{"product_id":"sony-a1-ii-with-fe-24-70mm-f2-8-gm-ii-lens","title":"Sony A1 II with FE 24-70mm F2.8 GM II Lens","description":"\u003ch3\u003eSony A1 II + FE 24-70mm F2.8 GM II Kit\u003c\/h3\u003e\n\u003cp\u003eDesigned for professionals who demand flagship speed and premium image quality, this kit pairs the A1 II with Sony's FE 24-70mm F2.8 GM II. The A1 II delivers a 50.1MP stacked sensor, AI-powered subject tracking, 30fps continuous shooting and 8K\/30p video. The 24-70mm GM II offers a constant F2.8 aperture for low-light work and beautiful background blur, with four XD linear motors for fast, quiet autofocus and G Master optics for edge-to-edge sharpness. At around 695g, it's a premium kit for high-end weddings, commercial and editorial work.\u003c\/p\u003e\n\u003cp\u003eThe original a1 was already known for its strong imaging performance and the a1 II improves on this with upgraded BIONZ XR processing, an AI processing unit, more powerful 8.5-stop IBIS, and the impressive 50MP stacked BSI CMOS sensor from its predecessor. The sensor and processor still afford a top 30-fps shooting rate, expandable sensitivity from ISO 50-102400, and an impressive 15-stop dynamic range. Additionally, on the speed front, the a1 II gains the Pre-Capture and Speed Boost functions that debuted on the a9 III.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSensor and Processing Improvements\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eUp to 30 fps continuous shooting with an electronic shutter, or 10 fps with the mechanical shutter, with AF and AE supported.\u003c\/p\u003e\n\u003cp\u003ePre-Capture Shooting records at up to 30 fps for up to 1 second prior to fully pressing the shutter, helping to ensure you don't miss fleeting moments.\u003c\/p\u003e\n\u003cp\u003eSpeed Boost lets you vary your continuous shooting speed mid-burst; when the C5 button is depressed while burst shooting, you can switch from the chosen continuous shooting speed to a faster or slower one to suit the pace of action you're photographing.\u003c\/p\u003e\n\u003cp\u003eRefined 5-axis in-body image stabilisation compensates for up to 8.5 stops of camera shake at the centre of the frame and 7 stops at the periphery; an improvement of 3 stops of shake control compared to the original a1.\u003c\/p\u003e\n\u003cp\u003eSame full-frame 50MP stacked BSI CMOS sensor as the a1, mixing high resolution with the speed and reduced rolling shutter of a stacked design to suit both meticulous and quick-working shooters.\u003c\/p\u003e\n\u003ch3\u003eSmarter, Faster Autofocus and Subject Tracking\u003c\/h3\u003e\n\u003cp\u003eThe a1 II's focusing system received similarly significant upgrades from its predecessor, now sporting an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 92% of the sensor area, and support focusing down to -4 EV at f\/2. Subject tracking and subject detection is improved, too, specifically how the camera is 30% faster at detect human eyes and 50% faster with animal eyes.\u003c\/p\u003e\n\u003cp\u003eFirst seen in the a7R V and a9 III, the a1 II sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.\u003c\/p\u003e\n\u003cp\u003eHuman pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance has been improved by 30%.\u003c\/p\u003e\n\u003cp\u003eAdditionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/p\u003e\n\u003cp\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.\u003c\/p\u003e\n\u003cp\u003eAuto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.\u003c\/p\u003e\n\u003cp\u003eXS and XL focus area spot sizes have been added for more versatility or you can customise AF focus areas to suit uniquely sized or shaped subjects.\u003c\/p\u003e\n\u003cp\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/p\u003e\n\u003ch3\u003eAlpha's Video Capabilities\u003c\/h3\u003e\n\u003cp\u003eThe core video specs of the original a1 were ahead of their time, and in many ways, still are. The a1 II keeps many of the core resolutions and frame rates but refines the video recording capabilities with more supportive modes and features, including access to Dynamic Area Stabilisation and timecode input with an optional adapter. This makes the a1 II just as capable on a professional film set as it is in a photography studio.\u003c\/p\u003e\n\u003cp\u003eFamiliar recording formats: 8K 30p with 10-bit 4:2:0 sampling and 4K 120p with 10-bit 4:2:2 sampling. When using a Super 35 recording area, 4K footage can use 5.8K oversampling for improved detail and the full-frame area offers 8.6K oversampling for the 8K footage.\u003c\/p\u003e\n\u003cp\u003eAI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabiliser mode, which can be used to automatically crop and recompose so the subject remains centreed in the image.\u003c\/p\u003e\n\u003cp\u003eDynamic Active Mode Stabilisation also helps retain accurate framing while filming, especially when recording while walking or moving.\u003c\/p\u003e\n\u003cp\u003eIncluded S-Cinetone profile, ProRes RAW output over HDMI, and the ability to import LUTs all point to the great amount of colour control the a1 II offers.\u003c\/p\u003e\n\u003cp\u003eSupport for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.\u003c\/p\u003e\n\u003ch3\u003ePre-Capture \u0026amp; Speed Boost-Never Miss a Moment\u003c\/h3\u003e\n\u003cp\u003eAlong with the key technology delivered by the sensor, the a1 II brings additional features to unlock the camera's full potential.\u003c\/p\u003e\n\u003cp\u003ePre-Capture: The a1 II can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003c\/p\u003e\n\u003cp\u003eSpeed Boost: With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.\u003c\/p\u003e\n\u003ch3\u003eProfessional Body Design and Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe a1-series has always been a top-of-the-line model for Sony and, as such, had one of the most durable and refined physical designs within the system. The a1 II, though, gains a bit of an upgrade to bring it in line with the a9 III in terms of button layout, screen and EVF implementation, and durability. It's a camera built for professional use and has the strongest, most reliable design in Sony's lineup.\u003c\/p\u003e\n\u003ch3\u003eVersatile and Durable Design\u003c\/h3\u003e\n\u003cp\u003eThe a1 II gains the latest Sony mirrorless body design first seen on the a9 III which includes a C5 custom button on the front of camera body and an enhanced grip.\u003c\/p\u003e\n\u003cp\u003eFor transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.\u003c\/p\u003e\n\u003cp\u003eUSB-C port offers fast USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003c\/p\u003e\n\u003cp\u003eDual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.\u003c\/p\u003e\n\u003ch3\u003eTru-Finder EVF and Tilting Touchscreen LCD\u003c\/h3\u003e\n\u003cp\u003eAn impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. There is also a 120-fps option that maintains the higher resolution for a better mixture of clarity and motion fluidity.\u003c\/p\u003e\n\u003cp\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide colour gamut covering the DCI-P3 space.\u003c\/p\u003e\n\u003cp\u003eIntuitive menu structure that complements having different workflows with different settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.\u003c\/p\u003e\n\u003ch3\u003eSony FE 24-70mm F2.8 GM II Lens\u003c\/h3\u003e\n\u003cp\u003eA refined take on the fast standard zoom, the Sony FE 24-70mm f\/2.8 GM II is not only smaller and lighter than the previous generation, it also features a variety of optical, focusing, and handling upgrades, catering to both photo and video applications, that make this the most well-rounded G Master zoom to date.\u003c\/p\u003e\n\u003ch3\u003eG Master Image Quality\u003c\/h3\u003e\n\u003cp\u003eDesigned to rival the primes, this zoom's optics have been revamped to provide even greater resolution, clarity, and bokeh quality.\u003c\/p\u003e\n\u003cp\u003eBright f\/2.8 constant aperture allows users to capture images in dim lighting conditions and with a shallow depth of field.\u003c\/p\u003e\n\u003cp\u003eTwo ED (extra-low dispersion) and two Super ED elements effectively suppress chromatic aberrations and colour fringing for greater clarity and colour fidelity.\u003c\/p\u003e\n\u003cp\u003eFive aspherical elements, including two extreme aspherical elements (XA), minimise spherical aberrations, distortion, and also reduce 'onion ring' bokeh.\u003c\/p\u003e\n\u003cp\u003eNano AR Coating II controls flare and ghosting with support from a new optical design that reduces internal reflections.\u003c\/p\u003e\n\u003cp\u003eAn 11-blade aperture diaphragm helps create smooth, circular bokeh at all aperture settings.\u003c\/p\u003e\n\u003ch3\u003eFaster AF and Floating Focus Mechanism\u003c\/h3\u003e\n\u003cp\u003eFaster focusing performance, improved close-up shooting, and enhanced control are all benefits of the redesigned focusing system.\u003c\/p\u003e\n\u003cp\u003eFour XD (extreme dynamic) Linear Motors contribute to greatly improved focusing performance, compared to the DDSSM system of the predecessor, including faster, quieter, and more precise AF that's ideal for both photo and stills.\u003c\/p\u003e\n\u003cp\u003eFaster AF means improved focusing when working with fast-moving subjects; support is available for shooting at up to 30 fps, full AF is maintained even when shooting stopped down, and focus tracking is possible even when changing the zoom position.\u003c\/p\u003e\n\u003cp\u003eFloating focusing mechanism helps maintain image quality throughout the focusing range, which is especially important considering the impressive close-up performance of this lens: minimum focusing distance of 8.3\" at the 24mm position or 11.8\" at the 70mm position and a maximum magnification of 0.32x at the 70mm position.\u003c\/p\u003e\n\u003cp\u003eInternal focusing design promotes snappier, more responsive focusing performance and also maintains the overall lens length during operation.\u003c\/p\u003e\n\u003ch3\u003eImproved Control and Video Capabilities\u003c\/h3\u003e\n\u003cp\u003eJust as camera design has grown to appeal to both photo and video shooters, this lens has also been updated with a series and attributes that specifically appeal to video shooters' needs.\u003c\/p\u003e\n\u003cp\u003eFocus breathing, focus shift, and axial shift during zooming have all been minimised to prevent unwanted movements and angle of view variations for greater compositional accuracy during recording.\u003c\/p\u003e\n\u003cp\u003eSupports the Breathing Compensation function in select cine-line and Alpha cameras.\u003c\/p\u003e\n\u003cp\u003eThe XD Linear Motors are also especially quiet to better enable the use of AF during video recording.\u003c\/p\u003e\n\u003cp\u003eLinear Response MF provides natural, intuitive manual focus control.\u003c\/p\u003e\n\u003cp\u003eManual aperture ring can be de-clicked for silent operation and the zoom smoothness can be adjusted depending on the desired torque.\u003c\/p\u003e\n\u003ch3\u003eCompact, Lightweight, and Robust Design\u003c\/h3\u003e\n\u003cp\u003eAmong the smallest and lightest f\/2.8 standard zooms available, this lens doesn't lose sight of its professional attributes and also remains a weather-sealed, durable lens for use in trying working conditions.\u003c\/p\u003e\n\u003cp\u003eApproximately 22% lighter and 18% smaller than its predecessor, this zoom is a highly portable and versatile option for a huge variety of shooting applications.\u003c\/p\u003e\n\u003cp\u003eNow fit with a manual aperture ring, tactile exposure control is possible. This ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.\u003c\/p\u003e\n\u003cp\u003eTwo programmable focus hold buttons and a focus mode switch for intuitive focus control.\u003c\/p\u003e\n\u003cp\u003eZoom smoothness switch for changing between Smooth and Tight zoom ring torque.\u003c\/p\u003e\n\u003cp\u003eHybrid construction uses both metal and plastic components to maximise both durability and a low weight design.\u003c\/p\u003e\n\u003cp\u003eDust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.\u003c\/p\u003e\n\u003cp\u003eFront lens element has a fluorine coating that repels water, oil, and other contaminants and makes the lens easier to clean.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\u003ch4\u003eCamera: Sony A1 II\u003c\/h4\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e50.1MP full-frame stacked Exmor RS CMOS\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eProcessor\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBIONZ XR with AI processing unit\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eISO range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e100–32,000 (expandable 50–102,400)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eContinuous shooting\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eUp to 30fps blackout-free (electronic), 10fps (mechanical)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eVideo\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e8K 30p 10-bit; 4K up to 120p 10-bit 4:2:2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDynamic range\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e15+ stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eIn-body stabilisation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e5-axis, up to 8.5 stops\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAutofocus\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e759-point phase detection with AI subject recognition\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eViewfinder\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9.44M-dot OLED EVF\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eScreen\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.2\" 4-axis multi-angle touchscreen\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCard slots\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDual CFexpress Type A \/ SD UHS-II\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eBattery\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNP-FZ100\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e658g (body only); 743g with battery and card\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (W x H x D)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e136.1 x 96.9 x 82.9mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003ch4\u003eLens: Sony FE 24-70mm F2.8 GM II\u003c\/h4\u003e\u003ctable\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFormat \/ mount\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eFull-frame, Sony E-mount\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e24–70mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eF2.8 constant (min. F22)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eOptical design\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eG Master, incl. XA (extreme aspherical) and ED elements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eImage stabilisation\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eNone (relies on in-body stabilisation)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAutofocus\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e4 XD linear motors\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum focus\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.21m (wide) \/ 0.30m (tele)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAperture blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e11 (circular)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eControls\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eAperture ring with click switch, focus hold buttons\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeather sealing\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eDust and moisture resistant\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e695g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eDimensions (Dia. x L)\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e87.8 x 119.9mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\u003cp\u003e50MP Full-Frame Stacked BSI CMOS Sensor\u003c\/p\u003e\u003cp\u003eAI Tracking \u0026amp; Human Pose Estimation\u003c\/p\u003e\u003cp\u003e8K 30p and 4K 120p Video in 10-Bit\u003c\/p\u003e\u003cp\u003eUp to 30 fps Shooting with AF\/AE\u003c\/p\u003e\u003cp\u003ePre-Capture \u0026amp; Speed Boost Button\u003c\/p\u003e\u003cp\u003e8.5-Stop IBIS + Dynamic Stabilisation\u003c\/p\u003e\u003cp\u003e9.44m-Dot EVF with 240 fps Refresh Rate\u003c\/p\u003e\u003cp\u003e3.2\" 2.1m-Dot 4-Axis Touchscreen LCD\u003c\/p\u003e\u003cp\u003e5 GHz MIMO Wi-Fi, 2.5GBASE-T Ethernet\u003c\/p\u003e\u003cp\u003eDual CFexpress Type A\/SD Card Slots\u003c\/p\u003e\u003cp\u003eFull-Frame | f\/2.8 to f\/22\u003c\/p\u003e\u003cp\u003eFast Standard Zoom\u003c\/p\u003e\u003cp\u003e22% Lighter, 18% Smaller than Previous\u003c\/p\u003e\u003cp\u003eFour XD Linear AF Motors, Floating Focus\u003c\/p\u003e\u003cp\u003eAperture De-Click and Lock Switches\u003c\/p\u003e\u003cp\u003eZoom Smoothness Switch\u003c\/p\u003e\u003cp\u003eXA and Super ED Elements\u003c\/p\u003e\u003cp\u003eNano AR Coating II and Fluorine Coating\u003c\/p\u003e\u003cp\u003eDust and Moisture-Resistant Construction\u003c\/p\u003e\u003cp\u003eRounded 11-Blade Diaphragm\u003c\/p\u003e\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\u003cp\u003eSony A1 II Mirrorless Camera Body\u003c\/p\u003e\u003cp\u003eSony NP-FZ100 Battery (2280mAh)\u003c\/p\u003e\u003cp\u003eSony BC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries\u003c\/p\u003e\u003cp\u003eSony ALC-B1EM Body Cap for E-Mount Cameras\u003c\/p\u003e\u003cp\u003eSony FDA-EP19 Eyepiece Cup\u003c\/p\u003e\u003cp\u003eSony FDA-EP21 Deep Eyepiece Cup\u003c\/p\u003e\u003cp\u003eSony Multi Interface Shoe Cap\u003c\/p\u003e\u003cp\u003eSony Cable Protector\u003c\/p\u003e\u003cp\u003eSony Shoulder Strap\u003c\/p\u003e\u003cp\u003eSony FE 24-70mm F2.8 GM II Lens\u003c\/p\u003e\u003cp\u003eSony ALC-F82S 82mm Front Lens Cap\u003c\/p\u003e\u003cp\u003eSony ALC-R1EM Rear Lens Cap\u003c\/p\u003e\u003cp\u003eSony ALC-SH168 Lens Hood\u003c\/p\u003e\u003cp\u003eSony Lens Case\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":51862684860583,"sku":"GC35-ILCE1M2B+GC35-SEL2470GM2","price":10636.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC35-ILCE1M2B_GC35-SEL2470GM2.jpg?v=1794480621","url":"https:\/\/www.georges.com.au\/products\/sony-a1-ii-with-fe-24-70mm-f2-8-gm-ii-lens","provider":"Georges Cameras","version":"1.0","type":"link"}