{"product_id":"sony-a7-iv-with-fe-24-105mm-f-4-g-oss-lens","title":"Sony a7 IV with FE 24-105mm f\/4 G OSS Lens","description":"\u003ch3\u003eSony a7 IV with FE 24-105mm f\/4 G OSS Lens\u003c\/h3\u003e\n\u003cp\u003eAn all-arounder that pushes beyond basic, the Sony a7 IV does double duty with strong stills and video performance. An advanced hybrid mirrorless camera, the a7 IV has the resolution and AF performance that appeals to photographers along with robust 4K 60p video recording for filmmakers and content creators.\u003c\/p\u003e\n\u003ch3\u003e33MP Exmor R BSI CMOS Sensor\u003c\/h3\u003e\n\u003cp\u003eNewly developed 33MP Exmor R BSI CMOS full-frame sensor features a back-illuminated design that promotes high clarity, low noise, and vivid colour rendering. This design benefits working in low-light conditions and works in conjunction with a broad sensitivity range of ISO 100-51200. The sensor's design also achieves an impressive dynamic range of approximately 15 stops and files can be recorded in raw, JPEG, or the 10-bit HEIF format.\u003c\/p\u003e\n\u003ch3\u003eBIONZ XR Processor\u003c\/h3\u003e\n\u003cp\u003eUsing the flagship-class BIONZ XR engine, high-speed image processing capabilities are available for fast continuous shooting, 4K video recording, and advanced AF tracking performance. The quick processing also helps to reduce rolling shutter and other motion distortions for clean rendering of moving subjects.\u003c\/p\u003e\n\u003cp\u003eIn terms of shooting speeds, the sensor and processor enable up to 10 fps shooting, using either the mechanical or electronic shutter and with AF\/AE enabled. Also, the buffer permits recording up to 828 consecutive uncompressed raw + JPEG frames when using a CFexpress Type A card.\u003c\/p\u003e\n\u003ch3\u003e4K 60p Video Recording in 10-Bit\u003c\/h3\u003e\n\u003cp\u003eMaking full use of the high-resolution 33MP sensor and fast processing capabilities, UHD 4K 24p\/60p XAVC HS 10-bit recording is possible using the full width of the sensor, offering 7K oversampling for impressive sharpness and realism.\u003c\/p\u003e\n\u003cp\u003eThere is also oversampled 4K recording, via a 4.6K capture area, with a Super 35 crop, that offers UHD 4K output up to 60p in 10-bit.\u003c\/p\u003e\n\u003cp\u003eNo recording time limit allows for unlimited clip lengths and the camera's physical design features an improved heat-dissipating structure to promote longer possible recording times; longer than one hour of continuous 4K 60p 10-bit 4:2:2 recording, for example.\u003c\/p\u003e\n\u003cp\u003eThe a7 IV employs a pair of codecs to suit different workflows: XAVC HS, which uses HEVC\/H.265 encoding to retain more detail at smaller bitrates and XAVC S-I, which is an intraframe codec for consistent performance and quality at bitrates up to 600 Mb\/s.\u003c\/p\u003e\n\u003ch3\u003eS-Cinetone, S-Log3, and Other Colour and Gamma Controls\u003c\/h3\u003e\n\u003cp\u003eS-Cinetone can be used to deliver distinct colours and healthy-looking skin tone rendering that matches the FX9 and FX6 cameras, along with the a1 and a7S III, and is based on technology from the professional Cinema Line cameras, such as the VENICE. This colour profile offers natural mid-tones, soft colours, and especially well-controlled highlights.\u003c\/p\u003e\n\u003cp\u003eHLG (Hybrid Log-Gamma) support permits recording within a wide colour gamut for producing HDR-ready content directly from the camera.\u003c\/p\u003e\n\u003cp\u003eS-Log3 is also available for producing a 15+-stop dynamic range with increased grading control in the shadow to mid-tone regions of the image.\u003c\/p\u003e\n\u003ch3\u003eAI-Based Autofocus\u003c\/h3\u003e\n\u003cp\u003eCovering approximately 94% of the image area, a Fast Hybrid AF system incorporates 759 phase-detection points for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/p\u003e\n\u003ch3\u003eReal-time Tracking and Real-time Eye AF\u003c\/h3\u003e\n\u003cp\u003eBorrowing from the flagship AF system, the a7 IV has tuned tracking and subject detection capabilities that lock onto subjects quickly and refines focus accurately on recognised eyes and faces of subjects:\u003c\/p\u003e\n\u003cp\u003eReal-time Tracking is an AI-based subject recognition system that recognises colour, pattern, and subject distance information for high accuracy and focusing speed.\u003c\/p\u003e\n\u003cp\u003eBeyond just tracking subjects, Real-time Eye AF fine-tunes the focusing accuracy and recognises human, animal, and bird's eyes for critical sharpness. Real-time Eye AF even maintains focus on a subject's eye when they leave and re-enter the frame, allowing for working in more spontaneous shooting situations.\u003c\/p\u003e\n\u003ch3\u003eAF During Video Recording and Additional Focusing Modes\u003c\/h3\u003e\n\u003cp\u003eReal-time Eye AF is fully supported during video recording, for subject detection and tracking of human, animal, and bird eyes while shooting.\u003c\/p\u003e\n\u003cp\u003eFor more control over how focus shifts appear during recording, seven-step AF transition speeds and five-step AF subject shift sensitivity controls let you refine how quickly focus shifts from point to point and how smoothly focusing shifts occur.\u003c\/p\u003e\n\u003cp\u003eFocus Map is a unique way of visualising depth of field and functions in a similar way to peaking with a colourful overlay of the scene that indicates which parts of the scene are in front of and behind the focus point depending on the chosen aperture.\u003c\/p\u003e\n\u003cp\u003eA feature carried over from the FX6 digital cine camera, AF Assist lets you intuitively switch over to manual focus control for adjusting focus position when working with AF. This is a quick way to shift selective focus between various subjects in a scene while recording.\u003c\/p\u003e\n\u003ch3\u003eBody Design, Connectivity, and Streaming\u003c\/h3\u003e\n\u003cp\u003eAn improved QVGA OLED Tru-Finder EVF features a 3.68m-dot resolution that is approximately 1.6x higher in resolution than its predecessor for sharper, clearer viewing. This viewfinder supports both standard 60 fps and 120 fps frame rates for smooth motion rendering and its physical design has a long 23mm eye point, 0.78x-magnification, and 37.3° field of view.\u003c\/p\u003e\n\u003cp\u003ePerfect for vlogging or other self-recording needs, the side-opening 3.0\" 1.03m-dot vari-angle articulating screen can be used in a front-facing orientation or can be tilted up or down to suit working from high or low shooting angles. This LCD is a touchscreen, too, for intuitive shooting control and menu navigation.\u003c\/p\u003e\n\u003ch3\u003ePorts and Interface\u003c\/h3\u003e\n\u003cp\u003eFull-size HDMI A port offers a more reliable connection when working with external recorders.\u003c\/p\u003e\n\u003cp\u003eA USB 3.2 Gen 2 Type-C port has been added, in addition to a micro-USB port, for faster, more reliable tethering support. The USB Type-C connection allows the camera to be charged or powered from the host power source while connected.\u003c\/p\u003e\n\u003cp\u003eBoth 3.5mm headphone and external microphone ports facilitate greater control over audio recording.\u003c\/p\u003e\n\u003cp\u003eMulti Interface Shoe supports working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analogue signal.\u003c\/p\u003e\n\u003cp\u003eUSB Type-C port can be paired with an optional Ethernet wired LAN adapter to provide 1000BASE-T connectivity, wired remote shooting, or FTP transferring.\u003c\/p\u003e\n\u003ch3\u003e5-Axis SteadyShot INSIDE Image Stabilisation\u003c\/h3\u003e\n\u003cp\u003eEnhanced 5.5-stop effective 5-axis SteadyShot INSIDE image stabilisation system compensates for five different types of camera shake encountered during handheld shooting of stills and video and allows users to confidently use any lens, even adapted lenses, for critical shooting without encountering blur from camera shake.\u003c\/p\u003e\n\u003cp\u003eFor long focal lengths, the system will correct for pitch and yaw adjustments. Macro and high-magnification imagery, on the other hand, will benefit from the inclusion of horizontal and vertical shift compensation. All shooting styles will get usage out of the roll compensation. All 5 axes of stabilisation will function at all times, even when used with third-party lenses and adapters or lenses with built-in optical stabilisation.\u003c\/p\u003e\n\u003cp\u003eAdditionally, specifically for video, there is also an Active IS mode that adds even more precise stabilisation methods for even smoother footage straight out of camera.\u003c\/p\u003e\n\u003ch3\u003eAdvanced External Flash Control\u003c\/h3\u003e\n\u003cp\u003eSuiting working with flash while photographing fast-moving subjects, P-TTL flash metreing is possible in between each exposure when working with lo, mid, or even hi-speed continuous shooting modes. This helps to maintain stable illumination if making low-light bursts and greatly benefits working in changing light or low-light conditions. The updated flash control system also helps to reduce flash trigger lag, uses the camera's AWB information for natural colour rendering, and supports adjusting select flash and transmitter units directly from the camera's interface.\u003c\/p\u003e\n\u003ch3\u003eWireless Connectivity and Streaming\u003c\/h3\u003e\n\u003cp\u003eBuilt-in Wi-Fi enables the remote camera control and instant sharing of imagery to mobile devices for direct sharing online, and support for both 2.4 and 5 GHz bands also enables wireless tethered shooting support. This connectivity also provides remote camera control.\u003c\/p\u003e\n\u003cp\u003eUse of the Imaging Edge mobile app is benefitted by Bluetooth to maintain a reliable connection between the camera and mobile device.\u003c\/p\u003e\n\u003cp\u003eSupports Visual Story for easy cloud-based deliver of photos and videos immediately after shooting.\u003c\/p\u003e\n\u003cp\u003eLive streaming is possible directly from the camera simply by connecting the camera to a computer or compatible mobile device via USB, allowing the camera's video and audio capabilities to be used for live social media and video conferencing.\u003c\/p\u003e\n\u003cp\u003e4K 15p, FHD 60p\/30p, and HD 30p recording settings are available and there are also internal Creative Look and Soft Skin effects for a refined image quality straight from the camera.\u003c\/p\u003e\n\u003cp\u003eInternal recording is supported to a memory card while live streaming.\u003c\/p\u003e\n\u003cp\u003eUVC and UAC standards are supported for improved picture and sound quality during streaming.\u003c\/p\u003e\n\u003ch3\u003eSony FE 24-105mm f\/4 G OSS Lens\u003c\/h3\u003e\n\u003cp\u003eDesigned for versatility, the FE 24-105mm f\/4 G OSS Lens from Sony is a wide-angle to short-telephoto zoom designed to be an ideal one-lens solution for everyday shooting. The flexible focal length range pairs with a bright constant maximum aperture, impressive optics, and intuitive handling to make it a suitable option for walk-around shooting, street subjects, travel, and event photography.\u003c\/p\u003e\n\u003ch3\u003eG Lens Series\u003c\/h3\u003e\n\u003cp\u003eFour aspherical elements are featured in the optical design, including two Advanced Aspherical elements, and noticeably reduce spherical aberrations and distortion throughout the zoom range for improved sharpness and clarity.\u003c\/p\u003e\n\u003cp\u003eThree extra-low dispersion elements are also used to minimise colour fringing and chromatic aberrations for greater colour accuracy.\u003c\/p\u003e\n\u003cp\u003eA Nano AR Coating has been applied to reduce surface reflections, flare, and ghosting for increased contrast and colour rendering in strong lighting conditions.\u003c\/p\u003e\n\u003cp\u003eConstant f\/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.\u003c\/p\u003e\n\u003cp\u003eRounded nine-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/p\u003e\n\u003cp\u003ePortable design weighs around 0.68 kg, making this a versatile choice for everyday shooting.\u003c\/p\u003e\n\u003ch3\u003eImage Stabilisation, AF, and Handling\u003c\/h3\u003e\n\u003cp\u003eOptical SteadyShot image stabilisation helps to minimise the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds.\u003c\/p\u003e\n\u003cp\u003eThis stabilisation system can also be combined with select camera's sensor-shift type image stabilisation for more effective control of camera blur.\u003c\/p\u003e\n\u003cp\u003eDust- and moisture-sealed design better permits working in inclement conditions and rubberised control rings benefit handling in colder temperatures.\u003c\/p\u003e\n\u003cp\u003eThe front lens element features a fluorine coating to protect against smudges and dust from adhering to the glass surface.\u003c\/p\u003e\n\u003cp\u003eDirect Drive Super Sonic wave AF motor and internal focus mechanism provide quick, quiet, and precise autofocus performance and also contribute to more natural, intuitive manual focus control.\u003c\/p\u003e\n\u003cp\u003eMinimum focusing distance of 1.25' results in a maximum magnification of 0.31x, making this lens a suitable choice for close-up subjects.\u003c\/p\u003e\n\u003cp\u003eA focus hold button and AF\/MF switch are present on the lens barrel for intuitive tactile control and rapid access to select settings.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e33MP Full-Frame Exmor R CMOS Sensor\u003c\/p\u003e\n\u003cp\u003eUp to 10 fps Shooting\u003c\/p\u003e\n\u003cp\u003eISO 100-51200 Sensitivity Range\u003c\/p\u003e\n\u003cp\u003e4K 60p 10-Bit Video\u003c\/p\u003e\n\u003cp\u003e3.68m-Dot High-Resolution Electronic Viewfinder\u003c\/p\u003e\n\u003cp\u003e759-Point Fast Hybrid AF\u003c\/p\u003e\n\u003cp\u003e5-Axis SteadyShot Image Stabilisation\u003c\/p\u003e\n\u003cp\u003eFast Full-Frame E-Mount Lens\u003c\/p\u003e\n\u003cp\u003eFour Aspherical and Three ED Elements\u003c\/p\u003e\n\u003cp\u003eNano AR and Fluorine Coatings\u003c\/p\u003e\n\u003cp\u003eDirect Drive Super Sonic Wave AF\u003c\/p\u003e\n\u003cp\u003eDust and Moisture-Resistant Construction\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony a7 IV with FE 24-105mm f\/4 G OSS Lens\u003c\/p\u003e\n\u003cp\u003eSony NP-FZ100 Battery (2280mAh)\u003c\/p\u003e\n\u003cp\u003eAC Adapter\u003c\/p\u003e\n\u003cp\u003eSony ALC-B1EM Body Cap (Sony E)\u003c\/p\u003e\n\u003cp\u003eShoulder Strap\u003c\/p\u003e\n\u003cp\u003eAccessory Shoe Cap\u003c\/p\u003e\n\u003cp\u003eEyepiece Cup\u003c\/p\u003e\n\u003cp\u003eUSB Type-C to Type-A Cable\u003c\/p\u003e\n\u003cp\u003eSony ALC-F77S 77mm Front Lens Cap\u003c\/p\u003e\n\u003cp\u003eSony ALC-R1EM Rear Lens Cap\u003c\/p\u003e\n\u003cp\u003eSony ALCSH152 Lens Hood\u003c\/p\u003e\n\u003cp\u003eLens Case\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51280158589095,"sku":"GC35-ILCE7M4B+GC35-SEL24105G","price":4198.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/3_be954ebc-9ce1-4565-b4cc-17d640cdfa9c.jpg?v=1788178416","url":"https:\/\/www.georges.com.au\/products\/sony-a7-iv-with-fe-24-105mm-f-4-g-oss-lens","provider":"Georges Cameras","version":"1.0","type":"link"}