1000C?

The BLAIR-CG LED chipset in the Aputure Storm 1000C provides distinct advantages in terms of colour accuracy and brightness. This advanced chipset utilises a combination of diodes in various colours, including Blue, Lime, Amber, Indigo, Red, Cyan, and Green, allowing for exceptional colour mixing. This results in a wider colour gamut and more vibrant hues, making it ideal for filmmakers who require precise colour representation in their work. The enhanced brightness, achieving up to 14,200 lux at 1m, ensures that the light can perform effectively in diverse shooting environments.

How does the CCT range of 1800K to 20,000K benefit my production?

The extensive CCT range of 1800K to 20,000K offered by the Storm 1000C allows you to adapt the lighting to various shooting scenarios, from warm candlelight to cool daylight conditions. This versatility is crucial for achieving the desired atmosphere and mood in your scenes. Additionally, the advanced white-point control with ±G 100% green-magenta adjustment ensures that the white balance remains accurate, regardless of the temperature setting, which is vital for maintaining colour consistency across different shots.

What makes the ProLock mount system effective for modifiers?

The ProLock mount system on the Aputure Storm 1000C is designed to provide a secure and stable connection for optical modifiers, reducing the likelihood of misalignment or adjustments during use. This ensures that modifiers like projector lenses and fresnels maintain optimal performance throughout the shoot. The secure attachment also allows for quick changes between different modifiers, making it easier for filmmakers to adapt to varying lighting requirements on set.

Can the Storm 1000C be used in outdoor or adverse weather conditions?

Yes, the Aputure Storm 1000C features an IP65 weather resistance rating, making it suitable for outdoor use and capable of withstanding rain, dust, and other challenging environmental conditions. This durability gives filmmakers the confidence to use the light in various outdoor scenarios without worrying about damage from the elements. Whether shooting in a studio or on location, the Storm 1000C is designed to perform reliably.

What control options are available with the Storm 1000C?

The Storm 1000C offers multiple control options, catering to various production setups and workflows. It can be controlled via Sidus Link and Sidus Link Pro apps, LumenRadio CRMX, Art-Net, and sACN through etherCON connectivity, as well as 16-bit DMX512 compatibility. This range of control methods allows for seamless integration into existing lighting rigs and provides flexibility for both individual and multi-light setups, enabling precise adjustments and coordination during shoots.

How does the dimming feature work in the Storm 1000C?

The Aputure Storm 1000C features smooth stepless dimming from 0.1% to 100%, allowing for precise control over the light output. This flexibility is essential for achieving the desired exposure and mood in your scenes. The light also delivers flicker-free performance even at extremely low output levels, which is particularly advantageous for high-speed filming or when subtle lighting adjustments are needed without introducing flicker or instability in the light's output.

Product Reviews

Verified by Trustvoice

Recommended Accessories

Sigma 28-45mm

Sigma 28-45mm T2 FF AF Cine Review: Cinema Glass That Focuses...

The Sigma AF Cine 28-45mm T2 FF combines the optical performance of Sigma’s popular Art series with professional cinema features and reliable autofocus. In this hands-on review, Laz puts the lens through...

View post
Insta360 C6

Insta360 X6 Review: 500 km Across the Simpson Desert

We put the Insta360 X6 to the ultimate test across 500 km of the Simpson Desert! From stunning low-light footage and 8K 360° video to replaceable lenses and wireless audio, discover how...

View post
Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Canon G7 X Mark III vs Fujifilm X100VI: Which Should You Buy?

Compare the Canon PowerShot G7 X Mark III vs Fujifilm X100VI in our real-world camera comparison. Discover the differences in image quality, low-light performance, colour, video features, zoom, and price to find...

View post
Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-C Zoom Should You Buy?

Tamron 16-50mm F2.8 vs Sigma 18-50mm F2.8: Which Compact APS-...

If you shoot on an APS-C mirrorless camera and want one lens that stays on the body most of the time, there's a good chance the Sigma 18-50mm F2.8 DC DN Contemporary...

View post
PTZ Cameras

The Ultimate Guide to PTZ Cameras: Choosing the Right Setup f...

Compare Canon, Sony, BirdDog and Telycam PTZ cameras on image quality, tracking, zoom and value. Find the right setup for your production at Georges Cameras.

View post
Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post