{"title":"Sigma Canon Ef Mounts","description":null,"products":[{"product_id":"sigma-18-35mm-t2-cine-lens","title":"Sigma 18-35mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 18-35mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 18-35mm T2 Cine High-Speed Zoom Lens with a Canon EF mount and with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High-Speed Zoom lineup, which makes for rapid lens changes.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180¬∞ of rotation from close focus to infinity, the zoom barrel rotates 160¬∞, and the clickless iris ring features 60¬∞ of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1\/4\"-20 support foot that helps support the lens with the aid of a 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eColour Balance\u003c\/h3\u003e\n\u003cp\u003eAll the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eDustproof and Splashproof Design\u003c\/h3\u003e\n\u003cp\u003eSharing the same dustproof and splashproof construction as the SIGMA 150-600mm F5-6.3 DG OS HSMÔΩúSports, each ring and mount is sealed to prevent water and dust from entering.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eAll-Metal Body Construction\u003c\/h3\u003e\n\u003cp\u003eThe lens body is made completely of metal to stand up to the rigors of the production day.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eLens Markings\u003c\/h3\u003e\n\u003cp\u003eThe main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eLens Front\u003c\/h3\u003e\n\u003cp\u003eThe lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eLens Gears\u003c\/h3\u003e\n\u003cp\u003eAll three lens gears are standard 0.8 Mod and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eSupport Foot\u003c\/h3\u003e\n\u003cp\u003eThe lens includes a removable support foot.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718787272871,"sku":"GC40-4210966","price":5661.54,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1505231465_1324192.jpg?v=1666597911"},{"product_id":"sigma-135mm-t2-cine-lens-for-canon-ef-mount","title":"Sigma 135mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 135mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 135mm EF mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T2 maximum aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select marks in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet with select marks in luminous paint\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718787895463,"sku":"GC40-4240966","price":6962.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/4240966.jpg?v=1666597804"},{"product_id":"sigma-105mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 105mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 105mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility-yet compact.\u003c\/h3\u003e\n\u003ch3\u003eIntroducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ç¬≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires. Offering the latest optical design for 8K shooting and more, the FF High-Speed Prime Line takes digital cinema cameras to the next level of performance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100 per cent retained \u0026amp; 100 per cent new\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√Ø¬Ω≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718788452519,"sku":"GC40-4259966","price":8989.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si105mm-ef.jpg?v=1666597695"},{"product_id":"sigma-50mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 50mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 50mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 50mm EF-mount prime is a longer mid-range focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718789566631,"sku":"GC40-4311966","price":5386.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1550744130_img_1143105.jpg?v=1666598256"},{"product_id":"sigma-85mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 85mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 85mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 85mm Canon EF-mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select marks in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet with select marks in luminous paint\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790025383,"sku":"GC40-4321966","price":5269.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1572441384_img_1268862.jpg?v=1666598323"},{"product_id":"sigma-85mm-t1-5-fully-luminous-feet-cine-lens-for-canon-ef-mount","title":"Sigma 85mm T1.5 Fully Luminous Feet Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 85mm T1.5 Fully Luminous Feet Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 85mm Canon EF-mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ç¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet and are fully luminous for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet and are fully luminous\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790418599,"sku":"GC40-432F966","price":6510.03,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/432f966_1.jpg?v=1666598353"},{"product_id":"sigma-40mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 40mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 40mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility-yet compact.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroducing a complete lineup of fine lenses.\u003c\/p\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ç¬≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires. Offering the latest optical design for 8K shooting and more, the FF High-Speed Prime Line takes digital cinema cameras to the next level of performance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100 percent retained \u0026amp; 100 percent new\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√Ø¬Ω≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ç¬∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ç¬∞ the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ç¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ç¬∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ç¬∞\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring 5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMAs cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB Dock allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMAs Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003elenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790680743,"sku":"GC40-4332966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si40mm-ef.jpg?v=1666598200"},{"product_id":"sigma-35mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 35mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 35mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility‚Äùyet compact. Introducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ç¬≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography‚Äù now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA lineup offering an astonishing combination of specifications and value‚Äù all thanks to our ultra-efficient vertically integrated production system.\u003c\/h3\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA√¢‚Ç¨‚Ñ¢s CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√Ø¬Ω≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e82mm filter size\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003eCertain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA√¢‚Ç¨‚Ñ¢s cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e180¬∞ focus rotational angle\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ç¬∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e160¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ç¬∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ç¬∞.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003eOnly applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718791401639,"sku":"GC40-4340966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si35t15ef_1_1.jpg?v=1666598151"},{"product_id":"sigma-35mm-t1-5-cine-lens-fully-luminous-feet-for-canon-ef-mount","title":"Sigma 35mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount","description":"\u003ch3\u003eSigma 35mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 35mm Canon EF prime is a mid-range focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ç¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet and are fully luminous for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet and are fully luminous.\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture.\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels.\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line.\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions).\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718791991463,"sku":"GC40-434F966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/434f966.jpg?v=1666598173"},{"product_id":"sigma-24mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 24mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 24mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 24mm EF-mount prime is a wider focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e\n\u003cp\u003eMake sure to use the best HTML CSS JavaScript tools to get the perfect code.\u003c\/p\u003e\n\u003cp\u003eRemember the Windows XP operating system? You can work with it online at GeekPrank.com and trick your friends.\u003c\/p\u003e\n\u003cp\u003eThe JS beautifier will take care of your dirty JavaScript codes, assuring a syntax error-free solution.\u003c\/p\u003e\n\u003cp\u003eGenerate the CSS style for border-radius, fonts, transforms, backgrounds, box and text shadows with the online CSS code generators.\u003c\/p\u003e\n\u003cp\u003eThe Word to HTML converter is the best free online tool to transform Word, Excel, Google docs, and any other document into web content.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718793171111,"sku":"GC40-4401966","price":5269.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/15728_sigma-24mm-t1.5-canon-ef-mount-cine-lens.jpg?v=1666598058"},{"product_id":"sigma-24mm-t1-5-cine-lens-fully-luminous-feet-for-canon-ef-mount","title":"Sigma 24mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount","description":"\u003ch3\u003eSigma 24mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility√¢‚Ç¨‚Äù yet compact. Introducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ç¬≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography√¢‚Ç¨‚Äù now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA lineup offering an astonishing combination of specifications and value\" all thanks to our ultra-efficient vertically integrated production system.\u003c\/h3\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA√¢‚Ç¨‚Ñ¢s cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA√¢‚Ç¨‚Ñ¢s leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA√¢‚Ç¨‚Ñ¢s CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√Ø¬Ω≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003eCertain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e95mm front diameter\u003c\/h3\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA√¢‚Ç¨‚Ñ¢s cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ç¬∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ç¬∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160¬∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ç¬∞.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount with electronic contacts\u003c\/h3\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eEnhanced EF mount\u003c\/h3\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003eOnly applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA√¢‚Ç¨‚Ñ¢s Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718794088615,"sku":"GC40-440F966","price":6779.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sf_1.jpg?v=1666598082"},{"product_id":"sigma-20mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 20mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 20mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 20mm EF-mount prime is a wide focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718794252455,"sku":"GC40-4412966","price":4529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/15722_sigma-20mm-t1.5-canon-ef-mount-cine-lens.jpg?v=1666597958"},{"product_id":"sigma-28mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 28mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 28mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 28mm Canon EF-mount prime is a wider focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, relatively lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ç¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718795169959,"sku":"GC40-4441966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/4441966.jpg?v=1666598062"},{"product_id":"sigma-14mm-t2-cine-lens-for-canon-ef-mount","title":"Sigma 14mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 14mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 14mm EF-mount prime is the widest focal length of the series, offering full-frame sensor coverage, 6-8K resolution, and a T2 aperture in a relatively lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ç¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. 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This lens is ideal for the latest digital cine cameras.\u003c\/h3\u003e\n\u003cp\u003eCompatible with full-frame image sensors, the FF Zoom Line offers the outstanding optical performance required for high-resolution shooting in 6K-8K. An exceptional option for cinematographers, this lens is compatible with image sensors larger than Super 35, now used in the latest digital cinema cameras. This cinema zoom lens combines the highest level of image quality with a compact design.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% retained: ultra-high-performance optical system\u003c\/h3\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% new: mechanical structure\u003c\/h3\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√Ø¬Ω≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA's cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ç¬∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ç¬∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ç¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ç¬∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ç¬∞\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the Mount Converter MC-11 allows users to enjoy the high performance of SIGMA's Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718796710055,"sku":"GC40-4588966","price":9149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si24-35mm.jpg?v=1666598002"},{"product_id":"sigma-50-100mm-t2-cine-lens-for-canon-ef-mount","title":"Sigma 50-100mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 50-100mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eT2 brightness throughout the zoom range. Outstanding resolution ready for 6K-8K.\u003c\/h3\u003e\n\u003ch3\u003eThese lenses combine top performance with superior compactness.\u003c\/h3\u003e\n\u003cp\u003eThe High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% retained: ultra-high-performance optical system\u003c\/h3\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% new: mechanical structure\u003c\/h3\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ecolour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√Ø¬Ω≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA's cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ç¬∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ç¬∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ç¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ç¬∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ç¬∞.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA's Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718797168807,"sku":"GC40-4693966","price":5609.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sit2cl-ef.jpg?v=1666598231"},{"product_id":"sigma-mc-11-e-mount-converter","title":"Sigma MC-11 E-Mount Converter - CANON EF TO SONY E-MOUNT","description":"\u003cp\u003eThe MC-11 Mount Converter enables the use of Canon EF-mount lenses on Sony E-mount mirrorless camera bodies and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. 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As for the connector type, it newly employs USB Type-C.\u003c\/p\u003e\n\u003ch3\u003eConnecting with SIGMA Optimization Pro\u003c\/h3\u003e\n\u003cp\u003eBy connecting the USB DOCK UD-11 to a compatible lens or an accessory, photographers can configure the following settings of the corresponding product via the exclusive SIGMA Optimization Pro software.\u003c\/p\u003e\n\u003ch3\u003eFirmware updates\u003c\/h3\u003e\n\u003cp\u003ePhotographers can update the lens firmware*1, SIGMA MOUNT CONVERTER MC-21*2, and SIGMA TELE CONVERTER TC-1411\/TC-2011.\u003c\/p\u003e\n\u003cp\u003e1 It is possible to update the lens firmware via the cameras that supports this function.\u003c\/p\u003e\n\u003cp\u003e2 It is possible to update the mount converter MC-21 firmware via the camera.\u003c\/p\u003e\n\u003ch3\u003eMF function operation timing adjustment\u003c\/h3\u003e\n\u003cp\u003eUsers can customize the rotation sensitivity of focus ring on MF mode*1.\u003c\/p\u003e\n\u003cp\u003e1 Firmware update of the lens may be required.\u003c\/p\u003e\n\u003cp\u003eAdditional functionalities to be available at later dates. 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