{"title":"Premium Cinema Cameras","description":"","products":[{"product_id":"sony-fx6-cinema-camera-body-only-with-bonus-pro-video-case","title":"Sony FX6 Cinema Camera (Body Only)","description":"\u003cp\u003eThe Sony FX6 Cinema Camera is a compact, powerful cine-style camera designed to give filmmakers the power and flexibility to capture stunning cinematic images. With its large Super 35mm 4K image sensor, robust design, and expansive feature set, the FX6 is capable of delivering high quality footage even in challenging lighting conditions.\u003c\/p\u003e\n\u003cp\u003eIt supports both 15-stop S-Log3\/2 and 14-stop VENICE colour spaces for more creative control over your image when using external recording systems. It also comes with an abundance of professional video features such as time code, zebras, three independent gamma settings (S-Gamut3\/S-Gamut3.CINE\/Hypergamma), built-in ND filters, focus peaking, and more.\u003c\/p\u003e\n\u003cp\u003eThe FX6 is perfect for documentary filmmakers, independent filmmakers, and even commercial shooters who want the best of both worlds—high-end cinema image quality with a lightweight design that’s easy to transport. With its impressive feature set and robust build quality, the Sony FX6 Cinema Camera will give you the freedom to capture stunning cinematic images in any environment.\u003c\/p\u003e\n\u003ch2 id=\"quality-and-fx6-reliability-to-the-highest-spec\"\u003e\u003c\/h2\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719081463975,"sku":"GC35-ILMEFX6V","price":7198.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1_1.png?v=1720440718"},{"product_id":"sony-pxw-fs7m2-xdcam-super-35-camera-body","title":"Sony PXW-FS7M2 XDCAM Super 35 Camera Body","description":"\u003cp\u003e\u003cstrong\u003eSony PXW-FS7M2 XDCAM Super 35 Camera Body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Sony FS7 II dramatically improves the experience of shooting with Sony’s ultimate documentary camcorder and simply one of the world’s most versatile Super 35mm camcorders. A host of enhancements, from an all-new lens mount to world-leading Electronic Auto Variable ND system and enhanced ergonomics, transform the possibilities of what you can do. Shoot and move. Handheld, shoulder-mount or suspended from a gimbal. FS7 II delivers the spectacular imagery you expect from Sony.\u003c\/p\u003e\n\u003cp\u003eThe camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps. The Sony PXW- FS7M2 camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera is capable of generating when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with Y, Cb, Cr color subsampling. You can set the PXW-FS7 II to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocking E-Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PXW-FS7 II is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.\u003c\/p\u003e\n\u003cp\u003eIt accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectronic Variable ND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBehind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.\u003c\/p\u003e\n\u003cp\u003eAdditionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagnesium Construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmartGrip\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start\/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedesigned Viewfinder and Mic Holder Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the FS7 II the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.\u003c\/p\u003e\n\u003cp\u003eIn addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe FS7 II records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Card Slots\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the FS7 II compared to the FS7, making inserting and removing media cards easier.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719084904615,"sku":"GC31-PXWFS7M2","price":13649.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/pxwfs7m2_4.jpg?v=1666601930"},{"product_id":"sony-pxw-fs7m2-4k-xdcam-super-35-camcorder-kit-with-18-110mm-zoom","title":"Sony PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with 18-110mm Zoom","description":"\u003cp\u003eThis pairing of a PXW-FS7M2 4K XDCAM Super 35 Camcorder Kit with an 18-110mm Zoom Lens from Sony provides you with a camera and lens system ready for today's Super 35mm 4K single-camera productions. Well suited to cinema, documentaries, news magazines, or as the base of a kit to build upon for commercial production. A sturdy locking E-mount, which can support cinema-style zoom lenses, and an electronic variable ND filter highlight some of the camera's features. The camera supports the recording of HD, UHD 4K, and DCI 4K to integrated XQD media card slots.\u003c\/p\u003e\n\u003cp\u003eThe included Sony 18-110mm power zoom lens covers the Super 35mm format and supports 4K resolution. It features a Sony E-mount, which allows it to mount directly on the camera without requiring an adapter. The power zoom incorporates a mechanically linked zoom ring for precise control with no motor lag, and it features separate geared focus, zoom, and iris rings for manual image control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSony PXW-FS7M2 XDCAM Super 35 Camera System\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eExpanding on the original FS7, Sony's PXW-FS7M2 XDCAM Super 35 Camera System is a flexible 4K camera system. Designed as a camera that is at home on productions as diverse as \"Cinéma Vérité\"-style documentaries, reality TV, commercial, and corporate applications It features a Super 35mm sized sensor that allows you to capture images with cinematic depth of field. The camera incorporates a stronger locking E-mount that is fully compatible with E-Mount lenses, and supports all electronic connections. The locking mount reduces lens play, and allows you to use most 35mm lenses including PL, EF, Leica, and Nikon via optional adapters. This stronger E-mount is ideal for using heavier-long cine-zooms without the need for additional lens support.\u003c\/p\u003e\n\u003cp\u003eJust behind the lens mount sits an electronic variable ND system that provides a clear filter and 3 user definable presets. The variable ND can be adjusted to provide between 2 and 7 stops of ND. The camera can capture footage to optional on-board XQD media cards in either DCI 4K (4096 x 2160) or UHD 4K (3840 x 2160) at up to 59.94 fps or HD at up to 180 fps.\u003c\/p\u003e\n\u003cp\u003eThe camera records in your choice of XAVC-I, XAVC-L, or MPEG-2. However, MPEG-2 recording does not support the high data rates the camera can generate when shooting in UHD, and is limited to recording HD video only. The camera incorporates Dual XQD media card slots that support simultaneous or relay recording. An ergonomically designed handgrip provides control of many of the camera's functions and features an adjustable length support arm.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSensor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 4K Super 35 EXMOR sensor features 14 Stops of latitude and a wide color gamut. It offers a choice of XAVC or MPEG-2 codecs. The XAVC codec can be used for 4K and HD recording, while MPEG-2 is limited to HD recording. XAVC comes in two flavors, XAVC INTRA, and XAVC Long, allowing you to encode from HD to UHD using Intra-Frame or Long GOP compression with 10-bit 4:2:2 for HD and the choice of 10-bit 4:2:2 or 8-bit 4:2:0 for UHD. XAVC intra compression is very efficient, recording at modest bit rates and XAVC Long also substantially extends the recording time while attaining very high quality and low noise.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSignal Processing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe Camera supports two signal processing modes; Cine-EI and Custom. Cine-EI offers three color grading spaces for electronic cinematography production. The Custom mode supports Rec-709 and Rec BT-2020 at UHD 3840 x 2160 with YCbCr color subsampling. You can set the PXW-FS7M2 to record onboard and monitor on a BT 2020 compliant monitors via HDMI 10-bit 4:2:2 or SDI at 10-bit 4:2:2 with a 709 monitor LUT applied.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLocking E-Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PXW-FS7M2 is equipped with a locking E-Mount that provides improved stability and strength compared to a standard E-Mount. It features a safety interlock system that helps prevent accidental disengagement of your lens from the camera body. The locking mount also reduces lens play compared to a standard E-Mount and the locking mount is strong enough to support long cine and ENG zooms that normally require a lens support.\u003c\/p\u003e\n\u003cp\u003eIt accepts optional E-Mount lenses from Sony, Zeiss and other manufacturers. The shallow flange distance of the E-Mount allows you to mount most 35mm lens types such as PL, Canon EF, Leica, Nikon, as well as many others with simple mechanical adapters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eElectronic Variable ND\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBehind the lens mount sits a retractable clear filter. When you engage the internal ND filters, the clear filter retracts and a stepless electronic ND filter drops into place maintaining the proper flange focal distance. You can program the electronic ND filter to act as three individual filters and rotating the filter knob will step between these presets.\u003c\/p\u003e\n\u003cp\u003eAdditionally, you can manually adjust the density of the filter from 2 to 7 stops. One of the advantages of the electronically variable ND filter is that you can use the iris on your lens to set your depth of field, and then make exposure adjustments with the ND, as it does not introduce any color shift as the strength of the ND changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMagnesium Construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera body is made from magnesium, which is lighter and stronger than aluminum. This allows the camera body to weigh only four pounds. It also incorporates a shoulder pad and is designed to sit on the operator's shoulder by extending the support arm of the SmartGrip, which allows the camera to be held in front of the operator without requiring a support rig.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmartGrip\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera includes an ergonomic handgrip that Sony calls a SmartGrip, which features Zoom, Start\/Stop, and Assign controls. The SmartGrip facilitates camera operation with the right hand, leaving the left hand free to operate the lens. Both the arm and handgrip can be positioned at different angles permitting great flexibility, and it has been re-designed for additional extension adjustment.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRedesigned Viewfinder and Mic Holder Mount\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith the PXW-FS7M2 the viewfinder and mic holder mount has been repositioned. The viewfinder and mic holder now attach to a replaceable 15mm rod. This allows you to swap out the included rod with a longer rod (not included), allowing you to move the position of the viewfinder or mic holder relative to the camera. You can adjust the position of the viewfinder so a left-eye shooter can use their left eye, while the camera is resting on their right shoulder.\u003c\/p\u003e\n\u003cp\u003eIn addition, the viewfinder itself now rides on a square mounting rod that ensures level operation.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInternal Recording\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe PXW-FS7M2 records internally in both DCI 4K and UHD 4K at up to 59.94 fps, and in HD up to 180 fps using XAVC-I or up to 120 fps with XAVC-L. DCI 4K (4096 x 2160) can be recorded internally without the need of an external recorder.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMedia Card Slots\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe camera features two XQD media slots that support simultaneous or relay recording. The XQD card slots are shallower on the PXW-FS7M2 compared to the FS7, making inserting and removing media cards easier.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eGenlock and Timecode\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eGenlock and timecode breakout is available with an optional XDCA-FS7, this also allows for raw and ProRes recording with optional recorders.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSony E PZ 18-110mm f\/4 G OSS Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith a wide focal-length range and a constant f\/4 aperture in a compact form factor, the Sony E PZ 18-110mm f\/4 G OSS Lens offers videographers and cinematographers a versatile lens choice for lightweight operations. While the lens may seem small, it has professional features to back it up. The 18-110m focal-length range covers moderately wide to narrow angles-of-view. Sony's built-in Smooth Motion Optics leverage the internal mechanics of the lens to minimize focus breathing, focus shifting, and other anomalies that would otherwise be noticeable when adjusting the lens during recording.\u003c\/p\u003e\n\u003cp\u003eThe body of the lens sports separate focus, zoom, and iris rings for complete manual control. Just pull the focus ring back and full-time manual focus is engaged. The focus ring itself has built-in cinema-standard gearing for follow-focus compatibility. Zoom functionality can be operated both manually and electronically. The zoom ring is connected to the lens mechanically, so crash-zooms can be achieved without lag. Iris operation can be done automatically, or by rotating the iris ring. By disengaging the iris click switch, manual iris adjustments can be made smoothly.\u003c\/p\u003e\n\u003cp\u003eFor smaller, less robust cameras, a quick-release tripod foot is included. The foot secures towards the rear of the lens for tripod use. Alternatively, a conventional lens support can be attached near front of the lens for compatibility with rod-based lens supports. The filter thread will accept 95mm-diameter round filters and the included lens cap. A lens hood is also included for minimizing flare. The hood's shuttered design can be closed when the camera is not in use.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSmooth Motion Optics\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSony's SMO (Smooth Motion Optics) design and construction minimizes optical shifts that can have a negative impact on image quality. Focus breathing is minimized by an internal focus mechanism, focus shift while zooming is eliminated by precise focus tracking adjustment, and axial shift is minimized by a constant-length design.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eVersatile Zoom Control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to a smooth servo zoom, mechanical manual zoom ensures precise control with an immediate response. The desired angle of view can be accurately reached by preventing over or undershoot due to lag. Zoom ring direction can be easily switched as required, smooth, slow powered zoom is supported, and an inner zoom mechanism means that the length of the lens remains constant, regardless of focal length.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eProfessional Focusing Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe focus ring slides back to quickly engage manual focusing. Cinema-standard MOD 0.8 gear teeth are built into the focus ring, enabling use of standard follow focuses without requiring cumbersome focus gear accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompact Design\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lightweight form-factor of this lens contributes to the kind of mobility that active movie shooting demands. Small size and low weight can be advantageous when using gimbals and other types of support as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eOptical SteadyShot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBuilt-in Optical SteadyShot (OSS) image stabilization helps to keep recorded images stable and free of excess blur in a wide range of handheld or locked-down shooting conditions involving camera movement.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eWeather Resistance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA dust and moisture-resistant design provides extra protection and ensures reliable operation in challenging environments and inclement weather. Shoot with confidence in light rain or windy conditions.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719085199527,"sku":"GC31-PXWFS7M2K","price":18018.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/pxwfs7m2k.jpg?v=1666601918"},{"product_id":"dji-ronin-4d-4-axis-cinema-camera-6k-combo-kit","title":"DJI Ronin 4D 4-Axis Cinema Camera 6K Combo Kit","description":"\u003cp\u003eThe DJI Ronin 4D 4-Axis Cinema Camera 6K Combo Kit is a must-have for any filmmaker. This kit includes the top of the line camera body, with a stunning 6k resolution and integrated dual pixel autofocus capabilities. It also includes the ultra-precise Ronin 4D gimbal system (lens sold separately) which offers incredibly smooth stabilization in all four axes.\u003c\/p\u003e\n\u003cp\u003eThis allows you to capture beautiful footage without losing stability or having to worry about unwanted camera shakes. The included accessories allow you to customise your rig according to your specific needs, ensuring that you will have everything you need for professional quality videos. With its advanced features and intuitive design, the DJI Ronin 4D is an essential tool for any aspiring videographer!\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCineCore 3.0 Imaging Processing System\u003c\/h3\u003e\n\u003cp\u003eThe Zenmuse X9, DJI's full-frame camera, uses a proprietary chip for advanced processing and high-performance computing\u003c\/p\u003e\n\u003cp\u003eThe Ronin 4D uses the CineCore 3.0 system to support internal recording of Apple ProRes Raw, ProRes 422 HQ, and H.264 video\u003c\/p\u003e\n\u003cp\u003eIndustry-standard ACES workflow support provide easy compatibility with other cinema cameras\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAdvanced 4-Axis Stabilisation\u003c\/h3\u003e\n\u003cp\u003eSelectable Z-axis stabilisation reduces unwanted vertical camera movement, especially during dollying moves\u003c\/p\u003e\n\u003cp\u003eZ-axis stabilisation built into the camera, 3-axis stabilisation in the gimbal\u003c\/p\u003e\n\u003cp\u003eTilt stabilisation uses dual, symmetrical motors\u003c\/p\u003e\n\u003cp\u003ePan and X (roll) axes with additional stiffness buffering\u003c\/p\u003e\n\u003cp\u003eDownward ToF (time of flight) sensor\u003c\/p\u003e\n\u003cp\u003eForward and downward-facing dual-vision sensors\u003c\/p\u003e\n\u003cp\u003eBuilt-in IMU (inertial measurement unit) and barometer\u003c\/p\u003e\n\u003cp\u003eNew and improved stabilisation algorithm\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eProRes Raw, 422 HQ, and H.264 Capture\u003c\/h3\u003e\n\u003cp\u003eCaptures 6K raw at rates up to 60 fps in full-frame 2.39:1\u003c\/p\u003e\n\u003cp\u003eCaptures up to 4K raw at rates up to 120 fps in Super 35 2.39:1\u003c\/p\u003e\n\u003cp\u003eCaptures up to 4K raw at rates up to 96 fps in Super 35 17:9\u003c\/p\u003e\n\u003cp\u003eCapture up to 6K60 ProRes 422 HQ video in full-frame 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Title","offer_id":42720084328615,"sku":"GC41-DJIRONIN-4D-6K","price":7599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/cp.rn.00000176.01.jpg?v=1666511137"},{"product_id":"red-komodo-starter-pack-including-batteries","title":"RED KOMODO 6K Starter Pack (Including Batteries)","description":"\u003cp\u003eThe KOMODO 6K Camera Starter Pack from RED DIGITAL CINEMA pairs the lightweight Super35 KOMODO 6K camera with several key accessories. This starter pack includes an RF to EF mechanical lens mount adapter, the electronic Canon EF-EOS R Mount Adapter with a drop-in variable ND filter, two REDVOLT BP batteries, two Wing Grips, an AC power adapter, a Mini World Travel Adapter Kit, one 512GB card, a card reader, and a timecode cable. Firmware update v.1.5.5 fixes some playback and sync issues, while v.1.5.3 added support for 6K anamorphic, 4-channel audio, FTPS for remote offloading, Canon RF lens control ring support, and more. Version 1.5.3 also added ExAscend CFast 512GB and 1TB cards to the approved media list.\u003c\/p\u003e\n\u003cp\u003eRED has taken fresh steps with the release of the KOMODO 6K Digital Cinema Camera by bringing their legendary image quality and colour science into an ultra-compact, all-in-one design that weighs just 2.1 lb measures about 4 x 4 x 4\". Key to achieving this goal was the use of the Canon RF lens mount and the KOMODO 19.9MP Super35 CMOS sensor which boasts Global Shutter technology. This sensor can create images with 16+ stops dynamic range and eliminates rolling shutter artifacts. Users can also be certain they are getting RED quality thanks to the ability to record up to 6K at 40 fps, 5K at 48 fps, 4K at 60 fps, and 2K at 120 fps in REDCODE RAW for incredible flexibility in post-production.\u003c\/p\u003e\n\u003cp\u003eRevolutionary for RED is the creation of an extremely compact all-in-one design with the KOMODO. This means you can simply pop in a CFast 2.0 card into its media slot and you are ready to roll with data rates up to 280 MB\/s. A top 2.9\" 1440 x 1440 touchscreen makes it easy to configure and monitor your footage or you can use the RED Control system for using an iOS or Android device for preview and settings. This is possible through integrated 2.4\/5 GHz Wi-Fi. Wired control is also possible via the USB Type-C port and optional adapters.\u003c\/p\u003e\n\u003cp\u003eThe use of the Canon RF lens mount allows the KOMODO to be extremely compact while still enabling compatibility with a vast range of lenses through the use of optional adapters. The mount will natively support mechanical RF lenses and mechanical EF lenses via the included adapter. Using optional electronic EF-to-RF mount adapters, the KOMODO will even support electronic Canon EF-mount lenses and unlock additional functionality, such as autofocus.\u003c\/p\u003e\n\u003cp\u003eThe first for RED is the ability to use Phase-Detect Autofocus (PDAF) with compatible lenses. This includes adapted Canon EF-mount lenses used with a separately available EF-to-RF adapter with electronic communication. Phase-detect systems are known for their speed by measuring and comparing distance and should provide a reliable, accurate system for video production. Additionally, the touchscreen can be used for quickly changing focus and selecting subjects.\u003c\/p\u003e\n\u003cp\u003eGetting back to image quality, the KOMODO promises to be among RED's finest with the ability to capture up to 6K at 40 fps using the powerful 16-bit REDCODE RAW format. RED has simplified compression options, giving users a choice between HQ, MQ, and LQ, each varying compression from low to high, respectively. Having these choices allows users to choose the best option for each shoot and whether to prioritize data rate or image quality. REDCODE RAW is supported for 5K up to 48 fps, 4K up to 60 fps, and 2K up to 120 fps and will deliver the greatest possible flexibility in post-production. Those looking to use a more conventional format can record natively in Apple ProRes 422 HQ and standard 422 with DCI 4K up to 60 fps or DCI 2K up to 120 fps.\u003c\/p\u003e\n\u003cp\u003eBeing a complete all-in-one camera solution, the KOMODO features an array of necessary ports and connections. This includes integrated stereo microphones and a 3.5mm input for audio, genlock\/timecode\/GPIO\/RS232 support via a 9-pin EXT port, and a DC power input. A 12G-SDI port will support up to DCI 4K at 60 fps in 10-bit 4:2:2 quality for dedicated monitoring solutions. The rear of the camera also sports dual Canon BP-9xx series battery slots, which can be hot-swapped for practically unlimited recording in the field.\u003c\/p\u003e\n\u003cp\u003eThe RED KOMODO 6K offers an exceptionally compact form factor that sacrifices nothing in terms of image quality. This base model includes the KOMODO 6K, a 45W AC power adapter, Mini World Travel Adapter Kit, and a Canon RF-to-EF mechanical adapter.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFirmware Update v.1.5.5\u003c\/p\u003e\n\u003cp\u003eFixed playback stuttering at high frame rates, German SLA causing a camera shutdown, and RFB raw metering in 6K full frame\u003c\/p\u003e\n\u003cp\u003eImproved LCD sync issues in playback with anamorphic formats\u003c\/p\u003e\n\u003cp\u003eImproved general stability\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e6K S35 Sensor\u003c\/p\u003e\n\u003cp\u003e6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eGlobal Shutter\u003c\/p\u003e\n\u003cp\u003eThe KOMODO 6K's global shutter produces crisp images while reducing motion artifacts\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCompact Form, Versatile Power\u003c\/p\u003e\n\u003cp\u003eWeighing just over 2 lb, the KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCFast Recording\u003c\/p\u003e\n\u003cp\u003eCapture at rates up to 280 MB\/s on RED PRO or qualified third-party CFast 2.0 cards\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eREDCODE RAW\u003c\/p\u003e\n\u003cp\u003eThe robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eREDCODE Options\u003c\/p\u003e\n\u003cp\u003eHQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion\u003c\/p\u003e\n\u003cp\u003eMQ is great for cinema and high-end TV projects\u003c\/p\u003e\n\u003cp\u003eLQ is ideal for TV, online content, documentaries, interviews, and long takes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eApple ProRes Formats\u003c\/p\u003e\n\u003cp\u003eFor proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eColour Management\u003c\/p\u003e\n\u003cp\u003eSupports 3D LUTs and RED colour science\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eTouchscreen Display\u003c\/p\u003e\n\u003cp\u003eIntegrated 2.9\" touchscreen LCD screen for video preview and camera control\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCanon Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter\u003c\/p\u003e\n\u003cp\u003eExtending the range of compatible lenses, this Canon Drop-In Filter Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. 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This cable links to the camera via its 9-pin EXT connector and measures 3' including the connectors.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA REDVOLT BP for KOMODO 6K S35\u003c\/p\u003e\n\u003cp\u003eBoost your KOMODO 6K S35 runtime with the REDVOLT BP battery pack from RED DIGITAL CINEMA. This battery features a longer-lasting, 6300mAh capacity and in-camera display of the remaining battery time. 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It features the RED KOMODO 6K Camera, which captures stunning video in up to 6K resolution and offers exceptional low light performance. This powerful camera is paired with an array of accessories including a lens mount adapter, matte box, follow focus system, quick release plate, monitor\/recorder, and more.\u003c\/p\u003e\n\u003cp\u003eWith this robust set of tools you can film professional content with exceptional clarity and detail regardless of your environment or conditions. Whether shooting documentaries or feature films, the RED KOMODO 6K Production Pack is the ultimate solution for filmmakers looking to create beautiful cinematic images.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e6K S35 Sensor\u003c\/h3\u003e\n\u003cp\u003e6K Super35 19.9MP CMOS sensor with a dynamic range of 16+ stops and a resolution of 6144 x 3160\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eGlobal Shutter\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO 6K's global shutter produces crisp images while reducing motion artifacts\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCompact Form, Versatile Power\u003c\/h3\u003e\n\u003cp\u003eWeighing just over 2 lb, the KOMODO 6K's power options include using two lightweight Canon BP-9 batteries, a larger battery, or an AC power supply\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCFast Recording\u003c\/h3\u003e\n\u003cp\u003eCapture at rates up to 280 MB\/s on RED PRO or qualified third-party CFast 2.0 cards\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eREDCODE RAW\u003c\/h3\u003e\n\u003cp\u003eThe robust REDCODE RAW file format offers versatility without burdensome storage requirements and editing on many NLE systems without transcoding to save time\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eREDCODE Options\u003c\/h3\u003e\n\u003cp\u003eHQ is perfect for VFX, extremely detailed scenes, and capturing stills from motion\u003c\/p\u003e\n\u003cp\u003eMQ is great for cinema and high-end TV projects\u003c\/p\u003e\n\u003cp\u003eLQ is ideal for TV, online content, documentaries, interviews, and long takes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eApple ProRes Formats\u003c\/h3\u003e\n\u003cp\u003eFor proxy files or quicker turnaround times than raw files, Apple ProRes can be recorded at 4K and 2K resolutions at rates up to 120 fps (2K)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eColour Management\u003c\/h3\u003e\n\u003cp\u003eSupports 3D LUTs and RED colour science\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eTouchscreen Display\u003c\/h3\u003e\n\u003cp\u003eIntegrated 2.9\" touchscreen LCD screen for video preview and camera control\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA KOMODO Outrigger Handle\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO Outrigger Handle from RED DIGITAL CINEMA provides flexible handling when operating your KOMODO digital cine camera. This low-profile handle is especially suited for keeping one hand on the integrated record\/stop button and the other positioned for focus pulls or zooming.\u003c\/p\u003e\n\u003cp\u003eThe KOMODO Outrigger handle features include a rugged build, 360¬∞ of swivel rotation for optimal positioning, and two 1\/4\"-20 mounting points.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA KOMODO Wing Grip\u003c\/h3\u003e\n\u003cp\u003eAdd the Wing Grip from RED DIGITAL CINEMA to your KOMODO camera to create a low-profile, handheld support option. This aluminium handle's simple u‚Äìshaped design features an ergonomic grip and both 1\/4\"-20 and anti-twist 3\/8\"-16 threads for attaching accessories.\u003c\/p\u003e\n\u003cp\u003eNote: For the KOMODO only, the Wing Grip is not compatible with DSMC, DSMC2, or RED RANGER camera systems. ‚Äã\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eThe RED KOMODO camera only\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLow-Profile Handle\u003c\/h3\u003e\n\u003cp\u003eProvides a low-profile, ergonomic way to carry your KOMODO\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessory Mounts\u003c\/h3\u003e\n\u003cp\u003eMultiple 1\/4\"-20 and anti-twist 3\/8\"-16 threads\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA KOMODO Expander Module\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO Expander Module from RED DIGITAL CINEMA provides additional video, power, and communication interfaces for your KOMODO 6K digital cine camera. These pro video connectors include timecode in, genlock, and GPI BNC ports plus a 4-pin control interface.\u003c\/p\u003e\n\u003cp\u003eThis expander module incorporates multiple 1\/4\"-20, 3\/8\"-16, and ARRI-style anti-twist accessory threads. Additional features include a built-in quick release plate and durable aluminium construction.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA 512GB RED PRO CFast 2.0 Memory Card\u003c\/h3\u003e\n\u003cp\u003eThe 512GB RED PRO CFAST 2.0 Memory Card from RED DIGITAL CINEMA provides reliable recording for the KOMODO 6K and KOMOD ST digital cinema cameras. This CFast 2.0 card features data rates up to 280 MB\/s and a durable build that is both X-ray and magnet proof. Each card is resistant to extreme temperatures, humidity, shock, and vibration.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA CFAST 2.0 Card Reader\u003c\/h3\u003e\n\u003cp\u003eThe CFAST 2.0 Card Reader from RED DIGITAL CINEMA enables you to quickly offload your KOMODO digital cine camera footage. This CFAST 2.0 card reader features a USB Type-C port that operates using a 10 Gb\/s, USB 3.1 Gen 2 standard. The CFAST 2.0 Card Reader is Windows, macOS, and Linux compatible.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA D-Tap-to-Power Cable (6')\u003c\/h3\u003e\n\u003cp\u003eThe D-Tap-to-Power Cable enables you to power your RED DIGITAL CINEMA KOMODO camera from a battery with a D-Tap 7 to 17 VDC output. This cable sports a D-Tap connector on one end and a 2-pin connector on the other, and it measures 6' including the connectors.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCanon Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter\u003c\/h3\u003e\n\u003cp\u003eExtending the range of compatible lenses, this Canon Drop-In Filter Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter affords compatibility with select A-type drop-in filters and includes a variable neutral density filter for greater control over your exposure settings.\u003c\/p\u003e\n\u003cp\u003eThe adapter's design extends the ability to use filters with unique lenses that cannot accept filters on the front, and it also retains the full autofocus and image stabilization capabilities of the mounted lens. 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Designed in conjunction with battery-maker Core SWX, the compact REDVOLT BP is hot-swappable and mounts directly onto your KOMODO's battery plate.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED KOMODO 6K S35 camera\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLong-Lasting\u003c\/h3\u003e\n\u003cp\u003eHas a 6300mAh capacity that enables longer runtimes\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eIn-Camera Display\u003c\/h3\u003e\n\u003cp\u003eCommunicates fully with your KOMODO, offering an in-camera display of the remaining battery time\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eHot-Swappable Compact Form\u003c\/h3\u003e\n\u003cp\u003eCompact design mounts directly onto the KOMODO's battery plate and can be hot-swapped\u003c\/p\u003e\n\u003cspan\u003e\u003cstrong\u003e*Important -\u003c\/strong\u003e Additional Warranty information, please refer to the article \"Preventing Damage to SDI Outputs\" in the link below.\u003c\/span\u003e\u003cbr\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003ehttps:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs \u003c\/span\u003e\u003cbr\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":42720091668647,"sku":"GC47-RED-710-0361-02","price":10490.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/red-710-0361-01.jpg?v=1666590658"},{"product_id":"blackmagic-design-ursa-mini-pro-4-6k-g2-cinema-camera","title":"Blackmagic Design URSA Mini Pro 4.6K G2 Cinema Camera","description":"\u003ch3\u003eIntroducing the World‚Äôs Most Advanced Digital Film Camera!\u003c\/h3\u003e\n\u003cp\u003eBlackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award-winning URSA Mini body. The combination of 80 megapixels per frame, new colour science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built-in ND filters, dual CFast and UHS‚ÄëII SD card recorders, a SuperSpeed USB‚ÄëC expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to colour, VFX and more!\u003c\/p\u003e\n\u003ch3\u003eDigital Film, Extreme Resolution\u003c\/h3\u003e\n\u003cp\u003eURSA Mini Pro 12K‚Äôs extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep colour. Perfect for feature films, episodic television and immersive, large-format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live-action and CGI. Supersampling at 12K means you not only get better colour and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new generation of digital film technology ushers in an analog-style purity and subtlety to deliver a better than film experience\u003c\/p\u003e\n\u003ch3\u003eCinematic Super 35 12K Sensor\u003c\/h3\u003e\n\u003cp\u003eThe Blackmagic URSA Mini Pro 12K features a revolutionary new sensor with a native resolution of 12,288 x 6480, which is an incredible 80 megapixels per frame! The Super 35 sensor has a superb 14 stops of dynamic range and a native ISO of 800. The new 12K sensor has equal amounts of red, green and blue pixels and is optimized for images at multiple resolutions. You can shoot 12K at 60 fps or use in-sensor scaling to allow 8K or 4K RAW at up to 110 fps without cropping or changing your field of view. URSA Mini Pro‚Äôs interchangeable lens mount lets you choose from the widest range of vintage and modern cinema lenses, so you can capture every ounce of character and detail from your favorite optics.\u003c\/p\u003e\n\u003ch3\u003eShoot in 12K, Edit on a Laptop\u003c\/h3\u003e\n\u003cp\u003eThe URSA Mini Pro 12K sensor and Blackmagic RAW were designed together to make 12-bit RAW workflows in 12K effortless. As an incredibly efficient next-generation codec Blackmagic RAW lets you shoot 12K and edit on a laptop, a capability that simply isn‚Äôt possible with other codecs. The massive resolution of the sensor means you can reframe shots in post for delivery in 8K and 4K. It‚Äôs like a multi-camera shoot with only one camera. And it‚Äôs perfect for great looking vertical and square video, too. The advanced design of the sensor and Blackmagic RAW means that you can work in any resolution in post-production instantly, without rendering, while retaining the full sensor‚Äôs colour accuracy.\u003c\/p\u003e\n\u003ch3\u003eBlackmagicRAW Fueled Image Capture\u003c\/h3\u003e\n\u003cp\u003eOnly Blackmagic RAW makes cinema-quality 12‚Äëbit, 80-megapixel images at up to 60 frames a reality! Constant quality Q0 and Q5 options and new Q1 and Q3 lock the quality level, allowing compression to adapt, matching the detail of the scene. Constant bitrate encoding options 5:1, 8:1, 12:1 and the new 18:1 are designed to give you the best possible images with predictable and consistent file size. You can record RAW to two cards simultaneously so you can shoot 12K or 8K to either CFast or UHS‚ÄëII cards, even at high frame rates! Blackmagic RAW stores camera metadata, lens data, white balance, digital slate information and custom LUTs to ensure consistency of image on set and through post-production.\u003c\/p\u003e\n\u003cli\u003eBlackmagic URSA Mini Pro 4.6K G2 Cinema Camera\u003c\/li\u003e\n\u003cli\u003eTurret Dust Cap\u003c\/li\u003e\n\u003cli\u003ePower Supply\u003c\/li\u003e\n\u003cli\u003eDaVinci Resolve Full-Version License\u003c\/li\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":42720099991719,"sku":"GC50-CINEURSAMUPRO46KG2","price":8505.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/cineursamupro46kg2.jpg?v=1666503466"},{"product_id":"blackmagic-design-ursa-mini-pro-12k","title":"Blackmagic Design URSA Mini Pro 12K","description":"\u003cp\u003eStep your cine-style video recording up to 12K with the URSA Mini Pro 12K Digital Cinema Camera from Blackmagic Design. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new colour science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFAST card capture and high-speed USB Type-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.\u003c\/p\u003e\n\u003cp\u003eThe front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers. Canon EF and Nikon F mounts are available separately for shooters who have their own glass.\u003c\/p\u003e\n\u003cp\u003eThe new Super35 sensor at the heart of the URSA Mini Pro 12K has been optimized for capturing multiple resolutions and features equal amounts of red, green, and blue pixels. Shoot at 12K for smooth oversampling or use the URSA Mini Pro 4K's in-sensor scaling to capture 8K or 4K Raw at rates up to 120 fps without cropping or a change in your field of view. The massive 12K sensor can also be used to select shots in 8K or 4K, essentially providing a multicamera look by reframing from a single camera output.\u003c\/p\u003e\n\u003cp\u003eThe dual CFast or UHS-II SD card option splits the recording between two cards, enabling you to capture up to 12K or 8K raw even at higher frame rates. With Blackmagic Raw, the URSA Mini Pro 12K offers constant-quality compression rates, several constant bit-rate options for predictable file sizes. Blackmagic Raw provides outstanding resolution for compositing, keying, tracking, and more. Blackmagic Raw is also optimized to work with the URSA Mini Pro 12K's raw files, saving the need to also create proxies.\u003c\/p\u003e\n\u003cp\u003eBlackmagic's new Generation 5 Color Science offers a new film curve, enabling the URSA Mini Pro 12K to capture more natural skin tones and a better rendering of richly saturated colours in high-contrast scenes.\u003c\/p\u003e\n\u003cp\u003eEven with 12K providing almost 10 times the resolution of UHD 4K, this versatile pro cine camera offers a trio of recording options. Record to the integrated dual CFast or UHS-II SD card recorders, or use the SuperSpeed USB Type-C expansion port for recording to fast SATA and NVMe drives.\u003c\/p\u003e\n\u003cp\u003eAn evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots. Additional camera features include 12G-SDI input and output, a 4\" fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio. A digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post. Camera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003e12,288 x 6480 12K Super35 sensor\u003c\/p\u003e\n\u003cp\u003e14 stops of dynamic range\u003c\/p\u003e\n\u003cp\u003e80MP per frame; new colour science\u003c\/p\u003e\n\u003cp\u003e12K 2.4:1 imaging up to 75 fps, 8K and DCI 4K up to 120 fps\u003c\/p\u003e\n\u003cp\u003e8K and 4K anamorphic: up to 160 fps, Super16 4K to 240 fps\u003c\/p\u003e\n\u003cp\u003eFlexible Blackmagic Raw recording options plus raw stills capture\u003c\/p\u003e\n\u003cp\u003eBroadcast lens connector support\u003c\/p\u003e\n\u003cp\u003eDual CFast and UHS-II SD card recorders\u003c\/p\u003e\n\u003cp\u003eRaw compression levels up to 18:1\u003c\/p\u003e\n\u003cp\u003eSuperSpeed USB Type-C expansion port for external recording\u003c\/p\u003e\n\u003cp\u003eMetadata support and timecode clock\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eRich Film Look with Digital Definition\u003c\/h3\u003e\n\u003cp\u003eThe URSA Mini Pro 12K's massive resolution gives you the immersive detail, wide dynamic range, and deep colour of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves colour and eliminates aliasing for an ultra-smooth look.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eSuper35 12K Sensor Delivers a Cinematic View\u003c\/h3\u003e\n\u003cp\u003eThe URSA Mini Pro 12K's new sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K sensor also enables you to reframe shots in the post to get an 8K or 4K multicamera look using a single camera.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eInterchangeable PL Lens Mount\u003c\/h3\u003e\n\u003cp\u003eDelivered with a PL mount, the URSA Mini Pro 12K's interchangeable lens mount enables you to quickly switch to a Canon-EF or Nikon-F mount, providing compatibility with a wide array of professional cinema and still lenses.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eEfficient 12-Bit Raw Workflow in 12K with Blackmagic Raw\u003c\/h3\u003e\n\u003cp\u003eA new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eTwo Encoding Methods\u003c\/h3\u003e\n\u003cp\u003eChoose between Constant Quality and Constant Bitrate encoding as best suits your need. Use constant quality Q0 or Q5 options or the new Q1 and Q3 choices to lock the quality level and enable compression levels to adapt, matching the detail levels of each scene. Turn to Constant Bit Rate 5:1, 8:1, and 12:1 options or the new 18:1 choice when you prefer optimal imaging with predictable and consistent file sizes.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eGeneration 5 Color Science\u003c\/h3\u003e\n\u003cp\u003eThe Gen 5 Color science's new film curve takes advantage of the huge amounts of colour data produces by the URSA Mini Pro 12K's sensor. The result is more attractive skin tones and improved colour saturation for images like neon signs and car taillights.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFlexible, High-Bandwidth Recording Options\u003c\/h3\u003e\n\u003cp\u003eDual built-in CFast and UHS-II SD card slots and a SuperSpeed USB Type-C expansion port provide three methods for capturing 12K video. A \"Record Raw on 2 Cards\" option enables you to record across two cards simultaneously at speeds up to an impressive 900 MB\/s to two CFast cards, or to 500 MB\/s to two UHS-II SD cards. The third option is capturing to NVMe SSD drives via a USB Type-C 3.1 Gen 2 port at rates up to 10 Gb\/s.\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":42720100909223,"sku":"GC50-CINEURSAMUPRO12K","price":9140.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/cineursamupro12k_3.jpg?v=1666503456"},{"product_id":"red-v-raptor-starter-pack-including-batteries","title":"RED V-RAPTOR 8K S35 Starter Pack (Including Batteries)","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe RED V-RAPTOR Digital Cinema Starter Pack with 2 Micro-V Batteries pairs the 8K VV + 6K S35 Dual-Format V-RAPTOR Camera with a selection of key components, including one high-capacity RED 2TB PRO CFexpress 2.0 memory card. This kit also includes a DSMC3 RED Touch 7 Inch LCD Monitor, a CFexpress card reader, and a V-RAPTOR Wing Grip. A power supply is included with the camera as well as two MICRO-V batteries and one dual charger. Read more about each item in this kit below.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRED DIGITAL CINEMA V-RAPTOR 8K VV DSMC3 Camera (Canon RF, Black)\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eCompact, fast, and full-frame, the black V-RAPTOR 8K VV Camera is an impressive introduction to RED DIGITAL CINEMA's new DSMC3 platform. Sized only slightly larger than the KOMODO but boasting a new sensor, the V-RAPTOR offers multi-format capture in 8K VV, 6K Super35, 4K, 3K Super16, and anamorphic options. This versatility enables you to adapt your format from project to project to suit your choice of a variety of pro cine or still photo lenses. The V-RAPTOR's RF lens mount can be used with numerous lens adapters, and it has a locking ring that provides additional security for use with heavier lenses and steady, wide-open capture. In response to user feedback, RED has added a right-side user interface that brings control to 1st and 2nd ACs right at the camera. Dual 12G-SDI outputs, resolutions including 16-bit REDCODE Raw at significantly higher frame rates, 1080 streaming, 17+ stops of dynamic range, and phase-detection autofocus (PDAF) further boost the V-RAPTOR's suitability for a range of production styles.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRED DIGITAL CINEMA DSMC3 RED Touch 7.0\" LCD Monitor (Direct Mount)\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eAdd a direct-mount onboard monitor to your DSMC3 camera rig with this DSMC3 RED Touch 7.0\" LCD Monitor from RED DIGITAL CINEMA. The RED Touch features daylight viewing, a wide 100% DCI-P3 color gamut, and touchscreen control for DSMC3 cameras, such as the V-RAPTOR 8K VV. The monitor features a high 322 ppi pixel density, 1920 x 1200 resolution, 1250:1 contrast ratio, and 1300 cd\/m² brightness that combine to offer high-quality imaging.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eCertified for RED V-RAPTOR camera systems, the 2TB PRO CFexpress 2.0 Type B Memory Card from RED offers protection from overheating, operates with a reduced power draw, and helps to ensure high bitrate captures. This card can capture all frame rates and resolutions, including Full HD and raw 4K, 6K, 8K, and 12K video. It features a capacity of 2TB and uses the PCIe 3.0 x2 bus to deliver maximum read\/write speeds of 800 MB\/s.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRED DIGITAL CINEMA CFexpress Card Reader\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eThe CFexpress Card Reader from RED allows for the fast ingestion of the RED PRO 660GB CFexpress media card on systems that support 20 Gb\/s USB 3.2 Gen 2x2. Built with a USB Type-C interface, power is received through the USB bus, meaning that no external power sources are required. The reader features a write-protect switch on the back to protect your data.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRED DIGITAL CINEMA V-RAPTOR Wing Grip\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eUse the V-RAPTOR Wing Grip from RED DIGITAL CINEMA to create a low-profile, handheld support option for your camera. This aluminum handle's ergonomic design features both 1\/4\"-20 and anti-twist 3\/8\"-16 threads for attaching accessories. The V-RAPTOR Wing Grip can be used on either side of your camera.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRED DIGITAL CINEMA REDVOLT MICRO-V Battery (98Wh, V-Mount)\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003ePower your KOMODO V-RAPTOR camera with the MICRO-V Battery from RED DIGITAL CINEMA. This 98Wh battery features a compact, lightweight form, up to 12A draw, and data transmission of the remaining time and select accessory information. Designed in conjunction with battery-maker Core SWX, the compact REDVOLT BP is compatible with select other cameras when used with a full-size V-mount adapter.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch2 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eRED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)\u003c\/h2\u003e\n\u003c\/div\u003e\n\u003cdiv data-selenium=\"overviewLongDescription\" class=\"productDescription_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cp\u003eCharge two V-mount batteries for use with a DSMC3 cinema camera such as the V-RAPTOR 8K VV while on location with the RED Compact Dual V-Mount Battery Charger. Taking advantage of the same technology built into the larger fleet chargers, this compact charger can charge two V-mount REDVOLT MICRO-V or REDVOLT XL-V batteries at a 3A rate. Designed and manufactured in partnership with Core SWX, the charger can charge two REDVOLT MICRO-V 98Wh batteries in less than five hours. A power cable is included.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":42943186567335,"sku":"GC47-RED-710-0364","price":49225.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/red-v-raptor-digital-cinema-starter-pack-with-2-micro-v-batteries_01.jpg?v=1680587297"},{"product_id":"red-v-raptor-8k-vv-6k-s35-dual-format","title":"RED V-RAPTOR 8K VV + 6K S35 (Dual Format)","description":"\u003cp\u003eThe RED V-RAPTOR 8K VV + 6K S35 (Dual Format) is the perfect tool for creatives looking to create stunning visuals. With its advanced dual format capabilities, you can capture incredible 8K VV and 6K S35 footage at up to 60 frames per second (fps). It also offers improved data throughput with its simultaneous recording of REDCODE RAW and Apple ProRes or Avid DNxHR\/HD codecs – allowing for greater flexibility when working in post-production. In addition, the sensor supports an impressive ISO range of 320 to 21,600, giving you added control over your image look.\u003c\/p\u003e\n\u003cp\u003eThe camera's innovative modular design makes it easy to customize your setup for any project. Whether shooting documentary style or capturing high-speed action, the RED V-RAPTOR 8K VV + 6K S35 (Dual Format) is sure to exceed your expectations. Create beautiful images with stunning clarity and rich colours that will captivate your audience. Get ready for a whole new level of imaging experience.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eNew Full-Frame Sensor\u003c\/h4\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe new 35.4MP full-frame sensor at the heart of the V-RAPTOR provides 17+ stops of dynamic range that enable it to excel at low-light capture while offering the lowest noise floor of the RED lineup. And while the V-RAPTOR does not employ a global shutter, its rolling shutter with high-speed readout is almost twice as fast as that of the MONSTRO, all but eliminating motion artifacts. This new sensor also enables phase-detection autofocus (PDAF), a boon for single operators grabbing fast-paced or unpredictable action. To accompany the new sensor, a new fixed OLPF (optical low-pass filter) will enable you to capture RED's signature color quality and sensitivity.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCompact Micro-V Batteries\u003c\/h4\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIn keeping with the V-RAPTOR's smaller footprint, power is obtained using RED and Core SWX-developed Micro-V mount batteries or RED-approved batteries from Anton Bauer, bebob, FXlion, Hawk-Woods, IDX, and SWIT. Measuring less than 3\" wide, the 98Wh RED Micro-V batteries will power the camera for about one hour, with one battery charging in about 2.5 hours and two in 4 hours on the dual charger. Full-size V-mount and Gold-mount adapters will be available as well for users who already have a supply of those batteries or want longer runtimes.\u003c\/p\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCFexpress Card Capture\u003c\/h4\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eCapture to CFexpress 2.0 Type B cards will enable V-RAPTOR users to avail themselves of more widely available media, although currently, only the RED\/Angelbird 660GB card is RED approved. This 660GB card will soon be joined by a 1.3TB card version.\u003c\/p\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAssistant Interface\u003c\/h4\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eA right-side LCD screen user interface offers on-camera control to 1st and 2nd ACs or an operator positioned at that side of the camera. Physical buttons eliminate accidental selections that can occur with touchscreens, and the ability to save user pages lets you customize the interface to your liking. The interface also helpfully only displays the resolutions and frame rates available with your chosen format.\u003c\/p\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003e \u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eInput and Outputs\u003c\/h4\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eDual 12G-SDI ports enable you to output mirror feeds to two displays, or individual feeds with or without focus peaking, timecode, or other displays, or with two different looks. A USB-C port outputs up to 1080p wired preview video.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eHigh-Speed and REDCODE Options\u003c\/h4\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cul\u003e\n\u003cli\u003eWhen slow-motion is your thing, the V-RAPTOR delivers with high-speed frame rates options, including 8K 17:9 at 120 fps, 6K S35 at 198 fps, 4K 17:9 at 240 fps, and 2K 2.4:1 up to a blazing 600 fps.\u003c\/li\u003e\n\u003cli\u003eREDCODE Raw options have been simplified with HQ, MQ, and LQ selections equaling the more popular choices available in RED DSMC2 cameras. Because the 8K sensor captures such massive detail, RED recommends trying MQ or even LQ for most uses, with HQ being ideal for F\/X work. Data rates range from 180 MB\/s in LQ to 360 MB\/s in HQ, so you can plan your media needs accordingly.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDSMC3 Form\u003c\/h4\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe DSMC3 form features several improvements over DSMC2 but offers only limited compatibility with DSMC2 accessories. For example, the KOMODO Outrigger handle is compatible, but POGO-connector compatibility is limited to the new V-RAPTOR version components. One update is a larger fan system with two intake valves that provide better thermal heat exchange (TEC), enabling a wide ambient temperature operating range.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch4 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eDSMC3 Accessories\u003c\/h4\u003e\n\u003cdiv class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSeparately available, upcoming V-RAPTOR accessories include a dedicated 7.0 TOUCH monitor, a new expander module, a top plate, a top handle with extension, an Arca-Swiss compatible quick release baseplate system, side handgrips, cage-type side accessory arms, and a 5-pin to dual XLR audio adapter.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":42943186665639,"sku":"GC47-RED-710-0342","price":44654.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/710-0351_10_e88daabb-acc0-4179-941d-ca069e1e4717.jpg?v=1680587299"},{"product_id":"panasonic-hc-x20gc-1-0-type-4k60-20x-xlr-wifi-video-camera","title":"Panasonic HC-X20GC 1.0 Type 4K60 20X XLR Wifi Video Camera","description":"\u003ch3\u003ePanasonic HC-X20GC 1.0 Type 4K60 20X XLR Wifi Video Camera\u003c\/h3\u003e\n\u003cp\u003eThe X20 is a 4K professional camcorder with high mobility, 4K 60p\/50p 10bit recording, 24.5mm wide-angle, optical 20x zoom, and HD live streaming capabilities.\u003c\/p\u003e\n\u003ch3\u003eProfessional All-in-one 4K 60p Camcorder\u003c\/h3\u003e\n\u003cp\u003eWith its 1.0-type (1.0-inch) sensor, the X20 provides powerful support in event shootings and more with its optical performance that reliably captures the subject and the mobility that only a handheld camera with an integrated lens can offer.\u003c\/p\u003e\n\u003ch3\u003eWide 24.5mm* and Optical 20x Zoom Lens\u003c\/h3\u003e\n\u003cp\u003eThe lens covers the range from 24.5mm wide-angle to 490mm tele with a 20x zoom. i.ZOOM achieves 24x zoom with 4K resolution, and 32x zoom with FHD\u003c\/p\u003e\n\u003ch3\u003eVersatile Recording Mode\u003c\/h3\u003e\n\u003cp\u003eSupports a high bit rate of 200 Mbps for 59.94p\/50p video recording with HEVC (LongGOP\/10 bit 4:2:0\/MOV) codec. The Super Slow-motion function supports 10-bit recording in FHD at 120\/100fps* and 4K (UHD) VFR from 2 to 60fps** for over-cranked and under-cranked shots to allow for highly creative video expression.\u003c\/p\u003e\n\u003ch3\u003e4K High-Precision AF\u003c\/h3\u003e\n\u003cp\u003eFace Detection precisely captures subjects on-site free from out of focus problems and insufficient exposure. Also, by adding colour recognition, tracking subjects is improved, without interruption, when the face moves to either side.\u003c\/p\u003e\n\u003ch3\u003e5-Axis HYBRID O.I.S.+\u003c\/h3\u003e\n\u003cp\u003eIn both UHD\/FHD modes, in addition to Optical Image Stabilisation, Electronic Image Stabilisation detects and corrects handshake in the 5-axis direction. The Ball O.I.S. System reduces friction in the drive section, especially improving the correction of small-amplitude blurring.\u003c\/p\u003e\n\u003ch3\u003e4:2:2 10-bit Internal Recording\u003c\/h3\u003e\n\u003cp\u003eRecords a 4:2:2 10-bit colour profile of up to LongGOP UHD 29.97p\/25p (150 Mbps), or FHD 59.94p\/50p (100 Mbps) with SD cards. Outputs 10-bit UHD 59.94p\/50p images via HDMI.\u003c\/p\u003e\n\u003ch3\u003eFull-HD Live Streaming\u003c\/h3\u003e\n\u003cp\u003eRTSP\/RTP\/RTMP\/RTMPS-compatible HD streaming enables direct connection and distribution of relays for concerts, sports events, and news flashes to Facebook, YouTube, etc.\u003c\/p\u003e\n\u003ch3\u003eWireless Control from a Tablet or Smartphone\u003c\/h3\u003e\n\u003cp\u003eA Wi-Fi module is built-in, so Wi-Fi connection of only the body is possible. Using a tablet or smartphone app HC ROP, wireless camera settings and lens control are also possible.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eUp to UHD 4K60 Video with Live Streaming\u003c\/p\u003e\n\u003cp\u003e15MP 1\" MOS Sensor, 5-Axis Hybrid OIS+\u003c\/p\u003e\n\u003cp\u003e20x Optical Zoom, 4K 24x\/HD 32x i.Zoom\u003c\/p\u003e\n\u003cp\u003eBuilt-In Wi-Fi, 120 fps Slow Motion\u003c\/p\u003e\n\u003cp\u003eHandle with 2 x XLR Audio Inputs\u003c\/p\u003e\n\u003cp\u003eBuilt-In ND Filters, Wired Remote Option\u003c\/p\u003e\n\u003cp\u003eUp to 10-Bit UHD 4K60 4:2:0 \u0026amp; 4K30 4:2:2\u003c\/p\u003e\n\u003cp\u003eRecords MP4, MOV, AVCHD to Dual SD Slots\u003c\/p\u003e\n\u003cp\u003eWide 25.4mm Lens, 3.5\" LCD Screen\u003c\/p\u003e\n\u003cp\u003eHigh-Speed AF with Face Detection\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003ePanasonic HC-X20GC 1.0 Type 4K60 20X XLR Wifi Video Camera\u003c\/p\u003e","brand":"Panasonic","offers":[{"title":"Default Title","offer_id":43184401318055,"sku":"GC80-HC-X20GC","price":3399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/s_665fb7fc-9d29-40b5-9b92-6b46d60295c2.jpg?v=1692317640"},{"product_id":"blackmagic-studio-camera-4k-pro-g2","title":"Blackmagic Studio Camera 4K Pro G2","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eMade to work seamlessly with powerful SDI video switchers, the Blackmagic Studio Camera 4K Pro G2 now offers live streaming plus pro connections like 12G-SDI and 10GbE Ethernet. The Ethernet connection enables you to set up a SMPTE-style workflow using a more affordable single-cable setup with PoE (power over ethernet) and the 12G-SDI output and program return provides camera control, talkback, and tally functions. This latest 4K Pro model retains features like a 7\" touchscreen monitor, HDMI output, Blackmagic Raw recording, HDR support, XLR audio, and Micro Four Thirds lens mount from its predecessor.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCompact and Lightweight Design\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 4K Pro G2 tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePowerful Broadcast Connections\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs, the Blackmagic Studio Camera 4K Pro G2 model is designed for use with robust SDI switchers workflows. Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eGlobal Live Streaming\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuilt-in live streaming means you can use the Blackmagic Studio Camera 4K Pro G2 as a remote camera anywhere in the world and generate an H.264 live stream sent via the internet back to your studio. You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eExceptional Low-Light Performance\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 4K Pro G2 features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCinematic Images in Live Production\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe amazing 4K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras, producing cinematic images for live production. Plus, when combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 4K Pro G2 camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 4096 x 2160, which is great for both HD and Ultra HD work. Plus, all models support from 23.98 up to 60 fps.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAffordable Photographic Lenses\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith the popular MFT lens mount, Studio Camera 4K Pro G2 is compatible with a wide range of affordable photographic lenses. Photographic lenses have incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFrame Shots with Large 7\" Viewfinder\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003ePhysical and Touchscreen Controls\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as touchscreen controls. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus. The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCommunicate with the Director via Talkback\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eUnlike consumer cameras, the Blackmagic Studio Camera 4K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/p\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003eFour Ways to Connect\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI, so they are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 4K Pro G2 has 12G-SDI, so you can connect it to SDI-based switchers such as the ATEM Constellation. There's a 12G-SDI connection for camera output video, and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eBuilt-In Tally for On-Air Status\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 4K Pro G2 model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/p\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUSB Expansion Port for Accessories\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eThis camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality 12-bit Blackmagic RAW files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic RAW Quality\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Unlike highly compressed formats such as H.264, Blackmagic RAW eliminates compression problems, so you get stunning images with incredible detail and rich color throughout the whole postproduction pipeline. Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible.\u003c\/p\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003eIncludes Built-In Microphones\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eThe Blackmagic Studio Camera 4K Pro G2 incorporates built-in microphones, so you get sound included in the design, making setup much faster. The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 4K Pro G2 model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003eMonitor Program Video\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 4K Pro G2 lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher and monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003eSupports 3D LUTs for Film Looks\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eWhen Blackmagic Raw files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic RAW image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic RAW file, but only used when you enable it.\u003c\/p\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003eLocalized in 13 Popular Languages\u003cbr\u003e\n\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eThe Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, Korean, and Ukrainian. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003ch3\u003ePowers from DC or 10G Ethernet\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cp\u003eBlackmagic Studio Camera 4K Pro G2 has several power options, including a 12 VDC locking power connector that prevents the cable from being accidentally pulled out. The camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 4K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003ch3\u003eOptional Accessories\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cp\u003eYou can utilize the Focus and Zoom demands to remotely control your compatible lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/p\u003e\n\u003cdiv class=\"\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003eKey features\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eMicro Four Thirds Lens Mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eCapture up to UHD 4K 3840 x 2160p60\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eLive Streaming\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e12G-SDI, HDMI \u0026amp; 10G Ethernet Video I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eAffordable Single-Cable PoE Workflow\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e7\" High-Brightness HDR Touchscreen LCD\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRecord to External USB Type-C Disks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRecords Blackmagic Raw, Up to 25,600 ISO\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e12G-SDI, HDMI \u0026amp; 10G Ethernet Video I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eXLR \u0026amp; 3.5mm Audio Input, Built-In Mics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the box\u003c\/h3\u003e\n\u003cul class=\"list__cXkStmX9s\" data-selenium=\"includesInTheBoxList\"\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eBlackmagic Design Studio Camera 4K G2\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eSun Hood\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eTurret Dust Cap\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eUniversal Power Supply with International Socket Adapters\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e15mm LWS Tripod Mount\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eTally Decal Set\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":43193484181671,"sku":"GC50-CINSTUDMFT\/G24PDFG2","price":2660.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/bmdstc4kpg2_1.jpg?v=1677463656"},{"product_id":"blackmagic-studio-camera-6k-pro","title":"Blackmagic Studio Camera 6K Pro","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBoost your studio recording with cinematic images using the Blackmagic Studio Camera 6K Pro. This latest model of the Studio Camera not only boasts a 6K sensor for greater resolution and full RGB color, it also features an active Canon EF mount—providing compatibility with a large array of affordable EF-mount cine-style and still lenses. The Studio Camera 6K Pro now offers live streaming while retaining the talkback, tally, color correction, and raw recording to USB disks of the original 6K version. Built-in, electronically controllable ND filters let you quickly adapt to changing light conditions and a host of both broadcast and consumer interfaces makes it a snap to connect the 6K Pro to your studio setup.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCinematic 6K Images for Live Production\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp\u003e The larger 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras, producing cinematic images for live production. When combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 6K Pro camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 6144 x 3456, which produces truly cinematic images with support for frame rates from 23.98 up to 60 fps.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eCanon EF Lens Mount\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEquipped with a an active Canon EF lens mount, Studio Camera 6K Pro is compatible with a wide range of affordable cine-style and photographic lenses. Photographic lenses offer incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eCompact and Lightweight Design\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber-reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eGlobal Live Streaming\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuilt-in live streaming means you can use the Blackmagic Studio Camera 6K Pro as a remote camera anywhere in the world and generate an H.264 live stream sent via the internet back to your studio. You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBuilt-In ND Filters\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUse the Blackmagic Studio Camera 6K Pro's built-in ND filters to quickly and easily adjust the amount of light entering the camera. Designed to match the color of the camera, the 2, 4, and 6-stop neutral density filters (plus clear) filter both optical and IR wavelengths, eliminating IR contamination. The ND filters can be controlled using the buttons on the camera or remotely.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003ePowerful Broadcast Connections\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs, the Blackmagic Studio Camera 6K Pro model is designed for use with robust SDI switchers workflows. Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eExceptional Low-Light Performance\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eFrame Shots with Large 7\" Viewfinder\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003ePhysical and Touchscreen Controls\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as touchscreen controls. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus. The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCommunicate with the Director via Talkback\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUnlike consumer cameras, the Blackmagic Studio Camera 6K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eFour Ways to Connect\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI, so they are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 6K Pro has 12G-SDI, so you can connect it to SDI-based switchers, such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBuilt-In Tally for On-Air Status\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 6K Pro model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eUSB Expansion Port for Accessories\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThis camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality, 12-bit Blackmagic Raw files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBlackmagic Raw Quality\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Raw is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Unlike highly compressed formats, such as H.264, Blackmagic Raw eliminates compression problems, so you get stunning images with incredible detail and rich color throughout the whole postproduction pipeline. Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eIncludes Built-In Microphones\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro incorporates built-in microphones, so you get sound included in the design, making setup much faster. The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 6K Pro model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eMonitor Program Video\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher and monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eSupports 3D LUTs for Film Looks\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWhen Blackmagic Raw files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic Raw image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic Raw file, but only used when you enable it.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eLocalized in 13 Popular Languages\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, Korean, or Ukrainian. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003ePowers from DC or 10G Ethernet\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Studio Camera 6K Pro has several power options, including a 12 VDC locking power connector that prevents the cable from being accidentally pulled out. The camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 6K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eOptional Accessories\u003c\/h3\u003e\n\u003cp\u003eYou can use the separately available Focus and Zoom demands to remotely control your compatible lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eActive Canon EF Lens Mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eCapture up to 6K 6144 x 3456p50\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eLive Streaming\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRemote Controlled ND Filters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRaw Recording to External USB-C Disks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRecords Blackmagic Raw, Up to 25,600 ISO\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e7\" High-Brightness HDR Touchscreen LCD\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e12G-SDI, HDMI \u0026amp; 10G Ethernet Video I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eXLR \u0026amp; 3.5mm Audio Input, Built-In Mics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eBuilt-In DaVinci Resolve Color Corrector\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul class=\"list__cXkStmX9s\" data-selenium=\"includesInTheBoxList\"\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eBlackmagic Design Studio Camera 6K Pro (EF Mount)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eSun Shade\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e15mm LWS Tripod Mount\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eTripod Mount Plate\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eTurret Dust Cap\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eUniversal Power Supply with International Socket Adapters\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eDaVinci Resolve Download Card\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eSticker\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":43193507020967,"sku":"GC50-CINSTUDMFT\/G26PDK","price":3470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1677163841_1753951.jpg?v=1677464927"},{"product_id":"red-v-raptor-xl-8k-vv-digital-cinema-camera-in-v-mount","title":"RED V-RAPTOR XL 8K VV Digital Cinema Camera (V-Lock)","description":"\u003cp\u003eThe RED V-RAPTOR XL 8K VV Digital Cinema Camera in V-Mount features up to 8K VV multiformat video capture, REDCODE raw and Apple ProRes recording, and 1080p streaming in a streamlined form featuring an array of interfaces suitable for high end crew use. This follow-up to the V-RAPTOR incorporates internal ND filters and an interchangeable lens mount, and it includes an ARRI PL mount. Its industry-standard interface incorporates three 12G\/6G\/3G-SDI outputs, both 12 and 24V power outputs, timecode and genlock ports, and a V-mount battery plate.\u003c\/p\u003e\n\u003ch2\u003eBuilt-In Pro Interfaces\u003c\/h2\u003e\n\u003cp\u003e- Designed for professional crew use with integrated auxiliary power and mounting points for attaching multiple high-end camera accessories\u003c\/p\u003e\n\u003cp\u003e- Built-in wireless genlock and timecode\u003c\/p\u003e\n\u003cp\u003eMultiple video outputs, including 12G\/6G\/3G-SDI\u003c\/p\u003e\n\u003ch2\u003eInterchangeable Lens Mount\u003c\/h2\u003e\n\u003cp\u003e- Includes an ARRI PL lens mount which can be swapped for a separately available Canon EF mount, enabling you to make use of a large variety of lenses\u003c\/p\u003e\n\u003ch2\u003eInternal ND Filters\u003c\/h2\u003e\n\u003cp\u003e- Motorized clear and 2 to 7-stop ND filters with 1\/3, 1\/4, and 1-stop increments provide precision exposure control\u003c\/p\u003e\n\u003ch2\u003eStreamlined Form\u003c\/h2\u003e\n\u003cp\u003e- The built-in interfaces lend the V-RAPTOR XL camera rig a streamlined, accessible form\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e35.4MP 8K VV Sensor, up to 8K120 Video\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePurpose-Built Unified Body\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInterchangeable PL Mount Included\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-Mount Battery Plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIntegrated Electronic ND Filters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePowerful \u0026amp; Versatile 12\/24V Outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndustry-Standard Input\/Output Array\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eREDCODE Raw, Apple ProRes Recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWireless Timecode \u0026amp; Genlock Functions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch2\u003eWhat's In The Box\u003c\/h2\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRED DIGITAL CINEMA V-RAPTOR XL 8K VV Cinema Camera (V-Mount)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR XL PL Mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR XL PL Mount Shim Pack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAC Power Adapter (270W)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e3-Pin XLR to 4-Pin LEMO 2B Power Cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRED Logo Sticker\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLimited 2-Year Warranty\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43222264840359,"sku":"GC47-RED-710-0346","price":71454.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/red-v-raptor-xl-8k-vv-digital-cinema-camera-in-v-mount_01.jpg?v=1680587265"},{"product_id":"red-v-raptor-xl-8k-vv-cinema-camera-production-pack-v-mount-with-batteries","title":"RED V-RAPTOR XL 8K VV Cinema Camera Production Pack (V-Lock, With Batteries)","description":"\u003cp\u003eThe RED V-RAPTOR XL 8K VV Cinema Camera Production Pack (V-Mount, with Batteries) includes the V-RAPTOR 8K VV camera, four REDVOLT XL-V batteries, a dual-battery charger, an XL riser plate, two 2TB PRO CFexpress cards, a CFexpress card reader, a RED Touch 7 Inch LCD monitor, an XL top handle with extensions, top and bottom XL 15mm LWS support brackets, a 5-pin to dual-XLR audio adapter, and an 18\" DSMC3 RMI cable.\u003c\/p\u003e\n\n\u003ch2\u003eRED DIGITAL CINEMA V-RAPTOR XL 8K VV Cinema Camera (V-Mount)\u003c\/h2\u003e\n\u003cp\u003eThe V-mount V-RAPTOR XL 8K VV Camera from RED DIGITAL CINEMA offers up to 8K VV multiformat video capture, REDCODE raw and Apple ProRes recording, and 1080p streaming in a streamlined form featuring an array of interfaces suitable for high-end crew use. This follow-up to the V-RAPTOR incorporates internal ND filters and an interchangeable lens mount, and it includes an ARRI PL mount. Its industry-standard interface incorporates three 12G\/6G\/3G-SDI outputs, both 12 and 24V power outputs, timecode and genlock ports, and a V-mount battery plate.\u003c\/p\u003e\n\n \n\u003ch2\u003eRED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)\u003c\/h2\u003e\n\u003cp\u003eCharge two V-mount batteries for use with a DSMC3 cinema camera such as the V-RAPTOR 8K VV while on location with the RED Compact Dual V-Mount Battery Charger. Taking advantage of the same technology built into the larger fleet chargers, this compact charger can charge two V-mount REDVOLT MICRO-V or REDVOLT XL-V batteries at a 3A rate. Designed and manufactured in partnership with Core SWX, the charger can charge two REDVOLT MICRO-V 98Wh batteries in less than five hours. A power cable is included.\u003c\/p\u003e\n\n \n\n\u003ch2\u003eRED DIGITAL CINEMA REDVOLT XL-V Battery (156Wh, V-Mount)\u003c\/h2\u003e\n\u003cp\u003ePower your V-RAPTOR XL or most other V-mount cameras with the REDVOLT XL-V Battery from RED DIGITAL CINEMA. This 156Wh battery automatically detects the voltage of your camera and outputs 12V\/24A or 24V\/12A power accordingly. The REDVOLT XL-V was designed in conjunction with battery-maker Core SWX.\u003c\/p\u003e\n\n \n\u003ch2\u003eRED DIGITAL CINEMA DSMC3 RED Touch 7.0\" LCD Monitor (Direct Mount)\u003c\/h2\u003e\n\u003cp\u003eAdd a direct-mount onboard monitor to your DSMC3 camera rig with this DSMC3 RED Touch 7.0\" LCD Monitor from RED DIGITAL CINEMA. The RED Touch features daylight viewing, a wide 100% DCI-P3 color gamut, and touchscreen control for DSMC3 cameras, such as the V-RAPTOR 8K VV. The monitor features a high 322 ppi pixel density, 1920 x 1200 resolution, 1250:1 contrast ratio, and 1300 cd\/m² brightness that combine to offer high-quality imaging.\u003c\/p\u003e\n\n\u003ch2\u003eRED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card\u003c\/h2\u003e\n\n\u003cp\u003eCertified for RED V-RAPTOR camera systems, the 2TB PRO CFexpress 2.0 Type B Memory Card from RED offers protection from overheating, operates with a reduced power draw, and helps to ensure high bitrate captures. This card can capture all frame rates and resolutions, including Full HD and raw 4K, 6K, 8K, and 12K video. It features a capacity of 2TB and uses the PCIe 3.0 x2 bus to deliver maximum read\/write speeds of 800 MB\/s.\u003c\/p\u003e\n\n\n\u003ch2\u003eRED DIGITAL CINEMA V-RAPTOR XL Top Handle with Extensions\u003c\/h2\u003e\n\u003cp\u003eCreate a lightweight or extended handle using the V-RAPTOR XL Top Handle with Extensions from RED DIGITAL CINEMA. This modular handle includes 1, 3, and 5\" extensions, an elbow unit, and a 15mm monitor mount. It features a start\/stop button, multiple 3\/8\"-16 and 1\/4\"-20 threads, and wooden inlays.\u003c\/p\u003e\n\n\n\u003ch2\u003eRED DIGITAL CINEMA V-RAPTOR XL Riser Plate (15mm \u0026amp; 19mm Studio)\u003c\/h2\u003e\n\n\u003cp\u003eThe RV-RAPTOR XL Riser Plate from RED DIGITAL CINEMA enables you to raise a separately available 15 or 19mm studio baseplate to the correct optical height for mounting lenses and accessories. This riser plate also provides several 1\/4\"-20 and 3\/8\"-16 mounting threads.\u003c\/p\u003e\n\n\u003ch2\u003eRED DIGITAL CINEMA Top 15mm LWS Rod Support Bracket for V-RAPTOR XL\u003c\/h2\u003e\n  \n\u003cp\u003eThis Top 15mm LWS Rod Support Bracket from RED DIGITAL CINEMA attaches securely to the top of your RED V-RAPTOR XL camera, enabling you to mount 15mm LWS compatible accessories like lens motors or viewfinder brackets.\u003c\/p\u003e\n\n\u003ch2\u003eRED DIGITAL CINEMA DSMC3 5-Pin to Dual XLR 3-Pin Adapter\u003c\/h2\u003e\n\n\u003cp\u003eAdd two XLR inputs to your V-RAPTOR camera with the RED DSMC3 5-Pin to Dual XLR 3-Pin Adapter. Connect the included 5-pin ODU cable to your camera's ODU port, and the other end of the cable to the adapter's port. The adapter can provide 48V phantom power and supports both mic and line-level inputs. It mounts to the V-Raptor using a 3\/8\"-26 screw, and has anti-twist pins to prevent it from spinning on your camera. The unit also features 6 x M2.5 screw holes for future accessories.\u003c\/p\u003e\n\n \n\n\u003ch2\u003eRED DIGITAL CINEMA Hood for DSMC3 RED Touch 7\" LCD\u003c\/h2\u003e\n\u003cp\u003eUse the Hood for DSMC3 RED Touch 7\" LCD from RED DIGITAL CINEMA to reduce or eliminate glare on the monitor's screen, improving your viewing while outdoors or in bright light. This folding hood mounts quickly on the DSMC3 RED Touch 7\" using two captive M3 screws.\u003c\/p\u003e\n\n\u003ch2\u003eKey Features\u003c\/h2\u003e\n\n\u003cul\u003e\n\u003cli\u003e\u003cp\u003eV-RAPTOR XL 8K VV Camera System\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e4 x REDVOLT XL-V Batteries \u0026amp; 1 x Charger\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e2 x RED PRO CFexpress 2TB Cards, Reader\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eDSMC3 RED Touch 7 Inch LCD Monitor \u0026amp; Shade\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eV-RAPTOR XL Top Handle with Extensions\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eV-RAPTOR XL Riser Plate\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eV-RAPTOR XL Top\/Bottom 15mm LWS Brackets\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003eDSMC3 RED 5-Pin to Dual-XLR Adapter\u003c\/p\u003e\u003c\/li\u003e\n\u003cli\u003e\u003cp\u003e45cm DSMC3 RMI Cable\u003c\/p\u003e\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43222268772519,"sku":"GC47-RED-710-0370","price":78995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/red-v-raptor-xl-8k-vv-digital-cinema-camera-in-v-mount_01_feda1e1a-ef9b-46a4-84a3-353bd7481edd.jpg?v=1680587254"},{"product_id":"red-v-raptor-production-pack-including-batteries-v-lock","title":"Red V-RAPTOR 8K VV Production Pack (Including Batteries) (V-Lock)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eRed V-Raptor Production Pack (Including Batteries) (V-Lock)is the most powerful and advanced RED cinema camera ever. As the brand's new flagship system and sensor, as well as the first entrant into the new DSMC3 generation of cameras, V-RAPTOR stands alone at the forefront of digital image capture technology. \u003c\/span\u003e\u003cspan\u003eFeaturing a groundbreaking multi-format 8K sensor- with the ability to shoot 8K large format or 6K S35, it unlocks the largest lens selection of any comparable camera on the market and allows shooters the ability to always deliver at over 4K.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe sensor also boasts the highest recorded dynamic range and cleanest shadow performance of any RED camera. In addition, the V-RAPTOR sensor scan time is 2x faster than any previous RED camera and it allows users to capture up to 600 fps at 2K. V-RAPTOR will also continue to feature RED's proprietary REDCODE RAW codec, allowing users to capture 16-bit RAW, and leverage RED's latest IPP2 workflow and color management. \u003c\/span\u003e\u003cspan\u003eAlong with a new flagship sensor, the V-RAPTOR features a modernized platform in an amazingly compact package weighing in at barely over 4 lbs. With 2 4K 12G-SDI outputs, XLR audio and phantom power via adapter, and 1080p livestream, this system can handle most anything a shooter can throw at it.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e-V-RAPTOR 8K VV Camera System-\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eV-RAPTOR 8K VV is the most powerful and advanced RED cinema camera ever. As the brand's new flagship system and sensor, as well as the first entrant into the new DSMC3 generation of cameras, V-RAPTOR stands alone at the forefront of digital image capture technology.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing a groundbreaking multi-format 8K sensor- with the ability to shoot 8K Large Format or 6K S35, it unlocks the largest lens selection of any comparable camera on the market and allows shooters the ability to always deliver at over 4K. The sensor also boasts the highest recorded dynamic range of any RED camera and the fastest ever cinema quality scan time. With a dynamic range of over 17 stops and featuring scan times 2x faster than any previous RED camera, allowing users to capture up to 600 fps at 2K. V-RAPTOR will also continue to feature RED's proprietary REDCODE RAW codec, allowing users to capture 16-bit RAW, and leverage RED's latest IPP2 workflow and color management.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eAlong with a new flagship sensor, the V-RAPTOR features a modernized platform in an amazingly compact package weighing in at barely over 4 lbs. With two 4K 12G-SDI outputs, XLR audio and phantom power via adapter, and 1080p livestream, this system can handle most anything a shooter can throw at it.\u003c\/span\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e- DSMC3 RED Touch 7\" LCD Monitor -\u003c\/b\u003e\u003cbr\u003eThe DSMC3 RED Touch 7.0\" LCD offers an HD viewing experience for recording and viewing footage on the V-RAPTOR camera system. A 1920 x 1200 resolution display panel with peak brightness of 1300 nits and high pixel density (at 322 ppi), not only provides the optimal experience when viewing footage, but also features 100% DCI-P31 Color Gamut coverage for tremendous color accuracy. The monitor also features full control over the camera via the new responsive menu system powered by SmallHD PageOS, bringing features like Waveform, Vectorscope, Histogram, False Color, Color Picker, Pixel Zoom \u0026amp; more.\u003cbr\u003e\u003cbr\u003eThe lightweight display features a removable integrated tilt arm with the capability to rotate 180 degrees for versatile mounting options. It also boasts the latest generation pogo pins to provide power and video to the monitor in addition to the ability to connect via a single-locking USB-C style DSMC3 RMI Cable for video and power. No additional SDI or power cables are needed.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNote:\u003c\/b\u003e The DSMC3 RED Touch 7.0\" LCD is not compatible with DSMC, DSMC2, RED RANGER or KOMODO camera systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e- PRO CFexpress 2TB Memory Card -\u003c\/b\u003e\u003cbr\u003eDesigned in collaboration with Angelbird Technologies to specifically to meet the high-performance needs of the V-RAPTOR system and 8K acquisition, the RED PRO CFexpress 2TB are the official certified media cards for the V-RAPTOR camera system. The media is CFexpress 2.0 Type B compliant and supports precision recording of high bit-rate files with industrial-grade performance and durability extended through the capacity of the card.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e2TB High Capacity\u003c\/b\u003e\u003cbr\u003eThis 2TB card meets all of RED's quality, performance, and endurance specifications, with comparable performance to prior RED media options (e.g. RED MINI-MAGs).\u003cbr\u003e\u003cbr\u003eAngelbird provides free data recovery services for these cards on both hard- and software. All first party officially certified media has undergone extensive and rigorous testing to ensure optimized performance and reliability\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNote:\u003c\/b\u003e RED PRO CFexpress is not compatible with DSMC, DSMC2, RED RANGER or KOMODO camera systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e- CFexpress Card Reader -\u003c\/b\u003e\u003cbr\u003eConnect to your camera via USB 3.2 Gen 2x2 for fast ingestion of CFexpress (20 Gb\/s).\u003cbr\u003e\u003cbr\u003eFor additional data safety, flip on the write-protect switch located at the back of the card reader.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e- REDVOLT MICRO-V Battery Pack -\u003c\/b\u003e\u003cbr\u003eDesigned specifically for RED camera systems, the REDVOLT MICRO-V is the perfect compact and capable solution for your V-RAPTOR and accessories. With a 98Wh flight-safe capacity, the REDVOLT MICRO-V Battery packs a big punch in a very small package. Weighing barely over 1 lb and measuring 3.93\" x 2.82\" x 1.94\", along with 12Amp cells for high output, it's the perfect compact and capable option to power your V-RAPTOR and accessories.\u003cbr\u003e\u003cbr\u003eFuture upgrades via firmware will include features such as the ability for batteries to communicate with the V-RAPTOR and allow monitoring of its current power draw for safe use with accessories, including those attached to P-Tap or power outputs.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNote:\u003c\/b\u003e The REDVOLT MICRO-V is not compatible with KOMODO but may be compatible with DSMC, DSMC2, RED RANGER camera systems with a compatible V-Lock module.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e- Compact Dual V-Lock Charger -\u003c\/b\u003e\u003cbr\u003eThe RED Compact Dual V-Lock Charger offers dual-simultaneous V-Mount charging for the REDVOLT MICRO-V batteries. With up to 3amps to charge 2 batteries in less than 4.5 hours, it will help ensure you can continue shooting with your V-RAPTOR.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e- V-RAPTOR Expander Blade -\u003c\/b\u003e\u003cbr\u003eV-RAPTOR Expander Blade is designed to support professional shooting configurations. With options for video and communication connections, including Genlock (BNC), Timecode 5-Pin, R\/S (Run\/Stop) 3-Pin, and RED CTRL 4-pin. The V-RAPTOR Expander Blade creates the flexibility to support a vast array of options when it comes to how users will rig their V-RAPTOR.\u003cbr\u003e\u003cbr\u003eThe V-RAPTOR Quick Release Platform Pack Arca Plate (included w\/ Expander Blade) is required for the V-RAPTOR Expander Blade to attach to the camera.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNote\u003c\/b\u003e\u003cbr\u003e• The V-RAPTOR Expander Module is not compatible with DSMC, DSMC2, RED RANGER or KOMODO camera systems.\u003cbr\u003e• The 3-Pin Run\/Stop connection is for trigger only \u0026amp; does not supply power.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003e- V-RAPTOR Quick Release Platform Pack -\u003c\/b\u003e\u003cbr\u003eThe V-RAPTOR Quick Release Platform Pack provides a compact lightweight shooting configuration for V-RAPTOR users. Featuring Arca Swiss style mount plate and a secure safety lock system with level locks. Also supports the battery adapters, expander blade and side ribs with screw-in support for maximum versatility. Additionally offers the ability to mount 15MM LWS accessories, such as matte boxes, lens support, or wireless follow focus systems.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNote:\u003c\/b\u003e The V-RAPTOR Quick Release Platform Pack is not compatible with DSMC, DSMC2, RED RANGER or KOMODO camera systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003e- DSMC3 5-Pin to Dual XLR Adapter -\u003c\/b\u003e\u003cbr\u003e\u003cspan\u003eThe DSMC3 RED 5-Pin to Dual XLR Adapter is a compact solution to break out the 5-Pin ODU port to Dual 3-Pin XLR ports. The Adapter can provide 48v phantom power with mic \u0026amp; line input and is easily mounted to your V-RAPTOR via 3\/8-16 screw.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNote:\u003c\/b\u003e\u003cspan\u003e The DSMC3 RED 5-Pin to Dual XLR Adapter is not compatible with DSMC, DSMC2, RED RANGER or KOMODO camera systems.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eV-RAPTOR 8K VV DSMC3 Camera Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLightweight \u0026amp; Compact DSMC3 Design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 8K120 17:9, 6K198 S35 \u0026amp; 4K240 17:9\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e35.4MP Full-Frame, Rolling Shutter CMOS\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e17+ Stops Dynamic Range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompact Micro-V Batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCanon RF Lens Support\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCFexpress 2.0 Type-B Card\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eREDCODE Raw HQ, MQ \u0026amp; LQ Options\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRight-Side LCD Screen User Interface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUSB Type-C \u0026amp; Dual 12G-SDI Ports\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eDSMC3 Touch 7\" LCD Monitor Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTouchscreen Camera Control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e1920 x 1200 Resolution\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e180deg Rotation, 1800 cd\/m Brightness\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e7\" Daylight-Viewable LCD, 322 ppi\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003ePRO CFexpress 2TB Memory Card Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFor Photos, Videos, and Raw 4K to 12K\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMagnetic Proof\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCan Withstand Extreme Temperatures\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned by Angelbird for RED\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eShock \/ Dust \/ Water \/ X-Ray Proof\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eCFexpress Card Reader Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBus Powered\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCFexpress 2.0 Type B Card Slot\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUSB 3.2 Gen 2x2 Interface (20 Gb\/s)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWrite-Protect Switch\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eREDVOLT MICRO-V Battery Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompact, Micro V-Mount Form\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePowers RED V-RAPTOR Camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTransmits Camera \u0026amp; Select Accessory Data\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e98Wh, Supports up to 12A Draw\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eCompact Dual V-Lock Charger Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCharge 2x 98Wh Packs in \u0026lt;5 Hours\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCharges 2x REDVOLT MICRO-V Batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual-Bay V-Mount Charger, Compact Size\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSimultaneous Charging at 3 A\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eV-RAPTOR Expander Blade Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned to support professional shooting configurations\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTimecode 5-Pin, R\/S (Run\/Stop) 3-Pin, and RED CTRL 4-pin\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eV-RAPTOR Quick Release Platform Pack Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProvides a compact lightweight shooting configuration for V-RAPTOR users\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eArca Swiss style mount plate and a secure safety lock system with level locks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cb\u003eDSMC3 5-Pin to Dual XLR Adapter Features\u003c\/b\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompact solution to break out the 5-Pin ODU port to Dual 3-Pin XLR ports\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdapter can provide 48v phantom power with mic \u0026amp; line input\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRED Digital Cinema V-RAPTOR 8K VV DSMC3 Camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDSMC3 Touch 7\" LCD Monitorf\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2x PRO CFexpress 2TB Memory Card\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCFexpress Card Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4x REDVOLT MICRO-V Battery\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCompact Dual V-Lock Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR Tactical Top Plate w\/Battery Adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR Top Handle w\/Extensions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR Expander Blade\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR Quick Release Platform Pack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDSMC3 RED 5-Pin to Dual XLR Adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR Side Ribs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR Production Plates\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProduction Grips\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan\u003e*Important - Additional Warranty information, please refer to the article \"Preventing Damage to SDI Outputs\" in the link below.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\"\u003e\u003cspan\u003ehttps:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43241720381607,"sku":"GC47-RED-710-0353","price":58604.94,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/rd7100353_1.jpg?v=1680587260"},{"product_id":"red-v-raptor-xl-8k-s35-production-pack-including-batteries-v-lock","title":"RED V-RAPTOR XL 8K S35 Production Pack (including batteries) (V-Lock)","description":"\u003cp\u003eChoose 8K Super35 capture for your productions with the RED V-RAPTOR XL 8K S35 Production Pack (including batteries) (V-Lock), RED DIGITAL CINEMA's newest DSMC3 model that incorporates an 8K, 35.4MP S35 CMOS sensor. With 16.5+ stops of dynamic range, speedy cine-level scan time, and optimal low-light performance, the V-RAPTOR 8K S35 is ready to bring RED quality imaging to your Super35-format imaging. Its multi-format recording options include 8\/7\/6\/5\/4\/3\/2K, with REDCODE Raw, Apple ProRes, anamorphic, and proxy selections.\u003c\/p\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's active RF lens mount enables you to adapt your capture for each project using a wide array of pro cine or still photo lenses and can be used with an EF lens adapter. Phase-detect and contrast autofocus is available when used with compatible lenses. This combination of Super35 capture, lens versatility, autofocus (for select lenses), and the compact DSMC3 form enables the V-RAPTOR 8K S35 to fit seamlessly into your wildlife and broadcast projects or other shoots involving lots of handheld work and company moves to multiple locations.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e35.4MP Super35 CMOS Sensor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eActive RF Mount, Autofocus Select Lenses\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 8K120, 7K140 \u0026amp; 4K240 in 17:9 S35\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16.5+ Stops of Dynamic Range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLightweight \u0026amp; Compact DSMC3 Design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProRes, REDCODE Raw HQ, MQ \u0026amp; LQ Options\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRight-Side Assistant's User Interface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-In 2.4\" LCD for Camera Control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUSB-C, Timecode, Dual 12G-SDI Ports\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-Mount Battery Interface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSuper35 Sensor and 8K Capture Options\u003c\/h3\u003e\n\u003ch3\u003e35.4MP CMOS S35 Sensor\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's Super35mm 35.4 MP CMOS sensor provides a practical alternative to full-frame capture that is particularly suitable for in-the-field productions while still offering the high resolution and shallow depth of field beloved by cine-style shooters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16.5+ stops of dynamic range give the V-RAPTOR 8K S35 the ability to capture stunning images in any environment you explore\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUp to 8K Capture\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eA wide range of resolutions and frame rates enables the V-RAPTOR 8K S35 to capture up to 120 fps in 8K, 240 fps in UHD 4k, and 480 fps in 2K, with anamorphic options available in 6K, 7K, and 8K.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe 8K resolution provides the ability to crop multiple shots in a lower resolution from a single 8K take.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWide Array of Compatible Lenses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSuper35 lens choices provide a more compact form while offering a wide range of zoom and prime lenses for both broadcast and cine-style productions.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe locking Canon RF lens mount supports select RF to Canon EF-mount adapters, further expanding your lens selection.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhase-detect and contrast autofocus is available with compatible lenses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cp\u003eThe compact form, availability of a wide array of compatible lenses, and the classic Super35 look make the V-RAPTOR 8K S35 ideal for wildlife, broadcast, and cine-style productions.\u003c\/p\u003e\n\u003ch3\u003eCompact DSMC3 Form\u003c\/h3\u003e\n\u003ch3\u003eSide Control Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eConveniently located on the assistant's side, an easy-to-navigate, 2.4\" LCD panel provides comprehensive control, including status updates, in-camera format selection, and customisable buttons.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's compact and durable DSMC3 form features micro-V battery compatibility, several monitor options, CFexpress card capture, and a modular design that, when paired with a compact Super35 lens, creates a portable, ergonomic form.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInterfaces\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-in interfaces include dual 12G\/6G\/3G-SDI video outputs, genlock, timecode, GPIO, and RS-232 ports.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWireless 1080p video preview and camera control are available via dual-band Wi-Fi.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA 5-pin audio port provides a dual channel mic\/line input with +48V phantom power.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower Options\u003c\/h3\u003e\n\u003cp\u003ePower the V-RAPTOR 8K S35 camera using the integrated battery interface and a Micro V-mount battery or the included AC power adapter.\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e*Important -\u003c\/strong\u003e Additional Warranty information, please refer to the article \"Preventing Damage to SDI Outputs\" in the link below.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\" data-mce-href=\"https:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\"\u003e\u003cspan\u003ehttps:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43249203445927,"sku":"GC47-RED-710-0382","price":80389.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/RED-710-0382.jpg?v=1681472655"},{"product_id":"red-v-raptor-xl-8k-s35-v-lock","title":"RED V-RAPTOR XL 8K S35 (V-Lock)","description":"\u003cp\u003eThe RED V-RAPTOR XL 8K S35 (V-Lock) offers up to 8K multiformat video capture, REDCODE Raw, Apple ProRes, and proxy recording, and 1080p live preview streaming in a streamlined form featuring an array of interfaces suitable for high-end crew use. This S35 version of the V-RAPTOR incorporates an interchangeable ARRI PL lens mount, internal ND filters, GbE (Gigabit Ethernet), and a built-in Ambient Lockit timecode\/genlock unit. The combination of Super35 capture, lens mount versatility, and the all-in-one DSMC3 form enables the V-RAPTOR XL 8K S35 to fit seamlessly into your wildlife and broadcast projects or other shoots involving lots of handheld work and multiple locations. Its industry-standard interface incorporates three 12G\/6G\/3G-SDI outputs, both 12 and 24V power outputs, timecode and genlock ports, and an integrated V-mount battery plate.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e35.4MP 8K Super35 CMOS Sensor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInterchangeable PL Mount Included\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 8K120, 7K140 \u0026amp; 4K240 in 17:9 S35\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIntegrated Electronic ND Filters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16.5+ Stops Dynamic Range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePowerful \u0026amp; Versatile 12\/24V Outputs\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndustry-Standard Input\/Output Array\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProRes, REDCODE Raw HQ, MQ \u0026amp; LQ Options\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-In Ambient Lockit\/Timecode\/Genlock\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIntegrated V-Mount Battery Plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e35.4MP CMOS S35 Sensor\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR XL 8K S35's Super35mm 35.4 MP CMOS sensor provides a practical alternative to full-frame capture that is particularly suitable for in-the-field productions while still offering the high resolution and shallow depth of field beloved by cine-style shooters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16.5+ stops of dynamic range give the V-RAPTOR 8K XL S35 the ability to capture stunning images in any environment you explore.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInterchangeable Lens Mount\/Autofocus Options\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eIncludes an ARRI PL lens mount which can be swapped for a separately available Canon EF mount, enabling you to make use of a large variety of lenses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOffers on-sensor enhanced phase-detect autofocus and in-camera AI processing for select EF lenses with face detection and object tracking coming in future updates.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cp\u003eThe streamlined form, interchangeable lens mounts, and the classic Super35 look makes the V-RAPTOR XL 8K S35 ideal for wildlife, broadcast, and cine-style productions.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Pro Interfaces\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned for professional crew use with integrated auxiliary power and mounting points for attaching multiple high-end camera accessories.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-in Ambient Lockit mode for wireless genlock and timecode syncing.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMultiple video outputs, including 12G\/6G\/3G-SDI.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInternal ND Filters\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eMotorised clear and 2 to 7-stop electronic ND filters with 1\/3, 1\/4, and 1-stop increments provide precision exposure control.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe internal NDs are easily controlled via the side push buttons or wirelessly using the iOS\/Android RED Control app.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSide Control Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eConveniently located on the assistant's side, an easy-to-navigate, 2.4\" LCD panel provides comprehensive control, including status updates, in-camera format selection, and customisable buttons.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR XL 8K S35's compact and durable DSMC3 form features micro-V battery compatibility, several monitor options, CFexpress card capture, and a modular design that, when paired with a compact Super35 lens, creates a portable, ergonomic form.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eStreamlined Form with Dual-Voltage Battery Support\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe built-in interfaces and integrated OLED display lend the V-RAPTOR XL 8K S35 camera rig a streamlined, accessible form.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAn integrated V-mount battery plate supports 24 to 34V batteries with multiple auxiliary power outputs and standard 12 to 16V batteries.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eAdvanced Cooling\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR XL 8K S35's advanced cooling system uses dedicated fans to separately reduce the temperature of auxiliary power components and camera components while a heat exchanger maintains a precise sensor temperature.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTogether, these cooling functions reduce noise while recording, create a more robust system, and produce less black shading.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRED Control App\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUse the iOS and Android-compatible RED Control or RED Control Pro app for remote or tethered camera access.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAccess is available via Wi-Fi and the USB-C and Ethernet interfaces.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e*Important\u003c\/strong\u003e - Additional Warranty information, please refer to the article \"Preventing Damage to SDI Outputs\" in the link below.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca data-saferedirecturl=\"https:\/\/www.google.com\/url?q=https:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\u0026amp;source=gmail\u0026amp;ust=1681869595849000\u0026amp;usg=AOvVaw0QnuezkPvpwg1Hdl-9EXHd\" href=\"https:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\" target=\"_blank\"\u003ehttps:\/\/support.red.com\/hc\/en-\u003cwbr\u003eus\/articles\/360057166453-\u003cwbr\u003ePreventing-Damage-to-SDI-\u003cwbr\u003eOutputs\u003c\/wbr\u003e\u003c\/wbr\u003e\u003c\/a\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43249203478695,"sku":"GC47-RED-710-0348","price":62524.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/RED-710-0348.jpg?v=1681472682"},{"product_id":"red-v-raptor-8k-s35-starter-pack-including-batteries","title":"RED V-RAPTOR 8K S35 Starter Pack (including batteries)","description":"\u003cp\u003eGet started capturing beautiful S35 footage with the RED V-RAPTOR 8K S35 Starter Pack (including batteries). This bundle pairs the 8K Super35-format V-RAPTOR camera with a selection of key components, including one high-capacity RED 2TB PRO CFexpress 2.0 memory card. The pack also includes a DSMC3 RED Touch 7\" LCD monitor, a CFexpress card reader, a 3' EXT-to-timecode cable, and two V-RAPTOR Wing Grips. A power supply is included with the camera, as well as two MICRO-V batteries and one dual charger. Read more below about each item in this pack.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR 8K S35 DSMC3 Camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDSMC3 RED Touch 7\" LCD Monitor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e1 x High-Capacity 2TB PRO CFexpress Card\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2 x REDVOLT MICRO-V Batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2 x V-RAPTOR Wing Grips\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCFexpress Card Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eDual V-Mount Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e3' EXT-to-Timecode Cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR 8K S35 Camera (Canon RF)\u003c\/h3\u003e\n\u003cp\u003eChoose 8K Super35 capture for your productions with the black V-RAPTOR 8K S35 Camera, RED DIGITAL CINEMA's newest DSMC3 model that incorporates an 8K, 35.4MP S35 CMOS sensor. With 16.5+ stops of dynamic range, speedy cine-level scan time, and optimal low-light performance, the V-RAPTOR 8K S35 is ready to bring RED quality imaging to your Super35-format imaging. Its multi-format recording options include 8\/7\/6\/5\/4\/3\/2K, with REDCODE Raw, Apple ProRes, anamorphic, and proxy selections.\u003c\/p\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's active RF lens mount enables you to adapt your capture for each project using a wide array of pro cine or still photo lenses and can be used with an EF lens adapter. Phase-detect and contrast autofocus is available when used with compatible lenses. This combination of Super35 capture, lens versatility, autofocus (for select lenses), and the compact DSMC3 form enables the V-RAPTOR 8K S35 to fit seamlessly into your wildlife and broadcast projects or other shoots involving lots of handheld work and company moves to multiple locations.\u003c\/p\u003e\n\u003ch3\u003eSuper35 Sensor and 8K Capture Options\u003c\/h3\u003e\n\u003ch3\u003e35.4MP CMOS S35 Sensor\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's Super35mm 35.4 MP CMOS sensor provides a practical alternative to full-frame capture that is particularly suitable for in-the-field productions while still offering the high resolution and shallow depth of field beloved by cine-style shooters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16.5+ stops of dynamic range give the V-RAPTOR 8K S35 the ability to capture stunning images in any environment you explore\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUp to 8K Capture\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eA wide range of resolutions and frame rates enables the V-RAPTOR 8K S35 to capture up to 120 fps in 8K, 240 fps in UHD 4k, and 480 fps in 2K, with anamorphic options available in 6K, 7K, and 8K.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe 8K resolution provides the ability to crop multiple shots in a lower resolution from a single 8K take.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWide Array of Compatible Lenses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSuper35 lens choices provide a more compact form while offering a wide range of zoom and prime lenses for both broadcast and cine-style productions.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe locking Canon RF lens mount supports select RF to Canon EF-mount adapters, further expanding your lens selection.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhase-detect and contrast autofocus is available with compatible lenses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cp\u003eThe compact form, availability of a wide array of compatible lenses, and the classic Super35 look make the V-RAPTOR 8K S35 ideal for wildlife, broadcast, and cine-style productions.\u003c\/p\u003e\n\u003ch3\u003eCompact DSMC3 Form\u003c\/h3\u003e\n\u003ch3\u003eSide Control Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eConveniently located on the assistant's side, an easy-to-navigate, 2.4\" LCD panel provides comprehensive control, including status updates, in-camera format selection, and customisable buttons.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's compact and durable DSMC3 form features micro-V battery compatibility, several monitor options, CFexpress card capture, and a modular design that, when paired with a compact Super35 lens, creates a portable, ergonomic form.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInterfaces\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-in interfaces include dual 12G\/6G\/3G-SDI video outputs, genlock, timecode, GPIO, and RS-232 ports.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWireless 1080p video preview and camera control are available via dual-band Wi-Fi.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA 5-pin audio port provides a dual channel mic\/line input with +48V phantom power.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower Options\u003c\/h3\u003e\n\u003cp\u003ePower the V-RAPTOR 8K S35 camera using the integrated battery interface and a Micro V-mount battery or the included AC power adapter.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card\u003c\/h3\u003e\n\u003cp\u003eCertified for RED V-RAPTOR camera systems, the 2TB PRO CFexpress 2.0 Type B Memory Card from RED offers protection from overheating, operates with a reduced power draw, and helps to ensure high bitrate captures. This card can capture all frame rates and resolutions, including Full HD and raw 4K, 6K, 8K, and 12K video. It features a capacity of 2TB and uses the PCIe 3.0 x2 bus to deliver maximum read\/write speeds of 800 MB\/s.\u003c\/p\u003e\n\u003cp\u003eDesigned and manufactured by Angelbird for RED, the PRO CFexpress 2.0 Type B series has been engineered with protection against shock, dust, water, temperature extremes, and x-rays, and has an MTBF (Mean Time Between Failures) rating of 2.4 million hours. Included is lifetime data protection and an activation code for the full limited 3-year warranty. To receive the full limited warranty, the product needs to be registered on the Angelbird Personal Service Portal within 30 days after purchase. If not registered within this period, the market-specific legal guarantee period comes into force.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRED V-RAPTOR 8K VV cinema camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRED CFexpress card reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eGeneral Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e2TB capacity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMax Read\/Write Speed: 800 MB\/s\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStable Stream\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCFexpress 2.0 Type B\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFor photos, HD videos, and raw 4K to 12K resolutions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eY1 processor designed for raw video and photo content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdaptive Power Management helps preserve battery life and card endurance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHost Power Loss Protection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced Thermal Management helps protect the card, camera, and stored content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFree data recovery service at the hardware and software levels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSticker Free\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMean Time Between Failures of up to 2.4 million hours\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTemperature Sensor, TRIM, ECC, EMS Protection, Built-In Cache, and SMART\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOverheating Protection\u003c\/h3\u003e\n\u003cp\u003eWith Angelbird's adaptive thermal management system, you can feel confident that your data is protected from the threat of potential damage due to camera overheating during long shoots.\u003c\/p\u003e\n\u003cp\u003eAV Pro Line Offers Quality and Performance\u003c\/p\u003e\n\u003cp\u003eThe AV Pro product line pushes the limits of speed and performance in the safest possible way. All AV Pro media solutions consider the real-world media needs of the professional creative and feature Stable Stream performance technology, which is ideal for high- definition, lossless (drop-fee) video recording and smooth data processing.\u003c\/p\u003e\n\u003cp\u003eThe entire lineup of Angelbird's AV Pro media solutions is built with rock-solid performance protections such as, shock, dust, x-ray, and splash-water proofing, and are tested for safe operating temperatures at extremes of -13 to 185°F.\u003c\/p\u003e\n\u003ch3\u003eFree Professional Data Recovery Service\u003c\/h3\u003e\n\u003cp\u003eAngelbird offers free professional data recovery service on all its products. In lieu of a self-service software download, Angelbird provides a staff of professionals who will evaluate the issue and safely attempt a secure data-recovery in their lab along with complementary express shipping. This service covers media that has encountered physical damage and\/or software issues such as data or file corruption. Furthermore, Angelbird extends a non-disclosure agreement to their customers to ensure that the privacy and confidentiality of their content is also protected.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA CFexpress Card Reader\u003c\/h3\u003e\n\u003cp\u003eThe CFexpress Card Reader from RED allows for the fast ingestion of the RED PRO 660GB CFexpress media card on systems that support 20 Gb\/s USB 3.2 Gen 2x2. Built with a USB Type-C interface, power is received through the USB bus, meaning that no external power sources are required. The reader features a write-protect switch on the back to protect your data.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED PRO 660GB CFexpress card\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA REDVOLT MICRO-V Battery (98Wh, V-Mount)\u003c\/h3\u003e\n\u003cp\u003ePower your KOMODO V-RAPTOR camera with the MICRO-V Battery from RED DIGITAL CINEMA. This 98Wh battery features a compact, lightweight form, up to 12A draw, and data transmission of the remaining time and select accessory information. Designed in conjunction with battery-maker Core SWX, the compact REDVOLT BP is compatible with select other cameras when used with a full-size V-mount adapter.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR camera\u003c\/p\u003e\n\u003cp\u003eSelect other cameras using a full-size V-mount adapter\u003c\/p\u003e\n\u003ch3\u003eLightweight, Compact Form\u003c\/h3\u003e\n\u003cp\u003eIdeal for handheld capture\u003c\/p\u003e\n\u003cp\u003eWeighs just over 1 lb and measures less than 4\" wide\u003c\/p\u003e\n\u003ch3\u003eIn-Camera Display\u003c\/h3\u003e\n\u003cp\u003eCommunicates with your V-RAPTOR and select accessories to offer in-camera status display\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)\u003c\/h3\u003e\n\u003cp\u003eCharge two V-mount batteries for use with a DSMC3 cinema camera such as the V-RAPTOR 8K VV while on location with the RED Compact Dual V-Mount Battery Charger. Taking advantage of the same technology built into the larger fleet chargers, this compact charger can charge two V-mount REDVOLT MICRO-V or REDVOLT XL-V batteries at a 3A rate. Designed and manufactured in partnership with Core SWX, the charger can charge two REDVOLT MICRO-V 98Wh batteries in less than five hours. A power cable is included.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED REDVOLT MICRO-V batteries\u003c\/p\u003e\n\u003cp\u003eRED REDVOLT XL-V batteries\u003c\/p\u003e\n\u003cp\u003eMost V-mount batteries\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA DSMC3 RED Touch 7.0\" LCD Monitor (Direct Mount)\u003c\/h3\u003e\n\u003cp\u003eAdd a direct-mount onboard monitor to your DSMC3 camera rig with this DSMC3 RED Touch 7.0\" LCD Monitor from RED DIGITAL CINEMA. The RED Touch features daylight viewing, a wide 100% DCI-P3 color gamut, and touchscreen control for DSMC3 cameras, such as the V-RAPTOR 8K VV. The monitor features a high 322 ppi pixel density, 1920 x 1200 resolution, 1250:1 contrast ratio, and 1300 cd\/m² brightness that combine to offer high-quality imaging.\u003c\/p\u003e\n\u003cp\u003eThis monitor attaches directly to your DSMC3 BRAIN using the Pogo mount, and it provides video, data, and power to the monitor from the camera. If you need to use the Pogo mount for another accessory, the monitor also features a locking USB Type-C connector that alternately allows you to pass video, data, and power to the camera. The monitor features a tilt mount that allows it to tilt 180°.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned for daylight viewing with 322 ppi, 1920 x 1200 resolution, and 1800 cd\/m² brightness\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e1920 x 1200 resolution and wide 100% DCI-P3 colour gamut for optimal imaging\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMounts directly onto the BRAIN using the Pogo mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUSB Type-C connector is used for video, data, and power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRuns SmallHD PageOS software that provides camera control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTilt arm with 180° rotation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRED DIGITAL CINEMA EXT-to-Timecode Cable (3')\u003c\/h3\u003e\n\u003cp\u003eThe EXT-to-Timecode Cable enables you to input timecode to your RED DIGITAL CINEMA KOMODO camera. This cable links to the camera via its 9-pin EXT connector and measures 3' including the connectors.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR Wing Grip\u003c\/h3\u003e\n\u003cp\u003eUse the V-RAPTOR Wing Grip from RED DIGITAL CINEMA to create a low-profile, handheld support option for your camera. This aluminium handle's ergonomic design features both 1\/4\"-20 and anti-twist 3\/8\"-16 threads for attaching accessories. The V-RAPTOR Wing Grip can be used on either side of your camera.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR DSMC3 camera only\u003c\/p\u003e\n\u003ch3\u003eLow-Profile Handle\u003c\/h3\u003e\n\u003cp\u003eLow-profile, ergonomic way to carry your camera\u003c\/p\u003e\n\u003ch3\u003eAccessory Mounts\u003c\/h3\u003e\n\u003cp\u003eMultiple 1\/4\"-20 and anti-twist 3\/8\"-16 threads\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e*Important -\u003c\/strong\u003e Additional Warranty information, please refer to the article \"Preventing Damage to SDI Outputs\" in the link below.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\"\u003e\u003cspan\u003ehttps:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs \u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43249203544231,"sku":"GC47-RED-710-0373","price":37435.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/RED-710-0373.jpg?v=1681472728"},{"product_id":"red-v-raptor-8k-s35-production-pack-including-batteries-v-lock","title":"RED V-RAPTOR 8K S35 Production Pack (including batteries) (V-Lock)","description":"\u003cp\u003eCapture stunning Super35 images in resolutions up to 8K120 using the RED V-RAPTOR 8K S35 Production Pack (including batteries) (V-Lock). This bundle includes the 8K S35-format camera, four REDVOLT MICRO-V 98Wh V-mount batteries, a dual-battery charger, two 2TB PRO CFexpress cards and one card reader, a RED Touch 7\" LCD monitor, a tactical top plate with a V-mount battery adapter, a top handle with extensions, an expander blade, a quick release platform pack, a 5-pin to dual-XLR adapter, side ribs and production plates, and an AC power supply for the camera. Read more below about the components in this pack.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eV-RAPTOR 8K S35 Sensor DSMC3 Camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e2 x 2TB PRO CFexpress Cards \u0026amp; 1 x Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e4 x REDVOLT MICRO-V Batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRED Touch 7.0\" LCD, Dual V-Mount Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTop Plate, Top Handle with Extensions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExpander Blade, V-Mount Adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eQuick Release Platform Pack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e5-Pin to Dual-XLR Audio Adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSide Ribs, Production Plate \u0026amp; Grip\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR 8K S35 Camera (Canon RF)\u003c\/h3\u003e\n\u003cp\u003eChoose 8K Super35 capture for your productions with the black V-RAPTOR 8K S35 Camera, RED DIGITAL CINEMA's newest DSMC3 model that incorporates an 8K, 35.4MP S35 CMOS sensor. With 16.5+ stops of dynamic range, speedy cine-level scan time, and optimal low-light performance, the V-RAPTOR 8K S35 is ready to bring RED quality imaging to your Super35-format imaging. Its multi-format recording options include 8\/7\/6\/5\/4\/3\/2K, with REDCODE Raw, Apple ProRes, anamorphic, and proxy selections.\u003c\/p\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's active RF lens mount enables you to adapt your capture for each project using a wide array of pro cine or still photo lenses and can be used with an EF lens adapter. Phase-detect and contrast autofocus is available when used with compatible lenses. This combination of Super35 capture, lens versatility, autofocus (for select lenses), and the compact DSMC3 form enables the V-RAPTOR 8K S35 to fit seamlessly into your wildlife and broadcast projects or other shoots involving lots of handheld work and company moves to multiple locations.\u003c\/p\u003e\n\u003ch3\u003eSuper35 Sensor and 8K Capture Options\u003c\/h3\u003e\n\u003ch3\u003e35.4MP CMOS S35 Sensor\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's Super35mm 35.4 MP CMOS sensor provides a practical alternative to full-frame capture that is particularly suitable for in-the-field productions while still offering the high resolution and shallow depth of field beloved by cine-style shooters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16.5+ stops of dynamic range give the V-RAPTOR 8K S35 the ability to capture stunning images in any environment you explore\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUp to 8K Capture\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eA wide range of resolutions and frame rates enables the V-RAPTOR 8K S35 to capture up to 120 fps in 8K, 240 fps in UHD 4k, and 480 fps in 2K, with anamorphic options available in 6K, 7K, and 8K.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe 8K resolution provides the ability to crop multiple shots in a lower resolution from a single 8K take.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWide Array of Compatible Lenses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSuper35 lens choices provide a more compact form while offering a wide range of zoom and prime lenses for both broadcast and cine-style productions.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe locking Canon RF lens mount supports select RF to Canon EF-mount adapters, further expanding your lens selection.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhase-detect and contrast autofocus is available with compatible lenses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cp\u003eThe compact form, availability of a wide array of compatible lenses, and the classic Super35 look make the V-RAPTOR 8K S35 ideal for wildlife, broadcast, and cine-style productions.\u003c\/p\u003e\n\u003ch3\u003eCompact DSMC3 Form\u003c\/h3\u003e\n\u003ch3\u003eSide Control Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eConveniently located on the assistant's side, an easy-to-navigate, 2.4\" LCD panel provides comprehensive control, including status updates, in-camera format selection, and customisable buttons.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's compact and durable DSMC3 form features micro-V battery compatibility, several monitor options, CFexpress card capture, and a modular design that, when paired with a compact Super35 lens, creates a portable, ergonomic form.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInterfaces\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-in interfaces include dual 12G\/6G\/3G-SDI video outputs, genlock, timecode, GPIO, and RS-232 ports.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWireless 1080p video preview and camera control are available via dual-band Wi-Fi.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA 5-pin audio port provides a dual channel mic\/line input with +48V phantom power.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower Options\u003c\/h3\u003e\n\u003cp\u003ePower the V-RAPTOR 8K S35 camera using the integrated battery interface and a Micro V-mount battery or the included AC power adapter.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card\u003c\/h3\u003e\n\u003cp\u003eCertified for RED V-RAPTOR camera systems, the 2TB PRO CFexpress 2.0 Type B Memory Card from RED offers protection from overheating, operates with a reduced power draw, and helps to ensure high bitrate captures. This card can capture all frame rates and resolutions, including Full HD and raw 4K, 6K, 8K, and 12K video. It features a capacity of 2TB and uses the PCIe 3.0 x2 bus to deliver maximum read\/write speeds of 800 MB\/s.\u003c\/p\u003e\n\u003cp\u003eDesigned and manufactured by Angelbird for RED, the PRO CFexpress 2.0 Type B series has been engineered with protection against shock, dust, water, temperature extremes, and x-rays, and has an MTBF (Mean Time Between Failures) rating of 2.4 million hours. Included is lifetime data protection and an activation code for the full limited 3-year warranty. To receive the full limited warranty, the product needs to be registered on the Angelbird Personal Service Portal within 30 days after purchase. If not registered within this period, the market-specific legal guarantee period comes into force.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRED V-RAPTOR 8K VV cinema camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRED CFexpress card reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eGeneral Features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e2TB capacity\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMax Read\/Write Speed: 800 MB\/s\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eStable Stream\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCFexpress 2.0 Type B\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFor photos, HD videos, and raw 4K to 12K resolutions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eY1 processor designed for raw video and photo content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdaptive Power Management helps preserve battery life and card endurance\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHost Power Loss Protection\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced Thermal Management helps protect the card, camera, and stored content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFree data recovery service at the hardware and software levels\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSticker Free\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMean Time Between Failures of up to 2.4 million hours\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTemperature Sensor, TRIM, ECC, EMS Protection, Built-In Cache, and SMART\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eOverheating Protection\u003c\/h3\u003e\n\u003cp\u003eWith Angelbird's adaptive thermal management system, you can feel confident that your data is protected from the threat of potential damage due to camera overheating during long shoots.\u003c\/p\u003e\n\u003ch3\u003eAV Pro Line Offers Quality and Performance\u003c\/h3\u003e\n\u003cp\u003eThe AV Pro product line pushes the limits of speed and performance in the safest possible way. All AV Pro media solutions consider the real-world media needs of the professional creative and feature Stable Stream performance technology, which is ideal for high- definition, lossless (drop-fee) video recording and smooth data processing.\u003c\/p\u003e\n\u003cp\u003eThe entire lineup of Angelbird's AV Pro media solutions is built with rock-solid performance protections such as, shock, dust, x-ray, and splash-water proofing, and are tested for safe operating temperatures at extremes of -13 to 185°F.\u003c\/p\u003e\n\u003ch3\u003eFree Professional Data Recovery Service\u003c\/h3\u003e\n\u003cp\u003eAngelbird offers free professional data recovery service on all its products. In lieu of a self-service software download, Angelbird provides a staff of professionals who will evaluate the issue and safely attempt a secure data-recovery in their lab along with complementary express shipping. This service covers media that has encountered physical damage and\/or software issues such as data or file corruption. Furthermore, Angelbird extends a non-disclosure agreement to their customers to ensure that the privacy and confidentiality of their content is also protected.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA CFexpress Card Reader\u003c\/h3\u003e\n\u003cp\u003eThe CFexpress Card Reader from RED allows for the fast ingestion of the RED PRO 660GB CFexpress media card on systems that support 20 Gb\/s USB 3.2 Gen 2x2. Built with a USB Type-C interface, power is received through the USB bus, meaning that no external power sources are required. The reader features a write-protect switch on the back to protect your data.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED PRO 660GB CFexpress card\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA REDVOLT MICRO-V Battery (98Wh, V-Mount)\u003c\/h3\u003e\n\u003cp\u003ePower your KOMODO V-RAPTOR camera with the MICRO-V Battery from RED DIGITAL CINEMA. This 98Wh battery features a compact, lightweight form, up to 12A draw, and data transmission of the remaining time and select accessory information. Designed in conjunction with battery-maker Core SWX, the compact REDVOLT BP is compatible with select other cameras when used with a full-size V-mount adapter.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRED V-RAPTOR camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSelect other cameras using a full-size V-mount adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eLightweight, Compact Form\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eIdeal for handheld capture\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWeighs just over 1 lb and measures less than 4\" wide\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eIn-Camera Display\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eCommunicates with your V-RAPTOR and select accessories to offer in-camera status display\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)\u003c\/h3\u003e\n\u003cp\u003eCharge two V-mount batteries for use with a DSMC3 cinema camera such as the V-RAPTOR 8K VV while on location with the RED Compact Dual V-Mount Battery Charger. Taking advantage of the same technology built into the larger fleet chargers, this compact charger can charge two V-mount REDVOLT MICRO-V or REDVOLT XL-V batteries at a 3A rate. Designed and manufactured in partnership with Core SWX, the charger can charge two REDVOLT MICRO-V 98Wh batteries in less than five hours. A power cable is included.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED REDVOLT MICRO-V batteries\u003c\/p\u003e\n\u003cp\u003eRED REDVOLT XL-V batteries\u003c\/p\u003e\n\u003cp\u003eMost V-mount batteries\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA DSMC3 RED Touch 7.0\" LCD Monitor (Direct Mount)\u003c\/h3\u003e\n\u003cp\u003eAdd a direct-mount onboard monitor to your DSMC3 camera rig with this DSMC3 RED Touch 7.0\" LCD Monitor from RED DIGITAL CINEMA. The RED Touch features daylight viewing, a wide 100% DCI-P3 color gamut, and touchscreen control for DSMC3 cameras, such as the V-RAPTOR 8K VV. The monitor features a high 322 ppi pixel density, 1920 x 1200 resolution, 1250:1 contrast ratio, and 1300 cd\/m² brightness that combine to offer high-quality imaging.\u003c\/p\u003e\n\u003cp\u003eThis monitor attaches directly to your DSMC3 BRAIN using the Pogo mount, and it provides video, data, and power to the monitor from the camera. If you need to use the Pogo mount for another accessory, the monitor also features a locking USB Type-C connector that alternately allows you to pass video, data, and power to the camera. The monitor features a tilt mount that allows it to tilt 180°.\u003c\/p\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDesigned for daylight viewing with 322 ppi, 1920 x 1200 resolution, and 1800 cd\/m² brightness\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e1920 x 1200 resolution and wide 100% DCI-P3 colour gamut for optimal imaging\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMounts directly onto the BRAIN using the Pogo mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUSB Type-C connector is used for video, data, and power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRuns SmallHD PageOS software that provides camera control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eTilt arm with 180° rotation\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR Tactical Top Plate with Battery Adapter (V-Mount)\u003c\/h3\u003e\n\u003cp\u003eUse the V-RAPTOR Tactical Top Plate with Battery Adapter from RED DIGITAL CINEMA to securely mount a V-mount battery on your V-RAPTOR BRAIN. Comprised of a top plate, a front cheese plate, and a battery adapter, this snazzy red and black system provides one D-Tap and two 2-pin LEMO ports plus multiple 1\/4\"-20, 3\/8\"-16, and M4 accessory mounting threads.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eRED V-RAPTOR\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-mount batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eBattery Mount and Power Outputs\u003c\/h3\u003e\n\u003cp\u003eThis top plate and battery plate combo enables you to securely mount a larger battery on your V-RAPTOR, providing both longer running times and accessory power\u003c\/p\u003e\n\u003ch3\u003eAccessory Mounts\u003c\/h3\u003e\n\u003cp\u003eThe top plate and the front cheese plate both provide numerous 1\/4\"-20, 3\/8\"-16, and M4 accessory threads\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR Top Handle with Extensions\u003c\/h3\u003e\n\u003cp\u003eThe RED DIGITAL CINEMA V-RAPTOR Top Handle with Extensions provides a complete modular top handle solution for the V-RAPTOR, allowing for lightweight or extended wraparound style configurations. It features a dedicated start\/stop button, ergonomic bocote wood inlays, and multiple 3\/8\"-16 and 1\/4\"-20 mounting points. Additionally, this includes the 1\", 3\", and 5\" top handle extension pieces, an elbow piece and a 15mm Monitor Mount.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR Expander Blade\u003c\/h3\u003e\n\u003cp\u003eMount the RED V-RAPTOR Expander Blade to your V-Raptor camera to gain video, power, and communication ports, enabling a wide choice in how you configure your camera for professional applications. The Expander Blade attaches to your camera via the camera's 9-pin EXT port and is supported by the included ARCA plate.\u003c\/p\u003e\n\u003cp\u003eOnce attached, the Expander plate provides a BNC connector (Genlock video), 5-pin connector for timecode, 4-pin connector for RED CTRL, and 3-pin Fischer for Run\/Stop. Please note that the 3-pin Run\/Stop is only for trigger, and it does not supply power.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR Quick Release Platform Pack\u003c\/h3\u003e\n\u003cp\u003eDesigned for V-RAPTOR camera users, the RED V-RAPTOR Quick Release Platform Pack is a sturdy yet compact QR plate release system for mounting and balancing your V-Raptor on a tripod. The platform, or baseplate, features 15mm LWS rod clamps and includes two 15mm rods, allowing you to use standard lens supports and accessories such as matte boxes, follow focus units, lens motors, and more with your V-RAPTOR. The platform slides onto the included dovetail plate and has a lever lock to clamp it in place once you have found the balance point you want.\u003c\/p\u003e\n\u003cp\u003eThe platform has a lever lock for clamping the included Arca plate in place, as well as a spring-loaded safety catch to help prevent the Arca plate from accidentally sliding off the platform. The dovetail plate has multiple 1\/4\"-20 and 3\/8\"-16 threaded mounting holes along its length for attaching to a tripod, and the combination of the sliding platform, Arca plate, and dovetail with its multiple mounting holes allows you to balance a variety of shooting configurations. In addition to supporting your camera, the QR Platform Pack also supports optional battery adapter plates, the RED V-RAPTOR Expander Blade, and RED Side Ribs for added versatility.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe Arca plate features two 1\/4\"-20 threaded mounting holes at the front of the plate, and a total of 14 x M4 threaded holes around the front and sides\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA locating pin and rubber grip pads along the top of the Arca plate help prevent your camera from twisting on the plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRED DIGITAL CINEMA DSMC3 5-Pin to Dual XLR 3-Pin Adapter\u003c\/h3\u003e\n\u003cp\u003eAdd two XLR inputs to your V-RAPTOR camera with the RED DSMC3 5-Pin to Dual XLR 3-Pin Adapter. Connect the included 5-pin ODU cable to your camera's ODU port, and the other end of the cable to the adapter's port. The adapter can provide 48V phantom power and supports both mic and line-level inputs. It mounts to the V-Raptor using a 3\/8\"-26 screw, and has anti-twist pins to prevent it from spinning on your camera. The unit also features 6 x M2.5 screw holes for future accessories.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR 8K S35 Production Pack (including batteries) (V-Lock)\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e*Important -\u003c\/strong\u003e Additional Warranty information, please refer to the article \"Preventing Damage to SDI Outputs\" in the link below.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\"\u003e\u003cspan\u003ehttps:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43249203511463,"sku":"GC47-RED-710-0375","price":47960.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/RED-710-0375.jpg?v=1681472699"},{"product_id":"red-v-raptor-8k-s35","title":"RED V-RAPTOR 8K S35","description":"\u003cp\u003eChoose 8K Super35 capture for your productions with the RED V-RAPTOR 8K S35, RED DIGITAL CINEMA's newest DSMC3 model that incorporates an 8K, 35.4MP S35 CMOS sensor. With 16.5+ stops of dynamic range, speedy cine-level scan time, and optimal low-light performance, the V-RAPTOR 8K S35 is ready to bring RED quality imaging to your Super35-format imaging. Its multi-format recording options include 8\/7\/6\/5\/4\/3\/2K, with REDCODE Raw, Apple ProRes, anamorphic, and proxy selections.\u003c\/p\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's active RF lens mount enables you to adapt your capture for each project using a wide array of pro cine or still photo lenses and can be used with an EF lens adapter. Phase-detect and contrast autofocus is available when used with compatible lenses. This combination of Super35 capture, lens versatility, autofocus (for select lenses), and the compact DSMC3 form enables the V-RAPTOR 8K S35 to fit seamlessly into your wildlife and broadcast projects or other shoots involving lots of handheld work and company moves to multiple locations.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e35.4MP Super35 CMOS Sensor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eActive RF Mount, Autofocus Select Lenses\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 8K120, 7K140 \u0026amp; 4K240 in 17:9 S35\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16.5+ Stops of Dynamic Range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eLightweight \u0026amp; Compact DSMC3 Design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProRes, REDCODE Raw HQ, MQ \u0026amp; LQ Options\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRight-Side Assistant's User Interface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-In 2.4\" LCD for Camera Control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUSB-C, Timecode, Dual 12G-SDI Ports\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eV-Mount Battery Interface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eSuper35 Sensor and 8K Capture Options\u003c\/h3\u003e\n\u003ch3\u003e35.4MP CMOS S35 Sensor\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's Super35mm 35.4 MP CMOS sensor provides a practical alternative to full-frame capture that is particularly suitable for in-the-field productions while still offering the high resolution and shallow depth of field beloved by cine-style shooters.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e16.5+ stops of dynamic range give the V-RAPTOR 8K S35 the ability to capture stunning images in any environment you explore\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eUp to 8K Capture\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eA wide range of resolutions and frame rates enables the V-RAPTOR 8K S35 to capture up to 120 fps in 8K, 240 fps in UHD 4k, and 480 fps in 2K, with anamorphic options available in 6K, 7K, and 8K.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe 8K resolution provides the ability to crop multiple shots in a lower resolution from a single 8K take.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWide Array of Compatible Lenses\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eSuper35 lens choices provide a more compact form while offering a wide range of zoom and prime lenses for both broadcast and cine-style productions.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe locking Canon RF lens mount supports select RF to Canon EF-mount adapters, further expanding your lens selection.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePhase-detect and contrast autofocus is available with compatible lenses.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eApplications\u003c\/h3\u003e\n\u003cp\u003eThe compact form, availability of a wide array of compatible lenses, and the classic Super35 look make the V-RAPTOR 8K S35 ideal for wildlife, broadcast, and cine-style productions.\u003c\/p\u003e\n\u003ch3\u003eCompact DSMC3 Form\u003c\/h3\u003e\n\u003ch3\u003eSide Control Panel\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eConveniently located on the assistant's side, an easy-to-navigate, 2.4\" LCD panel provides comprehensive control, including status updates, in-camera format selection, and customisable buttons.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe V-RAPTOR 8K S35's compact and durable DSMC3 form features micro-V battery compatibility, several monitor options, CFexpress card capture, and a modular design that, when paired with a compact Super35 lens, creates a portable, ergonomic form.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eInterfaces\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-in interfaces include dual 12G\/6G\/3G-SDI video outputs, genlock, timecode, GPIO, and RS-232 ports.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWireless 1080p video preview and camera control are available via dual-band Wi-Fi.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA 5-pin audio port provides a dual channel mic\/line input with +48V phantom power.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003ePower Options\u003c\/h3\u003e\n\u003cp\u003ePower the V-RAPTOR 8K S35 camera using the integrated battery interface and a Micro V-mount battery or the included AC power adapter.\u003c\/p\u003e\n\u003cdiv\u003e\u003cspan\u003e\u003cstrong\u003e*Important -\u003c\/strong\u003e Additional Warranty information, please refer to the article \"Preventing Damage to SDI Outputs\" in the link below.\u003c\/span\u003e\u003c\/div\u003e\n\u003cdiv\u003e\u003ca href=\"https:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\"\u003e\u003cspan\u003ehttps:\/\/support.red.com\/hc\/en-us\/articles\/360057166453-Preventing-Damage-to-SDI-Outputs\u003c\/span\u003e\u003c\/a\u003e\u003c\/div\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43249203576999,"sku":"GC47-RED-710-0345","price":32149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/RED-710-0345.jpg?v=1681472754"},{"product_id":"blackmagic-ursa-mini-pro-12k-olpf","title":"Blackmagic URSA Mini Pro 12K OLPF","description":"\u003cp\u003e\u003cspan\u003eStep your cine-style video recording up to 12K with the Blackmagic URSA Mini Pro 12K OLPF. This pro video camera uses a 12,288 x 6480 12K Super35 sensor, a new colour science, and up to 14 stops of dynamic range to produce extraordinarily detailed images. The URSA Mini Pro 12K OLPF uses an optical low pass filter that minimises unwanted image interference when shooting in virtual production environments and also offers updated IR filtering. The camera records up to 80MP per frame in Blackmagic Raw and offers flexible recording options that include dual CFast 2.0 card capture and high-speed USB-C output. Recording rates include up to 60 fps in 12K 17:9 full sensor, up to 75 fps in 12K 2.4:1, 120 fps in 8K, and up to 240 fps in 4K Super16.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eKey features\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e12K Super35 HDR CMOS Sensor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e12K 17:9 at 60 fps | 12K 2.4:1 at 75 fps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eOLPF for Reduced Moire and Aliasing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eUpdated IR Filtering\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eDCI 8K at 120 fps, 14-Stop Dynamic Range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eUser-Changeable PL Lens Mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e4K Super16 up to 220 fps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e80MP\/frame Blackmagic Raw\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eDual CFast 2.0 or SD Card Recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eUSB-C Recording to Disk\/SSD\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eRich Film Look with Digital Definition\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eThe URSA Mini Pro 12K's massive resolution gives you the immersive detail, wide dynamic range, and deep colour of film combined with an incredible definition around objects that is perfect for chromakeying, VFX, and IMAX imaging. Oversampling from 12K down to 8K or 4K both improves colour and eliminates aliasing for an ultra-smooth look.\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSuper35 12K Sensor Delivers a Cinematic View\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp\u003eThe URSA Mini Pro 12K's new sensor has a native resolution of 12,288 x 6480 that produces a whopping 80 MP per frame. This sensor is designed with equal representations of red, green, and blue pixels, an 800 native ISO, and 14 stops of dynamic range. In-sensor scaling provides 8K and 4K rates up to 110 fps without cropping or a change in the field of view. The 12K sensor also enables you to reframe shots in post to get an 8K or 4K multicamera look using a single camera.\u003c\/p\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eVirtual Cinema Production\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eThe URSA Mini Pro 12K OLPF adds a high-performance, optical low-pass filter that is precisely matched to the 12K sensor. When shooting in virtual production environments, the high frequencies of the LED matrix in video walls can cause problems for ultra-sharp modern lenses and high-resolution sensors, creating interference patterns. Using an optical low pass filter minimises that interference, which results in a reduction of moire and aliasing. The OLPF also incorporates updated IR filtering that improves far red colour response which, when combined with Blackmagic RAW processing for the URSA Mini Pro 12K OLPF, preserves colour and critical image detail for new levels of image fidelity.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eInterchangeable PL Lens Mount\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eThe front of the URSA Mini Pro 12K sports an interchangeable PL lens mount, enabling you to choose from an array of current and vintage pro cine lenses from multiple manufacturers.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCanon EF and Nikon F mounts are available separately for shooters who have their own glass.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eGeneration 5 Color Science\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003eThe Gen 5 colour science's new film curve takes advantage of the huge amounts of colour data produces by the URSA Mini Pro 12K's sensor. The result is more attractive skin tones and improved colour saturation for images like neon signs and car taillights.\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eEfficient 12-Bit Raw Workflow in 12K with Blackmagic Raw\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e A new codec enables you to use Blackmagic Raw to edit your URSA Mini Pro 12K footage on a laptop and to edit in any resolution without needing to render before your final version.\u003cbr\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\u003cbr\u003e\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003ch3 class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eLightweight, Ergonomic Form\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003eAn evenly weighted, lightweight yet robust magnesium alloy design makes the URSA Mini Pro 12K perfect for either handheld work or tripod-based shots.\u003c\/li\u003e\n\u003cli\u003eAdditional camera features include 12G-SDI input and output, a 4\" fold-out display, built-in ND filters, ergonomic controls, timecode and reference input, and 48V phantom power XLR audio.\u003c\/li\u003e\n\u003cli\u003eA digital slate function and lens metadata capture ease your URSA Mini Pro 12K workflow transition from capture to post.\u003c\/li\u003e\n\u003cli\u003eCamera setup 7.0 includes Blackmagic Raw stills capture and broadcast lens support.\u003cbr\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTwo Encoding Methods\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp\u003e Choose between Constant Quality and Constant Bitrate encoding as best suits your need. Use constant quality Q0 or Q5 options or the new Q1 and Q3 choices to lock the quality level and enable compression levels to adapt, matching the detail levels of each scene. Turn to Constant Bit Rate 5:1, 8:1, and 12:1 options or the new 18:1 choice when you prefer optimal imaging with predictable and consistent file sizes.\u003cbr\u003e\u003c\/p\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eFlexible, High-Bandwidth Recording Options\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDual built-in CFast 2.0 and UHS-II SD card slots and a SuperSpeed USB-C expansion port provide three methods for capturing 12K video.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eA \"Record Raw on 2 Cards\" option enables you to record across two cards simultaneously at speeds up to an impressive 900 MB\/s to two CFast 2.0 cards, or to 500 MB\/s to two UHS-II SD cards.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eThe third option is capturing to NVMe SSD drives via a USB-C 3.2 Gen 2 port at rates up to 10 Gb\/s.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the box\u003c\/h3\u003e\n\u003cul data-selenium=\"includesInTheBoxList\" class=\"list__cXkStmX9s\"\u003e\n\u003cli data-selenium=\"includesInTheBoxItem\" class=\"item_u6ujeLWy3W\"\u003e\n\u003cp\u003e\u003cspan\u003eBlackmagic Design URSA Mini Pro 12K with OLPF\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"includesInTheBoxItem\" class=\"item_u6ujeLWy3W\"\u003e\n\u003cp\u003e\u003cspan\u003ePL Lens Mount\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"includesInTheBoxItem\" class=\"item_u6ujeLWy3W\"\u003e\n\u003cp\u003e\u003cspan\u003ePort Cap\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"includesInTheBoxItem\" class=\"item_u6ujeLWy3W\"\u003e\n\u003cp\u003e\u003cspan\u003ePower Supply\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"includesInTheBoxItem\" class=\"item_u6ujeLWy3W\"\u003e\n\u003cp\u003e\u003cspan\u003eDaVinci Resolve Studio Activation Key\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":43301814993063,"sku":"GC50-CINEURSAMUPRO12KOLPF","price":9040.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/1681824016_1762244.jpg?v=1682569049"},{"product_id":"red-v-raptor-xl-8k-vv-production-pack-including-batteries-v-lock","title":"RED V-RAPTOR XL 8K VV Production Pack (Including Batteries) (V-Lock)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eV-RAPTOR™ XL 8K VV expands upon the most powerful and advanced RED\u003c\/span\u003e\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e camera platform ever. Using RED’s new flagship sensor, V-RAPTOR XL leverages the industry proven V-RAPTOR\u003c\/span\u003e\u003csup\u003e™\u003c\/sup\u003e\u003cspan\u003e 8K VV sensor inside of a large-scale-production ready XL camera body.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eKey features\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eV-RAPTOR XL 8K VV Camera System\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eDSMC3 RED Touch 7\" LCD Monitor \u0026amp; Shade\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e4 x REDVOLT XL-V Batteries \u0026amp; 1 x Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e2 x RED PRO CFexpress 2TB Cards, Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eV-RAPTOR XL Top Handle with Extensions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eV-RAPTOR XL Riser Plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eV-RAPTOR XL Top\/Bottom 15mm LWS Brackets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eDSMC3 RED 5-Pin to Dual-XLR Adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e18\" DSMC3 RMI Cable\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cspan\u003eTools of the Trade\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003eV-RAPTOR XL is designed to support high-end television and motion picture productions as well as any filmmaker who requires an all-in-one solution.\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eDual voltage battery support offers compatibility with a wide range of common batteries found on set today, both 14 V batteries and high voltage 26 V V-Lock or Gold Mount options.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e12 V and 24 V auxiliary power outputs allows camera assistants to power all the peripherals needed to do their job from one centralised place.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFront facing 3G-SDI and 2-Pin 12 V power, as well as compatibility with the DSMC3™ RED® Touch 7.0” LCD, supports any camera operators viewing preference.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eWireless timecode, genlock, and camera control, as well as four SDI outputs support the DIT, giving them access to everything they need at their cart.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-in electronic ND allows cinematographers to precisely select their density in ¼, 1\/3, and full stop increments, providing never before seen exposure and depth of field control inside a cinema camera of this level.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp class=\"p1\"\u003eAdditionally, the V-RAPTOR\/V-RAPTOR™ XL and the DSMC3 platform features advanced connectivity solutions which enable applications such as RED Connect for 8K R3D cinematic live streaming and remote record, remote control and monitoring, in-camera Frame.io integration, AWS direct upload, and more.\u003c\/p\u003e\n\u003ch3 class=\"p1\"\u003eV-RAPTOR 8K VV Sensor Inside\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eFeaturing the same groundbreaking multi-format 8K sensor found inside the compact and modular V-RAPTOR body, the V-RAPTOR XL 8K VV has the ability to shoot 8K large format or 6K S35, unlocking the largest lens selection of any comparable camera on the market while allowing shooters the ability to always capture at over 4K. The sensor also boasts the highest recorded dynamic range and cleanest shadow performance of any RED camera. In addition, the V-RAPTOR sensor scan time is 2x faster than any previous RED camera and it allows users to capture up to 600 fps at 2K. V-RAPTOR XL will also continue to feature RED’s proprietary REDCODE RAW codec, allowing users to capture 16-bit RAW, and leverage RED’s latest IPP2 workflow and colour management.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eSpecifications\u003c\/span\u003e\u003c\/h3\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSENSOR TYPE: \u003cmeta charset=\"utf-8\"\u003eV-RAPTOR™ 8K VV 35.4 Megapixel CMOS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eEFFECTIVE PIXELS: \u003cmeta charset=\"utf-8\"\u003e8192 x 4320\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSENSOR SIZE: \u003cmeta charset=\"utf-8\"\u003e40.96 mm x 21.60 mm (Diagonal: 46.31 mm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDYNAMIC RANGE: \u003cmeta charset=\"utf-8\"\u003e17+ stops\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBUILT-IN ND: \u003cmeta charset=\"utf-8\"\u003eMotorized clear filter and precision controlled electronic ND filter\u003cbr data-mce-fragment=\"1\"\u003eElectronic ND minimum density 2 stops, maximum density 7 stops\u003cbr data-mce-fragment=\"1\"\u003eElectronic ND selectable increments of 1\/3 stops, 1\/4 stops, and 1 stop\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMOUNT TYPE: \u003cmeta charset=\"utf-8\"\u003eInterchangeable Lens Mount, Included V-RAPTOR XL PL Mount (Shimmable)\u003cbr data-mce-fragment=\"1\"\u003eOptional V-RAPTOR XL Locking Canon EF Mount\u003cbr data-mce-fragment=\"1\"\u003ePhysically compatible with DSMC Lens Mounts, but does not provide electronic communication or control\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMEDIA TYPE: \u003cmeta charset=\"utf-8\"\u003eCFexpress Type B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBATTERY TYPE: \u003cmeta charset=\"utf-8\"\u003eIntegrated Dual Voltage 14\/26 V V-Lock battery interface\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMAX DATA RATES: \u003cmeta charset=\"utf-8\"\u003eUp to 800 MB\/s using RED branded or other qualified CFexpress media cards[1]\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eREDCODE® RAW MAX FRAME RATES: \u003cmeta charset=\"utf-8\"\u003e120 fps at 8K 17:9 (8192 x 4320), 150 fps at 8K 2.4:1 (8192 x 3456)\u003cbr data-mce-fragment=\"1\"\u003e140 fps at 7K 17:9 (7168 x 3780), 175 fps at 7K 2.4:1 (7168 x 3024)\u003cbr data-mce-fragment=\"1\"\u003e160 fps at 6K 17:9 (6144 x 3240), 200 fps at 6K 2.4:1 (6144 x 2592)\u003cbr data-mce-fragment=\"1\"\u003e192 fps at 5K 17:9 (5120 x 2700), 240 fps at 5K 2.4:1 (5120 x 2160)\u003cbr data-mce-fragment=\"1\"\u003e240 fps at 4K 17:9 (4096 x 2160), 300 fps at 4K 2.4:1 (4096 x 1728)\u003cbr data-mce-fragment=\"1\"\u003e320 fps at 3K 17:9 (3072 x 1620), 400 fps at 3K 2.4:1 (3072 x 1296)\u003cbr data-mce-fragment=\"1\"\u003e480 fps at 2K 17:9 (2048 x 1080), 600 fps at 2K 2.4:1 (2048 x 864)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePLAYBACK FRAME RATES (PROJECT TIME BASE): \u003cmeta charset=\"utf-8\"\u003e23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eBEST AVAILABLE REDCODE® SETTINGS: \u003cmeta charset=\"utf-8\"\u003eREDCODE HQ, MQ and LQ at 8K 17:9 (8192 x 4320) up to 60 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE LQ at 8K 17:9 (8192 x 4320) up to 120 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ and LQ at 6K 17:9 (6144 x 3240) up to 96 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE MQ and LQ at 6K 17:9 (6144 x 3240) up to 160 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ and LQ at 4K 17:9 (4096 x 2160) up to 240 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ and LQ at 2K 17:9 (2048 x 1080) up to 480 fps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eREDCODE® RAW ACQUISITION FORMATS: \u003cmeta charset=\"utf-8\"\u003e8K 17:9 (8192 x 4320), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x\u003cbr data-mce-fragment=\"1\"\u003e7K 17:9 (7168 x 3780), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 2x, 1.8x, 1.6x\u003cbr data-mce-fragment=\"1\"\u003e6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9, 1:1 and Anamorphic 1.5x, 1.3x, 1.25x\u003cbr data-mce-fragment=\"1\"\u003e5K 17:9 (5120 x 2700), 2:1, 2.4:1, 16:9, 1:1\u003cbr data-mce-fragment=\"1\"\u003e4K 17:9 (4096 x 2160), 2:1, 2.4:1, 16:9, 1:1\u003cbr data-mce-fragment=\"1\"\u003e3K 17:9 (3072 x 1620), 2:1, 2.4:1, 16:9, 1:1\u003cbr data-mce-fragment=\"1\"\u003e2K 17:9 (2048 x 1080), 2:1, 2.4:1, 16:9, 1:1\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAPPLE PRORES: \u003cmeta charset=\"utf-8\"\u003eDedicated recording in ProRes 4444 XQ, ProRes 4444, ProRes 422 HQ, ProRes 422, and ProRes 422 LT at resolutions up to 4K (4096x2160) 120P\u003cbr data-mce-fragment=\"1\"\u003eProxy recording available up to ProRes 422 HQ in 2K (2048 x 1080) up to 60P\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCONSTRUCTION: \u003cmeta charset=\"utf-8\"\u003eAluminum Alloy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eWEIGHT: \u003cmeta charset=\"utf-8\"\u003e8lbs \/ 3.65kg (V-Lock with PL Mount)\u003cbr data-mce-fragment=\"1\"\u003e8.08lbs \/ 3.66kg (Gold Mount with PL Mount)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eDC POWER INPUT: \u003cmeta charset=\"utf-8\"\u003e19.5-34 V via 4-pin 2B DC-IN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eOPERATING TEMPERATURE: \u003cmeta charset=\"utf-8\"\u003e0°C to 40°C (32°F to 104°F)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSTORAGE TEMPERATURE: \u003cmeta charset=\"utf-8\"\u003e–20°C to 50°C (–4°F to 122°F)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eSTORAGE RELATIVE HUMIDITY: \u003cmeta charset=\"utf-8\"\u003e0% to 85% non-condensing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCOLOR MANAGEMENT: \u003cmeta charset=\"utf-8\"\u003eImage Processing Pipeline 2 (IPP2)\u003cbr data-mce-fragment=\"1\"\u003eSupports 33×33×33 3D LUTs\u003cbr data-mce-fragment=\"1\"\u003eSupports import of CDLs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAUDIO: \u003cmeta charset=\"utf-8\"\u003eIntegrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz\u003cbr data-mce-fragment=\"1\"\u003eIntegrated dual channel mic\/line\/+48V input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eAUTOFOCUS: \u003cmeta charset=\"utf-8\"\u003ePhase Detect and Contrast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eREMOTE CONTROL: \u003cmeta charset=\"utf-8\"\u003eWi-Fi for camera control via interchangeable dual band (2.4 GHz\/5 GHz) antenna mounted to a female RP-SMA connector\u003cbr data-mce-fragment=\"1\"\u003eWired control via USB-C (compatible USB-C to Ethernet adapter1 required) or Gigabit Ethernet allowing remote camera control, live MJPEG preview video feed and remote media offload\u003cbr data-mce-fragment=\"1\"\u003e9-Pin 0B GIG-E (1000BASE-T)\u003cbr data-mce-fragment=\"1\"\u003e4-Pin 00B CTRL (RS-232)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003ePOWER OUTPUTS[2]: \u003cmeta charset=\"utf-8\"\u003eRegulated 12 V Outputs\u003cbr data-mce-fragment=\"1\"\u003e2x P-TAP Connectors (3AMP Combined)\u003cbr data-mce-fragment=\"1\"\u003e1x Rear 2-Pin 0B (3 AMP)\u003cbr data-mce-fragment=\"1\"\u003e1x Rear 2-Pin 0B (1.5 AMP)\u003cbr data-mce-fragment=\"1\"\u003e1x Front 2-Pin 0B (1 AMP)\u003cbr data-mce-fragment=\"1\"\u003eRegulated 24 V Connectors\u003cbr data-mce-fragment=\"1\"\u003e2x Front 3-Pin Fischer (3 AMP Combined)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMONITOR OUTPUTS: \u003cmeta charset=\"utf-8\"\u003eProprietary Top Accessory Port for Monitoring and Control\u003cbr data-mce-fragment=\"1\"\u003e3x 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes (SDI 1\/2\/3)\u003cbr data-mce-fragment=\"1\"\u003e1x 3G-SDI with 3G-SDI and 1.5G-SDI modes (EVF)\u003cbr data-mce-fragment=\"1\"\u003e12G-SDI: Up to 4096 x 2160 4:2:2 for 60p\u003cbr data-mce-fragment=\"1\"\u003e6G-SDI: Up to 4096 x 2160 4:2:2 for 30p, 25p, 24p\u003cbr data-mce-fragment=\"1\"\u003e3G-SDI: Up to 2048 x 1080 4:2:2 for 60p\u003cbr data-mce-fragment=\"1\"\u003e1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 25p, 24p\u003cbr data-mce-fragment=\"1\"\u003eSMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eMONITOR OPTIONS: \u003cmeta charset=\"utf-8\"\u003eDSMC3™ RED\u003csup data-mce-fragment=\"1\"\u003e®\u003c\/sup\u003e Touch 7.0” LCD\u003cbr data-mce-fragment=\"1\"\u003eIP streamed 1080p live preview wirelessly or wired via USB-C or Ethernet.\u003cbr data-mce-fragment=\"1\"\u003eIntegrated 2.4\" LCD for camera control (no preview video)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eCAMERA SYNC OPTIONS: \u003cmeta charset=\"utf-8\"\u003eTri-Level Genlock through BNC\u003cbr data-mce-fragment=\"1\"\u003eLinear Timecode (LTC) through 5-Pin 0B\u003cbr data-mce-fragment=\"1\"\u003ePTP through 9-Pin 0B GIG-E\u003cbr data-mce-fragment=\"1\"\u003eWireless Genlock and Timecode through Integrated Ambient Communication Network (ACN)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003eRED CONTROL \u0026amp; RED CONTROL PRO: \u003cmeta charset=\"utf-8\"\u003eAccess full camera controls and live preview from iOS or Android devices\u003cbr data-mce-fragment=\"1\"\u003ePro App: Operate one or multiple cameras over an IP connection to synchronize settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location.\u003cbr data-mce-fragment=\"1\"\u003eStandard app available from the Apple App Store and Google Play Store.\u003cbr data-mce-fragment=\"1\"\u003eRED Control Pro available via Apple App store only and requires additional purchase.\u003cbr data-mce-fragment=\"1\"\u003eRED Control works wirelessly or wired via USB-C\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat's in the Box\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x V-RAPTOR XL 8K VV Camera System\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x DSMC3 RED Touch 7” LCD\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x DSMC3 RED Touch 7.0\" LCD Hood\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x DSMC3 RMI Cable 18\" * 2x RED PRO CFexpress 2TB\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x RED CFexpress Card Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e4x REDVOLT XL-V\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x RED Compact Dual V-Lock Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x DSMC3 RED 5-Pin to Dual XLR Adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x V-RAPTOR XL Top Handle w\/ Extensions\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x V-RAPTOR XL Top 15mm LWS Rod Support Bracket\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x V-RAPTOR XL Bottom 15mm LWS Rod Support Bracket\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x V-RAPTOR XL Riser Plate\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43351924801703,"sku":"GC47-RED-710-0368","price":84985.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/710-0368-03_0.png?v=1685928748"},{"product_id":"red-komodo-x","title":"RED KOMODO-X","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eRED KOMODO-X\u003c\/strong\u003e is the next evolution in the KOMODO family, multiplying the frame rates, dynamic range and usability of the original KOMODO to break new grounds. The KOMODO-X features the same sized 6K S35 Global Shutter sensor as the KOMODO, but with a ground up redesign and key architecture improvements. Improved detail and colour in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives. \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e19.9MP Super35 Global Shutter CMOS\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eCompact KOMODO Line Design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eLocking Canon RF Lens Mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eUp to 6K80p \u0026amp; 4K120p Video\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e12G-SDI, USB-C, 5-Pin Audio Ports\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e6K Streaming via RED Connect License\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eWireless Control, File Offload via Wi-Fi\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eIntegrated 2.9\" Touchscreen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003eENHANCED BODY AND I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3\u003csup\u003e™\u003c\/sup\u003e line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with \/i PL lenses using the RED\u003c\/span\u003e\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e RF to PL Adapter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible with DSMC3™ RED® 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones, or the DSMC3™ RED® 5-Pin to Dual XLR Adapter for general purpose XLR microphones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn integrated 2.9” LCD allows for simplified control and image preview in compact setups. For more precise monitoring, KOMODO-X supports the DSMC3™ RED® Touch 7.0\" LCD which provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eIP CONNECTED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, KOMODO-X supports frame-accurate PTP synchronisation or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eSENSOR TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eKOMODO-X 19.9MP Super 35mm Global Shutter CMOS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEFFECTIVE PIXELS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e6144 x 3240\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSENSOR SIZE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e27.03 mm x 14.26 mm (Diagonal: 30.56mm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDYNAMIC RANGE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e16.5+ stops\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMOUNT TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated locking RF mount with electronic communication\u003cbr data-mce-fragment=\"1\"\u003eSupports \/i PL lenses with RED® RF to PL Adapters\u003cbr data-mce-fragment=\"1\"\u003eSupports Canon EF Adapter with communication and other adapters based on the RF mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMAX DATA RATES\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eUp to 560 MB\/s using RED branded or other qualified CFexpress media cards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eREDCODE® RAW MAX FRAME RATES\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e80 fps at 6K 17:9 (6144 x 3240)\u003cbr data-mce-fragment=\"1\"\u003e96 fps at 5K 17:9 (5120 x 2700))\u003cbr data-mce-fragment=\"1\"\u003e120 fps at 4K 17:9 (4096 x 2160)\u003cbr data-mce-fragment=\"1\"\u003e240 fps at 2K 17:9 (2048 x 1080)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePLAYBACK FRAME RATES (PROJECT TIME BASE)\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eBEST AVAILABLE REDCODE® SETTINGS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eREDCODE® RAW ACQUISITION FORMATS \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x\u003cbr data-mce-fragment=\"1\"\u003e5K 17:9 (5120 x 2700) and 16:9\u003cbr data-mce-fragment=\"1\"\u003e4K 17:9 (4096 x 2160) and 16:9\u003cbr data-mce-fragment=\"1\"\u003e2K 17:9 (2048 x 1080)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAPPLE PRORES\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eDedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCONSTRUCTION\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAluminium Alloy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e129.37 x 101.26 x 95.26 mm (LxWxH, largest fixed dims.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eWEIGHT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e2.62lbs (without body cap and CFexpress card)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMEDIA TYPE \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003eCFexpress Type B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eBATTERY TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated V-Lock battery interface optimised for Micro V-Lock Batteries\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDC POWER INPUT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e11-17V via 6-pin DC-IN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eOPERATING TEMPERATURE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e0°C to 40°C (32°F to 104°F)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSTORAGE TEMPERATURE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e–20°C to 50°C (–4°F to 122°F)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSTORAGE RELATIVE HUMIDITY\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e0% to 85% non-condensing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCOLOR MANAGEMENT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eImage Processing Pipeline 2 (IPP2)\u003cbr data-mce-fragment=\"1\"\u003eSupports 33×33×33 3D LUTs\u003cbr data-mce-fragment=\"1\"\u003eSupports import and adjustment of CDLs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAUDIO\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz\u003cbr data-mce-fragment=\"1\"\u003eIntegrated dual channel (mic\/line\/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAUTOFOCUS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003ePhase Detect and Contrast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMONITOR OPTIONS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eProprietary Top Accessory Port for Monitoring and Control\u003cbr data-mce-fragment=\"1\"\u003eIntegrated 2.9\" 1440x1440 touchscreen LCD with preview and camera control\u003cbr data-mce-fragment=\"1\"\u003eIntegrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes\u003cbr data-mce-fragment=\"1\"\u003e12G-SDI: Up to 4096 x 2160 4:2:2 for 60p\u003cbr data-mce-fragment=\"1\"\u003e6G-SDI: Up to 4096 x 2160 4:2:2 for 30p\u003cbr data-mce-fragment=\"1\"\u003e3G-SDI: Up to 2048 x 1080 4:2:2 for 60p\u003cbr data-mce-fragment=\"1\"\u003e1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p\u003cbr data-mce-fragment=\"1\"\u003eSMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eADDITIONAL I\/O\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eTri-Level Genlock Input via 9-Pin EXT\u003cbr data-mce-fragment=\"1\"\u003eLTC Timecode Input via 9-Pin EXT\u003cbr data-mce-fragment=\"1\"\u003eRS232 CTRL (using RCP2) via 9-Pin EXT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eIP CONNECTED\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eWi-Fi (2.4GHz\/5GHz) for camera control, video preview, and media offloading\u003cbr data-mce-fragment=\"1\"\u003eEthernet via USB Type-C for camera control, video preview, and media offloading\u003cbr data-mce-fragment=\"1\"\u003eMJPEG 1080p live stream accessible through Wi-Fi and USB-C.\u003cbr data-mce-fragment=\"1\"\u003ePTP for frame level synchronisation\u003cbr data-mce-fragment=\"1\"\u003eR3D live broadcasting available with RED Connect License and 5Gbps Ethernet Adapter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eRED CONTROL \u0026amp; RED CONTROL PRO\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAccess full camera controls and live preview from iOS or Android devices\u003cbr data-mce-fragment=\"1\"\u003ePro App: Operate one or multiple cameras over an IP connection to synchronise settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location.\u003cbr data-mce-fragment=\"1\"\u003eStandard app available from the Apple App Store and Google Play Store.\u003cbr data-mce-fragment=\"1\"\u003eRED Control Pro available via Apple App store only and requires additional purchase.\u003cbr data-mce-fragment=\"1\"\u003eRED Control works wirelessly or wired via USB-C\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003eKOMODO-X\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003eRED Logo Sticker\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003eMini World Travel adapter Kit\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003eDSMC AC Power adapter 150W\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003eInformation Card\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43362223718567,"sku":"GC47-RED-710-0356","price":11995.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/RED-710-0356_01.jpg?v=1686719370"},{"product_id":"red-komodo-x-starter-pack-incl-batteries","title":"RED KOMODO-X Starter Pack (incl. Batteries)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe RED KOMODO-X is the next evolution in the KOMODO family, multiplying the frame rates, dynamic range and usability of the original KOMODO to break new grounds. The KOMODO-X features the same sized 6K S35 Global Shutter sensor as the KOMODO, but with a ground up redesign and key architecture improvements. Improved detail and colour in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eSuper35 KOMODO-X 6K Camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eFull-Frame 6K to 80 fps, 4K to 120 fps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eReinforced, Locking Canon RF Lens Mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e2 x RED PRO CFexpress 1TB Cards\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e2 x REDVOLT NANO-V 49Wh Batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eKOMODO Outrigger R\/S Top Handle\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e2 x KOMODO Wing Grips\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eCompact Dual V-Mount Battery Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eCFexpress Card Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eTimecode and 5-Pin to 3.5mm Audio Cables\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eENHANCED BODY AND I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3\u003csup\u003e™\u003c\/sup\u003e line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with \/i PL lenses using the RED\u003c\/span\u003e\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e RF to PL Adapter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible with DSMC3™ RED® 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones, or the DSMC3™ RED® 5-Pin to Dual XLR Adapter for general purpose XLR microphones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn integrated 2.9” LCD allows for simplified control and image preview in compact setups. For more precise monitoring, KOMODO-X supports the DSMC3™ RED® Touch 7.0\" LCD which provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eIP CONNECTED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, KOMODO-X supports frame-accurate PTP synchronisation or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eSENSOR TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eKOMODO-X 19.9MP Super 35mm Global Shutter CMOS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEFFECTIVE PIXELS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e6144 x 3240\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSENSOR SIZE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e27.03 mm x 14.26 mm (Diagonal: 30.56mm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDYNAMIC RANGE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e16.5+ stops\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMOUNT TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated locking RF mount with electronic communication\u003cbr data-mce-fragment=\"1\"\u003eSupports \/i PL lenses with RED® RF to PL Adapters\u003cbr data-mce-fragment=\"1\"\u003eSupports Canon EF Adapter with communication and other adapters based on the RF mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMAX DATA RATES\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eUp to 560 MB\/s using RED branded or other qualified CFexpress media cards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eREDCODE® RAW MAX FRAME RATES\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e80 fps at 6K 17:9 (6144 x 3240)\u003cbr data-mce-fragment=\"1\"\u003e96 fps at 5K 17:9 (5120 x 2700))\u003cbr data-mce-fragment=\"1\"\u003e120 fps at 4K 17:9 (4096 x 2160)\u003cbr data-mce-fragment=\"1\"\u003e240 fps at 2K 17:9 (2048 x 1080)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePLAYBACK FRAME RATES (PROJECT TIME BASE)\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eBEST AVAILABLE REDCODE® SETTINGS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eREDCODE® RAW ACQUISITION FORMATS \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x\u003cbr data-mce-fragment=\"1\"\u003e5K 17:9 (5120 x 2700) and 16:9\u003cbr data-mce-fragment=\"1\"\u003e4K 17:9 (4096 x 2160) and 16:9\u003cbr data-mce-fragment=\"1\"\u003e2K 17:9 (2048 x 1080)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAPPLE PRORES\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eDedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCONSTRUCTION\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAluminium Alloy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e129.37 x 101.26 x 95.26 mm (LxWxH, largest fixed dims.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eWEIGHT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e2.62lbs (without body cap and CFexpress card)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMEDIA TYPE \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003eCFexpress Type B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eBATTERY TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated V-Lock battery interface optimised for Micro V-Lock Batteries\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDC POWER INPUT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e11-17V via 6-pin DC-IN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eOPERATING TEMPERATURE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e0°C to 40°C (32°F to 104°F)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSTORAGE TEMPERATURE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e–20°C to 50°C (–4°F to 122°F)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSTORAGE RELATIVE HUMIDITY\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e0% to 85% non-condensing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCOLOR MANAGEMENT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eImage Processing Pipeline 2 (IPP2)\u003cbr data-mce-fragment=\"1\"\u003eSupports 33×33×33 3D LUTs\u003cbr data-mce-fragment=\"1\"\u003eSupports import and adjustment of CDLs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAUDIO\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz\u003cbr data-mce-fragment=\"1\"\u003eIntegrated dual channel (mic\/line\/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAUTOFOCUS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003ePhase Detect and Contrast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMONITOR OPTIONS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eProprietary Top Accessory Port for Monitoring and Control\u003cbr data-mce-fragment=\"1\"\u003eIntegrated 2.9\" 1440x1440 touchscreen LCD with preview and camera control\u003cbr data-mce-fragment=\"1\"\u003eIntegrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes\u003cbr data-mce-fragment=\"1\"\u003e12G-SDI: Up to 4096 x 2160 4:2:2 for 60p\u003cbr data-mce-fragment=\"1\"\u003e6G-SDI: Up to 4096 x 2160 4:2:2 for 30p\u003cbr data-mce-fragment=\"1\"\u003e3G-SDI: Up to 2048 x 1080 4:2:2 for 60p\u003cbr data-mce-fragment=\"1\"\u003e1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p\u003cbr data-mce-fragment=\"1\"\u003eSMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eADDITIONAL I\/O\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eTri-Level Genlock Input via 9-Pin EXT\u003cbr data-mce-fragment=\"1\"\u003eLTC Timecode Input via 9-Pin EXT\u003cbr data-mce-fragment=\"1\"\u003eRS232 CTRL (using RCP2) via 9-Pin EXT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eIP CONNECTED\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eWi-Fi (2.4GHz\/5GHz) for camera control, video preview, and media offloading\u003cbr data-mce-fragment=\"1\"\u003eEthernet via USB Type-C for camera control, video preview, and media offloading\u003cbr data-mce-fragment=\"1\"\u003eMJPEG 1080p live stream accessible through Wi-Fi and USB-C.\u003cbr data-mce-fragment=\"1\"\u003ePTP for frame level synchronisation\u003cbr data-mce-fragment=\"1\"\u003eR3D live broadcasting available with RED Connect License and 5Gbps Ethernet Adapter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eRED CONTROL \u0026amp; RED CONTROL PRO\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAccess full camera controls and live preview from iOS or Android devices\u003cbr data-mce-fragment=\"1\"\u003ePro App: Operate one or multiple cameras over an IP connection to synchronise settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location.\u003cbr data-mce-fragment=\"1\"\u003eStandard app available from the Apple App Store and Google Play Store.\u003cbr data-mce-fragment=\"1\"\u003eRED Control Pro available via Apple App store only and requires additional purchase.\u003cbr data-mce-fragment=\"1\"\u003eRED Control works wirelessly or wired via USB-C\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat's in the Box\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003eKOMODO-X Camera System\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e2x RED PRO CFexpress 1TB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x RED CFexpress Card Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e2x REDVOLT NANO-V\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x RED Compact Dual V-Lock Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x KOMODO® Wing Grip\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x KOMODO® Outrigger Handle​\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x DSMC3™ 5-Pin to Single 3.5mm Adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x RED® EXT-to-Timecode Cable 3'\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43362263629991,"sku":"GC47-RED-710-0386","price":15605.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/710-0386_0.png?v=1686723038"},{"product_id":"blackmagic-design-ursa-broadcast-g2-camera","title":"Blackmagic Design URSA Broadcast G2 Camera","description":"\u003ch3\u003eBlackmagic Design URSA Broadcast G2 Camera\u003c\/h3\u003e\n\u003cp\u003eUpdate your broadcast studio or internet broadcast camera with a versatile 3-in-1 powerhouse using the Blackmagic Design URSA G2 Broadcast Camera. This updated G2 model features generation 5 colour science and not only supports up to UHD 4K as its predecessor for production and studio work but can now be used as a 6K digital film camera that records in Blackmagic RAW format. The lens mount is compatible with 2\/3\" B4 lenses, but it also includes an active EF mount adapter, allowing you to access a long line of professional cinema lenses. It allows you to apply 3D LUTs for cinema-like looks, has built-in optical ND filters, features 12G-SDI input and output, captures audio via two XLR inputs, and can record using Prores 422 and Blackmagic RAW onto CFast 2.0 or SD UHS-II cards.\u003c\/p\u003e\n\u003cp\u003eThe camera body is constructed with durable and lightweight magnesium, so it will hold steady in any environment. To power the camera, you can use the included 12 VDC power adapter or the preinstalled V-mount plate to utilize professional, high-capacity V-mount batteries. Also included with the camera are the URSA Mini shoulder pad, the URSA Mini top handle, a viewfinder mounting plate, and all the installation hardware and lens caps. A downloadable copy of DaVinci Resolve Studio is included, along with access to future camera software updates.\u003c\/p\u003e\n\u003ch3\u003eThree Cameras in One \u003c\/h3\u003e\n\u003ch3\u003eBroadcast Production Camera\u003c\/h3\u003e\n\u003cp\u003eThe perfect solution for broadcasters, URSA Broadcast G2 includes ENG camera controls positioned around the camera, so you can locate them by feel. It also features a low-light sensor, so you get amazing images using natural light. That's the perfect combination for broadcast news and programming.\u003c\/p\u003e\n\u003ch3\u003eLive Studio Camera\u003c\/h3\u003e\n\u003cp\u003eURSA Broadcast includes an advanced YRGB colour corrector built-in and full remote camera control. You can use B4 ENG or large studio box lenses, or even change the lens mount and use any lens. Plus, the optional Blackmagic focus and zoom demands let you control the lens from the tripod handles.\u003c\/p\u003e\n\u003ch3\u003eDigital Cinema Camera\u003c\/h3\u003e\n\u003cp\u003eURSA Broadcast G2 includes an advanced 6K digital film sensor, and you can change the lens mount. Use a PL mount for digital film lenses or EF for photo lenses. Plus, the high dynamic range, great low-light performance, and Blackmagic RAW means you get a true \"Hollywood\" quality digital film camera.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003ch3\u003eDigital Film Quality for Broadcast\u003c\/h3\u003e\n\u003cp\u003eThe large 6K sensor, combined with Blackmagic generation 5 colour science, gives you the same imaging technology used in digital film cameras. This means broadcasters can now use digital cinema quality in broadcasts. The 6K sensor features a resolution of 6144 x 3456, so it's flexible enough for broadcast and digital film work. When using B4 lenses, you get a 4K window of the sensor for Ultra HD broadcast use. Then, if you change to a PL or EF lens mount, you can use the full 6K resolution of the sensor for digital film. With 13 stops of dynamic range, you get darker blacks and brighter whites, so it's perfect for colour correction. Using digital film in broadcast is a revolution in image quality.\u003c\/p\u003e\n\u003ch3\u003eLow-Light Performance\u003c\/h3\u003e\n\u003cp\u003eThe new URSA Broadcast features incredible low-light performance, so you can shoot using ambient light or even under moonlight. In advanced cameras, ISO is a measurement of the image sensor's sensitivity to light. The Blackmagic URSA Broadcast G2 features gain from -12dB (100 ISO) up to +36dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. Then the secondary high base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set via a camera switch, the LCD menu, or remotely using the SDI remote camera control protocol.\u003c\/p\u003e\n\u003ch3\u003eCompatible with B4 Broadcast Lenses\u003c\/h3\u003e\n\u003cp\u003eThe URSA Broadcast G2 features a B4 broadcast lens mount that includes optics specifically designed to match the camera's sensor. The B4 lens mount lets you use modern UHD lenses or lower-cost HD lenses. Older HD lenses often feature resolutions well beyond HD, so you get great quality at a low cost. B4 lenses are fantastic because they are par-focal, so the image stays in focus as you zoom in and out, so you don't need to constantly chase focus as you shoot. That lets you work much faster. You also get full electronic lens control to adjust focus, iris, and zoom using the camera's controls or remotely. Plus, if you want to use alternative lenses, you can change the mount to PL, EF, and more.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Optical ND Filters\u003c\/h3\u003e\n\u003cp\u003eURSA Broadcast G2 features high-quality neutral density (ND) filters that let you quickly reduce the amount of light entering the camera. The 1\/4, 1\/16th and 1\/64th stop filters have been specifically designed to match the image sensor and colour science of URSA Broadcast G2, providing you with additional latitude and better colourimetry. This lets you use different combinations of aperture and shutter angles in a wider range of situations. The IR filters have been designed to evenly filter both optical and IR wavelengths, eliminating IR contamination. Plus, the filter status on the LCD can be displayed as a fraction, number, or stop reduction.\u003c\/p\u003e\n\u003ch3\u003eCommon Media and File Formats\u003c\/h3\u003e\n\u003cp\u003eURSA Broadcast is designed to work with standard file formats used by all broadcast systems and editing software. You can record in ProRes 422 HQ and ProRes 422 into QuickTime files. The new Blackmagic URSA Broadcast G2 model can even record into H.265 for incredibly small files at 60:1 to 285:1 compression ratios, in 10-bit broadcast quality. Plus. you can record to Blackmagic RAW files, a revolutionary new format designed to capture and preserve the quality of the sensor data from the camera. That means you get the perfect range of file formats designed for all types of workflows.\u003c\/p\u003e\n\u003ch3\u003eDual Media Slots for Nonstop Recording\u003c\/h3\u003e\n\u003cp\u003eWith dual CFast 2.0 recorders and dual SD\/UHS-II card recorders, you can choose the media that's best for you. Both types of media are standard, inexpensive, and readily available at computer and camera stores. Plus, with dual media slots, URSA Broadcast gives you nonstop recording. When a card is full, recording automatically continues onto the next card, so you can swap a full card while recording continues. You get enough speed to record high-quality ProRes and H.265 video file formats, even when working in Ultra HD at high frame rates. That means URSA Broadcast G2 is easy to integrate into your existing broadcast systems. You can even record 12-bit Blackmagic RAW cinema files.\u003c\/p\u003e\n\u003ch3\u003eUSB Type-C for Recording Direct to External Media Disks\u003c\/h3\u003e\n\u003cp\u003eThe Blackmagic URSA Broadcast G2 features a high-speed USB Type-C expansion port on the rear of the camera that allows you to record to external disks or connect to a wide range of accessories. If you plug in a large and low-cost external USB flash disk, you can record ProRes, H.265, or even high-quality 12-bit Blackmagic RAW files for later editing and colour correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. Plus, the USB port will power the disk that's plugged in. You can even plug in optional focus and zoom demands to allow full lens control.\u003c\/p\u003e\n\u003ch3\u003eStrong and Lightweight Magnesium Design\u003c\/h3\u003e\n\u003cp\u003eURSA Broadcast G2 features a super-strong, lightweight magnesium alloy body that's perfectly balanced and designed to be comfortable to use all day. It features familiar, externally mounted switches and controls that give you direct access to the most important camera settings. The controls are laid out logically, making them easy to locate by feel, so you can adjust settings without having to look at the buttons. You also get a foldout touchscreen for monitoring, viewing camera status, and changing settings using on-screen menus. URSA Broadcast G2 also includes standard 12G-SDI connections, XLR audio inputs, USB Type-C, and an industry-standard 4-pin XLR broadcast 12 VDC connection.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In LCD with Touch Controls\u003c\/h3\u003e\n\u003cp\u003eWith a built-in LCD that folds out, you can both monitor and control the camera. While URSA Broadcast G2 features lots of physical buttons and knobs, using the LCD, you also get on-screen status and touchscreen controls. The built-in touchscreen also includes a heads-up display with the most important shooting information, as well as menus for all camera settings, LUTs, and custom presets. Behind the LCD, there are extra buttons, as well as knobs for audio levels. There are even programmable function buttons that can have functions assigned to them, such as zebra, false colour, focus peaking, LUTs, and more. Plus, you can change the function assigned to each button in the on-screen menus.\u003c\/p\u003e\n\u003ch3\u003eExternal Status Display\u003c\/h3\u003e\n\u003cp\u003eThe status display is a high-visibility LCD screen designed to be easily seen, even in bright light. The status display shows record, locked, and reference timecodes, along with the current shooting frame rate, shutter angle, aperture, white balance, gain, and iris. It also features a battery indicator, card recording status, and audio meters for monitoring levels. The screen's backlight can be turned on when you are shooting in dimly lit locations and off when you are shooting outdoors and in bright light to increase contrast, making it easy to read under any condition.\u003c\/p\u003e\n\u003ch3\u003eProgram Video Monitoring\u003c\/h3\u003e\n\u003cp\u003eIf you're doing live production, sometimes you need to monitor program video back from the switcher. Simply press the camera's PGM button and the viewfinder will switch from the camera display to the program return feed from the switcher. A built-in speaker also lets you monitor the switcher audio as well. Program return is a fantastic feature, as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what is happening and remain alert.\u003c\/p\u003e\n\u003ch3\u003eLoad Custom 3D LUTs to Recreate Film Looks\u003c\/h3\u003e\n\u003cp\u003eDigital film cameras shoot logarithmic colour space to preserve the dynamic range, which is great for later post-production. However, when these files are viewed on a monitor, they can look flat and washed out. 3D LUTs solve this problem as they allow you to apply a \"look\" to the monitor so you get an idea of how the finished images will look when editing. LUTs can be applied temporarily for monitoring only, or they can be recorded into the Blackmagic RAW files for use in post-production. The URSA Broadcast G2 works with industry-standard 17- and 33-point 3D LUT files or you can work with the built-in LUTs such as Extended Video, Film to Video, Film to Rec.2020, and more.\u003c\/p\u003e\n\u003ch3\u003eStandard Television Industry Connections\u003c\/h3\u003e\n\u003cp\u003eBlackmagic URSA Broadcast G2 features the latest technology and connections, such as 12G-SDI. This includes 12G-SDI connections for both video output and return program feed input. The 12G-SDI connections are multirate and switch between all HD and UHD formats up to 2160p60. Other connections include a headphone connection, USB Type-C, balanced XLR audio with phantom power, and timecode\/reference input. There's also a front-mounted 12-pin Hirose connector for broadcast lens control, which can also power the lens. Plus, for connecting a viewfinder or on-set monitor, there's even an HD-SDI monitoring output and a broadcast style 4-pin XLR 12 VDC power output.\u003c\/p\u003e\n\u003ch3\u003eSupports All Broadcast Frame Rates\u003c\/h3\u003e\n\u003cp\u003eWhether you're shooting a sporting event or a breaking news story, Blackmagic URSA Broadcast G2 can shoot super-smooth, crystal clear slow-motion video. To shoot slow-motion video, URSA Broadcast supports the higher broadcast frame rates of 60 frames per second, but it can also record this high frame rate into a lower frame rate file for smooth slow-motion shooting. You can set up your preferred high-speed frame rate using the camera's on-screen menus, then switch between standard sync speed and off-speed frame rates using the HFR button on the side of the camera. That means you can have a higher frame rate setup and ready to go, so it's instantly available when the action gets exciting.\u003c\/p\u003e\n\u003ch3\u003eProfessional Audio Connections and Built-In Microphones\u003c\/h3\u003e\n\u003cp\u003eURSA Broadcast G2 has a high-quality microphone and professional audio recorder built in so you don't have to carry any extra sound equipment. That means you can use the built-in stereo microphone or you can connect external microphones. The XLR connections have 48V phantom power so you can plug in everything from shotgun to wireless clip-on mics. You can also select to link audio inputs on the camera so you can plug in lapel microphones that often only have a single mono connection if you want to record the mic onto both channels of the recorded file. URSA Broadcast G2 also features knobs for adjusting levels and onscreen meters so you can trim audio levels even when shoulder mounted.\u003c\/p\u003e\n\u003ch3\u003eStudio Camera Control via SDI \u003c\/h3\u003e\n\u003cp\u003eAll Blackmagic Design ATEM switchers can control cameras via a protocol embedded into the URSA Broadcast G2's SDI video connections. Setup is easy because all ATEM switchers broadcast control commands from the switcher's SDI program output to the camera via the SDI program input. The switcher can perform colour correction, tally, and lens control, and these are sent to all cameras. All you need to do is select the correct camera number, and it all works. This means someone can manage the image colour and gain, so the camera operator is not distracted trying to adjust their camera, and they are then free to focus on framing the shots.\u003c\/p\u003e\n\u003ch3\u003eWork in Both HD or Ultra HD \u003c\/h3\u003e\n\u003cp\u003eThe Blackmagic URSA Broadcast G2 is not just a great UHD 4K camera, but it's also an amazing HD camera. The high-resolution sensor and generation 5 colour science create amazing images with a high dynamic range and wide colour fidelity. But when you need to do HD work, the camera will scale the image sensor down to 1080 HD video standards. This helps you get stories on air fast, in HD or Ultra HD video standards, anywhere in the world. Plus, when working in HD, the high-resolution sensor allows sub-pixel image processing for superior anti-aliasing and sharp images. Blackmagic URSA Broadcast G2 is a future-proof camera that's perfect for both HD and UHD production.\u003c\/p\u003e\n\u003ch3\u003eChange to PL, EF, and F Lens Mounts\u003c\/h3\u003e\n\u003cp\u003eURSA Broadcast G2 features an interchangeable lens mount, so you can easily swap the included B4 lens mount for an EF, a PL, or even an F mount. URSA Broadcast G2 comes with a B4 mount already installed, plus a spare EF mount is included. That means if you're starting out, you can change the mount and use low-cost photographic lenses. Photographic lenses offer incredible quality because they're designed for high-resolution photography. You can also purchase optional PL and F mounts separately. If you're shooting for digital film, the PL mount is best. as it's the most common lens mount for cinema lenses. With URSA Broadcast G2, you get a single camera that works with virtually all modern lenses.\u003c\/p\u003e\n\u003ch3\u003eLatest Generation 5 Colour Science\u003c\/h3\u003e\n\u003cp\u003eFeaturing the same generation 5 colour science as the high-end URSA Mini Pro 12K, the new URSA Broadcast G2 delivers an even greater advancement in image quality with stunning, accurate skin tones, and faithful colour in every shot. You get a new dynamic 12-bit gamma curve designed to capture more colour data in the highlights and shadows for better-looking images. The colour science also handles some of the complex Blackmagic RAW image processing, so colour and dynamic range data from the sensor is preserved via metadata, which you can then use in post-production. That means you get images that have a natural, filmlike response to colour adjustments in post with DaVinci Resolve Studio.\u003c\/p\u003e\n\u003ch3\u003eBlackmagic RAW Quality\u003c\/h3\u003e\n\u003cp\u003eBlackmagic RAW is a revolutionary new format designed to capture and preserve the quality of the sensor data from your camera. Common video files have a lot of video processing, so you can lose some of the original sensor detail. Blackmagic RAW eliminates this problem, so you get stunning images with incredible detail and rich colour throughout the whole post-production pipeline. Blackmagic RAW also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible. Only Blackmagic RAW gives you the highest quality, smallest files, and fastest performance.\u003c\/p\u003e\n\u003ch3\u003ePowered by Blackmagic OS\u003c\/h3\u003e\n\u003cp\u003eWith the advanced Blackmagic OS, you get an intuitive and user-friendly camera operating system based on the latest technology. Blackmagic OS is a truly modern operating system, where all camera features run independently for smoother control, plus URSA Broadcast G2 powers on virtually instantly. It features the same controls and menus as other Blackmagic Design cameras, so you can move between cameras on set easily. The interface uses simple tap and swipe gestures to adjust settings, add metadata, and view recording status. You also get full control over advanced camera features such as on-screen focus and exposure tools, 3D LUTs, HDR, metadata entry, timecode, Blackmagic RAW settings, and more.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Timecode Generator\u003c\/h3\u003e\n\u003cp\u003eAll models of Blackmagic URSA Broadcast G2 have a built-in time-of-day timecode generator, so you can sync all the cameras and then do multicamera editing later because all the recordings will have the same timecode. Simply plug in an external timecode generator to the BNC timecode input, and the camera will automatically detect timecode and lock the internal generator. Now each camera can start and stop recording, and the shots from all cameras will have matched timecode. Imagine shooting a music festival with multiple cameras. Then the DaVinci Resolve sync bin can be used to automatically sync the recordings and display them in a multiview for easy editing.\u003c\/p\u003e\n\u003ch3\u003eFocus and Zoom Demands\u003c\/h3\u003e\n\u003cp\u003eThe optional zoom and focus demands allow you to use photography lenses for live production. The focus and zoom demands have USB Type-C connections, so they control the lens via the camera's electronic lens control. Each zoom and focus demand has two USB Type-C ports, so you can daisy-chain them then connect to the camera with a single USB connection. The design has an incredibly precise feel, so you get very fine lens control, and you can frame and adjust the lens without taking your hands off the tripod handles. The buttons can be customized, so you can assign different camera functions to them. Plus, hardware is included for mounting the focus and zoom demands onto tripod handles.\u003c\/p\u003e\n\u003ch3\u003eOptional Viewfinders, SMPTE Fiber, and Lens Mounts\u003c\/h3\u003e\n\u003cp\u003eThere's a wide range of accessories specifically designed to work perfectly with URSA Broadcast G2. However, a shoulder mount kit, V-mount battery plate, and top handle are included, so you don't need to purchase anything extra. Plus, you get a spare EF lens mount if you don't own a B4 lens and would like to start out using a photography lens. You can add the optional Blackmagic URSA Viewfinder, or for live production, you can add a Blackmagic URSA Studio Viewfinder. There's also an optional fiber converter that can power the camera from 1.2 miles away via the single SMPTE fiber. For long-duration recording, URSA Mini Recorder gives you the option to record to external SSDs.\u003c\/p\u003e\n\u003ch3\u003eRecord to SSDs and U.2 Media\u003c\/h3\u003e\n\u003cp\u003eThe optional Blackmagic URSA Mini Recorder lets you record files onto large 2.5\" SSDs, as well as the latest U.2 NVMe Enterprise SSDs. SSDs such as the latest 7mm U.2 NVMe disks are super fast, delivering data transfer speeds of up to 900 MB\/s. This blazing-fast performance allows you longer recording times for full-resolution 4K and 6K 12-bit Blackmagic RAW files in the highest-quality Q0 encoding. The unique design of the Blackmagic URSA Mini Recorder means it attaches directly to the back of your URSA Broadcast G2 between the camera and the battery. It's controlled via the USB-C, so you don't have to worry about manually starting or stopping the SSD recorder.\u003c\/p\u003e\n\u003ch3\u003eLocalized in 13 Languages\u003c\/h3\u003e\n\u003cp\u003eAll Blackmagic Design cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Russian, Polish, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language simply by going into the menu settings. When switching between languages, all the on-screen overlays, the heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\n\u003ch3\u003eWireless Bluetooth Camera Remote Control\u003c\/h3\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a boom or in another hard-to-reach location, you can get full control via Bluetooth from up to 30' away. You can download the Blackmagic Camera Control app for your iPad or use third-party apps such as Bluetooth+ or tRigger on your iOS and Android devices. There's even a free developer SDK with sample code available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions. Imagine building an app that can jam sync timecode and trigger all cameras to record at the same time. The possibilities are endless.\u003c\/p\u003e\n\u003ch3\u003eCompatible with Industry-Standard Batteries\u003c\/h3\u003e\n\u003cp\u003eAll URSA cameras support a wide range of battery plates from manufacturers such as IDX, Blueshape, Anton Bauer, and more. A V-mount battery plate is installed on the camera, or you can change to an optional Blackmagic URSA Gold Battery Plate. All Blackmagic battery plates are designed to mount directly onto the camera. URSA Broadcast G2 includes a 4-pin XLR power connector that supports 12 to 18V for connecting external power supplies and battery packs. The standard power connector also means you can use the camera with your existing power supplies and batteries. For live production, the optional fiber converter can power the camera from up to 1.2 miles away via a single SMPTE fiber cable.\u003c\/p\u003e\n\u003ch3\u003eIncludes DaVinci Resolve Studio\u003c\/h3\u003e\n\u003cp\u003eURSA Broadcast G2 includes a full version of DaVinci Resolve Studio, which is the same software used in Hollywood for creating high-end feature films, episodic television shows, commercials, and more. DaVinci Resolve features the new cut page with intelligent editing tools and innovative new features designed to help you quickly find the footage you want, edit it together, and output it fast. In addition to the new cut page, you also get DaVinci's legendary professional editing, advanced colour correction, audio post, and visual effects tools, all in a single software application. Now you can use the same high-end software that professional editors and colourists use.\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":43463073562791,"sku":"GC50-CINEURSAMWC6KG2","price":6245.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC50-CINEURSAMWC6KG2.jpg?v=1695290110"},{"product_id":"dji-ronin-4d-4-axis-cinema-camera-8k-combo-kit-with-dl-pz-17-28mm-t30-asph-lens","title":"DJI Ronin 4D 4-Axis Cinema Camera 8K Combo Kit","description":"\u003ch3\u003eDJI Ronin 4D 4-Axis Cinema Camera 8K Combo Kit\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cb\u003eThe Future Is Rolling\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIntegrated and Modular: Both Realized in One Camera\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDJI Ronin 4D offers a completely unique design. Crafted with carbon fiber and aluminium magnesium, its solid body integrates the imaging, stabilisation, and focusing systems, as well as wireless transmission and control. This avoids time-consuming setup and enables quicker shooting.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eProcessing Power\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRonin 4D is equipped with Zenmuse X9, DJI's flagship full-frame camera. It also features DJI's latest image processing system, CineCore 3.0. This system uses DJI's proprietary chip to provide advanced processor architecture, offering extremely high-performance computing power in a compact cinema camera. CineCore 3.0 allows Ronin 4D to support internal recording of Apple ProRes RAW, ProRes 422 HQ, and H.264 video. It also supports up to 8K\/75fps and 4K\/120fps video recording, delivering multiple options for professional-level creation.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eResolution\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDCI 8K (8192 x4320)\/60fps video retains every little detail, from rich foliage to inspiring architecture, skin texture to strands of hair, all with flawless quality. For those who need to output in 4K, recording in 8K offers unprecedented creative options with more flexibility for cropping, re-composing, and stabilizing videos in post.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eHigh ISO\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eZenmuse X9 supports dual native ISO (X9-8K: 800\/4000), which records images with exquisite detail and minimal noise, even when filming an evening cityscape or beach, or a scene lit by dim candlelight.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDownload Sample Footage. Dynamic Range\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eColour Science\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the DJI Cinema Color System (DCCS) and robust computing power provided by CineCore 3.0, Zenmuse X9 is able to give images a cinematic look by retaining authentic and accurate colors. It also supports the industry-standard ACES workflow for effortless compatibility with the color tones of other cinema cameras.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBuilt-In 9-Stop ND Filters\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eX9 has 9-stop built-in high-quality ND filters (ND 2 to ND 512, or ND 0.3 to ND 2.7) that can be quickly and easily switched thanks to an internal motorized system. These filters were also designed to match and compliment the color science of Ronin 4D.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDL Lenses\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eX9's standard DL mount supports three compact full-frame prime lenses. The housings are made of lightweight, monocoque carbon fiber, so each lens weighs just 180 g. More DJI lenses will be available in the future.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eInterchangeable Mounts\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eX9 supports interchangeable lens mounts, including DJI's proprietary DL mount as well as third-party mounts like Leica M. Ultra-wide, f\/0.95 large-aperture, power zoom, macro, and anamorphic lenses that are compatible with traditional cinema cameras also work on X9, providing flexible lens options.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eWireless Control\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWhether you're using manual or autofocus lenses, dedicated modules mounted to X9 can achieve wireless lens control and even autofocusing.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSteady in Every Way. 4-Axis Stabilization System\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003e4-Axis Stabilization\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDJI Ronin 4D adds a Z-Axis to the traditional 3-axis gimbal, which effectively decreases vertical camera shake and offers stabilization performance on par with a dolly. The four axes work together with a downward ToF sensor, forward and downward dual-visual sensors, a built-in IMU and barometer, and an advanced new algorithm to bring the overall stabilization to a whole new level.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWhen this compact body combines with its powerful stabilization capabilities, complex camera movements that used to be very costly to achieve are now easily attainable.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIntegrated gimbal camera\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRonin 4D integrates the imaging and stabilization systems while keeping only the sensor and necessary optical components in the gimbal camera. The tilt axis of the gimbal uses dual symmetric motors, whereas both the pan axis and the roll axis are designed with an additional stiffness buffer.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003ehe compact and portable gimbal system allows shooting to begin without the need for tedious manual balancing. This also delivers stable footage, even with lenses that have a shifting center of gravity during use.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eWith a highly integrated body and robust motor force, Ronin 4D offers the best stabilizing and tracking performance of the entire Ronin Series so far at an incredibly light weight. Additionally, it can switch to Sport mode with the press of a button, allowing the gimbal to react quickly to the cinematographer's movements.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eIt also supports wireless gimbal control and versatile mounting configurations for varied shooting scenarios.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eActiveTrack Pro\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eDJI's proprietary computer vision, deep learning technology, and the robust computing power of CineCore 3.0 combine in ActiveTrack Pro, which enables cinema-standard tracking shots, even in just one take. This technology also allows subjects to be tracked from longer distances and features composition adjustment with continuous autofocusing to keep subjects in focus during tracking shots.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eUnparalleled Accuracy. 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This is especially useful in low-light environments and results in exceptional focusing capabilities compared to other cinema cameras.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAutofocus\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eWith the new LiDAR Focusing System, Ronin 4D is able to maintain focus even when there is severe motion blur caused by subjects moving quickly. With the focus motor mounted, autofocus is available even on manual lenses. Continuous autofocusing on subjects can be enabled together with ActiveTrack Pro, making it especially convenient for solo operators.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAutomated Manual Focus\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAutomated Manual Focus (AMF) mode gives you the accuracy and flexibility of manual focus with the convenience of autofocus. The focus wheel will rotate in sync as the focus point changes, but cinematographers can take manual control at any point. The focus wheel on the right hand grip even features dynamic damping with electromagnetic technology. This gives cinematographers a physical sense of focus changes, providing a more intuitive and modern focusing experience that is unrivaled in the industry today.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVersatile Beyond Imagination. Wireless Transmission \u0026amp; Control System\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eVideo Transmission Performance\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRonin 4D uses the all-new DJI O3 Pro Video Transmission technology, which offers a 20,000-foot transmission range that would be unimaginable on traditional solutions. In addition to 2.4GHz and 5.8GHz, it supports the DFS frequency band and an AES 256-bit encryption algorithm that can output a 1080p\/60fps FHD feed to multiple remote monitors simultaneously with significantly enhanced security, stability, and anti-interference capability.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eDJI's proprietary chip powers the imaging system, video transmitter, video receiver, and remote monitor of Ronin 4D. Together, these components form a streamlined wireless transmission system, with every link explicitly optimized to provide end-to-end ultra-low transmission latency.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eIntegrated Design\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 4D Video Transmitter can be directly mounted onto Ronin 4D and powered by the battery of the main body. With a built-in wireless video receiver, the High-Bright Remote Monitor has a 7-inch, 1,500-nit high-bright, wide color gamut touchscreen display that can output both HDMI and SDI signals through the expansion module. Its compact and lightweight body provides optimum portability and efficient setup so users can start shooting immediately.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCoordinated Shooting\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe High-Bright Remote Monitor supports one transmitter with multiple receivers for video and audio feeds. Two transmission modes are available. The first is Broadcast mode, which sets no limit on the number of receivers and is suitable for monitoring with large crews. The second is Control mode, which supports the coordinated operation of two receivers.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eThe High-Bright Remote Monitor can connect to the Hand Grips of Ronin 4D, DJI Master Wheels, DJI Force Pro, or the new DJI Three-Channel Follow Focus. This enables remote control of focus and gimbal movements with high precision, starting and stopping of recording, and camera setting adjustments to meet the highest standards of coordinated shooting on sets. In addition, the built-in gyro sensor turns the monitor into a remote motion controller for the gimbal of Ronin 4D.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eBattery Life\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eJust like Ronin 2 and Inspire 2, DJI Ronin 4D uses TB50 Intelligent Batteries, which offer up to 2.5 hours of shooting time and can be fully charged in just 1.5 hours. Auto-heating is also supported to enable reliable functionality in severely cold conditions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e3x 10mm 1\/4\"-20 Screw\u003cbr\u003eFlat Head Screwdriver\u003cbr\u003eDL Mount Body Cap\u003cbr\u003eX9 Gimbal Base Cap\u003cbr\u003eDX Mount Body Cap\u003cbr\u003eDX Mount Lens Cap\u003cbr\u003eRonin 4D Gimbal Base Cap\u003cbr\u003eTB50 Intelligent Battery\u003cbr\u003eLiDAR Range Finder\/Focus Motor Cable\u003cbr\u003eLeft Hand Grip Strap\u003cbr\u003eRight Hand Grip Strap\u003cbr\u003eRonin 4D Carrying Case\u003cbr\u003eX9 Counterweight (106g)\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":43682565324967,"sku":"GC41-DJIRONIN-4D-8K","price":14889.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC41-DJIRONIN-4D-8K001.webp?v=1716511534"},{"product_id":"red-digital-cinema-v-raptor-x-8k-vv-camera-v-mount","title":"RED DIGITAL CINEMA V-RAPTOR [X] 8K VV Camera (V-Mount)","description":"\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR [X] 8K VV Camera (V-Mount)\u003c\/h3\u003e\n\u003cp\u003eProviding the latest advancements in digital cinema, the V-RAPTOR [X] 8K VV Camera pairs the strengths of the RED DIGITAL CINEMA V-RAPTOR line with the advanced global shutter of the KOMODO camera. This new DSMC3 flagship camera is the first large-format global shutter camera and the first to offer RED's Global Vision with a suite of tools that provide unprecedented flexibility and dynamic range. The powerful, all-purpose V-RAPTOR [X] incorporates 8K resolution, crisp global shutter, optimal low-light performance, and high frame rate functions in a compact, feature-rich body weighing just over 4 lb.\u003c\/p\u003e\n\u003ch3\u003eNew Large-Format Standard\u003c\/h3\u003e\n\u003cp\u003eThis new DSMC3 flagship camera is the first large-format global shutter camera and the first to offer RED's Global Vision with a suite of tools that provide unprecedented flexibility and dynamic range. Key features shared with the original V-RAPTOR include a locking Canon RF lens mount, two unique 12G-SDI monitoring outputs, and dual CFexpress Type B card slots that support up to 8K120 capture. The V-RAPTOR [X] 8K VV also features a redesigned sensor cavity that mitigates stray light and improves contrast, plus improved in-camera audio preamps.\u003c\/p\u003e\n\u003ch3\u003eAdvanced, Intelligent Focus\u003c\/h3\u003e\n\u003cp\u003eIn-camera processing and on-sensor, enhanced phase-detection autofocus plus all-new face detection enables the V-RAPTOR [X] to offer versatility and confidence to all levels of filmmakers.\u003c\/p\u003e\n\u003ch3\u003eGlobal Shutter\u003c\/h3\u003e\n\u003cp\u003eThe global shutter accurately captures your subject's motion, no matter how fast they're moving, with no distortion or Jello-like effects sometimes found with a rolling shutter. With the global shutter, you can capture every movement, flash, and burst without any compromise in image quality, dynamic range, or flexibility in post-production.\u003c\/p\u003e\n\u003ch3\u003eRED Global Vision\u003c\/h3\u003e\n\u003cp\u003eWith the V-RAPTOR [X] 8K VV, RED has introduced its Global Vision suite of tools that uses the global shutter sensor to offer even greater flexibility and ease of use throughout your production process. These tools include Extended Highlights for increasing detail, producing finer HDR finishes or softer, more subtle highlight roll-offs when using SDR. Extended Highlights also offers 3+ stops of additional dynamic range, maintaining colour and detail even within extreme highlights.\u003c\/p\u003e\n\u003ch3\u003eDynamic Range\u003c\/h3\u003e\n\u003cp\u003eThe 17+ stops of dynamic range in standard modes and up to 20+ with Extended Highlights enable the V-RAPTOR [X] to deliver both smooth highlight roll-off and uncompromising low-light performance.\u003c\/p\u003e\n\u003ch3\u003ePhantom Track\u003c\/h3\u003e\n\u003cp\u003eThe Phantom Track function streamlines any virtual production workflow using GhostFrame or frame remapping, capturing distinct R3D clips for each subframe slice in addition to enabling monitoring of either slice live on set over each SDI output. This enables your director and talent to work with the aid of a green screen background while the VF\/X team can simultaneously view the frame without having to view or lock in that background. Phantom Track can also be used when applying dedicated ad overlays during a live broadcast.\u003c\/p\u003e\n\u003ch3\u003eUp to 8K 120 fps\u003c\/h3\u003e\n\u003cp\u003eUnmatched frame-rate performance enables V-RAPTOR [X] users to leverage creative elements like time-lapse or speed ramping or to extract ultrasharp still photos. Frame rate options include 8K, 6K, 4K, and 2K selections.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Control Display\u003c\/h3\u003e\n\u003cp\u003eThe integrated side display provides intuitive, and easily navigable, comprehensive control, including in-camera format selections, customized buttons, and more.\u003c\/p\u003e\n\u003ch3\u003eVirtual Production\/Advanced Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR [X] 8K VV uses a DSMC3 platform to offer advanced connectivity solutions like remote control, remote monitoring, in-camera Frame.io integrations, AWS (Amazon Web Services) direct upload, the RED Connect module for live 8K R3D video over IP or live 4K via SMPTE ST 2110, and more. These enhanced features put the V-RAPTOR [X] at the forefront of technology used for virtual production.\u003c\/p\u003e\n\u003ch3\u003eLive Streaming and Control Pro App\u003c\/h3\u003e\n\u003cp\u003eConnect the V-RAPTOR [X] using fiber cable and the RED CONNECT module to live stream 8K full-resolution, cinematic video over an IP network. Use the RED Control Pro iOS\/Android app and the all-new RED CONNECT technology to unlock the V-RAPTOR [X]'s capabilities.\u003c\/p\u003e\n\u003ch3\u003eAll-New Audio Architecture\u003c\/h3\u003e\n\u003cp\u003eNewly engineered audio hardware provides cleaner, clearer audio when using external microphones with the V-RAPTOR [X].\u003c\/p\u003e\n\u003ch3\u003eDurable, Rugged Design\u003c\/h3\u003e\n\u003cp\u003eDesigned with water and dust-resistant materials in critical areas of its body, the V-RAPTOR [X] is suitable for a wide variety of environments. 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This new DSMC3 flagship camera is the first large-format global shutter camera and the first to offer RED's Global Vision with a suite of tools that provide unprecedented flexibility and dynamic range. The powerful, all-purpose V-RAPTOR [X] incorporates 8K resolution, crisp global shutter, optimal low-light performance, and high frame rate functions in a compact, feature-rich body weighing just over 4 lb.\u003c\/p\u003e\n\u003ch3\u003eNew Large-Format Standard\u003c\/h3\u003e\n\u003cp\u003eThis new DSMC3 flagship camera is the first large-format global shutter camera and the first to offer RED's Global Vision with a suite of tools that provide unprecedented flexibility and dynamic range. Key features shared with the original V-RAPTOR include a locking Canon RF lens mount, two unique 12G-SDI monitoring outputs, and dual CFexpress Type B card slots that support up to 8K120 capture. The V-RAPTOR [X] 8K VV also features a redesigned sensor cavity that mitigates stray light and improves contrast, plus improved in-camera audio preamps.\u003c\/p\u003e\n\u003ch3\u003eAdvanced, Intelligent Focus\u003c\/h3\u003e\n\u003cp\u003eIn-camera processing and on-sensor, enhanced phase-detection autofocus plus all-new face detection enables the V-RAPTOR [X] to offer versatility and confidence to all levels of filmmakers.\u003c\/p\u003e\n\u003ch3\u003eGlobal Shutter\u003c\/h3\u003e\n\u003cp\u003eThe global shutter accurately captures your subject's motion, no matter how fast they're moving, with no distortion or Jello-like effects sometimes found with a rolling shutter. With the global shutter, you can capture every movement, flash, and burst without any compromise in image quality, dynamic range, or flexibility in post-production.\u003c\/p\u003e\n\u003ch3\u003eRED Global Vision\u003c\/h3\u003e\n\u003cp\u003eWith the V-RAPTOR [X] 8K VV, RED has introduced its Global Vision suite of tools that uses the global shutter sensor to offer even greater flexibility and ease of use throughout your production process. These tools include Extended Highlights for increasing detail, producing finer HDR finishes or softer, more subtle highlight roll-offs when using SDR. Extended Highlights also offers 3+ stops of additional dynamic range, maintaining colour and detail even within extreme highlights.\u003c\/p\u003e\n\u003ch3\u003eDynamic Range\u003c\/h3\u003e\n\u003cp\u003eThe 17+ stops of dynamic range in standard modes and up to 20+ with Extended Highlights enable the V-RAPTOR [X] to deliver both smooth highlight roll-off and uncompromising low-light performance.\u003c\/p\u003e\n\u003ch3\u003ePhantom Track\u003c\/h3\u003e\n\u003cp\u003eThe Phantom Track function streamlines any virtual production workflow using GhostFrame or frame remapping, capturing distinct R3D clips for each subframe slice in addition to enabling monitoring of either slice live on set over each SDI output. This enables your director and talent to work with the aid of a green screen background while the VF\/X team can simultaneously view the frame without having to view or lock in that background. Phantom Track can also be used when applying dedicated ad overlays during a live broadcast.\u003c\/p\u003e\n\u003ch3\u003eUp to 8K 120 fps\u003c\/h3\u003e\n\u003cp\u003eUnmatched frame-rate performance enables V-RAPTOR [X] users to leverage creative elements like time-lapse or speed ramping or to extract ultrasharp still photos. Frame rate options include 8K, 6K, 4K, and 2K selections.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Control Display\u003c\/h3\u003e\n\u003cp\u003eThe integrated side display provides intuitive, and easily navigable, comprehensive control, including in-camera format selections, customized buttons, and more.\u003c\/p\u003e\n\u003ch3\u003eVirtual Production\/Advanced Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR [X] 8K VV uses a DSMC3 platform to offer advanced connectivity solutions like remote control, remote monitoring, in-camera Frame.io integrations, AWS (Amazon Web Services) direct upload, the RED Connect module for live 8K R3D video over IP or live 4K via SMPTE ST 2110, and more. These enhanced features put the V-RAPTOR [X] at the forefront of technology used for virtual production.\u003c\/p\u003e\n\u003ch3\u003eLive Streaming and Control Pro App\u003c\/h3\u003e\n\u003cp\u003eConnect the V-RAPTOR [X] using fiber cable and the RED CONNECT module to live stream 8K full-resolution, cinematic video over an IP network. Use the RED Control Pro iOS\/Android app and the all-new RED CONNECT technology to unlock the V-RAPTOR [X]'s capabilities.\u003c\/p\u003e\n\u003ch3\u003eAll-New Audio Architecture\u003c\/h3\u003e\n\u003cp\u003eNewly engineered audio hardware provides cleaner, clearer audio when using external microphones with the V-RAPTOR [X].\u003c\/p\u003e\n\u003ch3\u003eDurable, Rugged Design\u003c\/h3\u003e\n\u003cp\u003eDesigned with water and dust-resistant materials in critical areas of its body, the V-RAPTOR [X] is suitable for a wide variety of environments. However, it is not waterproof and should be handled as you would any high-end electronics.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card\u003c\/h3\u003e\n\u003cp\u003eCertified for RED V-RAPTOR and KOMODO-X camera systems, the 2TB PRO CFexpress 2.0 Type B Memory Card from RED offers protection from overheating, operates with a reduced power draw, and helps to ensure high bitrate capture. This card can capture all frame rates and resolutions, including Full HD and raw 4K, 6K, 8K, and 12K video. It features a capacity of 2TB and uses the PCIe 3.0 x2 bus to deliver maximum read\/write speeds of 1785 MB\/s.\u003c\/p\u003e\n\u003ch3\u003eDurable Angelbird Build\u003c\/h3\u003e\n\u003cp\u003eDesigned and manufactured by Angelbird for RED, the PRO CFexpress 2.0 Type B series has been engineered with protection against shock, dust, water, temperature extremes, and x-rays, and has an MTBF (Mean Time Between Failures) rating of 2.4 million hours. Included is lifetime data protection and an activation code for the full limited 3-year warranty. To receive the full limited warranty, the product needs to be registered on the Angelbird Personal Service Portal within 30 days after purchase. If not registered within this period, the market-specific legal guarantee period comes into force.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR 8K VV cinema camera\u003c\/p\u003e\n\u003cp\u003eRED KOMODO-X cinema camera\u003c\/p\u003e\n\u003cp\u003eRED CFexpress card reader\u003c\/p\u003e\n\u003ch3\u003eGeneral Features\u003c\/h3\u003e\n\u003cp\u003e2TB capacity\u003c\/p\u003e\n\u003cp\u003eMax read\/write speed: 1785 MB\/s\u003c\/p\u003e\n\u003cp\u003eCFexpress 2.0 Type B\u003c\/p\u003e\n\u003cp\u003eProduces a stable stream\u003c\/p\u003e\n\u003ch3\u003ePerformance\u003c\/h3\u003e\n\u003cp\u003eFor photos, HD videos, and raw 4K to 12K resolutions\u003c\/p\u003e\n\u003cp\u003eY2 processor designed for raw video and photo content\u003c\/p\u003e\n\u003cp\u003eAdaptive Power Management helps preserve battery life and card endurance\u003c\/p\u003e\n\u003cp\u003eHost power loss protection\u003c\/p\u003e\n\u003cp\u003eSticker-free design prevents media slot jams\u003c\/p\u003e\n\u003cp\u003eMean Time Between Failures of up to 2.4 million hours\u003c\/p\u003e\n\u003cp\u003eTemperature sensor, TRIM, ECC, EMS protection, built-in cache, and SMART\u003c\/p\u003e\n\u003ch3\u003eOverheating Protection\u003c\/h3\u003e\n\u003cp\u003eWith Angelbird's adaptive thermal management system, you can feel confident that your data is protected from the threat of potential damage due to camera overheating during long shoots.\u003c\/p\u003e\n\u003cp\u003eAdvanced thermal management helps protect the card, camera, and stored content.\u003c\/p\u003e\n\u003ch3\u003eAV Pro Line Offers Quality and Performance\u003c\/h3\u003e\n\u003cp\u003eThe AV Pro product line pushes the limits of speed and performance in the safest possible way. All AV Pro media solutions consider the real-world media needs of the professional creative and feature Stable Stream performance technology, which is ideal for high-definition, lossless (drop-fee) video recording and smooth data processing.\u003c\/p\u003e\n\u003cp\u003eThe entire lineup of Angelbird's AV Pro media solutions is built with rock-solid performance protections, such as shock, dust, x-ray, and splash-water proofing, and are tested for safe operating temperatures at extremes of -13 to 185°F.\u003c\/p\u003e\n\u003ch3\u003eFree Professional Data Recovery Service\u003c\/h3\u003e\n\u003cp\u003eAngelbird offers free professional data recovery service on all its products. In lieu of a self-service software download, Angelbird provides a staff of professionals who will evaluate the issue and safely attempt a secure data-recovery in their lab along with complementary express shipping. This service covers media that has encountered physical damage and\/or software issues such as data or file corruption. Furthermore, Angelbird extends a non-disclosure agreement to their customers to ensure that the privacy and confidentiality of their content is also protected.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA CFexpress Card Reader\u003c\/h3\u003e\n\u003cp\u003eThe CFexpress Card Reader from RED allows for the fast ingestion of the RED PRO 660GB CFexpress media card on systems that support 20 Gb\/s USB 3.2 Gen 2x2. Built with a USB Type-C interface, power is received through the USB bus, meaning that no external power sources are required. The reader features a write-protect switch on the back to protect your data.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED PRO 660GB CFexpress card\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA REDVOLT MICRO-V Battery (98Wh, V-Mount)\u003c\/h3\u003e\n\u003cp\u003ePower your KOMODO V-RAPTOR camera with the MICRO-V Battery from RED DIGITAL CINEMA. This 98Wh battery features a compact, lightweight form, up to 12A draw, and data transmission of the remaining time and select accessory information. Designed in conjunction with battery-maker Core SWX, the compact REDVOLT BP is compatible with select other cameras when used with a full-size V-mount adapter.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR camera\u003c\/p\u003e\n\u003cp\u003eSelect other cameras using a full-size V-mount adapter\u003c\/p\u003e\n\u003ch3\u003eLightweight, Compact Form\u003c\/h3\u003e\n\u003cp\u003eIdeal for handheld capture\u003c\/p\u003e\n\u003cp\u003eWeighs just over 1 lb and measures less than 4\" wide\u003c\/p\u003e\n\u003ch3\u003eIn-Camera Display\u003c\/h3\u003e\n\u003cp\u003eCommunicates with your V-RAPTOR and select accessories to offer in-camera status display\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)\u003c\/h3\u003e\n\u003cp\u003eCharge two V-mount batteries for use with a DSMC3 cinema camera such as the V-RAPTOR 8K VV while on location with the RED Compact Dual V-Mount Battery Charger. Taking advantage of the same technology built into the larger fleet chargers, this compact charger can charge two V-mount REDVOLT MICRO-V or REDVOLT XL-V batteries at a 3A rate. Designed and manufactured in partnership with Core SWX, the charger can charge two REDVOLT MICRO-V 98Wh batteries in less than five hours. A power cable is included.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED REDVOLT MICRO-V batteries\u003c\/p\u003e\n\u003cp\u003eRED REDVOLT XL-V batteries\u003c\/p\u003e\n\u003cp\u003eMost V-mount batteries\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA DSMC3 RED Touch 7.0\" LCD Monitor (Direct Mount)\u003c\/h3\u003e\n\u003cp\u003eAdd a direct-mount onboard monitor to your DSMC3 camera rig with this DSMC3 RED Touch 7.0\" LCD Monitor from RED DIGITAL CINEMA. The RED Touch features daylight viewing, a wide 100% DCI-P3 colour gamut, and touchscreen control for DSMC3 cameras, such as the V-RAPTOR 8K VV. The monitor features a high 322 ppi pixel density, 1920 x 1200 resolution, 1250:1 contrast ratio, and 1300 cd\/m² brightness that combine to offer high-quality imaging.\u003c\/p\u003e\n\u003cp\u003eThis monitor attaches directly to your DSMC3 BRAIN using the Pogo mount, and it provides video, data, and power to the monitor from the camera. If you need to use the Pogo mount for another accessory, the monitor also features a locking USB Type-C connector that alternately allows you to pass video, data, and power to the camera. The monitor features a tilt mount that allows it to tilt 180°.\u003c\/p\u003e\n\u003cp\u003eDesigned for daylight viewing with 322 ppi, 1920 x 1200 resolution, and 1800 cd\/m² brightness\u003c\/p\u003e\n\u003cp\u003e1920 x 1200 resolution and wide 100% DCI-P3 colour gamut for optimal imaging\u003c\/p\u003e\n\u003cp\u003eMounts directly onto the BRAIN using the Pogo mount\u003c\/p\u003e\n\u003cp\u003eUSB Type-C connector is used for video, data, and power\u003c\/p\u003e\n\u003cp\u003eRuns SmallHD PageOS software that provides camera control\u003c\/p\u003e\n\u003cp\u003eTilt arm with 180° rotation\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA EXT-to-Timecode Cable (3')\u003c\/h3\u003e\n\u003cp\u003eThe EXT-to-Timecode Cable enables you to input timecode to your RED DIGITAL CINEMA KOMODO camera. This cable links to the camera via its 9-pin EXT connector and measures 3' including the connectors.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR Wing Grip\u003c\/h3\u003e\n\u003cp\u003eUse the V-RAPTOR Wing Grip from RED DIGITAL CINEMA to create a low-profile, handheld support option for your camera. This aluminum handle's ergonomic design features both 1\/4\"-20 and anti-twist 3\/8\"-16 threads for attaching accessories. The V-RAPTOR Wing Grip can be used on either side of your camera.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR DSMC3 camera only\u003c\/p\u003e\n\u003ch3\u003eLow-Profile Handle\u003c\/h3\u003e\n\u003cp\u003eLow-profile, ergonomic way to carry your camera\u003c\/p\u003e\n\u003ch3\u003eAccessory Mounts\u003c\/h3\u003e\n\u003cp\u003eMultiple 1\/4\"-20 and anti-twist 3\/8\"-16 threads\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eV-RAPTOR [X] 8K VV DSMC3 Camera\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED Touch 7\" LCD Monitor\u003c\/p\u003e\n\u003cp\u003e1 x 2TB PRO CFexpress Type B Card\u003c\/p\u003e\n\u003cp\u003e2 x REDVOLT MICRO-V Batteries\u003c\/p\u003e\n\u003cp\u003e2 x V-RAPTOR Wing Grips\u003c\/p\u003e\n\u003cp\u003eCFexpress Card Reader\u003c\/p\u003e\n\u003cp\u003eDual V-Mount Charger\u003c\/p\u003e\n\u003cp\u003eEXT-to-Timecode 3' Cable\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eRED DIGITAL CINEMA V-RAPTOR [X] 8K VV Camera Starter Pack with 2 x MICRO-V Batteries (V-Mount)\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":44611232530599,"sku":"GC47-RED-710-0401","price":61195.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/1706201725_1807132.jpg?v=1706765543"},{"product_id":"red-digital-cinema-v-raptor-xl-x-8k-vv-camera-v-mount","title":"RED DIGITAL CINEMA V-RAPTOR XL [X] 8K VV Camera (V-Mount)","description":"\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR XL [X] 8K VV Camera (V-Mount)\u003c\/h3\u003e\n\u003cp\u003eProviding the latest advancements in digital cinema, the V-RAPTOR XL [X] 8K VV Camera pairs the strengths of the RED DIGITAL CINEMA V-RAPTOR line with the advanced global shutter of the KOMODO camera. This powerful, all-purpose camera incorporates the 8K resolution, crisp global shutter, optimal low-light performance, and high frame rate functions in a production-ready, all-in-one XL camera body with a V-mount battery system.\u003c\/p\u003e\n\u003ch3\u003eRED Global Vision\u003c\/h3\u003e\n\n\u003cp\u003eWith the V-RAPTOR XL [X] 8K VV, RED has introduced its Global Vision suite of tools that uses the global shutter sensor to offer even greater flexibility and ease of use throughout your production process.\u003c\/p\u003e\n\u003cp\u003eThese tools include Extended Highlights for increasing detail, producing finer HDR finishes or softer, more subtle highlight roll-offs when using SDR.\u003c\/p\u003e\n\u003ch3\u003ePhantom Track\u003c\/h3\u003e\n\u003cp\u003eThe Phantom Track function streamlines any virtual production workflow using GhostFrame or frame remapping, capturing distinct R3D clips for each subframe slice in addition to enabling monitoring of either slice live on set over each SDI output. This enables your director and talent to work with the aid of a green screen background while the VF\/X team can simultaneously view the frame without having to view or lock in that background. Phantom Track can also be used when applying dedicated ad overlays during a live broadcast.\u003c\/p\u003e\n\u003ch3\u003eAdvanced, Intelligent Focus\u003c\/h3\u003e\n\u003cp\u003eIn-camera processing and on-sensor, enhanced phase-detection autofocus plus all-new face detection enable the V-RAPTOR XL [X] to offer versatility and confidence to all levels of filmmakers.\u003c\/p\u003e\n\u003ch3\u003eDynamic Range\u003c\/h3\u003e\n\u003cp\u003eThe 17+ stops of dynamic range in standard modes and up to 20+ with Extended Highlights enable the V-RAPTOR XL [X] to deliver both smooth highlight roll-off and uncompromising low-light performance.\u003c\/p\u003e\n\u003ch3\u003eUp to 8K 120 fps\u003c\/h3\u003e\n\u003cp\u003eUnmatched frame-rate performance enables V-RAPTOR XL [X] users to leverage creative elements like time-lapse or speed ramping or to extract ultrasharp still photos. Frame rate options include 8K, 7K, 6K, 4K, and 2K selections.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Control Display\u003c\/h3\u003e\n\u003cp\u003eThe integrated side display provides intuitive, and easily navigable, comprehensive control, including in-camera format selections, customized buttons, and more.\u003c\/p\u003e\n\u003ch3\u003eDual-Voltage Battery Support\u003c\/h3\u003e\n\u003cp\u003eAn integrated V-mount battery plate with multiple auxiliary power outputs supports both high-voltage 26V batteries and standard 12V batteries.\u003c\/p\u003e\n\u003ch3\u003eInternal ND Filters\u003c\/h3\u003e\n\u003cp\u003eMotorized clear and 2 to 7-stop ND filters with 1\/4, 1\/3, and 1-stop increments provide precision exposure control.\u003c\/p\u003e\n\u003ch3\u003eAuxiliary Power Outputs\u003c\/h3\u003e\n\u003cp\u003eMultiple 12 and 24V outputs provide auxiliary power for accessories and peripherals, all in a centralized location.\u003c\/p\u003e\n\u003ch3\u003eViewing Options Include RED Touch 7.0\"\u003c\/h3\u003e\n\u003cp\u003eCompatibility with the DSMC3 RED Touch 7.0\" LCD and front-facing 3G-SDI and 2-pin, 12V power ports support any operator's viewing preferences.\u003c\/p\u003e\n\u003ch3\u003eSDI Output Plus Wireless Control\u003c\/h3\u003e\n\n\u003cp\u003eThe V-RAPTOR XL [X] 8K VV offers wireless timecode, genlock, and camera control.\u003c\/p\u003e\n\u003cp\u003eFour SDI outputs support onboard monitors and your DIT cart.\u003c\/p\u003e\n\u003ch3\u003eVirtual Production\/Advanced Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XL [X] 8K VV uses a DSMC3 platform to offer advanced connectivity solutions like remote control, remote monitoring, in-camera Frame.io integrations, AWS (Amazon Web Services) direct upload, RED Connect for live 8K R3D video over IP or live 4K via SMPTE ST 2110, and more. These enhanced features put the V-RAPTOR xl [X] at the forefront of technology used for virtual production.\u003c\/p\u003e\n\u003ch3\u003eLive Streaming and Control Pro App\u003c\/h3\u003e\n\u003cp\u003eConnect the V-RAPTOR XL [X] using fiber cable and the RED CONNECT module to live stream 8K full-resolution, cinematic video over an IP network. Use the RED Control Pro iOS\/Android app and the all-new RED CONNECT technology to unlock the V-RAPTOR [X]'s capabilities.\u003c\/p\u003e\n\u003ch3\u003eAll-New Audio Architecture\u003c\/h3\u003e\n\u003cp\u003eNewly engineered audio hardware provides cleaner, clearer audio when using external microphones with the V-RAPTOR XL [X]. Audio updates include improved in-camera preamps, making run-and-gun, single-system setups easier.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Cooling\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XL [X] features an all-new, three-stage cooling system with dedicated fans cooling the camera components and the auxiliary power components separately while a thermoelectric heat exchanger maintains a precise sensor temperature. This advanced cooling enables quieter operation, less black shading, and a more robust performance no matter the environment.\u003c\/p\u003e\n\u003ch3\u003eDurable, Rugged Design\u003c\/h3\u003e\n\u003cp\u003eDesigned with water and dust-resistant materials in critical areas of its body, the V-RAPTOR XL [X] is suitable for a wide variety of environments. However, it is not waterproof and should be handled as you would any high-end electronics.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eFull-Frame, Global Shutter CMOS\u003c\/p\u003e\n\u003cp\u003ePurpose-Built Unified Body\u003c\/p\u003e\n\u003cp\u003eGlobal Vision with Extended Highlights\u003c\/p\u003e\n\u003cp\u003ePhantom Track for Ghost Frame, Remapping\u003c\/p\u003e\n\u003cp\u003eInterchangeable PL Mount Included\u003c\/p\u003e\n\u003cp\u003eSupports up to 8K120, 800 MB\/s Video\u003c\/p\u003e\n\u003cp\u003e17+ Stops of Dynamic Range\u003c\/p\u003e\n\u003cp\u003eIndustry-Standard Input\/Output Array\u003c\/p\u003e\n\u003cp\u003eIntegrated Electronic ND Filters\u003c\/p\u003e\n\u003cp\u003ePowerful \u0026amp; Versatile 12\/24V Outputs\u003c\/p\u003e\n\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eRED DIGITAL CINEMA V-RAPTOR XL [X] 8K VV Camera (V-Mount)\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XL PL Mount\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XL PL Mount Shim Pack\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA AC Power Adapter Pack for RANGER\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA 3-Pin XLR to 4-Pin 2B DC Power Cable (10')\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":44611232759975,"sku":"GC47-RED-710-0394","price":80389.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/RED-710-0394.jpg?v=1706768123"},{"product_id":"red-digital-cinema-v-raptor-xl-x-8k-vv-production-pack-v-mount","title":"RED DIGITAL CINEMA V-RAPTOR XL [X] 8K VV Production Pack (V-Mount)","description":"\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR XL [X] 8K VV Production Pack (V-Mount)\u003c\/h3\u003e\n\u003cp\u003eProviding the latest advancements in digital cinema, the V-RAPTOR XL [X] 8K VV Camera pairs the strengths of the RED DIGITAL CINEMA V-RAPTOR line with the advanced global shutter of the KOMODO camera. This powerful, all-purpose camera incorporates the 8K resolution, crisp global shutter, optimal low-light performance, and high frame rate functions in a production-ready, all-in-one XL camera body with a V-mount battery system.\u003c\/p\u003e\n\u003ch3\u003eRED Global Vision\u003c\/h3\u003e\n\n\u003cp\u003eWith the V-RAPTOR XL [X] 8K VV, RED has introduced its Global Vision suite of tools that uses the global shutter sensor to offer even greater flexibility and ease of use throughout your production process.\u003c\/p\u003e\n\u003cp\u003eThese tools include Extended Highlights for increasing detail, producing finer HDR finishes or softer, more subtle highlight roll-offs when using SDR.\u003c\/p\u003e\n\u003ch3\u003ePhantom Track\u003c\/h3\u003e\n\u003cp\u003eThe Phantom Track function streamlines any virtual production workflow using GhostFrame or frame remapping, capturing distinct R3D clips for each subframe slice in addition to enabling monitoring of either slice live on set over each SDI output. This enables your director and talent to work with the aid of a green screen background while the VF\/X team can simultaneously view the frame without having to view or lock in that background. Phantom Track can also be used when applying dedicated ad overlays during a live broadcast.\u003c\/p\u003e\n\u003ch3\u003eAdvanced, Intelligent Focus\u003c\/h3\u003e\n\u003cp\u003eIn-camera processing and on-sensor, enhanced phase-detection autofocus plus all-new face detection enable the V-RAPTOR XL [X] to offer versatility and confidence to all levels of filmmakers.\u003c\/p\u003e\n\u003ch3\u003eDynamic Range\u003c\/h3\u003e\n\u003cp\u003eThe 17+ stops of dynamic range in standard modes and up to 20+ with Extended Highlights enable the V-RAPTOR XL [X] to deliver both smooth highlight roll-off and uncompromising low-light performance.\u003c\/p\u003e\n\u003ch3\u003eUp to 8K 120 fps\u003c\/h3\u003e\n\u003cp\u003eUnmatched frame-rate performance enables V-RAPTOR XL [X] users to leverage creative elements like time-lapse or speed ramping or to extract ultrasharp still photos. Frame rate options include 8K, 7K, 6K, 4K, and 2K selections.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Control Display\u003c\/h3\u003e\n\u003cp\u003eThe integrated side display provides intuitive, and easily navigable, comprehensive control, including in-camera format selections, customized buttons, and more.\u003c\/p\u003e\n\u003ch3\u003eDual-Voltage Battery Support\u003c\/h3\u003e\n\u003cp\u003eAn integrated V-mount battery plate with multiple auxiliary power outputs supports both high-voltage 26V batteries and standard 12V batteries.\u003c\/p\u003e\n\u003ch3\u003eInternal ND Filters\u003c\/h3\u003e\n\u003cp\u003eMotorized clear and 2 to 7-stop ND filters with 1\/4, 1\/3, and 1-stop increments provide precision exposure control.\u003c\/p\u003e\n\u003ch3\u003eAuxiliary Power Outputs\u003c\/h3\u003e\n\u003cp\u003eMultiple 12 and 24V outputs provide auxiliary power for accessories and peripherals, all in a centralized location.\u003c\/p\u003e\n\u003ch3\u003eViewing Options Include RED Touch 7.0\"\u003c\/h3\u003e\n\u003cp\u003eCompatibility with the DSMC3 RED Touch 7.0\" LCD and front-facing 3G-SDI and 2-pin, 12V power ports support any operator's viewing preferences.\u003c\/p\u003e\n\u003ch3\u003eSDI Output Plus Wireless Control\u003c\/h3\u003e\n\n\u003cp\u003eThe V-RAPTOR XL [X] 8K VV offers wireless timecode, genlock, and camera control.\u003c\/p\u003e\n\u003cp\u003eFour SDI outputs support onboard monitors and your DIT cart.\u003c\/p\u003e\n\u003ch3\u003eVirtual Production\/Advanced Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XL [X] 8K VV uses a DSMC3 platform to offer advanced connectivity solutions like remote control, remote monitoring, in-camera Frame.io integrations, AWS (Amazon Web Services) direct upload, RED Connect for live 8K R3D video over IP or live 4K via SMPTE ST 2110, and more. These enhanced features put the V-RAPTOR xl [X] at the forefront of technology used for virtual production.\u003c\/p\u003e\n\u003ch3\u003eLive Streaming and Control Pro App\u003c\/h3\u003e\n\u003cp\u003eConnect the V-RAPTOR XL [X] using fiber cable and the RED CONNECT module to live stream 8K full-resolution, cinematic video over an IP network. Use the RED Control Pro iOS\/Android app and the all-new RED CONNECT technology to unlock the V-RAPTOR [X]'s capabilities.\u003c\/p\u003e\n\u003ch3\u003eAll-New Audio Architecture\u003c\/h3\u003e\n\u003cp\u003eNewly engineered audio hardware provides cleaner, clearer audio when using external microphones with the V-RAPTOR XL [X]. Audio updates include improved in-camera preamps, making run-and-gun, single-system setups easier.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Cooling\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XL [X] features an all-new, three-stage cooling system with dedicated fans cooling the camera components and the auxiliary power components separately while a thermoelectric heat exchanger maintains a precise sensor temperature. This advanced cooling enables quieter operation, less black shading, and a more robust performance no matter the environment.\u003c\/p\u003e\n\u003ch3\u003eDurable, Rugged Design\u003c\/h3\u003e\n\u003cp\u003eDesigned with water and dust-resistant materials in critical areas of its body, the V-RAPTOR XL [X] is suitable for a wide variety of environments. However, it is not waterproof and should be handled as you would any high-end electronics.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card\u003c\/h3\u003e\n\u003cp\u003eCertified for RED V-RAPTOR and KOMODO-X camera systems, the 2TB PRO CFexpress 2.0 Type B Memory Card from RED offers protection from overheating, operates with a reduced power draw, and helps to ensure high bitrate capture. This card can capture all frame rates and resolutions, including Full HD and raw 4K, 6K, 8K, and 12K video. It features a capacity of 2TB and uses the PCIe 3.0 x2 bus to deliver maximum read\/write speeds of 1785 MB\/s.\u003c\/p\u003e\n\n\u003ch3\u003eDurable Angelbird Build\u003c\/h3\u003e\n\u003cp\u003eDesigned and manufactured by Angelbird for RED, the PRO CFexpress 2.0 Type B series has been engineered with protection against shock, dust, water, temperature extremes, and x-rays, and has an MTBF (Mean Time Between Failures) rating of 2.4 million hours. Included is lifetime data protection and an activation code for the full limited 3-year warranty. To receive the full limited warranty, the product needs to be registered on the Angelbird Personal Service Portal within 30 days after purchase. If not registered within this period, the market-specific legal guarantee period comes into force.\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR 8K VV cinema camera\u003c\/p\u003e\n\u003cp\u003eRED KOMODO-X cinema camera\u003c\/p\u003e\n\u003cp\u003eRED CFexpress card reader\u003c\/p\u003e\n\u003ch3\u003eGeneral Features\u003c\/h3\u003e\n\u003cp\u003e2TB capacity\u003c\/p\u003e\n\u003cp\u003eMax read\/write speed: 1785 MB\/s\u003c\/p\u003e\n\u003cp\u003eCFexpress 2.0 Type B\u003c\/p\u003e\n\u003cp\u003eProduces a stable stream\u003c\/p\u003e\n\u003ch3\u003ePerformance\u003c\/h3\u003e\n\u003cp\u003eFor photos, HD videos, and raw 4K to 12K resolutions\u003c\/p\u003e\n\u003cp\u003eY2 processor designed for raw video and photo content\u003c\/p\u003e\n\u003cp\u003eAdaptive Power Management helps preserve battery life and card endurance\u003c\/p\u003e\n\u003cp\u003eHost power loss protection\u003c\/p\u003e\n\u003cp\u003eSticker-free design prevents media slot jams\u003c\/p\u003e\n\u003cp\u003eMean Time Between Failures of up to 2.4 million hours\u003c\/p\u003e\n\u003cp\u003eTemperature sensor, TRIM, ECC, EMS protection, built-in cache, and SMART\u003c\/p\u003e\n\u003ch3\u003eOverheating Protection\u003c\/h3\u003e\n\u003cp\u003eWith Angelbird's adaptive thermal management system, you can feel confident that your data is protected from the threat of potential damage due to camera overheating during long shoots.\u003c\/p\u003e\n\u003cp\u003eAdvanced thermal management helps protect the card, camera, and stored content.\u003c\/p\u003e\n\u003ch3\u003eAV Pro Line Offers Quality and Performance\u003c\/h3\u003e\n\u003cp\u003eThe AV Pro product line pushes the limits of speed and performance in the safest possible way. All AV Pro media solutions consider the real-world media needs of the professional creative and feature Stable Stream performance technology, which is ideal for high-definition, lossless (drop-fee) video recording and smooth data processing.\u003c\/p\u003e\n\u003cp\u003eThe entire lineup of Angelbird's AV Pro media solutions is built with rock-solid performance protections, such as shock, dust, x-ray, and splash-water proofing, and are tested for safe operating temperatures at extremes of -13 to 185°F.\u003c\/p\u003e\n\u003ch3\u003eFree Professional Data Recovery Service\u003c\/h3\u003e\n\u003cp\u003eAngelbird offers free professional data recovery service on all its products. In lieu of a self-service software download, Angelbird provides a staff of professionals who will evaluate the issue and safely attempt a secure data-recovery in their lab along with complementary express shipping. This service covers media that has encountered physical damage and\/or software issues such as data or file corruption. Furthermore, Angelbird extends a non-disclosure agreement to their customers to ensure that the privacy and confidentiality of their content is also protected.\u003c\/p\u003e\n\u003ch3\u003eRED DIGITAL CINEMA CFexpress Card Reader\u003c\/h3\u003e\n\u003cp\u003eThe CFexpress Card Reader from RED allows for the fast ingestion of the RED PRO 660GB CFexpress media card on systems that support 20 Gb\/s USB 3.2 Gen 2x2. Built with a USB Type-C interface, power is received through the USB bus, meaning that no external power sources are required. The reader features a write-protect switch on the back to protect your data.\u003c\/p\u003e\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED PRO 660GB CFexpress card\u003c\/p\u003e\n\n\u003ch3\u003eRED DIGITAL CINEMA REDVOLT XL-V Battery (156Wh, V-Mount)\u003c\/h3\u003e\n\u003cp\u003ePower your V-RAPTOR XL or most other V-mount cameras with the REDVOLT XL-V Battery from RED DIGITAL CINEMA. This 156Wh battery automatically detects the voltage of your camera and outputs 12V\/24A or 24V\/12A power accordingly. The REDVOLT XL-V was designed in conjunction with battery-maker Core SWX.\u003c\/p\u003e\n\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR XL camera\u003c\/p\u003e\n\u003cp\u003eSelect other cameras using a V-mount adapter\u003c\/p\u003e\n\n\n\u003ch3\u003eRED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)\u003c\/h3\u003e\n\u003cp\u003eCharge two V-mount batteries for use with a DSMC3 cinema camera such as the V-RAPTOR 8K VV while on location with the RED Compact Dual V-Mount Battery Charger. Taking advantage of the same technology built into the larger fleet chargers, this compact charger can charge two V-mount REDVOLT MICRO-V or REDVOLT XL-V batteries at a 3A rate. Designed and manufactured in partnership with Core SWX, the charger can charge two REDVOLT MICRO-V 98Wh batteries in less than five hours. A power cable is included.\u003c\/p\u003e\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED REDVOLT MICRO-V batteries\u003c\/p\u003e\n\u003cp\u003eRED REDVOLT XL-V batteries\u003c\/p\u003e\n\u003cp\u003eMost V-mount batteries\u003c\/p\u003e\n\n\u003ch3\u003eRED DIGITAL CINEMA DSMC3 RED Touch 7.0\" LCD Monitor (Direct Mount)\u003c\/h3\u003e\n\u003cp\u003eAdd a direct-mount onboard monitor to your DSMC3 camera rig with this DSMC3 RED Touch 7.0\" LCD Monitor from RED DIGITAL CINEMA. The RED Touch features daylight viewing, a wide 100% DCI-P3 color gamut, and touchscreen control for DSMC3 cameras, such as the V-RAPTOR 8K VV. The monitor features a high 322 ppi pixel density, 1920 x 1200 resolution, 1250:1 contrast ratio, and 1300 cd\/m² brightness that combine to offer high-quality imaging.\u003c\/p\u003e\n\n\u003cp\u003eThis monitor attaches directly to your DSMC3 BRAIN using the Pogo mount, and it provides video, data, and power to the monitor from the camera. If you need to use the Pogo mount for another accessory, the monitor also features a locking USB Type-C connector that alternately allows you to pass video, data, and power to the camera. The monitor features a tilt mount that allows it to tilt 180°.\u003c\/p\u003e\n\n\u003cp\u003eDesigned for daylight viewing with 322 ppi, 1920 x 1200 resolution, and 1800 cd\/m² brightness\u003c\/p\u003e\n\u003cp\u003e1920 x 1200 resolution and wide 100% DCI-P3 color gamut for optimal imaging\u003c\/p\u003e\n\u003cp\u003eMounts directly onto the BRAIN using the Pogo mount\u003c\/p\u003e\n\u003cp\u003eUSB Type-C connector is used for video, data, and power\u003c\/p\u003e\n\u003cp\u003eRuns SmallHD PageOS software that provides camera control\u003c\/p\u003e\n\u003cp\u003eTilt arm with 180° rotation\u003c\/p\u003e\n\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR XL Riser Plate (15mm \u0026amp; 19mm Studio)\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XL Riser Plate from RED DIGITAL CINEMA enables you to raise a separately available 15 or 19mm studio baseplate to the correct optical height for mounting lenses and accessories. This riser plate also provides several 1\/4\"-20 and 3\/8\"-16 mounting threads.\u003c\/p\u003e\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR XL camera\u003c\/p\u003e\n\n\n\u003ch3\u003eRED DIGITAL CINEMA V-RAPTOR XL Top Handle with Extensions\u003c\/h3\u003e\n\u003cp\u003eCreate a lightweight or extended handle using the V-RAPTOR XL Top Handle with Extensions from RED DIGITAL CINEMA. This modular handle includes 1, 3, and 5\" extensions, an elbow unit, and a 15mm monitor mount. It features a start\/stop button, multiple 3\/8\"-16 and 1\/4\"-20 threads, and wooden inlays.\u003c\/p\u003e\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eV-RAPTOR XL camera\u003c\/p\u003e\n\u003ch3\u003eModular Design\u003c\/h3\u003e\n\u003cp\u003eCustomizable design with 1, 3, and 5\" extensions plus an elbow unit and a 15mm monitor mount\u003c\/p\u003e\n\u003ch3\u003eTrigger Button\u003c\/h3\u003e\n\u003cp\u003eA start\/stop button enables you to trigger recording on your V-RAPTOR XL\u003c\/p\u003e\n\n\u003ch3\u003eRED DIGITAL CINEMA DSMC3 5-Pin to Dual XLR 3-Pin Adapter\u003c\/h3\u003e\n\u003cp\u003eAdd two XLR inputs to your V-RAPTOR camera with the RED DSMC3 5-Pin to Dual XLR 3-Pin Adapter. Connect the included 5-pin ODU cable to your camera's ODU port, and the other end of the cable to the adapter's port. The adapter can provide 48V phantom power and supports both mic and line-level inputs. It mounts to the V-Raptor using a 3\/8\"-26 screw, and has anti-twist pins to prevent it from spinning on your camera. The unit also features 6 x M2.5 screw holes for future accessories.\u003c\/p\u003e\n\n\u003ch3\u003eRED DIGITAL CINEMA Top 15mm LWS Rod Support Bracket for V-RAPTOR XL\u003c\/h3\u003e\n\u003cp\u003eThis Top 15mm LWS Rod Support Bracket from RED DIGITAL CINEMA attaches securely to the top of your RED V-RAPTOR XL camera, enabling you to mount 15mm LWS compatible accessories like lens motors or viewfinder brackets.\u003c\/p\u003e\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR XL\u003c\/p\u003e\n\u003cp\u003e15mm LWS rod-mounted accessories\u003c\/p\u003e\n\n\u003ch3\u003eRED DIGITAL CINEMA Bottom 15mm LWS Rod Support Bracket for V-RAPTOR XL\u003c\/h3\u003e\n\u003cp\u003eThe Bottom 15mm LWS Rod Support Bracket from RED DIGITAL CINEMA mounts securely on the bottom of your RED V-RAPTOR XL camera or the optional riser plate. Use this bracket with separately available rods to mount 15mm LWS compatible accessories like a lens motor or matte box.\u003c\/p\u003e\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eRED V-RAPTOR XL camera\u003c\/p\u003e\n\u003cp\u003eRED V-RAPTOR XL riser plate\u003c\/p\u003e\n\u003cp\u003e15mm LWS rod-mounted accessories\u003c\/p\u003e\n\n\u003ch3\u003eRED DIGITAL CINEMA DSMC3 RMI Cable (18\")\u003c\/h3\u003e\n\u003cp\u003eProvide power and video to your RED Touch 7\" monitor from your camera with the RED DIGITAL CINEMA DSMC3 RMI Cable. Its 18\" length allows you more mounting opportunities than using the 10\" cable that comes with the RED Touch LCD. This proprietary RMI (RED Monitor Interface) cable is only for RED DSMC3 products.  Please note that although the cable bears a resemblance to a standard USB-C cable, it is not, and RED warns against using a USB-C cable in its place, as damage can occur to your camera and\/or touchscreen.\u003c\/p\u003e\n\n\u003ch3\u003eRED DIGITAL CINEMA Hood for DSMC3 RED Touch 7\" LCD\u003c\/h3\u003e\n\u003cp\u003eUse the Hood for DSMC3 RED Touch 7\" LCD from RED DIGITAL CINEMA to reduce or eliminate glare on the monitor's screen, improving your viewing while outdoors or in bright light. This folding hood mounts quickly on the DSMC3 RED Touch 7\" using two captive M3 screws.\u003c\/p\u003e\n\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eDSMC3 RED Touch 7\" LCD only\u003c\/p\u003e\n\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eV-RAPTOR XL 8K [X] VV Camera\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED Touch 7\" LCD Monitor \u0026amp; Shade\u003c\/p\u003e\n\u003cp\u003e4 x REDVOLT XL-V Batteries, Charger\u003c\/p\u003e\n\u003cp\u003e2 x RED PRO CFexpress 2TB Cards, Reader\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XL Top Handle with Extensions\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XL Riser Plate\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XL Top\/Bottom 15mm LWS Brackets\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED 5-Pin to Dual-XLR Adapter\u003c\/p\u003e\n\u003cp\u003e18\" DSMC3 RMI Cable\u003c\/p\u003e\n\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eRED DIGITAL CINEMA V-RAPTOR XL [X] 8K VV Production Pack (V-Mount)\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XL PL Mount\u003c\/p\u003e\n\u003cp\u003eV-RAPTOR XL PL Mount Shim Pack\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA AC Power Adapter Pack for RANGER\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA 3-Pin XLR to 4-Pin 2B DC Power Cable (10')\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA 2TB PRO CFexpress 2.0 Type B Memory Card\u003c\/p\u003e\n\u003cp\u003eLifetime Data Protection\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA CFexpress Card Reader\u003c\/p\u003e\n\u003cp\u003eUSB Type-C 3.2 Cable\u003c\/p\u003e\n\u003cp\u003eUSB Type-A to Type-C Adapter\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA REDVOLT XL-V Battery (156Wh, V-Mount)\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA Compact Dual Battery Charger (V-Mount)\u003c\/p\u003e\n\u003cp\u003ePower Cable\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA DSMC3 RED Touch 7.0\" LCD Monitor (Direct Mount)\u003c\/p\u003e\n\u003cp\u003eArm\u003c\/p\u003e\n\u003cp\u003eDSMC3 RMI Cable\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA V-RAPTOR XL Riser Plate (15mm \u0026amp; 19mm Studio)\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA V-RAPTOR XL Top Handle with Extensions\u003c\/p\u003e\n\u003cp\u003eElbow Piece\u003c\/p\u003e\n\u003cp\u003e15mm Monitor Mount\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA DSMC3 5-Pin to Dual XLR 3-Pin Adapter\u003c\/p\u003e\n\u003cp\u003eRight-Angle Mounting Bracket\u003c\/p\u003e\n\u003cp\u003e2 x 1\/4\"-20 Mounting Screw\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA Top 15mm LWS Rod Support Bracket for V-RAPTOR XL\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA Bottom 15mm LWS Rod Support Bracket for V-RAPTOR XL\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA DSMC3 RMI Cable (18\")\u003c\/p\u003e\n\u003cp\u003eRED DIGITAL CINEMA Hood for DSMC3 RED Touch 7\" LCD\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":44611232792743,"sku":"GC47-RED-710-0404","price":99300.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/RED-710-0404.jpg?v=1706768584"},{"product_id":"blackmagic-design-ursa-cine-12k-camera-with-evf-top-handle-kit-pl-mount","title":"Blackmagic Design URSA Cine 12K Camera with EVF Top Handle Kit (PL Mount)","description":"\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRevolutionary high end digital film camera with new large format RGBW 36 x 24mm sensor, incredible dynamic range, generation 5 color science, interchangeable PL and EF lens mounts and URSA Cine EVF!\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eHigh Resolution Viewfinder for Accurate Focus\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eURSA Cine supports the optional Blackmagic URSA Cine EVF to make outdoors and handheld shooting accurate and easy! You get an integrated high quality 1920 x 1080 color OLED display with built in proximity sensor, 4 element glass diopter for incredible accuracy with a wide focus adjustment. A built in digital focus chart ensures you get perfect viewfinder focus setup.\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eYou can also view critical status information such as frame guides. The URSA Cine EVF is extremely easy to connect as it simply mounts to the included viewfinder bracket and connects to the camera using a single USB-C cable. The viewfinder can be positioned in multiple ways and comes with 2 different types of eyecups.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBlackmagic Design URSA Cine + EVF Features\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCinematic large format sensor with amassive 16 stops of dynamicrange\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eLightweight, robust camera body with industry standardconnections\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePL and locking EF mounts included with optional LPL mountavailable\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic RAW for real time 12Kediting\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eGeneration 5 Color Science with new filmcurve\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHigh performance OLPF for reduced moire andaliasing\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBuild in ND filters for shooting in varyingconditions\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eShoot up to 80 fps in 12K, 144 fps at 8K and 240 fps at4K\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHigh performance Blackmagic Media Module 8TB for recordingincluded\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRecording media compatible with the Blackmagic MediaDock\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eHigh speed wifi, 10G Ethernet or mobile data for network connections\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBuilt-in RTMP and SRT livestreaming\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhat's Included\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine 12K Body\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Mount PL (installed)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Mount EF and screws\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Media Module 8TB\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eURSA Cine Handle and bolts\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eURSA Cine Top Rod Mount 15\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eURSA Cine Baseplate 19\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003ePlastic folding screen hood for 5” assist station\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eURSA Cine Battery Plate B Mount\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWiFi Antennas\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eURSA Cine PL Body Cap\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eURSA Cine EF Body Cap\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eRubber caps for connectors\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e+24V DC 250W power supply\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eDaVinci Resolve Studio with activation key\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eWelcome wallet with QR code for software download\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Sticker\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eCustom foamed Pelican 1510 case\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOptional Accessories\u003c\/b\u003e\u003c\/h3\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine EVF\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Mount PL\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Mount LPL\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Mount EF\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Mount Shims\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Battery Plate B Mnt\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Battery Plate Gold\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Battery Plate VLock\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Baseplate 15\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Baseplate 19\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Handle\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine Grips\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic URSA Cine 5\" LCD Sunshade\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Media Dock\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Media Module 8TB\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Media Module CF\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Video Assist 7” 12G HDR\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Video Assist 5” 12G HDR\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Video Assist 7” 3G\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eBlackmagic Video Assist 5” 3G\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eATEM Streaming Bridge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-fragment=\"1\" data-mce-style=\"font-weight: 400;\"\u003eImage shown with optional equipment (Not included).\u003c\/span\u003e\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":45143734485159,"sku":"GC50-CINEURSAAA12KLFCEVF","price":23033.56,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/CINEURSAA12KLFEVF.jpg?v=1713135019"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-arri-pl","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (ARRI PL)","description":"\u003ch3\u003eThe World's Most Riggable - Full Frame Digital Film Camera!\u003c\/h3\u003e\n\u003cp\u003eIntroducing the next generation customisable cinema camera! Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eDesigned for Maximum Customisability!\u003c\/h3\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it's easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS' compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4\" and 3\/8\" thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that's both rugged and reliable!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eGet the \"Hollywood Look\" with Digital Film!\u003c\/h3\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLarge Format - Cinematic Digital Film Sensor!\u003c\/h3\u003e\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you're shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. This amazing sensor combined with Blackmagic color science means you get the same imaging technology as expensive digital cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBlackmagic Design PYXIS 6K Features\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e36 x 24mm full frame 6K 6048 x 4032 sensor\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOpen gate 3:2, full height 6:5 anamorphic and Super 35 for creating cinematic content\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecords full resolution up to 36 fps or 120 fps windowed\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eBuilt-in 4\" HDR 1500 nit LCD screen\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRecords Blackmagic RAW and H.264 proxies\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eExtremely fast dual CFexpress card recording\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEthernet or mobile data for mobile remote streaming\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eOptional Blackmagic URSA Cine EVF\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFeatures 12G-SDI for monitoring with status overlay\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eProfessional mini XLR input with 48 volt phantom power\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eComplete streaming solution for YouTube, Facebook, Twitter and more\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHigh capacity BP-U series batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWhat's Included\u003c\/h3\u003e\n\u003cp\u003eBlackmagic PYXIS 6K\u003c\/p\u003e\n\u003cp\u003eLens turret dust cap\u003c\/p\u003e\n\u003cp\u003ePYXIS Standard Plate\u003c\/p\u003e\n\u003cp\u003ePYXIS SSD Plate\u003c\/p\u003e\n\u003cp\u003e60W power supply with locking connector and international adapters\u003c\/p\u003e\n\u003cp\u003eWelcome booklet\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio activation key\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cspan\u003eImage shown with optional equipment (Not included).\u003c\/span\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":45143734616231,"sku":"GC50-CINECAMCPYXH60LFPL","price":4509.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/CINECAMCPYXH60LFPL001.jpg?v=1713133069"},{"product_id":"blackmagic-design-ursa-cine-12k-camera-pl-mount","title":"Blackmagic Design URSA Cine 12K Camera (PL Mount)","description":"\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb\u003eIntroducing the World's Most Advanced Digital Film Camera!\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan\u003eBlackmagic URSA Cine is a revolutionary digital film camera that introduces new advanced digital film technology combined with total integration into the post production workflow. That means it's the first digital film camera with fast high capability storage built in, plus high speed networking for on set media sync.\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cspan\u003eBlackmagic URSA Cine also introduces a new large format RGBW 36 x 24mm image sensor with larger photo-sites for incredible dynamic range. You can also swap between PL, LPL, EF and Hasselblad lens mounts. There's even WiFi with SRT streaming for remote client viewing. Plus the industry standard Lemo and Fischer connections make it perfect for high end cinema production.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003eCinematic Large Format Sensor\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003eURSA Cine features a revolutionary new sensor designed for incredible quality images at all resolutions from 4K to a massive 12K! The larger sensor builds on the technology of URSA Mini Pro 12K with larger photo-sites leading to an astounding 16 stops of dynamic range. The unique RGBW architecture provides equal amounts of red, green and blue pixels.\u003cbr\u003e\u003cbr\u003eThis means it is optimized to deliver incredibly rich colors at all resolutions and provide the ultimate in image quality and flexibility. Now you can capture more detail with a wider dynamic range than ever before! Plus, in sensor scaling means you can record at all resolutions without cropping!\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eBlackmagic Design URSA Cine + EVF Features\u003c\/b\u003e\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eCinematic large format sensor with amassive 16 stops of dynamicrange\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eLightweight, robust camera body with industry standardconnections\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003ePL and locking EF mounts included with optional LPL mountavailable\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic RAW for real time 12Kediting\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eGeneration 5 Color Science with new filmcurve\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBuild in ND filters for shooting in varyingconditions\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eShoot up to 80 fps in 12K, 144 fps at 8K and 240 fps at4K\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eHigh performance Blackmagic Media Module 8TB for recordingincluded\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRecording media compatible with the Blackmagic MediaDock\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eHigh speed wifi, 10G Ethernet or mobile data for network connections\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003cli style=\"font-weight: 400;\" aria-level=\"1\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\n\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBuilt-in RTMP and SRT livestreaming\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003cbr\u003e\u003c\/span\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003e\u003c\/b\u003e\u003c\/h3\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eWhat's Included\u003c\/b\u003e\u003c\/h3\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine 12K Body\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Mount PL (installed)\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Mount EF and screws\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Media Module 8TB\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eURSA Cine Handle and bolts\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eURSA Cine Top Rod Mount 15\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eURSA Cine Baseplate 19\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003ePlastic folding screen hood for 5” assist station\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eURSA Cine Battery Plate B Mount\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWiFi Antennas\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eURSA Cine PL Body Cap\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eURSA Cine EF Body Cap\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eRubber caps for connectors\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e+24V DC 250W power supply\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eDaVinci Resolve Studio with activation key\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eWelcome wallet with QR code for software download\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Sticker\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/span\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eCustom foamed Pelican 1510 case\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003ch3 data-mce-fragment=\"1\"\u003e\u003cb data-mce-fragment=\"1\"\u003eOptional Accessories\u003c\/b\u003e\u003c\/h3\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine EVF\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Mount PL\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Mount LPL\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Mount EF\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Mount Shims\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Battery Plate B Mnt\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Battery Plate Gold\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Battery Plate VLock\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Baseplate 15\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Baseplate 19\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Handle\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine Grips\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic URSA Cine 5\" LCD Sunshade\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Media Dock\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Media Module 8TB\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Media Module CF\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Video Assist 7” 12G HDR\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Video Assist 5” 12G HDR\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Video Assist 7” 3G\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eBlackmagic Video Assist 5” 3G\u003c\/span\u003e\u003c\/p\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eATEM Streaming Bridge\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003e \u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-mce-fragment=\"1\"\u003e\u003cspan style=\"font-weight: 400;\" data-mce-style=\"font-weight: 400;\" data-mce-fragment=\"1\"\u003eImage shown with optional equipment (Not included).\u003c\/span\u003e\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":45143751721127,"sku":"GC50-CINEURSAAA12KLFB","price":21242.76,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/BMDCINE12K_1.jpg?v=1713136024"},{"product_id":"blackmagic-design-pyxis-6k-cinema-box-camera-canon-ef","title":"Blackmagic Design PYXIS 6K Cinema Box Camera (Canon EF)","description":"\u003ch3\u003eThe World's Most Riggable - Full Frame Digital Film Camera!\u003c\/h3\u003e\n\u003cp\u003eIntroducing the next generation customisable cinema camera! Blackmagic PYXIS 6K is a high end digital film camera that produces precise skin tones and rich organic colors. It features an extremely versatile design that lets you build the perfect camera rig for your production! You get a full frame 36 x 24mm 6K sensor with wide dynamic range with a built in optical low pass filter that's been designed to perfectly match the sensor. Plus there are 3 models available in either EF, PL or L-Mount. You also get 2 x CFexpress media recorders and Ethernet for sharing media to Blackmagic Cloud! It even records both 12-bit Blackmagic RAW and extremely small H.264 proxies files at the same time!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eDesigned for Maximum Customisability!\u003c\/h3\u003e\n\u003cp\u003eWith multiple mounting points and accessory side plates, it's easy to configure Blackmagic PYXIS into the camera you need it to be! PYXIS' compact body is made from precision CNC machined aerospace aluminum, which means it is lightweight yet very strong. You can easily mount it on a range of camera rigs such as cranes, gimbals or drones! In addition to the multiple 1\/4\" and 3\/8\" thread mounts on the top and bottom of the body, Blackmagic PYXIS has a range of side plates that further extend your ability to mount accessories such as handles, microphones or even SSDs. All this means you can build the perfect camera for the any production that's both rugged and reliable!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eGet the \"Hollywood Look\" with Digital Film!\u003c\/h3\u003e\n\u003cp\u003eBlackmagic PYXIS has the professional features you need for feature film, television programming and documentaries, however now this same quality can be used to create cinematic content for social media, YouTube videos and more. You get the same features found on high end digital film cameras, allowing capture of deeper colors, higher image detail and a wider dynamic range between the brightest highlights and deepest shadows. It's the reason why feature films look so amazing and now you can get the same high end production values for any kind of work. Imagine shooting with large format digital film on low budget independent films, TV commercials or even corporate video!\u003cbr data-mce-fragment=\"1\"\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLarge Format - Cinematic Digital Film Sensor!\u003c\/h3\u003e\n\u003cp\u003eBlackmagic PYXIS features a massive full frame sensor with a native resolution of 6048 x 4032. That's almost three times larger than a Super 35 sensor and allows you to shoot with a shallow depth of field or to use anamorphic lenses uncropped for a true cinematic look. Whether you're shooting in bright sunlight or in almost no light at all, the 13 stops of dynamic range with dual native ISO up to 25,600 provide stunning low noise images in all lighting conditions. Plus you can shoot up to 36 fps at full sensor resolution or 120 fps windowed. 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The S\u0026amp;Q Motion feature supports 4K recording at up to 120fps and Full HD recording at up to 240fps, making this camcorder ideal for capturing high-frame-rate content.\u003c\/p\u003e\n\u003cp\u003eThe HXR-NX800 also includes an AI Processing Unit and Fast Hybrid AF, complemented by a high-performance 20x power zoom G Lens. This lens offers a versatile zoom range from 24mm to 480mm, with clear image zoom extending up to 720mm in 4K and 960mm in HD. The optical SteadyShot, Variable ND Filter, and foldable viewfinder and LCD monitor further enhance the camcorder's usability and performance.\u003c\/p\u003e\n\u003ch3\u003eVersatility and Professional Features\u003c\/h3\u003e\n\u003cp\u003eThe Sony HXR-NX800 combines the capabilities of an all-in-one camcorder with the versatility of a production-ready camera. It is designed to be user-friendly for beginners while meeting the professional requirements of experienced videographers. 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The zoom function is both fast and quiet, and the Fast Hybrid AF ensures sharp focus even during zooming.\u003c\/p\u003e\n\u003ch3\u003eVariable ND for Perfect Exposure\u003c\/h3\u003e\n\u003cp\u003eThis camcorder features Sony’s built-in electronic Variable ND Filter, allowing seamless control of filter density from ND 1\/4 to ND 1\/128. The ND filter can be adjusted manually, automatically, or in preset steps to achieve perfect exposure under varying lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eInteroperability with Cinema Line\u003c\/h3\u003e\n\u003cp\u003eThe HXR-NX800 is designed to work seamlessly with broadcast cameras or Sony’s Cinema Line cameras. It offers a variety of base looks, including 709tone and ITU709 for broadcast cameras, and S-Cinetone and S-Log3 for Cinema Line cameras. 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With built-in Wi-Fi and a USB-C connector, the KOMODO-X provides a powerful platform for smooth professional capture, multicamera setups, and IP-based workflows, including live streaming. The KOMODO-X will be complemented by pre-bundled packs and additional accessories such as RED Pro I\/O V-Mount and Gold Mount Modules.\u003c\/p\u003e\n\u003ch3\u003eNext-Gen KOMODO Sensor\u003c\/h3\u003e\n\u003cp\u003eWhile sized the same as the original 6K S35 global-shutter KOMODO sensor, the KOMODO-X sensor has been redesigned from the ground up, offering key architectural improvements while producing excellent image quality and colour science. Features include enhanced shadow detail and colour and frame rates up to 80 fps in 6K and up to 120p in 4K.\u003c\/p\u003e\n\u003ch3\u003eCompact KOMODO Form\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO-X 6K camera melds select DSMC3 features with the notably ultracompact KOMODO form. The KOMODO-X is compatible with the upcoming PRO I\/O Module for auxiliary power and full-size Gold and V-mount battery use and it has a built-in micro plate that enables the direct mounting use of Micro V-mount batteries without the need for an adapter. It also incorporates a full-size, 6-pin 11-17VDC power input.\u003c\/p\u003e\n\u003ch3\u003eCanon RF Mount\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO-X comes with a reinforced, locking Canon RF lens mount, offering RED's toolless lens-mount feature for compatibility with a wide range of lenses. To use ARRI PL-mount lenses, use the KOMODO-X with the RED RF to PL adapter with electronic ND filter.\u003c\/p\u003e\n\u003ch3\u003eIntegrated LCD\u003c\/h3\u003e\n\u003cp\u003eWhen working in close quarters or in compact setups, users can preview their images and apply simplified controls via the integrated 2.9\" LCD. Pair the KOMODO-X with the daylight-viewable, high-resolution DSMC3 7\" Touch LCD offers more precise monitoring and full control in a cable-free, decluttered form.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eSuper35 KOMODO-X 6K Camera\u003c\/p\u003e\n\u003cp\u003eS35 6K to 80 fps, 4K to 120 fps\u003c\/p\u003e\n\u003cp\u003eReinforced, Locking Canon RF Lens Mount\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED Touch 7.0\" LCD, Rigid Hinge\u003c\/p\u003e\n\u003cp\u003eRED Pro V-Mount I\/O Module\u003c\/p\u003e\n\u003cp\u003eRED PRO CFexpress 1TB Cards\u003c\/p\u003e\n\u003cp\u003eCompact R\/S Top Handle\u003c\/p\u003e\n\u003cp\u003eCFexpress Card Reader\u003c\/p\u003e\n\u003cp\u003e5-Pin to Dual XLR 3-Pin Audio Adapter\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eRED KOMODO-X Production Pack (V-Lock) \u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":45990375784615,"sku":"GC47-RED-710-0417","price":19660.73,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC47-RED-710-0417.jpg?v=1725431181"},{"product_id":"red-komodo-x-z-mount","title":"RED Komodo-X Z Mount","description":"\u003ch3\u003eRED Komodo-X Z Mount\u003c\/h3\u003e\n\u003cp\u003eKomodo-X is the next evolution in the Komodo family, multiplying the frame rates, dynamic range, and usability of the original Komodo to break new grounds. Now supercharged by the Nikon Z mount.\u003c\/p\u003e\n\u003ch3\u003eNow With Nikon Z Mount\u003c\/h3\u003e\n\u003cp\u003eThe Komodo-X Z Mount, part of the new Z CINEMA Series, now features a native locking Nikon Z mount, introducing Nikon's latest optical innovations into the cinema market. Close coordination between Nikon and RED brings Z lenses into the cinema style shooting experience, with advanced features such as smooth iris control, customisable lens response, and adjustable auto focus speeds. Given the shallow flange depth, the Nikon Z mount is compatible with even more lens systems using third-party adapters.\u003c\/p\u003e\n\u003ch3\u003eNext Generation Komodo Sensor\u003c\/h3\u003e\n\u003cp\u003eKomodo-X features the same sized 6K S35 Global Shutter sensor as the Komodo, but with a ground up redesign and key architecture improvements.\u003c\/p\u003e\n\u003cp\u003eImproved detail and colour in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes Komodo-X an even more powerful tool for creatives.\u003c\/p\u003e\n\u003ch3\u003eEnhanced Body and I\/O\u003c\/h3\u003e\n\u003cp\u003eWith key improvements for professional workflows, the Komodo-X now shares many features with the DSMC3 line while still maintaining the impressively small Komodo form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\n\u003cp\u003eA reinforced Nikon Z lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. Komodo-X is also fully compatible with \/i PL lenses using the RED Z to PL Adapter.\u003c\/p\u003e\n\u003cp\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables Komodo-X to seamlessly integrate into any professional workflow. Komodo-X is compatible with DSMC3 RED 5-Pin to Single 3.5mm Adapter to support existing Komodo microphones, or the DSMC3 RED 5-Pin to Dual XLR Adapter for general purpose XLR microphones.\u003c\/p\u003e\n\u003cp\u003eAn integrated 2.9\" LCD allows for simplified control and image preview in compact setups. For more precise monitoring, Komodo-X supports the DSMC3 RED Touch 7.0\" LCD which provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.\u003c\/p\u003e\n\u003ch3\u003eIP Connected\u003c\/h3\u003e\n\u003cp\u003eKomodo-X is a powerful platform for any IP based workflow, from Virtual Production to Live Broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, Komodo-X supports frame-accurate PTP synchronisation or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.\u003c\/p\u003e\n\u003cp\u003eKomodo-X also supports RED Connect, a licensed feature that allows for live broadcasting of 6K images directly from the camera over IP, expanding RED's cinematic imagery into boundless new uses.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eNative Nikon Z Mount\u003c\/p\u003e\n\u003cp\u003e6K S35 Global Shutter Sensor\u003c\/p\u003e\n\u003cp\u003eSupports 6K 80P and 4K 120P\u003c\/p\u003e\n\u003cp\u003eReinforced Nikon Z Locking Mount\u003c\/p\u003e\n\u003cp\u003eIntegrated Micro V-Lock Battery\u003c\/p\u003e\n\u003cp\u003e12G SDI and USB Type-C Connectivity\u003c\/p\u003e\n\u003cp\u003eBuilt-in 2.9\" LCD Screen\u003c\/p\u003e\n\u003cp\u003eSupports DSMC3 RED Touch 7.0\" LCD\u003c\/p\u003e\n\u003cp\u003eIP Based Workflow for Remote Control\u003c\/p\u003e\n\u003cp\u003eRED Connect for Live 6K Broadcasting\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eKomodo-X Z Mount Camera\u003c\/p\u003e\n\u003cp\u003eDSMC AC Power Adaptor Pack (150W)\u003c\/p\u003e\n\u003cp\u003eRED Logo Sticker\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":46563095314599,"sku":"GC47-RED-710-0420","price":12134.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/RED-710-0420.jpg?v=1739522604"},{"product_id":"red-v-raptor-x-z-mount-starter-pack","title":"RED V-Raptor (X) Z Mount Starter Pack","description":"\u003ch3\u003eRED V-Raptor (X) Z Mount Starter Pack\u003c\/h3\u003e\n\u003cp\u003eV-Raptor [X] 8K VV combines the strengths of RED's two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-Raptor line combined with the global shutter advancements of Komodo, the V-Raptor [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED's newest 8K VV sensor, V-Raptor [X] leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a compact and feature rich body weighing just over 1.81 kg.\u003c\/p\u003e\n\u003ch3\u003eNow with Nikon Z Mount\u003c\/h3\u003e\n\u003cp\u003eThe V-Raptor [X] Z Mount, part of the new Z CINEMA Series, now features a native locking Nikon Z mount, introducing Nikon's latest optical innovations into the cinema market. Close coordination between Nikon and RED brings Z lenses into the cinema style shooting experience, with advanced features such as smooth iris control, customisable lens response, and adjustable auto focus speeds. Given the shallow flange depth, the Nikon Z mount is compatible with even more lens systems using third-party adapters.\u003c\/p\u003e\n\u003ch3\u003eThe New Standard\u003c\/h3\u003e\n\u003cp\u003eV-Raptor [X] is the first large format global shutter camera available. It is built off the same keystone features found in the original V-Raptor, such as 2x 12G SDI's capable of unique monitoring views, a locking Nikon Z mount for rigid and flexible lens selection, and CFexpress Type B media for up to 800MB\/s formats such as 8K 120P. In addition, improved in-camera audio pre-amps as well as a redesigned sensor cavity designed to mitigate stray light and improve contrast performance only further builds upon the V-Raptor legacy.\u003c\/p\u003e\n\u003ch3\u003eGlobal Vision\u003c\/h3\u003e\n\u003cp\u003eV-Raptor [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision's Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HDR finishes, or softer and more subtle highlight roll-off for SDR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrame or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.\u003c\/p\u003e\n\u003ch3\u003eIP Connected\u003c\/h3\u003e\n\u003cp\u003eAdditionally, the V-Raptor [X] and the DSMC3 platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e8K VV Global Shutter Sensor\u003c\/p\u003e\n\u003cp\u003eNative Locking Nikon Z Mount\u003c\/p\u003e\n\u003cp\u003eSupports 8K 120P \u0026amp; High Frame Rates\u003c\/p\u003e\n\u003cp\u003eDual 12G SDI for Unique Monitoring Views\u003c\/p\u003e\n\u003cp\u003eCFexpress Type B Media up to 800MB\/s\u003c\/p\u003e\n\u003cp\u003eEnhanced In-Camera Audio Pre-Amps\u003c\/p\u003e\n\u003cp\u003eRED Global Vision for Extended Highlights\u003c\/p\u003e\n\u003cp\u003ePhantom Track for Virtual Production\u003c\/p\u003e\n\u003cp\u003eIP Connectivity for Remote Control \u0026amp; Monitoring\u003c\/p\u003e\n\u003cp\u003eRED Connect for Live 8K R3D Video Over IP\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box: \u003c\/h3\u003e\n\u003cp\u003eRED V-Raptor (X) Z Mount Starter Pack\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED Touch 7\" LCD\u003c\/p\u003e\n\u003cp\u003eRED PRO CFexpress 2TB\u003c\/p\u003e\n\u003cp\u003eRED CFexpress Card Reader\u003c\/p\u003e\n\u003cp\u003eREDVOLT MICRO-V (V-Lock Variant Only)\u003c\/p\u003e\n\u003cp\u003eRED Compact Dual V-Lock Charger\u003c\/p\u003e\n\u003cp\u003eV-Raptor Tactical Top Plate w\/ Battery Adapter Plus (V-Lock)\u003c\/p\u003e\n\u003cp\u003eV-Raptor Top Handle w\/ Extensions\u003c\/p\u003e\n\u003cp\u003eV-Raptor Expander Blade\u003c\/p\u003e\n\u003cp\u003eV-Raptor Quick Release Platform Pack\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED 5-Pin to Dual XLR Adapter\u003c\/p\u003e\n\u003cp\u003eRED Production Grips (set of 2)\u003c\/p\u003e\n\u003cp\u003eV-Raptor Side Ribs\u003c\/p\u003e\n\u003cp\u003eV-Raptor Production Plates\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":46563095347367,"sku":"GC47-RED-710-0434","price":61194.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/RED-710-0434.jpg?v=1739522591"},{"product_id":"red-komodo-x-z-mount-production-pack-v-lock","title":"RED Komodo-X Z Mount Production Pack (V-Lock)","description":"\u003ch3\u003eRED Komodo-X Z Mount Production Pack (V-Lock)\u003c\/h3\u003e\n\u003cp\u003eKomodo-X is the next evolution in the Komodo family, multiplying the frame rates, dynamic range, and usability of the original Komodo to break new grounds. Now supercharged by the Nikon Z mount.\u003c\/p\u003e\n\u003ch3\u003eNow with Nikon Z Mount\u003c\/h3\u003e\n\u003cp\u003eThe Komodo-X Z Mount, part of the new Z CINEMA Series, now features a native locking Nikon Z mount, introducing Nikon's latest optical innovations into the cinema market. Close coordination between Nikon and RED brings Z lenses into the cinema style shooting experience, with advanced features such as smooth iris control, customisable lens response, and adjustable auto focus speeds. Given the shallow flange depth, the Nikon Z mount is compatible with even more lens systems using third-party adapters.\u003c\/p\u003e\n\u003ch3\u003eNext Generation Komodo Sensor\u003c\/h3\u003e\n\u003cp\u003eKomodo-X features the same sized 6K S35 Global Shutter sensor as the Komodo, but with a ground up redesign and key architecture improvements.\u003c\/p\u003e\n\u003cp\u003eImproved detail and colour in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes Komodo-X an even more powerful tool for creatives.\u003c\/p\u003e\n\u003cp\u003eEnhanced Body and I\/O\u003c\/p\u003e\n\u003cp\u003eWith key improvements for professional workflows, the Komodo-X now shares many features with the DSMC3 line while still maintaining the impressively small Komodo form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\n\u003cp\u003eA reinforced Nikon Z lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. Komodo-X is also fully compatible with \/i PL lenses using the RED Z to PL Adapter.\u003c\/p\u003e\n\u003cp\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables Komodo-X to seamlessly integrate into any professional workflow. Komodo-X is compatible with DSMC3 RED 5-Pin to Single 3.5mm Adapter to support existing Komodo microphones, or the DSMC3 RED 5-Pin to Dual XLR Adapter for general purpose XLR microphones.\u003c\/p\u003e\n\u003cp\u003eAn integrated 2.9\" LCD allows for simplified control and image preview in compact setups. For more precise monitoring, Komodo-X supports the e DSMC3 RED Touch 7.0\" LCD which provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.\u003c\/p\u003e\n\u003ch3\u003eIP Connected\u003c\/h3\u003e\n\u003cp\u003eKomodo-X is a powerful platform for any IP based workflow, from Virtual Production to Live Broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, Komodo-X supports frame-accurate PTP synchronisation or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.\u003c\/p\u003e\n\u003cp\u003eKomodo-X also supports RED Connect, a licensed feature that allows for live broadcasting of 6K images directly from the camera over IP, expanding RED's cinematic imagery into boundless new uses.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eNative Locking Nikon Z Mount\u003c\/p\u003e\n\u003cp\u003e6K S35 Global Shutter Sensor\u003c\/p\u003e\n\u003cp\u003eSupports 6K 80P and 4K 120P\u003c\/p\u003e\n\u003cp\u003eReinforced Nikon Z Mount Locking Mechanism\u003c\/p\u003e\n\u003cp\u003eIntegrated Micro V-Lock Battery Mount\u003c\/p\u003e\n\u003cp\u003e12G SDI and USB Type-C Connectivity\u003c\/p\u003e\n\u003cp\u003eBuilt-in 2.9\" LCD Screen\u003c\/p\u003e\n\u003cp\u003eSupports DSMC3 RED Touch 7.0\" LCD\u003c\/p\u003e\n\u003cp\u003eIP Based Workflow for Remote Control\u003c\/p\u003e\n\u003cp\u003eRED Connect for Live 6K Broadcasting\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box: \u003c\/h3\u003e\n\u003cp\u003eRED Komodo-X Z Mount Production Pack (V-Lock)\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED Touch 7\" LCD\u003c\/p\u003e\n\u003cp\u003eRED PRO CFexpress 1TB\u003c\/p\u003e\n\u003cp\u003eRED CFexpress Card Reader\u003c\/p\u003e\n\u003cp\u003eRED Pro V-Lock I\/O Module\u003c\/p\u003e\n\u003cp\u003eRED Compact Top Handle\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED 5-Pin to Dual XLR Adapter\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":46563095412903,"sku":"GC47-RED-710-0438","price":20804.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/RED-710-0438.jpg?v=1739522577"},{"product_id":"red-v-raptor-x-z-mount","title":"RED V-Raptor (X) Z Mount","description":"\u003ch3\u003eRED V-Raptor (X) Z Mount\u003c\/h3\u003e\n\u003cp\u003eV-Raptor [X] 8K VV combines the strengths of RED's two families of cameras into one powerful all-purpose workhorse. The frame rates, lowlight performance, and resolution of the V-Raptor line combined with the global shutter advancements of Komodo, the V-Raptor [X] 8K VV sensor is the culmination of the latest advancements in digital cinema image making. Using RED's newest 8K VV sensor, V-Raptor [X] leverages the benefits and flexibility of large format, global shutter, high framerate, 8K acquisition, all inside of a compact and feature rich body weighing just over 1.81 kg.\u003c\/p\u003e\n\u003ch3\u003eNow with Nikon Z Mount\u003c\/h3\u003e\n\u003cp\u003eThe V-Raptor [X] Z Mount, part of the new Z CINEMA Series, now features a native locking Nikon Z mount, introducing Nikon's latest optical innovations into the cinema market. Close coordination between Nikon and RED brings Z lenses into the cinema style shooting experience, with advanced features such as smooth iris control, customisable lens response, and adjustable auto focus speeds. Given the shallow flange depth, the Nikon Z mount is compatible with even more lens systems using third-party adapters.\u003c\/p\u003e\n\u003ch3\u003eThe New Standard\u003c\/h3\u003e\n\u003cp\u003eV-Raptor [X] is the first large format global shutter camera available. It is built off the same keystone features found in the original V-Raptor, such as 2x 12G SDI's capable of unique monitoring views, a locking Nikon Z mount for rigid and flexible lens selection, and CFexpress Type B media for up to 800MB\/s formats such as 8K 120P. In addition, improved in-camera audio pre-amps as well as a redesigned sensor cavity designed to mitigate stray light and improve contrast performance only further builds upon the V-Raptor legacy.\u003c\/p\u003e\n\u003ch3\u003eGlobal Vision\u003c\/h3\u003e\n\u003cp\u003eV-Raptor [X] 8K VV is pushed to new limits with the introduction of RED Global Vision, a new suite of tools that use the global shutter sensor to provide even more flexibility and ease of use throughout the production process. Global Vision's Extended Highlights allows the camera to see even further into highlight detail, providing more detail for HDR finishes, or softer and more subtle highlight roll-off for SDR. RED Global Vision also includes Phantom Track to streamline any Virtual Production environment employing GhostFrame or Frame Remapping, capturing distinct R3D clips per each sub-frame slice, as well as allowing for monitoring of either slice live on-set over each SDI.\u003c\/p\u003e\n\u003ch3\u003eIP Connected\u003c\/h3\u003e\n\u003cp\u003eAdditionally, the V-Raptor [X] and the DSMC3 platform features advanced connectivity solutions which enable applications such as remote control and monitoring, in-camera Frame.io integration, AWS direct upload, RED Connect for live 8K R3D video over IP or live 4K over SMPTE ST 2110, and more.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e8K VV Global Shutter Sensor\u003c\/p\u003e\n\u003cp\u003eNative Locking Nikon Z Mount\u003c\/p\u003e\n\u003cp\u003eSupports 8K 120P High Frame Rates\u003c\/p\u003e\n\u003cp\u003eDual 12G SDI for Unique Monitoring Views\u003c\/p\u003e\n\u003cp\u003eCFexpress Type B Media up to 800MB\/s\u003c\/p\u003e\n\u003cp\u003eEnhanced In-Camera Audio Pre-Amps\u003c\/p\u003e\n\u003cp\u003eRED Global Vision for Extended Highlights\u003c\/p\u003e\n\u003cp\u003ePhantom Track for Virtual Production Integration\u003c\/p\u003e\n\u003cp\u003eIP Connectivity for Remote Control and Monitoring\u003c\/p\u003e\n\u003cp\u003eRED Connect for Live 8K R3D Video Over IP\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box: \u003c\/h3\u003e\n\u003cp\u003eRED V-Raptor (X) Z Mount\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED Touch 7\" LCD\u003c\/p\u003e\n\u003cp\u003eRED PRO CFexpress 2TB\u003c\/p\u003e\n\u003cp\u003eRED CFexpress Card Reader\u003c\/p\u003e\n\u003cp\u003eREDVOLT MICRO-V (V-Lock Variant Only)\u003c\/p\u003e\n\u003cp\u003eRED Compact Dual V-Lock Charger\u003c\/p\u003e\n\u003cp\u003eV-Raptor Tactical Top Plate w\/ Battery Adapter Plus (V-Lock)\u003c\/p\u003e\n\u003cp\u003eV-Raptor Top Handle w\/ Extensions\u003c\/p\u003e\n\u003cp\u003eV-Raptor Expander Blade\u003c\/p\u003e\n\u003cp\u003eV-Raptor Quick Release Platform Pack\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED 5-Pin to Dual XLR Adapter\u003c\/p\u003e\n\u003cp\u003eRED Production Grips (set of 2)\u003c\/p\u003e\n\u003cp\u003eV-Raptor Side Ribs\u003c\/p\u003e\n\u003cp\u003eV-Raptor Production Plates\u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":46563095380135,"sku":"GC47-RED-710-0419","price":53589.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/RED-710-0419_77d132df-505b-46dd-9474-60cc03c1a681.jpg?v=1739522991"},{"product_id":"blackmagic-pyxis-12k-ef","title":"Blackmagic PYXIS 12K EF","description":"\u003ch3\u003eBlackmagic PYXIS 12K EF\u003c\/h3\u003e\n\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/h3\u003e\n\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colours and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features a Canon EF lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customisable side plates.\u003c\/p\u003e\n\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\n\n\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\n\n\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\n\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimised for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimising grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\n\u003ch3\u003eOptional Pro Handle and Pro Grip\u003c\/h3\u003e\n\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\n\n\u003ch3\u003eCustomisable Rigging\u003c\/h3\u003e\n\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminium, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\n\n\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/p\u003e\n\u003cp\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customisable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/p\u003e\n\n\u003ch3\u003ePost-Production-Friendly Formats\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and colour control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\n\n\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\n\n\u003ch3\u003eLive Syncing to Blackmagic Cloud\u003c\/h3\u003e\n\u003cp\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/p\u003e\n\u003cp\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Streaming\u003c\/h3\u003e\n\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\n\n\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/p\u003e\n\u003cp\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/p\u003e\n\u003cp\u003eA Reference\/Timecode input port syncs your sources. \u003c\/p\u003e\n\u003cp\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/p\u003e\n\u003cp\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/p\u003e\n\u003cp\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eLarge-Format Full-Frame 12K Sensor\u003c\/p\u003e\n\u003cp\u003e16 Stops of Dynamic Range\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW up to 12K 3:2 Open Gate\u003c\/p\u003e\n\u003cp\u003eBuilt-In Optical Low-Pass Filter\u003c\/p\u003e\n\u003cp\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/p\u003e\n\u003cp\u003eCompact Form with Switchable Side Plates\u003c\/p\u003e\n\u003cp\u003e4\" HDR LCD Touchscreen\u003c\/p\u003e\n\u003cp\u003e10GbE Ethernet Port, 10GHDBase-T Support\u003c\/p\u003e\n\u003cp\u003eHFR Button \u0026amp; Three Assignable Shortcuts\u003c\/p\u003e\n\u003cp\u003eMini-XLR \u0026amp; 3.5mm Audio Inputs\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic PYXIS 12K EF\u003c\/p\u003e\n\u003cp\u003eLen Mount Cap\u003c\/p\u003e\n\u003cp\u003ePYXIS Standard Mounting Plate\u003c\/p\u003e\n\u003cp\u003ePYXIS SSD Mounting Plate\u003c\/p\u003e\n\u003cp\u003ePower Supply with International Adapters (90W)\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio Activation Key\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46712942657703,"sku":"GC50-CINECAMCPYXN12LFEF","price":7105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC50-CINECAMCPYXN12LFEF-1.jpg?v=1744369467"},{"product_id":"blackmagic-pyxis-12k","title":"Blackmagic PYXIS 12K","description":"\u003ch3\u003eBlackmagic PYXIS 12K\u003c\/h3\u003e\n\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/h3\u003e\n\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colours and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features a native, active Leica L lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customisable side plates.\u003c\/p\u003e\n\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\n\n\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\n\n\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\n\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimised for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimising grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\n\u003ch3\u003eOptional Pro Handle and Pro Grip\u003c\/h3\u003e\n\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\n\n\u003ch3\u003eCustomisable Rigging\u003c\/h3\u003e\n\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminium, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\n\n\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/p\u003e\n\u003cp\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customisable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/p\u003e\n\n\u003ch3\u003ePost-Production-Friendly Formats\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and colour control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\n\n\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\n\n\u003ch3\u003eLive Syncing to Blackmagic Cloud\u003c\/h3\u003e\n\u003cp\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/p\u003e\n\u003cp\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Streaming\u003c\/h3\u003e\n\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\n\n\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/p\u003e\n\u003cp\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/p\u003e\n\u003cp\u003eA Reference\/Timecode input port syncs your sources. \u003c\/p\u003e\n\u003cp\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/p\u003e\n\u003cp\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/p\u003e\n\u003cp\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eLarge-Format Full-Frame 12K Sensor\u003c\/p\u003e\n\u003cp\u003e16 Stops of Dynamic Range\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW up to 12K 3:2 Open Gate\u003c\/p\u003e\n\u003cp\u003eBuilt-In Optical Low-Pass Filter\u003c\/p\u003e\n\u003cp\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/p\u003e\n\u003cp\u003eCompact Form with Switchable Side Plates\u003c\/p\u003e\n\u003cp\u003e4\" HDR LCD Touchscreen\u003c\/p\u003e\n\u003cp\u003e10GbE Ethernet Port, 10GHDBase-T Support\u003c\/p\u003e\n\u003cp\u003eHFR Button \u0026amp; Three Assignable Shortcuts\u003c\/p\u003e\n\u003cp\u003eMini-XLR \u0026amp; 3.5mm Audio Inputs\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic PYXIS 12K\u003c\/p\u003e\n\u003cp\u003eLen Mount Cap\u003c\/p\u003e\n\u003cp\u003ePYXIS Standard Mounting Plate\u003c\/p\u003e\n\u003cp\u003ePYXIS SSD Mounting Plate\u003c\/p\u003e\n\u003cp\u003ePower Supply with International Adapters (90W)\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio Activation Key\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46712942723239,"sku":"GC50-CINECAMCPYXM12LFL","price":7100.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC50-CINECAMCPYXM12LFL-1.jpg?v=1744369446"},{"product_id":"blackmagic-pyxis-12k-pl","title":"Blackmagic PYXIS 12K PL","description":"\u003ch3\u003eBlackmagic PYXIS 12K PL\u003c\/h3\u003e\n\u003ch3\u003eEasy-to-Rig 12K Full-Frame Camera\u003c\/h3\u003e\n\u003cp\u003eThe Blackmagic Design PYXIS 12K Cinema Box Camera combines a full-frame 12K RGBW sensor that captures rich colours and accurate skin tones with the compact, versatile design of the PYXIS 6K camera. It features an ARRI PL lens mount, a 36 x 24mm sensor, a wide 16-stop dynamic range, and customisable side plates.\u003c\/p\u003e\n\u003ch3\u003eLarge-Format Digital Film Sensor\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K's massive 24 x 36mm full-frame RGBW sensor boasts a native 12,288 x 8040 resolution, letting you create shallow depth of field or use anamorphic lenses without cropping for a truly cinematic look. A 16-stop dynamic range with dual-native ISO up to 25,600 ensures low-noise imagery in all lighting conditions.\u003c\/p\u003e\n\u003ch3\u003eFlexible Film Formats\u003c\/h3\u003e\n\u003cp\u003eWork in a variety of film formats and aspect ratios without sacrificing quality, thanks to the large sensor. You can also work in true 6:5 anamorphic without needing to crop for widescreen cinematics. Use a Super 35-sized window to create an instant close-up version of your open-gate shot.\u003c\/p\u003e\n\n\u003ch3\u003eMultiple Resolutions and Frame Rates\u003c\/h3\u003e\n\u003cp\u003eShoot in standard video resolutions and frame rates from HD to 12K using the PYXIS 12K with the ability to capture in 12K, 8K, or 4K at the full sensor size. Available resolutions include up to 40 fps at 12,288 x 8040 3:2 open gate, 60 fps at 12,288 x 5112 2.4:1, and 112 fps at 8192 x 3408 8K. There's even an HFR (high framerate) button for quickly switching to your rate without having to access the menu.\u003c\/p\u003e\n\n\u003ch3\u003eHDR Imagery and Dual-Native ISO\u003c\/h3\u003e\n\u003cp\u003eThe wide 16-stop dynamic range preserves more detail in both the lightest and darkest areas of your image. Set the exposure for an indoor scene while retaining details in the bright outdoor light coming through a window. Optimised for ISO 800, the PYXIS 12K offers ISOs of 200 to 3200 and a maximum ISO 25,600, minimising grain and noise in your images while maintaining the full dynamic range of the sensor.\u003c\/p\u003e\n\u003ch3\u003eOptional Pro Handle and Pro Grip\u003c\/h3\u003e\n\u003cp\u003eUse the new Pro Handle and\/or Pro Grip to transform your PYXIS 12K into an ENG-style camera for fast, run-and-gun capture. The Pro Handle features an OLED, daylight-visible HD viewfinder, a zoom rocker with recording run\/stop, and a stereo microphone. The Pro Grip also provides a zoom rocker with run\/stop plus a handgrip for secure handheld capture.\u003c\/p\u003e\n\n\u003ch3\u003eCustomisable Rigging\u003c\/h3\u003e\n\u003cp\u003eCrafted from lightweight yet robust aerospace-grade aluminium, the easy-to-rig PYXIS 12K features multiple 1\/4\"-20 and 3\/8\"-16 threads for mounting it on a gimbal, crane, or drone. It also has a range of side plates designed for attaching handgrips, SSD recorders, microphones, and more. It includes a side plate with one 3\/8\"-16 and two 1\/4\"-20 threads and an SSD plate with an optional rosette plate with additional threads available separately.\u003c\/p\u003e\n\n\u003ch3\u003eLCD Monitor and Onboard Controls\u003c\/h3\u003e\n\u003cp\u003eUse the built-in 4\" LCD touchscreen to monitor and review your shots on set. This full HD-resolution, HDR-compatible screen lets you frame and focus without requiring an additional external unit. A maximum brightness of 1500 cd\/m ensures visibility even in bright sunlit conditions. On-screen overlays show status and recording parameters, histograms, levels, frame guides, and 3D LUTS, among other tools.\u003c\/p\u003e\n\u003cp\u003eOnboard controls allow you to toggle functions like ISO, white balance, and shutter with ease. A scroll wheel makes quick adjustments, and three customisable function buttons can tailor your workflow to your preference. The controls can be locked to avoid accidental pressing during shooting.\u003c\/p\u003e\n\n\u003ch3\u003ePost-Production-Friendly Formats\u003c\/h3\u003e\n\u003cp\u003eThe PYXIS 12K records in Blackmagic RAW, preserving detail, exposure, and colour control during post-production. It can also record H.264 proxy files in real time for easy sharing. Blackmagic RAW works with Apple Metal, CUDA, and OpenCL, and its media files work on all operating systems.\u003c\/p\u003e\n\n\u003ch3\u003eMultiple Recording Options\u003c\/h3\u003e\n\u003cp\u003eTwo built-in CFExpress Type-B card slots and a USB-C expansion port allow you to record directly to external flash media disks or SSDs. The high speed of CFexpress cards lets you capture an hour plus in 6K on a single 256GB card.\u003c\/p\u003e\n\n\u003ch3\u003eLive Syncing to Blackmagic Cloud\u003c\/h3\u003e\n\u003cp\u003eNews and live event content creators will appreciate the ability to shoot and edit in near real-time using Blackmagic Cloud and the PYXIS 12K's proxy files.\u003c\/p\u003e\n\u003cp\u003eUsers anywhere in the world can upload proxy footage and have their editors start working on scenes almost instantly.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Streaming\u003c\/h3\u003e\n\u003cp\u003eLive stream directly from the PYXIS 12K on set to a secondary location via SRT and RTMP protocols. Compatible platforms like YouTube, Facebook, and X can support signals from the PYXIS 12K for live event production. To share content internally, use an ATEM Streaming Bridge for a wireless link back to the studio.\u003c\/p\u003e\n\n\u003ch3\u003eExpansive Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe front of the PYXIS 12K boasts a USB-C port for the Blackmagic URSA Cine EVF and a mini 3-pin XLR analog audio input with +48V Phantom power for microphone integration.\u003c\/p\u003e\n\u003cp\u003eThe back of the PYXIS 12K has a headphone monitoring jack and an additional 3.5mm microphone input. Use the USB-C port at the back of the camera to connect to recording devices or mobile data. A 12G-SDI output integrates a secondary monitor.\u003c\/p\u003e\n\u003cp\u003eA Reference\/Timecode input port syncs your sources. \u003c\/p\u003e\n\u003cp\u003eUse the fast RJ45 10 GbE Ethernet port supporting up to 10GBase-T to upload footage to Blackmagic Cloud or control the camera remotely.\u003c\/p\u003e\n\u003cp\u003ePower the PYXIS 12K using the locking 2-pin DC power connector or the Sony BP-U battery plate.\u003c\/p\u003e\n\u003cp\u003eDownload the Blackmagic Camera Control app for wireless Bluetooth control from up to 30' away.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eLarge-Format Full-Frame 12K Sensor\u003c\/p\u003e\n\u003cp\u003e16 Stops of Dynamic Range\u003c\/p\u003e\n\u003cp\u003eBlackmagic RAW up to 12K 3:2 Open Gate\u003c\/p\u003e\n\u003cp\u003eBuilt-In Optical Low-Pass Filter\u003c\/p\u003e\n\u003cp\u003eTwo CFexpress Card Slots, USB-C Port\u003c\/p\u003e\n\u003cp\u003eCompact Form with Switchable Side Plates\u003c\/p\u003e\n\u003cp\u003e4\" HDR LCD Touchscreen\u003c\/p\u003e\n\u003cp\u003e10GbE Ethernet Port, 10GHDBase-T Support\u003c\/p\u003e\n\u003cp\u003eHFR Button \u0026amp; Three Assignable Shortcuts\u003c\/p\u003e\n\u003cp\u003eMini-XLR \u0026amp; 3.5mm Audio Inputs\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic PYXIS 12K PL\u003c\/p\u003e\n\u003cp\u003eLen Mount Cap\u003c\/p\u003e\n\u003cp\u003ePYXIS Standard Mounting Plate\u003c\/p\u003e\n\u003cp\u003ePYXIS SSD Mounting Plate\u003c\/p\u003e\n\u003cp\u003ePower Supply with International Adapters (90W)\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio Activation Key\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46712942690471,"sku":"GC50-CINECAMCPYXO12LFPL","price":7105.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC50-CINECAMCPYXO12LFPL-1.jpg?v=1744369424"},{"product_id":"blackmagic-ursa-cine-17k-65-body","title":"Blackmagic URSA Cine 17K 65 Body","description":"\u003ch3\u003eBlackmagic URSA Cine 17K 65 Body\u003c\/h3\u003e\n\u003cp\u003eGet ready for big and bold cinema with the Blackmagic Design URSA Cine 17K 65 digital cinema camera. This 17K cinema camera provides a brand-new large-format 65mm RGBW sensor with 17,520 x 8040 resolution and numerous improvements over the URSA Cine 12K. Interchangeable lens mounts, built-in OLPF, 8TB storage, built-in live streaming, Generation 5 colour science, and integration with the Blackmagic Cloud and the Blackmagic cinema ecosystem.\u003c\/p\u003e\n\u003ch3\u003eNew 17K Sensor\u003c\/h3\u003e\n\u003cp\u003eThe new URSA Cine 17K 65 camera features a new 65mm sensor designed for high-quality images at all resolutions from 4K to a massive 17K. The larger sensor builds on URSA Mini Pro 12K technology with 16 stops of dynamic range. The RGBW architecture provides equal amounts of red, green, and blue pixels to deliver rich colours at all resolutions.\u003c\/p\u003e\n\u003ch3\u003eStorage Options\u003c\/h3\u003e\n\u003cp\u003eBlackmagic Media Dock accelerates post-production workflow by making it faster and simpler to start editing and colour correction. You can mount up to three Blackmagic Media Modules for high-speed access to media from multiple URSA Cine cameras, all at the same time.\u003c\/p\u003e\n\u003cp\u003eThe URSA Cine 17K records to the included Blackmagic Media Module 8TB, allowing customers to capture over four hours of Blackmagic RAW in 17K using the full 65mm sensor aperture or up to 20 hours in 4K. You can also use the optional Blackmagic Media Module CF, which has dual CFexpress slots.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Cloud Storage\u003c\/h3\u003e\n\u003cp\u003eThe URSA Cine 17K features built-in ultrafast Cloud Store technology, allowing customers to record at the highest resolutions and frame rates for hours and access their files directly over high-speed 10G Ethernet. It supports creating a small H.264 proxy file in addition to the camera's original media for upload to Blackmagic Cloud in seconds, so their media is available back at the studio in real time.\u003c\/p\u003e\n\u003ch3\u003eLens Options\u003c\/h3\u003e\n\u003cp\u003eThe lens mount is user-interchangeable between PL, LPL, EF, and Hasselblad mounts. A PL lens mount comes preinstalled on the camera body. Each mount has contact pins to read lens metadata for monitoring and post-production.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In OLPF\u003c\/h3\u003e\n\u003cp\u003eThe camera includes a high-performance, optical low-pass filter that is precisely matched to the sensor. The OLPF also incorporates updated IR filtering that improves far red colour response, which, when combined with Blackmagic RAW processing for the URSA Cine 17K, preserves colour and critical image detail for new levels of image fidelity.\u003c\/p\u003e\n\u003ch3\u003eBlackmagic Raw Capture\u003c\/h3\u003e\n\u003cp\u003eBlackmagic RAW is a format designed to capture and preserve the quality of the sensor data from your camera. Blackmagic RAW files store camera metadata, lens data, white balance, digital slate information, and custom LUTs to ensure consistency of image on set and through post-production. URSA Cine records to the included Blackmagic Media Module 8TB, allowing you to capture over 4 hours of Blackmagic RAW in 12K or 20 hours in 4K.\u003c\/p\u003e\n\u003ch3\u003eBuilt-In ND Filters\u003c\/h3\u003e\n\u003cp\u003eThe URSA Cine features high-quality built-in ND filters that let you quickly reduce the amount of light entering the camera. Designed to match the colourimetry and colour science of the camera, the 2, 4, and 6-stop filters provide you with additional latitude even under harsh lighting. The IR filters have been designed to filter both optical wavelengths and IR wavelengths evenly to eliminate IR contamination of the images from which many ND filters can suffer.\u003c\/p\u003e\n\u003ch3\u003eMonitoring Options\u003c\/h3\u003e\n\u003cp\u003eThere is a large foldout 5\" HDR touchscreen monitor on one side and an external colour status LCD on the other. There is also a second 5\" HDR touchscreen, allowing the crew to work around the camera without needing external monitors. There's even a dedicated focus puller mode to help customers get perfect focus. The URSA Cine 17K supports the optional Blackmagic URSA Cine EVF to make outdoor and handheld shooting accurate and easy.\u003c\/p\u003e\n\u003ch3\u003eAccessory and Control Ports\u003c\/h3\u003e\n\u003cp\u003eThe 7-pin LEMO and 3-pin Fischer connectors on the front of the camera provide record start\/stop and 24V power and are ideal for onboard accessories such as focus motors.\u003c\/p\u003e\n\u003ch3\u003eWireless Bluetooth Control\u003c\/h3\u003e\n\u003cp\u003eIf you're positioning the camera on the end of a jib or gimbal, you can get full control from up to 30' away using Bluetooth. The Blackmagic Camera Control app for iPad or third-party apps such as Bluetooth+ or tRigger can control the camera from your iOS and Android devices. A free developer SDK with sample code is also available from the Blackmagic Design developer website, so you can create your own remote camera control and digital slate solutions.\u003c\/p\u003e\n\u003ch3\u003ePost-Production Workflows\u003c\/h3\u003e\n\u003cp\u003eThere are three main post-production workflows that the URSA Cine 17K supports:\u003c\/p\u003e\n\u003cp\u003eYou can record to the internal Blackmagic Media Module.\u003c\/p\u003e\n\u003cp\u003eIf you're offline, you can browse media and manually select which clips you want to upload later.\u003c\/p\u003e\n\u003cp\u003eLive Sync your DaVinci Resolve project with Blackmagic Cloud. As the camera is recording, the media will continuously upload and sync to all DaVinci users on that project.\u003c\/p\u003e\n\u003ch3\u003eStreaming Options\u003c\/h3\u003e\n\u003cp\u003eYou can live stream directly from the camera using its hardware streaming engine, which supports RTMP and SRT streaming to major platforms or directly to clients. Simply connect to the internet via Ethernet, high-speed Wi-Fi, or even connect a 4G or 5G connection for mobile data.\u003c\/p\u003e\n\u003ch3\u003eAmple Power\u003c\/h3\u003e\n\u003cp\u003eAn 8-pin LEMO connector on the back of the camera is compatible with 24V and 12V power supplies, so you can use new or existing ways to power your camera. A 250W power supply and a B-mount battery plate are available as separate options, so customers can use a wide range of high-voltage batteries from manufacturers such as IDX, Blueshape, Core SWX, BEBOB, and more. There's also an additional 12V 2-pin LEMO output on the rear of the camera to power lower-voltage accessories.\u003c\/p\u003e\n\u003ch3\u003eVersatile Body Design\u003c\/h3\u003e\n\u003cp\u003eThe evenly weighted camera body is built with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate composite skin to help customers move quickly on set.\u003c\/p\u003e\n\u003ch3\u003eLocalised in 13 Languages\u003c\/h3\u003e\n\u003cp\u003eWhen setting up your camera, you can choose to work in English, German, French, Spanish, Portuguese, Italian, Polish, Russian, Ukrainian, Turkish, Chinese, Japanese, or Korean. It's easy to switch to another language, and it will display that language on all on-screen overlays, setup menus, and monitoring information in the selected language.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e17K 65mm RGBW 17,520 x 8040 CMOS Sensor\u003c\/p\u003e\n\u003cp\u003ePL (Included), LPL, EF \u0026amp; HC Lens Options\u003c\/p\u003e\n\u003cp\u003e16-Stop Dynamic Range\u003c\/p\u003e\n\u003cp\u003e5\" Foldout HDR Touchscreen\u003c\/p\u003e\n\u003cp\u003eLEMO\/Fisher for Power\/Remote Control\u003c\/p\u003e\n\u003cp\u003e12G-SDI Output, XLR Audio Inputs, USB-C\u003c\/p\u003e\n\u003cp\u003eEthernet\/Wi-Fi\/Optional Mobile Streaming\u003c\/p\u003e\n\u003cp\u003eOptional B-Mount Battery Plate\u003c\/p\u003e\n\u003cp\u003eCarbon Fiber \u0026amp; Magnesium Alloy Body\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic URSA Cine 17K 65 Body\u003c\/p\u003e\n\u003cp\u003ePL Mount (Preinstalled)\u003c\/p\u003e\n\u003cp\u003eMedia Module (8TB)\u003c\/p\u003e\n\u003cp\u003eWi-Fi Antenna Set\u003c\/p\u003e\n\u003cp\u003ePL Body Cap\u003c\/p\u003e\n\u003cp\u003eDaVinci Resolve Studio License (Download)\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":46712942985383,"sku":"GC50-CINEURSAAD17K65ABDY","price":26625.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC50-CINEURSAA17K65BODY-1.jpg?v=1744369176"},{"product_id":"blackmagic-ursa-cine-immersive-camera","title":"Blackmagic URSA Cine Immersive Camera","description":"\u003ch3\u003eBlackmagic URSA Cine Immersive Camera\u003c\/h3\u003e\n\u003cp\u003eEnter the realm of 180° media with the URSA Cine Immersive Camera from Blackmagic Design. The innovative cinema camera boasts Apple Immersive Video support with dual 8160 x 7200 58.7MP sensors capable of capturing immersive 8K images at up to 90 fps and with a whopping 16 stops of dynamic range. The camera is equipped with a wide range of connectivity options, including 12G-SDI, 10G Ethernet, USB-C, and XLR for high-end professional audio capture. It records Blackmagic RAW files and has a convenient fold-out 5\" touchscreen monitor with HDR support.\u003c\/p\u003e\n\u003cp\u003eA set of antennas is included for high-speed Wi-Fi capability, along with a digital download code for DaVinci Resolve Studio editing software. Designed with a robust magnesium alloy chassis and lightweight carbon fiber polycarbonate skin, the URSA Cine Immersive provides reliability and easy mobility around the studio and on location. Power may be supplied via the integrated 8-pin LEMO connector on the rear of the camera using optional 12 and 24V power supplies or via the included B-mount battery plate when employing separately available high-voltage batteries like IDX, Blueshape, Core SWX, BEBOB, and more.\u003c\/p\u003e\n\u003ch3\u003eURSA Cine Immersive at a Glance\u003c\/h3\u003e\n\u003cp\u003eDual custom lenses for shooting Apple Immersive Video for Apple Vision Pro\u003c\/p\u003e\n\u003cp\u003eDual 8160 x 7200 (58.7MP) sensors for stereoscopic 3D immersive image capture\u003c\/p\u003e\n\u003cp\u003e16 stops of dynamic range\u003c\/p\u003e\n\u003cp\u003eLightweight, robust camera body with industry-standard connections\u003c\/p\u003e\n\u003cp\u003eGeneration 5 Colour Science with new film curve\u003c\/p\u003e\n\u003cp\u003eEach sensor supports 90 fps at 8K captured to a single Blackmagic RAW file\u003c\/p\u003e\n\u003cp\u003eIncludes high-performance Blackmagic Media Module 8TB for recording\u003c\/p\u003e\n\u003cp\u003eHigh-speed Wi-Fi, 10G Ethernet, or mobile data for network connections\u003c\/p\u003e\n\u003ch3\u003eDaVinci Resolve Immersive Features\u003c\/h3\u003e\n\u003cp\u003eMonitoring on Apple Vision Pro from the DaVinci Resolve Studio timeline\u003c\/p\u003e\n\u003cp\u003eEdit Blackmagic RAW Immersive video shot on URSA Cine Immersive\u003c\/p\u003e\n\u003cp\u003eImmersive video viewer for pan, tilt, and roll\u003c\/p\u003e\n\u003cp\u003eComplete post-production workflow for Immersive with edit, Colour, audio, and graphics\u003c\/p\u003e\n\u003cp\u003eExport and deliver native files for viewing on Apple Vision Pro\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eApple Immersive Video Support\u003c\/p\u003e\n\u003cp\u003eDual 8160 x 7200 58.7MP Sensors\u003c\/p\u003e\n\u003cp\u003e180° Media Format\u003c\/p\u003e\n\u003cp\u003e8K Captured at up to 90 fps Supported\u003c\/p\u003e\n\u003cp\u003e16 Stops of Dynamic Range\u003c\/p\u003e\n\u003cp\u003eFold-Out 5\" HDR Touchscreen Monitor\u003c\/p\u003e\n\u003cp\u003e12G-SDI\/Ethernet\/USB-C\/XLR Connectivity\u003c\/p\u003e\n\u003cp\u003eMagnesium Alloy \u0026amp; Carbon Fiber Build\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eBlackmagic URSA Cine Immersive Camera\u003c\/p\u003e\n\u003cp\u003eBlackmagic Media Module (8TB)\u003c\/p\u003e\n\u003cp\u003eAntenna\u003c\/p\u003e\n\u003cp\u003eB-Mount Battery Plate\u003c\/p\u003e\n\u003cp\u003e250W Power Supply\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":47006916116647,"sku":"GC50-CINEURSAAF24DS\/IMA1","price":38010.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC50-CINEURSAA24DS-IM.jpg?v=1756961767"},{"product_id":"red-digital-cinema-v-raptor-xe-8k-vv-camera","title":"RED Digital Cinema V-RAPTOR XE 8K VV Camera","description":"\u003ch3\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera\u003c\/h3\u003e\n\u003ch3\u003eFlagship Image Quality, Streamlined for Essentials\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XE 8K VV Camera from RED Digital Cinema delivers the 8K global shutter and compact design of the V-RAPTOR X, while focusing on the core features essential to modern filmmaking. Built on RED's DSMC3 platform, the XE provides a large-format VV sensor in a lightweight 1.81 kg body, capturing 8K video in up to 60 fps with 17+ stops of dynamic range. Balancing high-end performance with class-leading value, the XE omits advanced Global Vision features like Phantom Track and Extended Highlights, but retains the same image quality, workflow flexibility, and robust connectivity that define RED's V-RAPTOR line.\u003c\/p\u003e\n\u003cp\u003eFilmmakers benefit from the global shutter's 8 ms shutter scan time, advanced autofocus with face detection, simultaneous ProRes proxy recording, and dual 12G-SDI outputs for discrete monitoring. Compact, rugged, and ready for a variety of rig configurations, the XE is a cost-effective solution for productions requiring RED's flagship sensor technology.\u003c\/p\u003e\n\u003ch3\u003e8K VV Sensor with Global Shutter\u003c\/h3\u003e\n\u003cp\u003eThe 35.4MP large-format VV sensor features a global shutter, eliminating the artifacts produced by rolling shutters in scenes with rapid motion or flashing lights. With a scan time of just 8 ms, the XE ensures distortion-free motion capture while maintaining full detail, contrast, and dynamic range across every frame. The XE provides a multitude of resolution and frame-rate options, capturing 17:9 footage up to 8192 x 4320 when utilising its entire VV sensor.\u003c\/p\u003e\n\u003ch3\u003eIntelligent Autofocus\u003c\/h3\u003e\n\u003cp\u003ePowered by in-camera processing, on-sensor phase detection, and advanced face detection, the V-RAPTOR XE provides all levels of filmmakers with precise, automatic focus control in a wide range of environments.\u003c\/p\u003e\n\u003ch3\u003eDynamic Range\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XE delivers 17+ stops of dynamic range, with REDCODE Raw preserving fine detail in both extreme highlights and deep shadows. With class-leading performance in low light, the XE maintains saturation in shadows while reducing fixed pattern noise.\u003c\/p\u003e\n\u003ch3\u003eFlexible Video Recording\u003c\/h3\u003e\n\u003cp\u003eSporting a single CFexpress Type B card slot, the XE records internally to a compatible media card with data rates topping out at 800 MB\/s. With support for REDCODE Raw HQ recording, the XE ensures post-production flexibility for colour grading, cropping, and visual effects. Simultaneous proxy recording and alternative format options ensure smooth integration with existing workflows.\u003c\/p\u003e\n\u003cp\u003eR3D format ensures maximum latitude and post-production flexibility\u003c\/p\u003e\n\u003cp\u003eSimultaneous ProRes proxy recording for a streamlined editorial process\u003c\/p\u003e\n\u003cp\u003eDedicated ProRes 4444 XQ recording up to 4K120\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Controls and Monitoring\u003c\/h3\u003e\n\u003cp\u003eWith multiple monitoring outputs and comprehensive on-body controls, the XE ensures efficient operation on set and in the field. Built into the right side of the camera, the control interface features a 2.4\" LCD screen with easily navigable menus, providing an AC or camera operator with comprehensive control over in-camera format selection and other important functions. Dual 12G-SDI ports deliver unique monitoring views, while a USB-C port outputs data at up to 250 MB\/s.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Connectivity\u003c\/h3\u003e\n\u003cp\u003eSupporting both wired and wireless IP connectivity, the XE allows cloud-based collaboration and app-based remote camera control. When used with RED's Z to PL Adapter with electronic ND filters, the XE allows ND strength to be continuously adjusted over Wi-Fi in fine increments of 1\/100 of a stop.\u003c\/p\u003e\n\u003cp\u003eDirect integration with Frame.io and AWS (Amazon Web Services)\u003c\/p\u003e\n\u003cp\u003eCompatible with RED Control and RED Control Pro Apps for wireless monitoring and operation\u003c\/p\u003e\n\u003cp\u003eAdjust camera settings from remote locations via Wi-Fi connection\u003c\/p\u003e\n\u003ch3\u003eRugged DSMC3 Design\u003c\/h3\u003e\n\u003cp\u003eSharing the same form factor as the V-RAPTOR X, the XE's lightweight 1.81 kg aluminium alloy body ensures durability without sacrificing mobility. Its advanced thermal management system maintains the camera's optimal internal temperature, preventing both overheating and overcooling.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eGlobal Shutter Full-Frame VV Sensor\u003c\/p\u003e\n\u003cp\u003eLightweight \u0026amp; Compact DSMC3 Design\u003c\/p\u003e\n\u003cp\u003eSupports up to 8K60, 800 MB\/s Video\u003c\/p\u003e\n\u003cp\u003e17+ Stops of Dynamic Range\u003c\/p\u003e\n\u003cp\u003eRight-Side Assistant's User Interface\u003c\/p\u003e\n\u003cp\u003eREDCODE Raw HQ \u0026amp; ProRes 4444 XQ Options\u003c\/p\u003e\n\u003cp\u003e8 ms Shutter Scan Time | Advanced AF\u003c\/p\u003e\n\u003cp\u003eSimultaneous ProRes Proxy Recording\u003c\/p\u003e\n\u003cp\u003eUSB-C \u0026amp; Dual 12G-SDI Ports\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eRED Digital Cinema V-RAPTOR XE 8K VV Camera\u003c\/p\u003e\n\u003cp\u003eDSMC 150W AC Power Adapter\u003c\/p\u003e","brand":"RED","offers":[{"title":"Nikon Z","offer_id":47032932958375,"sku":"GC47-RED-710-0444","price":27049.0,"currency_code":"AUD","in_stock":true},{"title":"Canon RF","offer_id":47032932991143,"sku":"GC47-RED-710-0449","price":27049.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC47-RED-710-0444_1.jpg?v=1757577313"},{"product_id":"red-digital-cinema-v-raptor-xe-cine-essentials-pack","title":"RED Digital Cinema V-RAPTOR XE Cine Essentials Pack","description":"\u003ch3\u003eRED Digital Cinema V-RAPTOR XE Cine Essentials Pack\u003c\/h3\u003e\n\u003ch3\u003eFlagship Image Quality, Streamlined for Essentials\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XE 8K VV Camera from RED Digital Cinema delivers the 8K global shutter and compact design of the V-RAPTOR X, while focusing on the core features essential to modern filmmaking. Built on RED's DSMC3 platform, the XE provides a large-format VV sensor in a lightweight 1.81 kg body, capturing 8K video in up to 60 fps with 17+ stops of dynamic range. Balancing high-end performance with class-leading value, the XE omits advanced Global Vision features like Phantom Track and Extended Highlights, but retains the same image quality, workflow flexibility, and robust connectivity that define RED's V-RAPTOR line.\u003c\/p\u003e\n\u003cp\u003eFilmmakers benefit from the global shutter's 8 ms shutter scan time, advanced autofocus with face detection, simultaneous ProRes proxy recording, and dual 12G-SDI outputs for discrete monitoring. Compact, rugged, and ready for a variety of rig configurations, the XE is a cost-effective solution for productions requiring RED's flagship sensor technology.\u003c\/p\u003e\n\u003ch3\u003e8K VV Sensor with Global Shutter\u003c\/h3\u003e\n\u003cp\u003eThe 35.4MP large-format VV sensor features a global shutter, eliminating the artifacts produced by rolling shutters in scenes with rapid motion or flashing lights. With a scan time of just 8 ms, the XE ensures distortion-free motion capture while maintaining full detail, contrast, and dynamic range across every frame. The XE provides a multitude of resolution and frame-rate options, capturing 17:9 footage up to 8192 x 4320 when utilising its entire VV sensor.\u003c\/p\u003e\n\u003ch3\u003eIntelligent Autofocus\u003c\/h3\u003e\n\u003cp\u003ePowered by in-camera processing, on-sensor phase detection, and advanced face detection, the V-RAPTOR XE provides all levels of filmmakers with precise, automatic focus control in a wide range of environments.\u003c\/p\u003e\n\u003ch3\u003eDynamic Range\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR XE delivers 17+ stops of dynamic range, with REDCODE Raw preserving fine detail in both extreme highlights and deep shadows. With class-leading performance in low light, the XE maintains saturation in shadows while reducing fixed pattern noise.\u003c\/p\u003e\n\u003ch3\u003eFlexible Video Recording\u003c\/h3\u003e\n\u003cp\u003eSporting a single CFexpress Type B card slot, the XE records internally to a compatible media card with data rates topping out at 800 MB\/s. With support for REDCODE Raw HQ recording, the XE ensures post-production flexibility for colour grading, cropping, and visual effects. Simultaneous proxy recording and alternative format options ensure smooth integration with existing workflows.\u003c\/p\u003e\n\u003cp\u003eR3D format ensures maximum latitude and post-production flexibility\u003c\/p\u003e\n\u003cp\u003eSimultaneous ProRes proxy recording for a streamlined editorial process\u003c\/p\u003e\n\u003cp\u003eDedicated ProRes 4444 XQ recording up to 4K120\u003c\/p\u003e\n\u003ch3\u003eBuilt-In Controls and Monitoring\u003c\/h3\u003e\n\u003cp\u003eWith multiple monitoring outputs and comprehensive on-body controls, the XE ensures efficient operation on set and in the field. Built into the right side of the camera, the control interface features a 2.4\" LCD screen with easily navigable menus, providing an AC or camera operator with comprehensive control over in-camera format selection and other important functions. Dual 12G-SDI ports deliver unique monitoring views, while a USB-C port outputs data at up to 250 MB\/s.\u003c\/p\u003e\n\u003ch3\u003eAdvanced Connectivity\u003c\/h3\u003e\n\u003cp\u003eSupporting both wired and wireless IP connectivity, the XE allows cloud-based collaboration and app-based remote camera control. When used with RED's Z to PL Adapter with electronic ND filters, the XE allows ND strength to be continuously adjusted over Wi-Fi in fine increments of 1\/100 of a stop.\u003c\/p\u003e\n\u003cp\u003eDirect integration with Frame.io and AWS (Amazon Web Services)\u003c\/p\u003e\n\u003cp\u003eCompatible with RED Control and RED Control Pro Apps for wireless monitoring and operation\u003c\/p\u003e\n\u003cp\u003eAdjust camera settings from remote locations via Wi-Fi connection\u003c\/p\u003e\n\u003ch3\u003eRugged DSMC3 Design\u003c\/h3\u003e\n\u003cp\u003eSharing the same form factor as the V-RAPTOR X, the XE's lightweight 1.81 kg aluminium alloy body ensures durability without sacrificing mobility. Its advanced thermal management system maintains the camera's optimal internal temperature, preventing both overheating and overcooling.\u003c\/p\u003e\n\u003ch3\u003eRED Digital Cinema V-RAPTOR Z to PL with Electronic ND Filter Adapter Pack\u003c\/h3\u003e\n\u003ch3\u003ePL Lens Mount with Variable ND\u003c\/h3\u003e\n\u003cp\u003eThe V-RAPTOR Z to PL with Electronic ND Filter Adapter Pack from RED lets you use cine-style ARRI PL-mount lenses with your V-RAPTOR camera and easily adjust your exposure two to seven stops. The titanium-core adapter transmits Cooke \/i data and record triggering, can be shimmed, and is temperature resistant.\u003c\/p\u003e\n\u003ch3\u003eRobust PL Mount\u003c\/h3\u003e\n\u003cp\u003eThis robust mount enables consistent, precise back focus whether you're using the ND or the clear filter.\u003c\/p\u003e\n\u003cp\u003ePlease note that existing RED V-RAPTOR RF to PL or V-RAPTOR Z to PL adapter users should contact RED directly about purchasing just the Z to PL with ND adapter without the ribs or support brackets.\u003c\/p\u003e\n\u003cp\u003ePlease note that this adapter is only compatible with the V-RAPTOR camera.\u003c\/p\u003e\n\u003ch3\u003eNeutral Density and Clear Filters\u003c\/h3\u003e\n\u003cp\u003eUse the variable neutral density filter to reduce your exposure by 2 to 7 stops. Adjusting your image brightness can be done independently of your camera and lens.\u003c\/p\u003e\n\u003cp\u003eThis enables more flexible exposure and depth of field control while recording video without stopping down on your lens or adjusting your shutter speed.\u003c\/p\u003e\n\u003cp\u003eThe ND filter is paired with a clear filter of the same thickness so that your back focus remains the same when you don't need to use the ND.\u003c\/p\u003e\n\u003ch3\u003eSupport Components\u003c\/h3\u003e\n\u003cp\u003eThis lens adapter pack also includes PL support brackets.\u003c\/p\u003e\n\u003cp\u003eThe brackets add rigidity, providing native mount-like support.\u003c\/p\u003e\n\u003cp\u003eRED Digital Cinema DSMC3 RED Touch 7.0\" LCD with Rigid Hinge\u003c\/p\u003e\n\u003cp\u003eAdd a direct-mount onboard monitor to your DSMC3 camera rig with the DSMC3 RED Touch 7.0\" LCD Monitor with Rigid Hinge from RED Digital Cinema. The RED Touch features daylight viewing, a wide 100% DCI-P3 colour gamut, and touchscreen control for DSMC3 cameras, such as the V-RAPTOR 8K VV. The rigid hinge and arm enable you to apply more pressure for positioning the Touch for optimal viewing. The Touch monitor features 1920 x 1200 resolution, a 1250:1 contrast ratio, and 1300 cd\/m² brightness for high-quality imaging.\u003c\/p\u003e\n\u003cp\u003eThis monitor attaches directly to your DSMC3 BRAIN using its Pogo mount, which provides video, data, and power to the monitor from the camera. If you need to use the Pogo mount for another accessory, the monitor also features a locking USB-C connector that alternately allows you to pass video, data, and power to the camera. Note that the DSMC3 Touch monitor is not compatible with DSMC, DSMC2, RED RANGER, or KOMODO camera systems.\u003c\/p\u003e\n\u003ch3\u003eDaylight Viewable\u003c\/h3\u003e\n\u003cp\u003eDesigned for daylight viewing with 322 ppi, 1920 x 1200 resolution, and 1800 cd\/m² brightness.\u003c\/p\u003e\n\u003ch3\u003eRigid Hinge\u003c\/h3\u003e\n\u003cp\u003eA rigid hinge system enables you to apply greater pressure when positioning the Touch for reliable viewing.\u003c\/p\u003e\n\u003ch3\u003eDCI-P3 Colour Gamut\u003c\/h3\u003e\n\u003cp\u003eA 1920 x 1200 resolution and wide 100% DCI-P3 colour gamut for optimal imaging.\u003c\/p\u003e\n\u003ch3\u003eSmallHD Page OS\u003c\/h3\u003e\n\u003cp\u003eRuns SmallHD PageOS software that provides full camera control. Features include waveform, vectorscope, histogram, false colour, colour picker, pixel zoom, and additional functions.\u003c\/p\u003e\n\u003ch3\u003ePogo Mount\u003c\/h3\u003e\n\u003cp\u003eMounts directly onto the BRAIN using the Pogo mount.\u003c\/p\u003e\n\u003ch3\u003eUSB-C Connector\u003c\/h3\u003e\n\u003cp\u003eUSB-C connector is used for video, data, and power.\u003c\/p\u003e\n\u003ch3\u003eRED Digital Cinema KOMODO Outrigger Handle\u003c\/h3\u003e\n\u003cp\u003eThe KOMODO Outrigger Handle from RED Digital Cinema provides flexible handling when operating your KOMODO digital cine camera. This low-profile handle is especially suited for keeping one hand on the integrated record\/stop button and the other positioned for focus pulls or zooming. The KOMODO Outrigger handle features a rugged build, 360° of swivel rotation for optimal positioning, and two 1\/4\"-20 accessory threads. Attach it to your camera via its pogo connector or its two captive 1\/4\"-20 screws.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eV-RAPTOR XE 8K VV DSMC3 Camera\u003c\/p\u003e\n\u003cp\u003eZ to PL Adapter | Electronic ND Filter\u003c\/p\u003e\n\u003cp\u003eDSMC3 RED Touch 7.0\" LCD Monitor\u003c\/p\u003e\n\u003cp\u003eGlobal Shutter Full-Frame VV Sensor\u003c\/p\u003e\n\u003cp\u003eSupports up to 8K60, 800 MB\/s Video\u003c\/p\u003e\n\u003cp\u003e17+ Stops of Dynamic Range\u003c\/p\u003e\n\u003cp\u003eRight-Side Assistant's User Interface\u003c\/p\u003e\n\u003cp\u003eREDCODE Raw HQ \u0026amp; ProRes 4444 XQ Options\u003c\/p\u003e\n\u003cp\u003e8 ms Shutter Scan Time | Advanced AF\u003c\/p\u003e\n\u003cp\u003eSimultaneous ProRes Proxy Recording\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eRED Digital Cinema V-RAPTOR XE Cine Essentials Pack\u003c\/p\u003e\n\u003cp\u003eDSMC 150W AC Power Adapter\u003c\/p\u003e\n\u003cp\u003eRED Digital Cinema V-RAPTOR Z to PL with Electronic ND Filter Adapter Pack\u003c\/p\u003e\n\u003cp\u003ePL Support Brackets\u003c\/p\u003e\n\u003cp\u003eRED Digital Cinema DSMC3 RED Touch 7.0\" LCD with Rigid Hinge\u003c\/p\u003e\n\u003cp\u003eRigid Hinge Arm\u003c\/p\u003e\n\u003cp\u003eDSMC3 RMI Cable\u003c\/p\u003e","brand":"RED","offers":[{"title":"Nikon Z","offer_id":47032933023911,"sku":"GC47-RED-710-0445","price":36069.0,"currency_code":"AUD","in_stock":true},{"title":"Canon RF","offer_id":47032933056679,"sku":"GC47-RED-710-0450","price":36069.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC47-RED-710-0445_1.jpg?v=1757577414"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/collections\/sony_pxw-fx9_6k_full_frame_xdcam_camera_body_8043b864-fbee-4c56-8e75-4b7f4556d2da.jpg?v=1760065947","url":"https:\/\/www.georges.com.au\/collections\/premium-cinema-cameras.oembed?page=3","provider":"Georges Cameras","version":"1.0","type":"link"}