-v1665700116905.png?500x500&options=w_150){kind=icon}
Aputure Spotlight Mount II 3-Lens Hard Case
Aputure Spotlight Mount II 3-Lens Hard Case
The Aputure Spotlight Mount II 3-Lens Hard Case is a rugged protective transport solution purpose-built to securely store and organise up to three Spotlight Mount II projection lenses alongside the Spotlight Mount II Iris accessory. Featuring a durable hard-shell exterior and precision-cut custom foam interior, the case helps protect delicate optical components from impacts, dust, and movement during travel or on-location production work. Designed for filmmakers, lighting technicians, and rental environments, it offers efficient organisation while maintaining quick access to essential projection accessories, making it an ideal companion for safely transporting Spotlight Mount II lens kits between shoots and studio setups.
Key Features:
Rugged Hard-shell Protection
Stores Three Projection Lenses
Precision-cut Foam Interior
Secure Accessory Organisation
Ideal for Location Transport
What's in the Box:
Aputure Spotlight Mount II 3-Lens Hard Case
Price Match
Fill out the price match form below, and we will be in touch shortly.
Price Match
Fill out the price match form below, and we will be in touch shortly.
If you'd like to know when it's due, we're here to help!
Call us during business hours at 02 9299 0177.
Chat live with our team on-site.
Or email us anytime at info@georges.com.au with the subject "Awaiting Arrival"Checking availability...
Product Overview
Aputure Spotlight Mount II 3-Lens Hard Case
The Aputure Spotlight Mount II 3-Lens Hard Case is a rugged protective transport solution purpose-built to securely store and organise up to three Spotlight Mount II projection lenses alongside the Spotlight Mount II Iris accessory. Featuring a durable hard-shell exterior and precision-cut custom foam interior, the case helps protect delicate optical components from impacts, dust, and movement during travel or on-location production work. Designed for filmmakers, lighting technicians, and rental environments, it offers efficient organisation while maintaining quick access to essential projection accessories, making it an ideal companion for safely transporting Spotlight Mount II lens kits between shoots and studio setups.
Need advice?
Speak to one of our dedicated Australian-based sales team members.
Price Match
Fill out the price match form below, and we will be in touch shortly.
Price Match
Fill out the price match form below, and we will be in touch shortly.
Product Reviews
Blog posts
Beauty Lighting: How to Combine Hard and Soft Light to Make S...
A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.
View post
Everyone Can Take a Picture. Not Everyone Can Hold the Room
What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...
View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier
Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.
View post
How We Lit Karla Spetic's Australian Fashion Week Show with P...
We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!
View post
Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...
Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...
View post
Mobile Podcasting Setups Explained: From First Rig to Full Pr...
Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...
View post
Rigging Up Your Sony Cinema Camera
Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....
View post
What Makes a Good Photographer? A Portfolio Deconstruction
Clyde Vaughan Guest post by Clyde Vaughan — ahead of Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...
View post
The End of the Generator? Hands-on with the DJI Power 2000
We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...
View post
Why 2026 Might be the year to change from DSLR to Mirrorless
Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...
View post
