Overview

NiSi Cinema 4×5.65" (12mm) True Colour Variable ND 1-5 Stops (0.3-1.5) Filter

The NiSi Cinema 4 x 5.65" (12mm) Variable Neutral Density 0.3-1.5 (1-5 Stops) Filter is a variable natural density filter with the range of 0.3-1.5 or 1-5 stops. It darkens the entire image, allowing a cinematographer to shoot with a wider aperture or slower shutter speed. The degree of density is easily controlled by rotating the gear or combining a large lens motor to control the density. The aluminum and glass filter is 12mm thick and occupies two filter slots in a compatible 4 x 5.65" matte box or can be used without a matte box. It offers 1 to 5 stops of neutral-Colour light reduction and features NiSi's optical glass. The gear features stop marks to identify the density.

SKU: GC11-N-998476

NiSi Cinema 4×5.65" (12mm) True Colour Variable ND 1-5 Stops (0.3-1.5) Filter

NiSi Cinema 4×5.65" (12mm) True Colour Variable ND 1-5 Stops (0.3-1.5) Filter

The NiSi Cinema 4 x 5.65" (12mm) Variable Neutral Density 0.3-1.5 (1-5 Stops) Filter is a variable natural density filter with the range of 0.3-1.5 or 1-5 stops. It darkens the entire image, allowing a cinematographer to shoot with a wider aperture or slower shutter speed. The degree of density is easily controlled by rotating the gear or combining a large lens motor to control the density. The aluminum and glass filter is 12mm thick and occupies two filter slots in a compatible 4 x 5.65" matte box or can be used without a matte box. It offers 1 to 5 stops of neutral-Colour light reduction and features NiSi's optical glass. The gear features stop marks to identify the density.

The NiSi Cinema 4 x 5.65" (12mm) Variable Neutral Density 0.3-1.5 (1-5 Stops) Filter includes a 15mm support rod to mount the lens motor and soft case.

Please note the matte box and lens motor in the images are to demonstrate the use and are not included.

Key Features:

Variable 0.3-1.5 Neutral Density Filter

Reduces Exposure by 1 to 5 Stops

Uses two filter slots in 4 x 5.65" Matte Box

Features a Focus Control Gear with Stop Marks to Attach a Large Lens Motor that can Control the Density of the Filter

Supports Large Lens Motors

12mm in Thickness

Includes 15mm Support Rod

Regular price $1,189.15
Sale price $1,189.15 Regular price $1,399.00 Save 15%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
NiSi Cinema 4×5.65
NiSi Cinema 4×5.65" (12mm) True Colour Variable ND 1-5 Stops (0.3-1.5) Filter
Our Price: $1,189.15

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$1,189.15

Product Overview

NiSi Cinema 4×5.65" (12mm) True Colour Variable ND 1-5 Stops (0.3-1.5) Filter

The NiSi Cinema 4 x 5.65" (12mm) Variable Neutral Density 0.3-1.5 (1-5 Stops) Filter is a variable natural density filter with the range of 0.3-1.5 or 1-5 stops. It darkens the entire image, allowing a cinematographer to shoot with a wider aperture or slower shutter speed. The degree of density is easily controlled by rotating the gear or combining a large lens motor to control the density. The aluminum and glass filter is 12mm thick and occupies two filter slots in a compatible 4 x 5.65" matte box or can be used without a matte box. It offers 1 to 5 stops of neutral-Colour light reduction and features NiSi's optical glass. The gear features stop marks to identify the density.

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Product Reviews

Panel Discussion at Lunar Studios

Everyone Can Take a Picture. Not Everyone Can Hold the Room

What an agent, a Vogue visuals producer and a brand-side creative lead really look for in photographers now. There is a point in almost every creative career where the work alone stops...

View post
Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post