{"title":"Sony Zoom Lenses","description":"","products":[{"product_id":"sony-carl-zeiss-16-70mm-f-4-zoom-lens","title":"Sony Carl Zeiss 16-70mm f\/4 Zoom Lens","description":"\u003cp\u003eCovering both wide landscapes and tight portraits, the Vario-Tessar T* E 16-70mm f\/4 ZA OSS Lens from Sony is a great all-around choice for APS-C-format E-mount cameras. It offers a very versatile 24-105mm equivalent zoom range and even features a constant f\/4 aperture for consistent performance. Also, through the use of one extra-low dispersion element, one Advanced Aspherical, and three aspherical elements, users will enjoy sharp, aberration-free imagery. Furthermore, the lens benefits from Zeiss' T* anti-reflective coating to effectively eliminate ghosting and flare.\u003c\/p\u003e\n\u003cp\u003eFor fast, silent autofocus, the 16-70mm is equipped with a linear motor and uses an internal focus design. It also has Optical SteadyShot image stabilization to reduce the effects of camera shake, especially at longer focal lengths. Additionally, the lens can focus as close as 13.8\" and it has a seven-blade circular diaphragm for smooth bokeh.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eBased on the Zeiss Tessar optical concept, this lens uses a design with 16 elements in 12 groups that helps ensure a smaller overall lens size along with reduced flaring, distortion, and chromatic aberrations.\u003c\/p\u003e\n\u003cp\u003eA versatile mid-range zoom for APS-C-format E-mount cameras, this 16-70mm lens provides a wide-angle to short telephoto 24-105mm equivalent focal length that works for anything from vast landscapes to tight portraits to distant subjects.\u003c\/p\u003e\n\u003cp\u003eA constant f\/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.\u003c\/p\u003e\n\u003cp\u003eZeiss T* anti-reflective coatings have been applied to each lens surface to help minimize reflections in order to provide greater image clarity, contrast, and colour fidelity.\u003c\/p\u003e\n\u003cp\u003eOne extra-low dispersion glass element is featured in the lens design to help reduce chromatic aberrations and colour fringing for improved clarity and colour neutrality.\u003c\/p\u003e\n\u003cp\u003eFour aspherical elements, including one Advanced Aspherical (AA), are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/p\u003e\n\u003cp\u003eOptical SteadyShot image stabilization helps to minimize the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. This stabilization system can also be combined with a select camera's sensor-shift type image stabilization for more effective control of camera blur.\u003c\/p\u003e\n\u003cp\u003eA linear autofocus motor and internal focus design provide quick and precise autofocus performance and enable accurate and silent focusing while recording videos.\u003c\/p\u003e\n\u003cp\u003eA rounded seven-blade diaphragm contributes to a pleasing bokeh quality when employing selective focus techniques.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719076319399,"sku":"GC35-SEL1670Z","price":1056.24,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sel1670z.jpg?v=1666600775"},{"product_id":"sony-fe-pz-28-135mm-f4-g-oss-full-frame-power-zoom-lens","title":"Sony FE PZ 28-135mm F4 G OSS Full-Frame Power Zoom Lens","description":"\u003cp\u003eDesigned to satisfy 4K production requirements, the Sony FE PZ 28-135mm f\/4 G OSS Lens is a wide-ranging zoom lens that covers wide-angle to telephoto perspectives while adding many features for your full-frame, APS-C, or E-mount camcorder or still photography camera system. The lens features a powered zoom control with a variable speed and zoom rotation direction reversal capability. Powering the zoom function is an SSM (Super Sonic wave Motor) drive that allows precision and quiet operation. Focus noise is also minimized through weight reduction of the focus element group and use of a linear motor. Iris function is also designed to be smooth and silent for cinematography demands.\u003c\/p\u003e\n\u003cp\u003eAngle of view variations while focusing (breathing) and axial displacement while zooming have been reduced while five aspherical elements and three ED elements work with advanced multi-coating technology to minimize distortion and chromatic aberrations while also contributing to sharper overall imagery with enhanced contrast and clarity.\u003c\/p\u003e\n\u003cp\u003eIndependent control rings for zoom, focus, and iris (aperture) are provided for and the focus mode can be switched from auto to manual by sliding the focus ring forward so control is maintained at all times. All three control rings have been engineered to provide the right amount of torque for comfortable, responsive operation and the pitch of the scalloping on the rings has been designed for comfortable, slip-free control.\u003c\/p\u003e\n\u003cp\u003eA constant f\/4 maximum aperture offers consistent performance throughout the zoom range and is especially beneficial when working with greater zoom magnifications in low-light conditions. Also benefiting working in dim light or at the long end of the zoom range is Optical SteadyShot image stabilization, which works to minimize the appearance of camera shake by up to four shutter speed steps.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003ePowered 8-speed zoom provides a 28-135mm focal length range, covering wide-angle to telephoto perspectives\u003c\/p\u003e\n\u003cp\u003ePower zoom designed for cinema productions and full frame cameras\u003c\/p\u003e\n\u003cp\u003eFeatures Sony's original Nano AR Coating technology designed to effectively suppress reflections that can cause flare and ghosting. The precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than lenses with coatings that use an irregular nano-structure\u003c\/p\u003e\n\u003cp\u003eThree control rings (for zoom, focus, iris) offer manual control for demanding large format productions. The focus mode can be switched from auto to manual simply by sliding the focus ring forward so control is maintained at all times. Zoom speed can be precisely controlled over a wide range, with zoom rotation direction reversal capability. All three control rings have been engineered to provide ideal torque for comfortable, responsive operation. Even the pitch of the scalloping on the rings has been designed for comfortable, slip-free control\u003c\/p\u003e\n\u003cp\u003eSony's advanced iris control and linear AF motor drive system achieve quiet focusing that is also extremely responsive. Part of the reason that focus control is so quiet is that original Sony linear motors are contactless, with no gears or mechanical coupling to generate noise\u003c\/p\u003e\n\u003cp\u003eThe world's first SSM (Super Sonic wave Motor) drive in a cinema lens for quiet zoom and smooth iris control\u003c\/p\u003e\n\u003cp\u003eMaintains plane of focus while zooming and maintains field of view while focusing (important for video)\u003c\/p\u003e\n\u003cp\u003eDelivers smooth tracking throughout the zoom range at any speed and eliminates any axial image shifting. Zooming is quiet as well as responsive thanks to advanced mechanical actuator design\u003c\/p\u003e\n\u003cp\u003eFeatures an optical design and control technology inherited from Sony's professional camcorders that ensure no breathing while focusing\u003c\/p\u003e\n\u003cp\u003eConstant f\/4 maximum aperture enables greater consistency throughout the zoom range and benefits working in dim conditions with longer focal lengths\u003c\/p\u003e\n\u003cp\u003eOptical SteadyShot image stabilization works to minimize the appearance of camera shake by up to four shutter speed steps to benefit shooting handheld in dim lighting and with greater zoom magnifications\u003c\/p\u003e\n\u003cp\u003eThree extra-low dispersion elements and five aspherical elements helps to reduce chromatic aberrations and distortion throughout the zoom range while also contributing to overall image sharpness and clarity\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719081365671,"sku":"GC35-SELP28135G","price":2487.28,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sony_selp28135g_e_pz_28_135mm_f_4_1410490265_1082051.jpg?v=1666601689"},{"product_id":"sony-pxw-fs7m2-4k-xdcam-super-35-camcorder-kit-with-18-110mm-zoom","title":"Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom","description":"\u003cp\u003eThis pairing of a PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with an 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports the recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots.\u003c\/p\u003e\n\u003cp\u003eThe included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSony PXW-FS7M2 XDCAM Super 35 Camera System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExpanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as \"Cinéma Vérité\"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.\u003c\/p\u003e\n\u003cp\u003eJust behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.\u003c\/p\u003e\n\u003cp\u003eThe camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera can generate when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with YCbCr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocking E-Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.\u003c\/p\u003e\n\u003cp\u003eIt accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectronic Variable ND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBehind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.\u003c\/p\u003e\n\u003cp\u003eAdditionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagnesium Construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmartGrip\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start\/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedesigned Viewfinder and Mic Holder Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.\u003c\/p\u003e\n\u003cp\u003eIn addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Card Slots\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenlock and Timecode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGenlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSony E PZ 18-110mm f\/4 G OSS Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a wide focal-length range and a constant f\/4 aperture in a compact form factor, the Sony E PZ 18-110mm f\/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording.\u003c\/p\u003e\n\u003cp\u003eThe body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly.\u003c\/p\u003e\n\u003cp\u003eFor smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmooth Motion Optics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatile Zoom Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Focusing Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptical SteadyShot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBuilt-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719085199527,"sku":"GC31-PXWFS7M2K","price":18018.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/pxwfs7m2k.jpg?v=1666601918"},{"product_id":"sony-e-16-50mm-f3-5-5-6-oss-ii-power-zoom-lens","title":"Sony E 16-50mm F3.5-5.6 OSS II Power Zoom Lens","description":"\u003ch3\u003eSony E 16-50mm f\/3.5-5.6 II Power Zoom Lens\u003c\/h3\u003e\n\n\n\u003cp\u003eThe new Sony E 16-50mm F3.5-5.6 II Power Zoom Lens is an exceptional APS-C lens designed for both stills and movies. The lens boasts superior optical performance, incorporating four aspherical elements and one ED (Extra-low Dispersion) element to ensure stunning image quality. Its smooth and quiet power zoom functionality, combined with advanced autofocus performance, maximises the capabilities of advanced camera bodies such as the new Sony ZV-E10 II Mirrorless Camera.\u003c\/p\u003e\n\n\u003cp\u003eWeighing only 107 grams, this compact and lightweight lens offers remarkable agility and mobility. With a minimum focus distance of 0.25(W)-0.3(T) metres, it excels at capturing intricate details. Enhanced for movie-making, it features built-in optical stabilisation and minimised focus breathing. This lens also provides flexible control and is environmentally friendly, making it an indispensable addition to any photographer's kit.\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony E 16-50mm F3.5-5.6 OSS II Power Zoom Lens\u003c\/p\u003e\n\u003cp\u003eSony ALC-F405S 40.5mm Front Lens Cap\u003c\/p\u003e\n\u003cp\u003eSony ALC-R1EM Rear Lens Cap\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":45796309598375,"sku":"GC35-SELP16502","price":263.93,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC35-SELP16502.jpg?v=1720502525"}],"url":"https:\/\/www.georges.com.au\/collections\/sony-zoom-lenses.oembed","provider":"Georges Cameras","version":"1.0","type":"link"}