Overview

Angelbird 256GB AV Pro AR CFast 2.0 Memory Card

Certified by ARRI for their AMIRA and ALEXA Mini cameras, the 256GB AV Pro AR CFast 2.0 Memory Card from Angelbird utilises the SATA III 6 Gb/s interface. It can handle raw video and features maximum read speeds of 550 MB/s, maximum write speeds of 450 MB/s, sustained read speeds of 530 MB/s, sustained write speeds of 430 MB/s, and Stable Stream technology, which provides uninterrupted read/write performance through the entire capacity of the card. Moreover, it complies with the VPG-130 spec, which guarantees that write speeds will not drop below 130 MB/s. Also featured is over provisioning of ~7.6%, TRIM, EDC/ECC for data reliability, EMS protection, a built-in cache, and SMART technology.

SKU: GC47-ABD-AVP256CFAR

Angelbird 256GB AV Pro AR CFast 2.0 Memory Card

Angelbird 256GB AV Pro AR CFast 2.0 Memory Card

Certified by ARRI for their AMIRA and ALEXA Mini cameras, the 256GB AV Pro AR CFast 2.0 Memory Card from Angelbird utilises the SATA III 6 Gb/s interface. It can handle raw video and features maximum read speeds of 550 MB/s, maximum write speeds of 450 MB/s, sustained read speeds of 530 MB/s, sustained write speeds of 430 MB/s, and Stable Stream technology, which provides uninterrupted read/write performance through the entire capacity of the card. Moreover, it complies with the VPG-130 spec, which guarantees that write speeds will not drop below 130 MB/s. Also featured is over provisioning of ~7.6%, TRIM, EDC/ECC for data reliability, EMS protection, a built-in cache, and SMART technology.

This CFast 2.0 card has been built with protection against ESD overloads, x-rays, and magnets, as well as a shock resistance of 50 g, a vibration resistance of 3.1 g, and is able to withstand temperatures ranging from 32 to 158°F while operational, or -40 to 185°F while being stored. While being stored, it can also retain data for up to 10 years at 77°F.

Key Features:

Certified for ARRI AMIRA and ALEXA Mini

256GB Storage Capacity

SATA III 6 Gb/s Interface

Maximum Read Speed: 550 MB/s

Maximum Write Speed: 450 MB/s

Minimum Write Speed: 130 MB/s

Magnetic & X-Ray Proof

Temperature, Shock, Vibration Resistant

ESD & Overload Protection

Built-In EDC / ECC Data Reliability

What's in the Box:

Angelbird 256GB AV Pro AR CFast 2.0 Memory Card

Regular price $1,398.80
Sale price $1,398.80 Regular price $1,345.00
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Angelbird 256GB AV Pro AR CFast 2.0 Memory Card
Angelbird 256GB AV Pro AR CFast 2.0 Memory Card
Our Price: $1,398.80

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock ⓘ

Checking availability...

$1,398.80

Product Overview

Angelbird 256GB AV Pro AR CFast 2.0 Memory Card

Certified by ARRI for their AMIRA and ALEXA Mini cameras, the 256GB AV Pro AR CFast 2.0 Memory Card from Angelbird utilises the SATA III 6 Gb/s interface. It can handle raw video and features maximum read speeds of 550 MB/s, maximum write speeds of 450 MB/s, sustained read speeds of 530 MB/s, sustained write speeds of 430 MB/s, and Stable Stream technology, which provides uninterrupted read/write performance through the entire capacity of the card. Moreover, it complies with the VPG-130 spec, which guarantees that write speeds will not drop below 130 MB/s. Also featured is over provisioning of ~7.6%, TRIM, EDC/ECC for data reliability, EMS protection, a built-in cache, and SMART technology.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Beauty Photo of Sienna Etches

Beauty Lighting: How to Combine Hard and Soft Light to Make S...

A working beauty photographer’s guide to combining hard and soft light, beauty dish vs softbox, grids, negative fill and a clamshell setup you can copy, for skin that pops.

View post
Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Super-Telephoto Lens

Beyond Reach: My Experience With the Fujifilm XF400mmF4.5 Sup...

Explore our hands-on experience with the Fujifilm XF400mmF4.5, covering its sharpness, autofocus, reach and performance for sport, wildlife, landscapes and portraits.

View post
Learn to Get the Shot Right In-Camera

Learn to Get the Shot Right In-Camera

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Stop Trying to Learn Everything at Once

Stop Trying to Learn Everything at Once

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post