{"product_id":"sony-a7r-v-with-fe-16-35mm-f2-8-gm-ii-lens","title":"Sony A7R V with FE 16-35mm F2.8 GM II Lens","description":"\u003ch3\u003eSony A7R V + FE 16-35mm F2.8 GM II Kit\u003c\/h3\u003e\n\u003cp\u003eBuilt for capturing big scenes in breathtaking detail, this kit pairs the Sony A7R V with the FE 16-35mm F2.8 GM II. The A7R V's 61MP full-frame sensor and AI-powered subject recognition capture every texture, with 10fps shooting and 8K video. The 16-35mm GM II delivers an ultra-wide F2.8 zoom with four XD linear motors and G Master optics in a lightweight 550g design. A high-resolution kit for travel adventures, landscapes and fine art prints.\u003c\/p\u003e\n\u003cp\u003eFeaturing a back-illuminated design, this full-frame 61MP Exmor R CMOS sensor offers a mixture of incredible resolution with high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive image quality and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, high-resolution 61MP stills with a native sensitivity range from ISO 100-32000, which can be further expanded to ISO 50-102400.\u003c\/p\u003e\n\u003ch3\u003eImproved Processing Engine\u003c\/h3\u003e\n\u003cp\u003eA new BIONZ XR processing engine offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects.\u003c\/p\u003e\n\u003cp\u003eIn terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, at full resolution with a mechanical shutter, for up to 583 consecutive compressed raw frames, with full-time AF\/AE. If shooting JPEG only, more than 1000 frames can be recorded in a single burst.\u003c\/p\u003e\n\u003ch3\u003eUpdated 5-Axis Image Stabilisation\u003c\/h3\u003e\n\u003cp\u003eUpdated for the a7R V, the in-body image stabilisation system has been revised to support up to 8 stops of camera shake compensation. This 5-axis stabilisation system combines a high-performance gyro sensor with an optimised algorithm for more precise shake control and improved communication between the camera body and lens.\u003c\/p\u003e\n\u003cp\u003eAdditionally, specifically for video, there is also an Active IS mode that adds even more precise stabilisation methods for even smoother footage straight out of camera. Also, this digital stabilisation system has been updated with a new algorithm that offers the best stabilisation performance when paired with select OSS-enabled lenses.\u003c\/p\u003e\n\u003ch3\u003ePixel Shift Multi Shooting\u003c\/h3\u003e\n\u003cp\u003eThis unique compositing mode allows you to achieve even greater resolution than the 61MP sensor affords. Working in conjunction with the sensor-shift image stabilisation, this mode shifts the sensor while making 16 consecutive exposures in order to acquire approximately 240.8MP of information for greater colour accuracy and detail than possible with a single exposure, along with an impressive image size of 19,008 x 12,672-pixels. These files can then be merged together during post-production by using the Sony Imaging software suite.\u003c\/p\u003e\n\u003ch3\u003eAccurate Exposure and Colour\u003c\/h3\u003e\n\u003cp\u003eNew auto-exposure algorithm can detect skin area in faces in order to more accurately balance exposures for portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera.\u003c\/p\u003e\n\u003cp\u003eDeep learning technology, along with external visible light and IR sensors, also contributes to more accurate colour reproduction and auto white balance processing.\u003c\/p\u003e\n\u003ch3\u003eAI Processing Unit\u003c\/h3\u003e\n\u003cp\u003eUsing dedicated processing, the a7R V's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types:\u003c\/p\u003e\n\u003cp\u003eHuman, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.\u003c\/p\u003e\n\u003cp\u003eAnimal, Bird, and Animal\/Bird modes are now 40% more accurate for tracking and recognising a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognise animal bodies and heads.\u003c\/p\u003e\n\u003cp\u003eInsect recognition offers even finer performance with the ability to detect the head or entire insect subject.\u003c\/p\u003e\n\u003cp\u003eCar\/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.\u003c\/p\u003e\n\u003cp\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Fast Hybrid AF\u003c\/h3\u003e\n\u003cp\u003eCovering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/p\u003e\n\u003cp\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/p\u003e\n\u003cp\u003eFor photographic moving subjects, this AF system keeps up with the top 10 fps continuous shooting speeds, offering full-time AF tracking between each consecutive frame.\u003c\/p\u003e\n\u003cp\u003eIn-camera Focus Bracketing is possible, with the ability to record up to 299 frames with sequentially shifted focus points for creating composite images during post-production with greater-than-possible depth of field.\u003c\/p\u003e\n\u003ch3\u003eAF During Video Recording\u003c\/h3\u003e\n\u003cp\u003eReal-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.\u003c\/p\u003e\n\u003cp\u003eFocus Map is a unique way of visualising depth of field and functions in a similar way to peaking with a colourful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.\u003c\/p\u003e\n\u003cp\u003eA feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.\u003c\/p\u003e\n\u003ch3\u003e8K 24p and 4K 60p Support\u003c\/h3\u003e\n\u003cp\u003eMaking use of the high-resolution sensor and fast processing capabilities, UHD 8K 24p and UHD 4K 60p XAVC HS 10-bit video recording is possible using the full width of the sensor with full pixel readout for impressive sharpness and realism.\u003c\/p\u003e\n\u003cp\u003eIf using a Super 35 crop, full pixel readout recording is possible at up to UHD 4K at frame rates up to 30p or 6.2K oversampling can be used for greater sharpness and detail.\u003c\/p\u003e\n\u003ch3\u003eRecording Flexibility\u003c\/h3\u003e\n\u003cp\u003eThe a7R V employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC\/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at higher bitrates.\u003c\/p\u003e\n\u003cp\u003eIf recording in Full HD, high-speed, 120 fps recording enables 4x and 5x slow-motion movie recording with the frame rate playback set to either 30p or 24p.\u003c\/p\u003e\n\u003cp\u003eNo recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Colour Control\u003c\/h3\u003e\n\u003cp\u003eS-Cinetone can be used to deliver distinct colours and healthy-looking skin tone rendering that matches the FX9, FX6, a1, and a7S III cameras and is based on technology from the professional Cinema Line cameras, such as the VENICE. This colour profile offers natural mid-tones, soft colours, and especially well-controlled highlights.\u003c\/p\u003e\n\u003cp\u003eAffording extensive customisable colour and gamma controls, the you can adjust the gamma, black level, knee, colour level, and more. Also, users can use the same S-Log2 Gamma Curve that is found on high end Sony Cinema cameras that squeezes up to 1300% more dynamic range into the video signal then traditional REC709, for increased post-production flexibility.\u003c\/p\u003e\n\u003cp\u003eHLG (Hybrid Log-Gamma) support is also available, along with the BT.2020 colour space, for recording within a wide colour gamut and, in addition to S-Log2, S-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/p\u003e\n\u003ch3\u003eSony FE 16-35mm F2.8 GM II Lens\u003c\/h3\u003e\n\u003cp\u003eCombining G Master performance with the lightest and smallest form factor in its class, Sony rounds out its trinity of f\/2.8 G Master zoom lenses with its latest wide-angle offering for video and stills shooters, the FE 16-35mm f\/2.8 GM II Lens, which boasts a variety of optical, focusing, and handling upgrades.\u003c\/p\u003e\n\u003ch3\u003eG Master Image Quality\u003c\/h3\u003e\n\u003cp\u003eDesigned to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.\u003c\/p\u003e\n\u003cp\u003eBright f\/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.\u003c\/p\u003e\n\u003cp\u003eOne Super ED (extra-low dispersion) and Two ED elements effectively suppress chromatic aberrations and colour fringing for greater clarity and colour fidelity.\u003c\/p\u003e\n\u003cp\u003eFive aspherical elements, including three extreme aspherical elements (XA), minimise spherical aberrations, distortion, and also reduce 'onion ring' bokeh.\u003c\/p\u003e\n\u003ch3\u003eFaster AF and Floating Focus Mechanism\u003c\/h3\u003e\n\u003cp\u003eFaster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.\u003c\/p\u003e\n\u003cp\u003eFour XD (extreme dynamic) linear motors contribute to greatly improved focusing performance, compared to the DDSSM system of the predecessor, including faster, quieter, and more precise AF that's ideal for both video and stills.\u003c\/p\u003e\n\u003cp\u003eFaster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 30 fps, full AF is maintained even when shooting stopped down, and focus tracking is possible even when changing the zoom position.\u003c\/p\u003e\n\u003cp\u003eFloating focusing mechanism helps maintain image quality throughout the focusing range, which is especially important considering the impressive close-up performance of this lens: minimum focusing distance of 8.6\" and a maximum magnification of 0.32x across the entire zoom range.\u003c\/p\u003e\n\u003cp\u003eInternal focusing design promotes snappier, more responsive focusing performance and maintains the same centre of gravity during lens extension and retraction.\u003c\/p\u003e\n\u003ch3\u003eImproved Control and Video Capabilities\u003c\/h3\u003e\n\u003cp\u003eJust as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with a series and attributes that specifically appeal to video shooters' needs.\u003c\/p\u003e\n\u003cp\u003eFocus breathing, focus shift, and axial shift during zooming have all been minimised to prevent unwanted movements and angle of view variations for greater compositional accuracy during recording.\u003c\/p\u003e\n\u003cp\u003eSupports the Breathing Compensation function in select cine-line and Alpha cameras.\u003c\/p\u003e\n\u003cp\u003eLinear Response MF provides natural, intuitive manual focus control.\u003c\/p\u003e\n\u003cp\u003eManual aperture ring can be de-clicked for silent operation and the zoom smoothness can be adjusted depending on the desired torque.\u003c\/p\u003e\n\u003ch3\u003eCompact, Lightweight, and Robust Design\u003c\/h3\u003e\n\u003cp\u003eThe smallest and lightest f\/2.8 wide-angle zoom in its class, this lens doesn't lose sight of its professional attributes and remains a weather-sealed, durable lens for use in trying working conditions.\u003c\/p\u003e\n\u003cp\u003eApproximately 20% lighter and 10% smaller than its predecessor, this zoom is a highly portable and versatile option for a huge variety of shooting applications.\u003c\/p\u003e\n\u003cp\u003eNow fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.\u003c\/p\u003e\n\u003cp\u003eTwo programmable focus hold buttons and a focus mode switch for intuitive focus control.\u003c\/p\u003e\n\u003cp\u003eHybrid construction uses both metal and plastic components to maximise both durability and a low weight design.\u003c\/p\u003e\n\u003cp\u003eDust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.\u003c\/p\u003e\n\u003cp\u003eFront lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ch4\u003eCamera: Sony A7R V\u003c\/h4\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e61MP full-frame back-illuminated Exmor R CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProcessor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBIONZ XR with AI processing unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eISO range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100–32,000 (expandable 50–102,400)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eContinuous shooting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 10fps\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVideo\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8K 24\/25p; 4K 60p 10-bit 4:2:2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15 stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIn-body stabilisation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5-axis, up to 8 stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAutofocus\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e693-point phase detection with AI subject recognition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eViewfinder\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9.44M-dot OLED EVF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eScreen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.2\" 4-axis multi-angle touchscreen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCard slots\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual CFexpress Type A \/ SD UHS-II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBattery\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNP-FZ100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eApprox. 723g with battery and card\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e131.3 x 96.9 x 82.4mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch4\u003eLens: Sony FE 16-35mm F2.8 GM II\u003c\/h4\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat \/ mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-frame, Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e16–35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eF2.8 constant (min. F22)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical design\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eG Master, incl. XA (extreme aspherical) and ED elements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage stabilisation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNone (relies on in-body stabilisation)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAutofocus\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 XD linear motors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum focus\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.22m (wide)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAperture blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e11 (circular)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAperture ring with click switch, focus hold buttons\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather sealing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDust and moisture resistant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e547g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (Dia. x L)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e87.8 x 111.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\u003cp\u003e61MP Full-Frame Exmor R BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003eBIONZ XR \u0026amp; AI Processing Unit\u003c\/p\u003e\u003cp\u003eAI-Based Real-Time Tracking AF System\u003c\/p\u003e\u003cp\u003e8K 24p, 4K 60p, FHD 120p 10-Bit Video\u003c\/p\u003e\u003cp\u003e4K 16-Bit Raw Output; S-Log3\/S-Cinetone\u003c\/p\u003e\u003cp\u003e9.44m-Dot EVF with 120 fps Refresh Rate\u003c\/p\u003e\u003cp\u003e3.2\" 4-Axis Multi-Angle Touchscreen LCD\u003c\/p\u003e\u003cp\u003e10 fps Shooting with AF\/AE Tracking\u003c\/p\u003e\u003cp\u003e8-Stop 5-Axis Image Stabilisation\u003c\/p\u003e\u003cp\u003eDual CFexpress Type A\/SD Card Slots\u003c\/p\u003e\u003cp\u003eFull-Frame | f\/2.8 to f\/22\u003c\/p\u003e\u003cp\u003eFast Wide-Angle Zoom\u003c\/p\u003e\u003cp\u003e20% Lighter, 10% Smaller than Previous\u003c\/p\u003e\u003cp\u003eFour XD Linear AF Motors, Floating Focus\u003c\/p\u003e\u003cp\u003eAperture De-Click and Lock Switches\u003c\/p\u003e\u003cp\u003eZoom Smoothness Switch\u003c\/p\u003e\u003cp\u003eXA and Super ED Elements\u003c\/p\u003e\u003cp\u003eFluorine Coating\u003c\/p\u003e\u003cp\u003eDust and Moisture-Resistant Construction\u003c\/p\u003e\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\u003cp\u003eSony A7R V Mirrorless Digital Camera (Body Only)\u003c\/p\u003e\u003cp\u003eSony NP-FZ100 Battery (2280mAh)\u003c\/p\u003e\u003cp\u003eSony BC-QZ1 Battery Charger\u003c\/p\u003e\u003cp\u003eSony ALC-B1EM Body Cap for E-Mount Cameras\u003c\/p\u003e\u003cp\u003eSony USB Type-C to Type-A Cable\u003c\/p\u003e\u003cp\u003eSony Cable Protector\u003c\/p\u003e\u003cp\u003eSony Shoulder Strap\u003c\/p\u003e\u003cp\u003eSony Accessory Shoe Cap\u003c\/p\u003e\u003cp\u003eSony Eyepiece Cup\u003c\/p\u003e\u003cp\u003eSony FE 16-35mm F2.8 GM II Lens\u003c\/p\u003e\u003cp\u003eSony ALC-F82S 82mm Front Lens Cap\u003c\/p\u003e\u003cp\u003eSony ALC-R1EM Rear Lens Cap\u003c\/p\u003e\u003cp\u003eSony ALC-SH177 Lens Hood\u003c\/p\u003e\u003cp\u003eSony Padded Case with Strap\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51862649110695,"sku":"GC35-ILCE7RM5B+GC35-SEL1635GM2","price":6956.84,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC35-ILCE7RM5B_GC35-SEL1635GM2.jpg?v=1794479784","url":"https:\/\/www.georges.com.au\/products\/sony-a7r-v-with-fe-16-35mm-f2-8-gm-ii-lens","provider":"Georges Cameras","version":"1.0","type":"link"}