Overview

Tamron 11-20mm F/2.8 Di III-A RXD

SKU: GC47-TM-B060SF

Tamron 11-20mm F/2.8 Di III-A RXD - Sony E Mount

Tamron 11-20mm F/2.8 Di III-A RXD

If you thought the 150-500mm was compact for an ultra-telephoto, wait till you get a load of the Tamron 11-20mm F/2.8 Di III-A RXD. It is a genuinely tiny moisture sealed lens at the other extreme of the focal range. Ideal for Sony’s APSC cameras, the Tamron 11-20mm is an ultra-wide zoom. It’s a pocketable lens at just 86.2mm long and with a diameter of 73mm. Plus, it only weighs 335g – about the same as a medium takeaway coffee! And keep in mind that this is a fast and constant F2.8.

Tamron 11-20mm F/2.8 Di III-A RXD Specs

  • 11-20mm APS-C (16.5-30mm Full Frame Equivalent)
  • f/2.8 Maximum Aperture
  • f/16 Minimum Aperture
  • 12 Elements in 10 Groups
  • 7 Blade Aperture
  • 0.15m(Wide) / 0.24m(Telephoto) Minimum Focus Distance
  • 1:1.4(W) / 1:1.76(T) Maximum Magnification Ratio
  • 67mm Filter Thread
  • Œ¶73√ó86.2mm Dimensions
  • 335g Weight

As seen with the 150-500mm, the all-new Tamron 11-20mm F2.8 has exceptional build qualities inside and out. The ridged focus and zoom rings are comfortable and ideal for APS-C shooting. Aperture stops are clearly marked, making manual shooting a breeze.

But the true magic happens on the inside of the Tamron 11-20mm F/2.8 Di III-A RXD. It features 12 lens elements in 10 groups, including two precision Glass Molded Aspherical elements for optimal image output. Plus, it features an extra-low dispersion element, two low dispersion elements to guarantee image sharpness and aberration-free outcomes. Finally, the lens element is coasted in a BBAR-G2 finish to prevent flare and ghosting in bright conditions.

Tamron 11-20mm F2.8 Focus Performance

While the Tamron 11-20mm F2.8 does not feature optical image stabilisation, it does support the IBIS of Sony APS-C cameras. It also supports Sony’s Fast Hybrid AF and Eye AF to ensure you capture subjects in crisp focus. Focus performance is enhanced thanks also to the RXD silent stepping motor system. As a result, the silent 11-20mm F/2.8 is an ideal lens for vloggers using Sony’s APS-C cameras.

Regular price $842.99
Sale price $842.99 Regular price $1,199.00 Save 29%
Pay with
Pay with
Found a better price? Request a price match

Price Match

Fill out the price match form below, and we will be in touch shortly.

Price Match Request For:
Tamron 11-20mm F/2.8 Di III-A RXD
Tamron 11-20mm F/2.8 Di III-A RXD - Sony E Mount
Our Price: $842.99

Price Match

Fill out the price match form below, and we will be in touch shortly.

Competitor Information:
Your Details:
This item is currently backordered and we are awaiting arrival. star If you'd like to know when it's due, we're here to help!

phone Call us during business hours at 02 9299 0177.
chatChat live with our team on-site.
emailOr email us anytime at info@georges.com.au with the subject "Awaiting Arrival"
Awaiting Stock

Checking availability...

$842.99

Product Overview

Tamron 11-20mm F/2.8 Di III-A RXD

FAQs

Need advice?

Speak to one of our dedicated Australian-based sales team members.

Call us

Key Features

Product Reviews

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty Photography Tips: Three Things I Wish I Knew Earlier

Beauty photography tips from Oliver Minnett’s Georges workshop, covering lighting, direction, working with a creative team, and using Sony and Profoto gear.

View post
Models on stage at Karla Spetics show

How We Lit Karla Spetic's Australian Fashion Week Show with P...

We were invited by Karla Spetic to help light her runway, we chose Profoto's new LED lights for the job!

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Sony A7R VI First Thoughts: A Portrait Photographer’s Take on...

Sony has just launched the new Sony A7R VI, the latest camera in its high-resolution Alpha line, and I was lucky enough to spend some time with it earlier this week. I...

View post
Ricardo sits with Ollie and discusses mobile podcasting setups

Mobile Podcasting Setups Explained: From First Rig to Full Pr...

Mobile podcasting isn’t about shortcuts. It’s about picking gear that actually works, in the places podcasts actually happen. I used to chase the “best” setup. Turns out, the best setup is the...

View post
Tilta Sony FX Rigging

Rigging Up Your Sony Cinema Camera

Rigging gets a bad rap because a lot of rigs are built backwards. People buy parts first, bolt everything on, and end up with a camera that looks serious but shoots worse....

View post
Gracaie Stendl Portfolio Images

What Makes a Good Photographer? A Portfolio Deconstruction

Clyde Vaughan Guest post by Clyde Vaughan — ahead of  Clyde's talk on January 22: “How to create incredible images: A talk by Clyde Vaughan”. If you ask “what makes a good...

View post
Ollie Jones holds the 22 kg DJI Power 2000

The End of the Generator? Hands-on with the DJI Power 2000

We’ve all been there: you’re on a remote shoot, beautiful location, but you’re either scrambling to find a power outlet or lugging a massive, noisy petrol generator through the bush. We’ve been...

View post
Oliver Minnett teaching a photography workshop

Why 2026 Might be the year to change from DSLR to Mirrorless

Alright—let’s do the DSLR vs mirrorless thing properly. Not “on paper”, not “in theory”, but head-to-head on the stuff that actually matters when you’re out shooting. My name's Oliver Minnett, I'm Georges...

View post
Two Leica M11P's on a desk

Leica is now at Georges Cameras

Some cameras don’t just document your life; they become part of it. I bought a Leica M6 in 2012. Photography had always been a part of my life; my dad had run...

View post
Man using Sony A7 V Mirrorless Camera

5 Things to Know Before You Upgrade Your Camera

Upgrading your camera? Learn the 5 things that matter: sensor size, ergonomics, lenses, power/media, and colour/screens—so you can choose the right camera with confidence.

View post