{"product_id":"sigma-24mm-t1-5-cine-lens-fully-luminous-feet-for-canon-ef-mount","title":"Sigma 24mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount","description":"\u003ch3\u003eSigma 24mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility— yet compact. Introducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high­-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography— now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA lineup offering an astonishing combination of specifications and value\" all thanks to our ultra-efficient vertically integrated production system.\u003c\/h3\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA’s cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA’s leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA’s CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM｜Sports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003eCertain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e95mm front diameter\u003c\/h3\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA’s cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180° focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180°, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160° zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160°, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60°.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount with electronic contacts\u003c\/h3\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eEnhanced EF mount\u003c\/h3\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003eOnly applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA’s Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718794088615,"sku":"GC40-440F966","price":6779.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sf_1.jpg?v=1666598082","url":"https:\/\/www.georges.com.au\/products\/sigma-24mm-t1-5-cine-lens-fully-luminous-feet-for-canon-ef-mount","provider":"Georges Cameras","version":"1.0","type":"link"}