{"title":"Leatherman Giveaway Sony 26","description":null,"products":[{"product_id":"sony-fe-400mm-f-2-8-gm-oss-lens","title":"Sony FE 400mm f\/2.8 GM OSS Lens","description":"\u003cp\u003eCombining a super-telephoto length, bright aperture, and lightweight design, this FE 400mm f\/2.8 GM OSS Lens for Sony E-mount cameras is ideal for sports, wildlife, and nature photographers. The fast 2.8 aperture provides great depth of field control for isolating subjects as well as maximizing performance for low-light shooting situations. Three fluorite elements reduce chromatic aberration and one ED element further increases performance and image quality by reducing flare and ghosting while shooting in harsh conditions.\u003c\/p\u003e\n\u003cp\u003eWeighing in at just 6.4 lb, this lens is incredibly portable for a glass of its size. The weight of the lens is also redistributed to the back where it would sit over a monopod, making tracking subjects and panning easier. Complementing that is Sony's XD Linear Motor autofocus system, which quickly and quietly tracks subjects across the frame even while shooting at high speeds. Furthermore, Optical SteadyShot can combine with in-body stabilization to provide 5-axis stabilization.\u003c\/p\u003e\n\u003cp\u003eVideo shooters will also be pleased to find power focus functionality, which provides smooth, even focus while shooting movies. The magnesium-alloy body of this lens is also weather-sealed to protect against dirt, dust, and moisture while shooting in adverse conditions. A tripod collar can be rotated around the lens to provide maximum functionality with tripods or monopods.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eSuper telephoto prime lens is designed for full-frame sensors, but it can work with APS-C sized sensors where it provides an equivalent focal length of 600mm\u003c\/p\u003e\n\u003cp\u003eFast 2.8 maximum aperture provides great depth of field control and allows for better low-light performance\u003c\/p\u003e\n\u003cp\u003eThree fluorite elements help reduce colour fringing and chromatic aberrations for increased quality and colour accuracy \u003c\/p\u003e\n\u003cp\u003eNano AR Coating reduces flare and ghosting, which provides increased better clarity and contrast\u003c\/p\u003e\n\u003cp\u003eXD Linear Motor System quietly and quickly focuses on fast-moving subjects while shooting at high speeds\u003c\/p\u003e\n\u003cp\u003eOptical SteadyShot Stabilization provides 5-axis image stabilization when paired with a camera that features in-body image stabilization\u003c\/p\u003e\n\u003cp\u003eWeight distribution is balanced toward the back of the lens, making it easier to pan and track moving subjects\u003c\/p\u003e\n\u003cp\u003eMagnesium alloy, G Master lens is protected against dust, dirt, and moisture throughout its weather-sealed design\u003c\/p\u003e\n\u003cp\u003ePower Focus functionality for smooth focus during video recording\u003c\/p\u003e\n\u003cp\u003eA rounded, 11-blade diaphragm provides silky smooth bokeh\u003c\/p\u003e\n\u003cp\u003eCompatible with 1.4x and 2.0x teleconverters\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719080612007,"sku":"GC35-SEL400F28GM","price":16999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/7437407289511SP_08e7e8d8-aeec-435c-b41a-0fa60cbe864e.jpg?v=1784642495"},{"product_id":"sony-fe-600mm-f-4-gm-oss-lens","title":"Sony FE 600mm f\/4 GM OSS Lens","description":"\u003cp\u003eCombining a super-telephoto length, bright aperture, and lightweight design, the FE 600mm f\/4 GM OSS Lens from Sony is designed for their E-mount cameras and is ideal for sports, news, wildlife, and nature photographers. The f\/4 aperture and eleven-blade circular diaphragm provide great depth of field control for isolating subjects, as well as maximizing performance for low-light shooting situations. Three fluorite elements and one XA (extreme aspherical) element reduce chromatic aberration and colour bleeding, while two ED (extra-low dispersion) elements and a Nano AR lens coating further increase performance and image quality by reducing flare, ghosting, and spherical aberrations while shooting in harsh conditions. The front element is further protected by a fluorine coating that helps prevent dirt and fingerprints from sticking while making it easier to wipe clean if they do become attached to the lens surface.\u003c\/p\u003e\n\u003cp\u003eWeighing in at just 6.71 pounds, this lens is incredibly portable for a glass of its size. The weight of the lens is also redistributed to the back to make it less front-heavy, making tracking subjects and panning easier whether you're shooting handheld or on a monopod. Complementing that is Sony's XD (Extreme Dynamic) Linear Motor autofocus system, which is driven by two motors to quickly and quietly track subjects across the frame, even while shooting at high speeds. Furthermore, Optical SteadyShot can combine with in-body stabilization to provide 5-axis stabilization.\u003c\/p\u003e\n\u003cp\u003eVideo shooters will also be pleased to find Power Focus functionality, which provides smooth, even focus while shooting movies. The magnesium alloy body of this lens is also dust- and moisture-resistant for protection while shooting in adverse conditions. A fixed tripod collar employs bearings to ensure smooth rotation, with a switch to engage or disengage click stops. When engaged, users can switch between horizontal and vertical orientations in 90¬∞ increments as required. The click stops can be disengaged when smooth, low-resistance operations are required.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLight 600mm f\/4 Super Telephoto Lens\u003c\/h3\u003e\n\u003cp\u003eWeighing in at 6.71 pounds, the lightweight and balance of the FE 600mm f\/4 GM OSS lens are achieved through an optical design that includes a large XA (extreme aspherical) element, three fluorite elements, and two ED glass elements, as well as the use of durable magnesium alloy components. The improved design of this well-balanced lens reduces the number of elements deployed at the front of the barrel, resulting in faster, more precise panning, whether shooting handheld or on a monopod.\u003c\/p\u003e\n\u003ch3\u003eXD (Extreme Dynamic) Linear Motors for Fast, Precise Autofocus\u003c\/h3\u003e\n\u003cp\u003eTo make full use of the rapidly evolving performance speed of modern and future camera bodies, the lens' focus group is driven by two XD (extreme dynamic) Linear Motors that achieve higher thrust and efficiency than conventional types of AF drive motors. The XD Linear Motors deliver improved levels of fast, precise, and quiet autofocus operation, and also contribute to reliable and tenacious AF tracking that sports and wildlife photographers will appreciate. Additionally, an algorithm developed specifically for the XD motors improve their response, minimizing lag and instability that can occur when driving a large aperture focus lens group, resulting in quiet, low-vibration operation.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSuperlative G Master Quality\u003c\/h3\u003e\n\u003cp\u003eAll lenses bearing the G Master brand are designed to high standards, ensuring that outstanding contrast at high spatial frequencies is maintained right out to the image edges. The optical design includes a large aperture XA (extreme aspherical) element and three fluorite elements that help to minimize axial chromatic aberration that can be a problem in large-aperture lenses, as well as a lateral chromatic aberration that can reduce resolution towards the image periphery. Colour bleeding is effectively suppressed, allowing clear reproduction of the finest subject details, while Sony's original Nano AR coating suppresses any unwanted reflections, glare, or ghosting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eThree Fluorite Elements and Two ED Glass Elements Reduce Flare and Ghosting\u003c\/h3\u003e\n\u003cp\u003eBased on an optical design that conforms to stringent G Master standards, the FE 600mm f\/4 GM OSS includes three fluorite elements and one ED (Extra-low Dispersion) glass element that helps to reduce chromatic aberration, a common problem in telephoto lenses. Extremely high resolution is maintained right out to the image edges. Spherical aberration is optimized to create a strong balance between high resolution and soft, beautiful bokeh through careful control at both the design and manufacturing stages. Each lens is individually tested and adjusted to achieve these characteristics.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eWide f\/4 Maximum Aperture\u003c\/h3\u003e\n\u003cp\u003eThe wide f\/4 maximum aperture maintains exposure and depth of field, while also allowing maximum light for shooting in almost any condition. When changing your aperture to defocus the background, the areas out of the focal plane appear blurred. This 'bokeh effect of the blurred background can be enhanced with the circular aperture blades used in this lens.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e11-Blade Circular Aperture\u003c\/h3\u003e\n\u003cp\u003eComplementing the wide f\/4 aperture is the 11-blade circular aperture that results in soft-edged bokeh that is a hallmark of the Sony G Master series. While conventional aperture blades have flat sides that create unappealing, polygonal-shaped defocused points of light, this lens overcomes this problem through a design that keeps the aperture almost perfectly circular from its wide-open setting to when it is closed by 2 stops. Smoother, more natural defocusing can be obtained as a result. In addition to careful control of spherical aberration at the design stage, this lens is tested and adjusted during manufacturing to achieve high-quality bokeh.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eNano AR Coating\u003c\/h3\u003e\n\u003cp\u003eSony's original Nano AR Coating is applied to interior lens surfaces to effectively suppress reflections that can lead to flare and ghosting, significantly enhancing image clarity and contrast. This precisely defined regular nano-structure allows accurate light transmission, contributing to high-quality images, even more so than with lenses that use coatings with an irregular nano-structure.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eOptical SteadyShot Image Stabilization Reduces Blur\u003c\/h3\u003e\n\u003cp\u003eHigh-performance Optical SteadyShot image stabilization is built right into the lens for sharp, blur-free images with a wide range of subjects and handheld shooting. An updated 'Mode 3' algorithm is optimized for the smooth, stable framing of moving subjects. Control features have also been refined to effectively support professional requirements. 5-axis image stabilization becomes available when used with Alpha-series cameras that feature built-in image stabilization.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e4x Customizable Multi-Function Focus Hold Buttons and Function Ring\u003c\/h3\u003e\n\u003cp\u003eThe FE 600mm f\/4 GM OSS features focus hold buttons in four locations on the lens barrel for easy access in virtually any shooting situation. Once you've adjusted focus to where you want it, pressing one of the focus hold buttons on the lens barrel will keep the lens locked to that focusing distance. The focus hold buttons can also be customized via an in-camera body menu, allowing them to be assigned to a different function selected by the user, such as Eye AF.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eDust- and Moisture-Resistant for Robust Reliability\u003c\/h3\u003e\n\u003cp\u003eSony's lens sealing maximizes resistance to dust and moisture, providing the reliability needed for outdoor use and in challenging environmental conditions as demanded by professional photographers.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLightweight Lens\u003c\/h3\u003e\n\u003cp\u003eA durable magnesium alloy is used not only for the lens barrel exterior and tripod mount but also for interior barrel components. This provides the tough durability that demanding professional applications require while minimizing the overall weight. The FE 600mm f\/4 GM OSS weighs in at 6.71 pounds.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e1.4x and 2.0x Tele-Converter Support\u003c\/h3\u003e\n\u003cp\u003eOptional high-performance 1.4x and 2.0x teleconverters are supported, providing up to a 1200mm focal length, or up to an 1800mm equivalent on APS-C bodies. Outstanding imaging performance and fast, precise AF operations are maintained when either of these teleconverters is used, ensuring that the lens' G Master image quality is not compromised. The maximum aperture with the 1.4x and 2.0x teleconverters is f\/5.6 and f\/8, respectively.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eInstant Auto\/Manual Focus Selection\u003c\/h3\u003e\n\u003cp\u003eInstantly and quickly switch between auto and manual focus via an AF\/MF switch on the side of the lens. This makes focusing faster and easier as you let the camera and lens focus for you, or you can decide to take control and manually focus on the precise point you chose..\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFluorine Front Element Coating\u003c\/h3\u003e\n\u003cp\u003eThe front lens element features a fluorine coating that helps to prevent dirt and fingerprints from sticking while making it easier to wipe clean if they do become attached to the lens surface.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFull-Time DMF\u003c\/h3\u003e\n\u003cp\u003eDMF (Direct Manual Focus) gives you the ability to instantly switch to manual focus while in autofocus mode. This is particularly useful when acquiring a subject using AF since you'll then be able to fine-tune your focus point using the manual focus ring. When the Full-Time DMF switch is on, manual focus is immediately engaged by simply rotating the focus ring, even while shooting in the AF-C mode. If AF causes focus to shift to a different subject while shooting, the focus ring can be used to quickly bring the focus back to the desired subject. It can also be useful when it is necessary to focus beyond a set focus range limit.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLinear Response MF\u003c\/h3\u003e\n\u003cp\u003eThe focus ring features Linear Response MF for fine, responsive manual focus control. Manual focus changes linearly in response to focus ring rotation, giving you the control immediacy needed for fast, accurate manual focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFocus Range Limiter\u003c\/h3\u003e\n\u003cp\u003eThe focus range limit switch allows a limited focus range to be selected when the fastest possible focusing is required. Three settings are provided: FULL, 49-15' \/ 15-4.5m, and Infinity-49' \/ 15m.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eDrop-In Filter Slot\u003c\/h3\u003e\n\u003cp\u003eThe FE 600mm f\/4 GM OSS includes a filter slot that accepts 40.5mm filters, as well as the optional VF-DCPL1 drop-in circular polarizing filter. The VF-DCPL1 can be rotated to achieve the desired polarization while installed in the lens.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eHigh-Speed, Accurate Tracking at f\/22\u003c\/h3\u003e\n\u003cp\u003eHigh-speed, accurate AF tracking for continuous shooting at the minimum aperture of f\/22 (a9 software must be updated to the latest version). This is an important advantage, allowing a maximum depth of field to be used without limitations when shooting continuously to follow the action and ensuring that AF tracking can keep the subject in focus.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eStrong, Lightweight Carbon Fiber Lens Hood\u003c\/h3\u003e\n\u003cp\u003eThe supplied lens hood is made of strong, lightweight carbon fibre to minimize added weight. The interior of the hood is lined with flocking to minimize reflections for better light control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eIncreased Mount Strength and Reliability\u003c\/h3\u003e\n\u003cp\u003eWhile conventional lenses use four mount attachment screws, the FE 600mm f\/4 GM OSS uses seven. The number of mount attachment screws has been increased to ensure maximum rigidity and durability that will withstand professional use.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eVersatile High-Durability Tripod Mount\u003c\/h3\u003e\n\u003cp\u003eThe tripod collar ring employs bearings to ensure smooth rotation as well as high reliability. It also features a switch that engages or disengages click stops which when engaged, easily and quickly allow the user to switch between horizontal and vertical camera orientations in 90¬∞ click stops as required. The click stops can be disengaged when smooth, the low-resistance operation is desired.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSupplied Hard Carrying Case\u003c\/h3\u003e\n\u003cp\u003eA dedicated trunk-style hard case is supplied to protect the lens from shock and vibration during transport. The case has carrying handles on two sides and a convenient carrying strap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFunction Ring\u003c\/h3\u003e\n\u003cp\u003eThe FE 600mm f\/4 GM OSS includes a function ring with a switch that lets you select Preset (preset focus), Function, and Off positions. When in the Preset position, the Set button is initially used to memorize the desired focus point and moving the function ring in either direction will immediately set focus to the memorized point. This can be an advantage for sports and other rapidly changing situations, allowing the focus to be preset in advance and instantly recalled to ensure that the decisive moment is properly captured. This function is available whether shooting with AF or MF and can focus outside a set focus limit range. When in the Function position, functions can be assigned to the Function mode via a camera body menu. If Power Focus is assigned and the function ring is rotated, focus shifts smoothly at a speed determined by the amount of function ring rotation. This allows a smooth focus shift for movies. If APS-C\/Full Frame Select is assigned, the function ring can be rotated to switch between APS-C and full-frame angles of view.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719081070759,"sku":"GC35-SEL600F40GM","price":17999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/7437407584423SP_8ac147f9-f4e0-4af8-ba40-beff7376b685.jpg?v=1784642495"},{"product_id":"sony-fx6-cinema-camera-body-only-with-bonus-pro-video-case","title":"Sony FX6 Cinema Camera (Body Only)","description":"\u003ch3\u003eSony FX6 Cinema Camera (Body Only)\u003c\/h3\u003e\n\u003cp\u003eThe FX6 Full-Frame Camera from Sony was developed to offer versatile, cine-style imaging in a truly compact form. With the ability to capture up to 15+ stops of dynamic range, Sony's S-Cinetone gamma for filmlike skin tones, and up to 10-bit, 4:2:2 XAVC-I recording, the FX6 is poised to both supplement your FX9 or VENICE capture and to nimbly take on documentary, gimbal, and drone shoots on its own.\u003c\/p\u003e\n\u003ch3\u003e4K Full-Frame Exmor R Sensor\u003c\/h3\u003e\n\u003cp\u003eThe FX6 camera combines a 4K full-frame Exmor R sensor with a BIONX XR engine for extremely sensitive capture in a range of settings, using a base ISO of 800 as well as an ISO 12800 high-sensitivity mode for nuanced low-light scenes. This 10.2 MP image sensor features back-side illumination for excellent low-light performance, 627 focal plane points for speedy phase-detection autofocus, and full-frame lens compatibility that produces a rich, immersive look. The sensor's fast scan speed minimises rolling shutter artifacts and supports high frame rates and quick autofocus responses.\u003c\/p\u003e\n\u003ch3\u003eCompact, Single-Operator Design\u003c\/h3\u003e\n\u003cp\u003eWeighing just under 0.9 kg, the FX6 body is a full 0.9 kg lighter than the FX9 and measuring 6 x 4.6\", it packs a full-frame sensor into a body comparable to the S35-sensor Sony FS5. While the FX6 fits seamlessly into a pro-cine on-set workflow, it also offers several features that are a boon for a single-operator user. These include fast and accurate phase-detection autofocus with both Face Detection and real-time Eye autofocus, both auto and manual ND filter settings for quick exposure compensation, and a 3.5\" LCD monitor that boasts time-saving touchscreen access to key menu settings and versatile positioning for comfortable operating. In addition to improving the camera's overall stability, firmware update v1.10 adds 100p and 120p options to the Slow and Quick Motion frame rate menu when the codec is set to RAW or RAW and XAVC-I.\u003c\/p\u003e\n\u003ch3\u003eExpressive Cinematic Look\u003c\/h3\u003e\n\u003cp\u003eSony's S-Cinetone gamma curve offers a cinematic look with filmlike colour, softer tones, and pleasing skin tone reproduction. Not only is this cinematic look available for in-camera viewing, but it can also be captured and output with minimal or no grading at all for a time-saving post process. The S-Cinetone, S-Log3, S-Gamut3, and S-Gamut3.Cine choices also streamline the process of matching FX6 footage with your VENICE or FX9 video and offer broad colour-grading options.\u003c\/p\u003e\n\u003ch3\u003eTouchscreen 3.5\" LCD Control\u003c\/h3\u003e\n\u003cp\u003eThe FX6's 3.5\" LCD monitor offers both high-resolution viewing and the ease of touchscreen camera control. The LCD quick menu controls include key settings like Codec, Imager Scan Mode, Picture Size and Frequency, Base ISO\/Sensitivity, Shooting Mode, and Audio Levels.\u003c\/p\u003e\n\u003ch3\u003eReliable Design and Construction\u003c\/h3\u003e\n\u003cp\u003eConstructed with a lightweight yet durable magnesium alloy chassis, the FX6 body offers maximum reliability and efficiently disperses heat to enable extended recording times. Exterior seams, buttons, and interfaces have been treated with updated sealing that improves the camera's dust and moisture resistance as well.\u003c\/p\u003e\n\u003ch3\u003e4-Channel Audio Recording\u003c\/h3\u003e\n\u003cp\u003eThe FX6 offers up to 4-channel audio recording by combining sources from the dual XLR inputs, the 2-channel multi-interface shoe input, and the stereo mic built into the camera's top handle. This enables the simultaneous use of an external microphone for recording your main audio source and the built-in microphone for ambient sound and\/or voice memos by the operator.\u003c\/p\u003e\n\u003ch3\u003eCFexpress Media Slots and Multiple Recording Modes\u003c\/h3\u003e\n\u003cp\u003eThe FX6's dual media slots accept both rugged, high-performance, high-capacity CFexpress Type A cards and widely available UHS-II\/UHS-1 SDXC cards. Note that the CFexpress Type A cards are required for 100\/120 fps UHD 4K capture and 150\/180\/200\/240 fps HD high-speed capture.\u003c\/p\u003e\n\u003ch3\u003eModular, Grab-and-Go Design\u003c\/h3\u003e\n\u003cp\u003eThe modular design of the FX6 enables you to pare down to its compact body for gimbal or drone use, or it can be used with separately available accessories, such as a smart grip and smart handle for fingertip control when shooting handheld. A 3.5\" LCD screen can be quickly positioned on the camera at multiple locations to provide comfortable, ergonomic viewing.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e4K Full-Frame 10.2MP CMOS Exmor R Sensor\u003c\/p\u003e\n\u003cp\u003eDCI 4K60p | UHD 4K120 | 1080p240\u003c\/p\u003e\n\u003cp\u003e15+ Stops of Dynamic Range in S-Log 3 EI\u003c\/p\u003e\n\u003cp\u003e1.3x and 2.0x Anamorphic De-Squeeze\u003c\/p\u003e\n\u003cp\u003eCompact Form Weighs Less than 0.9 kg\u003c\/p\u003e\n\u003cp\u003ePhase Detection AF\/Face Tracking\/Eye AF\u003c\/p\u003e\n\u003cp\u003eBase 800-12,800 ISO \/ 320-409,600 Max\u003c\/p\u003e\n\u003cp\u003eS-Cinetone, S-Log3, HLG Modes\u003c\/p\u003e\n\u003cp\u003e10-Bit 4:2:2 XAVC-I\/16-Bit Raw Output\u003c\/p\u003e\n\u003cp\u003eDual CFexpress Type A\/SDXC Card Slots\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony FX6 Cinema Camera (Body Only)\u003c\/p\u003e\n\u003cp\u003e3.5\" LCD Monitor\u003c\/p\u003e\n\u003cp\u003eSony BP-U35 Lithium-Ion Battery Pack\u003c\/p\u003e\n\u003cp\u003eAC Adapter\u003c\/p\u003e\n\u003cp\u003ePower Cord\u003c\/p\u003e\n\u003cp\u003eUSB Type-C Cable\u003c\/p\u003e\n\u003cp\u003eLens Mount Cap\u003c\/p\u003e\n\u003cp\u003eHandle Connector Cap\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42719081463975,"sku":"GC35-ILMEFX6V","price":7674.87,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/7437407846567SP_b3042a56-6668-4466-828f-3bd1c84d4f62.jpg?v=1784642500"},{"product_id":"sony-fe-c-16-35mm-t3-1g-cinema-lens","title":"SONY FE C 16-35MM T3.1G Cinema Lens","description":"\u003cp\u003eSony FE C 16-35mm T3.1 G Cinema Lens Series full-frame wide-angle zoom with advanced optical performance, operability and intelligent shooting functionsExperience beautiful cinematic images, with excellent corner-to-corner resolution and consistent T3.1 (F2.8) large aperture from wide to telephoto for stunning background bokeh effects.\u003c\/p\u003e\n\u003ch3\u003eResponsive manual control for content creators\u003c\/h3\u003e\n\u003cp\u003eAdjust focus, zoom and iris with smooth, consistent precision. Enjoy fine control over realising your artistic vision with large-format sensor cameras such as the PXW-FX9 and VENICE.\u003c\/p\u003e\n\u003ch3\u003eShoot with extra intelligence\u003c\/h3\u003e\n\u003cp\u003eEnjoy smart functions unique to Sony's E-mount lens system, including AF (autofocus) support, servo zoom and zoom\/iris\/focus control from your camera, remote or smartphone, allowing cinematographers to concentrate on composition and focus without touching lens rings.\u003c\/p\u003e\n\u003cp\u003eRequires compatible cameras, remote controllers, smartphones and mobile apps.\u003c\/p\u003e\n\u003ch3\u003eUnlimited expression for content creators\u003c\/h3\u003e\n\u003cp\u003eExplore new artistic possibilities and precise creative control with Cinema Lens Series - the refined expression of Sony's technological expertise for uncompromising content creators. Due to release by the end of 2020, the FE C 16-35mm T3.1 G is the first of a range of Cinema Lens Series models. Its wide-angle zoom lens is optimised for digital cinematography, documentary production and other premium content produced with full-frame cameras such as the FX9 and VENICE.‚Äã\u003c\/p\u003e\n\u003ch3\u003eAdvanced optical design\u003c\/h3\u003e\n\u003cp\u003eTwo XA (Extreme Aspherical) lens elements and three aspheric elements minimise distortion, curvature and astigmatism. Two ED (Extra-low Dispersion) glass elements suppress colour distortion, while an advanced nano AR (Anti Reflection) coating on optical surfaces drastically reduces flare and ghosting. The floating focus mechanism is optimised for motion picture applications, ensuring outstanding resolution and very low distortion at any shooting distance.\u003c\/p\u003e\n\u003ch3\u003eSmooth, natural bokeh\u003c\/h3\u003e\n\u003cp\u003eAn ideal partner for the full-frame sensor of Sony's acclaimed FX9 and VENICE cameras, the consistent T3.1 (F2.8) large aperture and circular 11-blade aperture of the SELC1635G lets professional cinematographers enjoy the shallow depth of field and the creation of beautifully smooth bokeh (background defocus) effects.\u003c\/p\u003e\n\u003ch3\u003ePrecise, responsive manual focus\u003c\/h3\u003e\n\u003cp\u003eLinear Response MF enables smooth, lag-free manual focus, allowing DoPs and camera operators to adjust the focus accurately and intuitively. The focus ring offers a 120deg large angle of rotation for finer control, with distance scale markers for consistent focus reset during multiple takes. For complete creative control to suit any user including photographers who are used to shooting stills, SELC1635G also offers reversible zoom ring rotation, modes switchable between AF\/MF and Full manual, and the option to engage ‚Äòclick stops', providing tactile feedback for precise adjustments of the aperture ring. When the click stops are disengaged, the aperture ring moves smoothly and quietly. \u003c\/p\u003e\n\u003ch3\u003eMore options for content creators\u003c\/h3\u003e\n\u003cp\u003eThe SELC1635G has a 0.8mm pitch gear and 114mm lens diameter, which is regarded as the industry standard in cinematography, providing compatibility with a wide range of accessories include matte boxes and follow focus systems. \u003c\/p\u003e\n\u003ch3\u003eDetachable servo zoom\u003c\/h3\u003e\n\u003cp\u003eThe included servo unit provides comfortable fingertip control for smooth, gradual zooms suitable for a slow-moving drama or promotional video. Servo and Manual control are switchable by the button on the lens unit, and while set to the servo, you can control zoom via the camera's handle or grip zoom.\u003c\/p\u003e\n\u003cp\u003eAlso, the servo can be detached if preferred, making the lens lighter and more portable.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFast, accurate AF and AE\u003c\/h3\u003e\n\u003cp\u003eThe SELC1635G fully supports the Enhanced Hybrid phase\/contrast-detection autofocus (AF) and Auto Exposure (AE) capabilities of the FX9 full-frame camera. This breakthrough technology allows you to concentrate on framing while the camera and lens work seamlessly together to maintain focus on subjects with shallow depth of field.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSony Corporation\u003c\/h3\u003e\n\u003cp\u003eThe Sony Corporation needs no introduction. With products ranging from televisions, digital imaging, audio\/video, electrical components and phones, almost everyone has had some experience with Sony in their lifetime. From humble beginnings as an electronics shop in a Tokyo department store, the company has grown to be one of the biggest names in electronics worldwide.\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":42720746766503,"sku":"GC35-SELC1635G","price":9146.79,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/7438344552615SP_05e553d1-de24-4822-8b00-796b374190f0.jpg?v=1784642495"},{"product_id":"sony-fe-300mm-f-2-8-gm-oss-lens","title":"Sony FE 300mm f\/2.8 GM OSS Lens","description":"\u003ch3\u003eImpeccable Telephoto Performance\u003c\/h3\u003e\n\u003cp\u003eThe Sony FE 300mm F2.8 GM OSS is a wide aperture, high-performance telephoto prime designed to deliver maximum performance for the most demanding applications. Equipped with the highest standard of optics, fittings and optomechanical systems in line with the GM lens range, the 300mm F2.8 GM OSS provides photographers with the ultimate in quality, speed and reliability for capturing subjects at a mid-telephoto distance, perfect for courtside, for indoor sports and for wildlife with the addition of a teleconverter.\u003c\/p\u003e\n\u003cp\u003eIn addition to its extraordinary performance characteristics, the 300mm F2.8 GM OSS has been designed with weight minimisation in mind. At just 1470g, this lens is by far the most hand-holdable fast super-telephoto prime available.\u003c\/p\u003e\n\u003ch3\u003eOutstanding Autofocus Speed\u003c\/h3\u003e\n\u003cp\u003eEmploying a similar dual-XD Linear system to that used in the 400mm and 600mm GM Supertelephoto primes, the 300mm F2.8 GM OSS inherits breathtaking, class-leading autofocus performance, which is critically important for the rapid close-range action that this lens is designed to capture. When paired with the flagship α1 body, it is possible to shoot high-speed bursts at up to 30 frames per second.\u003c\/p\u003e\n\u003ch3\u003eUncompromising Optical Performance\u003c\/h3\u003e\n\u003cp\u003eAs expected for a GM super telephoto prime, the 300mm F2.8 GM OSS delivers superb resolution across the frame at all aperture and beautiful background defocus that perfectly isolates your subject. The inclusion of three large Super ED glass elements at key points in the optical chain ensures perfect clarity for images that are ready to submit from the moment you press the shutter.\u003c\/p\u003e\n\u003ch3\u003eDurable and Reliable\u003c\/h3\u003e\n\u003cp\u003eAs a professional tool, the 300mm F2.8 GM OSS has been designed to withstand the rigours of daily use without missing a beat. Dust and weather sealing are comprehensive, and durable magnesium-alloy internal barrels ensure that this lens will keep up with even the most gruelling work that photography offers.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eExquisite Resolution\u003c\/p\u003e\n\u003cp\u003eSuper ED and ED Glass\u003c\/p\u003e\n\u003cp\u003eBuilt-in Optical SteadyShot\u003c\/p\u003e\n\u003cp\u003eFunction Ring\u003c\/p\u003e\n\u003cp\u003e40.5mm Rear Filter\u003c\/p\u003e\n\u003cp\u003eTwo XD Linear Motors\u003c\/p\u003e\n\u003cp\u003eCompatible with 1.4x and 2x Teleconverters\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony FE 300mm f\/2.8 GM OSS Lens\u003c\/p\u003e\n\u003cp\u003eSony Front Cap\u003cbr\u003e\u003cbr\u003eSony Tripod Mount\u003c\/p\u003e\n\u003cp\u003eSony ALC-R1EM Rear Cap\u003c\/p\u003e\n\u003cp\u003eSony Soft Case\u003c\/p\u003e\n\u003cp\u003eSony Lens Strap\u003c\/p\u003e\n\u003cp\u003eSony ALC-SH175 Lens Hood\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":43573478981799,"sku":"GC35-SEL300F28GM","price":8295.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/7745431896231SP_55ffba2c-167a-4a75-93f9-d5d3d6b2eee9.jpg?v=1784642495"},{"product_id":"sony-alpha-9-mark-iii-body-only","title":"Sony A9 Mark III Body Only","description":"\u003ch3\u003eSony A9 Mark III Body Only\u003c\/h3\u003e\n\u003cp\u003eLaying claim to the title of world's first global shutter mirrorless camera, the Sony a9 III is a speedy and incredibly capable system for sports, wildlife, photojournalism, and much, much more. This revolutionary sensor technology raises the bar for full-frame imaging, including the ability to shoot raw continuously at up to 120 fps and enjoy flash sync up to the maximum shutter speed of 1\/80,000 second. Blending the functionality of this 24.6MP sensor with Sony's powerful BIONZ XR processor and AI Processing Unit results in a system that will provide unmatched performance for those looking for an incredibly responsive and reliable camera system.\u003c\/p\u003e\n\u003ch3\u003eGlobal Shutter-A First for Mirrorless\u003c\/h3\u003e\n\u003cp\u003eSony has delivered the world's first full-frame global shutter mirrorless camera with the a9 III. The use of a global shutter provides a leap in performance over the rolling shutter technology used for decades. A global shutter provides a near instantaneous and simultaneous readout of all 24.6MP, eliminating skew and other artifacts that plagued rolling shutters. It also far surpasses mechanical shutter technology is every way, making the physical shutter unnecessary in the a9 III.\u003c\/p\u003e\n\u003cp\u003eGlobal shutters help ensure consistent and uniform exposure across the entire frame in all lighting conditions. Flash sync is possible at any shutter speed-even the maximum of 1\/80,000 second. The simultaneous readout also prevents banding from certain light sources, such as fluorescent lighting. In a gym, outside, or with mixed artificial lighting the a9 III will handle it with ease.\u003c\/p\u003e\n\u003cp\u003eFlash photography and mixed lighting conditions will see major usability enhancements with the use of a global shutter. This includes the ability to sync at up to 1\/80,000 second with any flash. Sony flashes will benefit from communication that ensures optimal results and third-party flashes can be synced with the shutter by using a menu setting to adjust the delay.\u003c\/p\u003e\n\u003ch3\u003ePro-Quality 4K Video\u003c\/h3\u003e\n\u003cp\u003eWhile video benefits greatly from the use of global shutter technology-rolling shutter and banding artifacts are completely eliminated-the a9 III boasts plenty of other video improvements over its predecessor worth talking about.\u003c\/p\u003e\n\u003cp\u003eThe a9 III captures and downsamples the full 6K image area to produce high-quality UHD 4K video up to 60 fps. It can also record 4K up to 120 fps with no crop.\u003c\/p\u003e\n\u003cp\u003eRecord 10-bit 4:2:2 internally using All-I encoding for maximum quality.\u003c\/p\u003e\n\u003cp\u003eOutput 16-bit raw via the full-size HDMI port to a compatible external recorder.\u003c\/p\u003e\n\u003cp\u003eS-Log3, S-Cinetone, and other Picture Profiles are available for optimising the image for your workflow and production environment.\u003c\/p\u003e\n\u003ch3\u003eRefined Body Design\u003c\/h3\u003e\n\u003cp\u003eWith a new generation of Alpha-series cameras comes some slight tweaks and modifications designed to make the operation of the system more ergonomic. The a9 III features a handful of updates:\u003c\/p\u003e\n\u003cp\u003eAddition of C5 custom button to front of camera body.\u003c\/p\u003e\n\u003cp\u003eContinuous shooting mode dial can now be disabled and shooting speed can be adjusted in the menu.\u003c\/p\u003e\n\u003cp\u003eEnhanced grip and the shutter button has been slightly moved to provide a more ergonomic experience.\u003c\/p\u003e\n\u003cp\u003eDual CFexpress Type A\/SD card slots provide versatility, allowing users to use existing media or pick up the faster CFexpress options to take full advantage of the a9 III's increased speed.\u003c\/p\u003e\n\u003cp\u003eUSB-C port now offers faster USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003c\/p\u003e\n\u003cp\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide colour gamut covering the DCI-P3 space.\u003c\/p\u003e\n\u003cp\u003e9.44m-dot 0.90x OLED electronic viewfinder with maximum refresh rate of 240 fps. The a9 III benefits from maximum quality viewing at up to 120 fps.\u003c\/p\u003e\n\u003cp\u003eEthernet port for advanced networking and data transfer workflows.\u003c\/p\u003e\n\u003cp\u003eThe optional VG-C5 Vertical Grip is designed to match the updated ergonomics of the a9 III, including the new C5 button.\u003c\/p\u003e\n\u003ch3\u003eEnhanced Functionality and Usability\u003c\/h3\u003e\n\u003cp\u003eSony has continued to improve the workflows of their professional cameras with upgraded and additional features:\u003c\/p\u003e\n\u003cp\u003eA voice memo function promises clearer recording with a microphone located close to the user. These memos can be transferred via FTP and can be converted to text using Sony's Transfer \u0026amp; Tagging application.\u003c\/p\u003e\n\u003cp\u003eIPTC metadata can be automatically added to images and up to 20 presets can be saved.\u003c\/p\u003e\n\u003cp\u003eImage bursts can now be set to display as a group during playback to make it easier to navigate through a shoot, especially when using the a9 III's fastest continuous shooting rates.\u003c\/p\u003e\n\u003cp\u003eBuilt-in Wi-Fi and Ethernet can be used for fast networked data transfer during shooting.\u003c\/p\u003e\n\u003ch3\u003eSony a9 III Weather Sealing\u003c\/h3\u003e\n\u003cp\u003eThe a9 III is designed to be used in a wide ranging of shooting conditions and is weather sealed to protect it from the elements.\u003c\/p\u003e\n\u003cp\u003eA shading curtain activates when the camera is powered off, protecting the camera's sensor from dust and the elements.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e24.6MP Full-Frame Global Shutter Sensor\u003c\/p\u003e\n\u003cp\u003eUp to 120 fps Cont. 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This lens is Sony's first GM zoom with a constant f\/2 maximum aperture and spans a useful wide-angle to portrait-length range-it is a lens for photographers looking to replace a set of primes with a single zoom without sacrificing on speed. It covers some of the most frequently used focal lengths, offers impressively fast AF, and is a single, well-balanced option for photography and filmmaking needs.\u003c\/p\u003e\n\u003ch3\u003eG Master Performance\u003c\/h3\u003e\n\u003cp\u003eSony's G Master designation is reserved for its highest performing optics, those that offer the greatest sharpness, smoothest bokeh, utmost speed, and best overall performance. This 28-70mm f\/2 checks all of these boxes as it sets out to be a single lens replacement for several primes.\u003c\/p\u003e\n\u003cp\u003eConstant f\/2 maximum aperture is a full stop faster than an f\/2.8 lens, helping this zoom to further excel in low-light conditions and offering even greater control over depth of field and subject-background separation.\u003c\/p\u003e\n\u003cp\u003eXA, Super ED, aspherical, and ED elements yield high sharpness and smooth rendering that suits subjects ranging from architecture and landscape to portraiture and weddings.\u003c\/p\u003e\n\u003cp\u003eNano AR Coating II suppress flare for rich contrast and bright colours in a variety of lighting conditions.\u003c\/p\u003e\n\u003cp\u003eFloating focus design maintains high image quality throughout the focusing range, resulting in matched sharpness from infinity to the 1.2' minimum focusing distance.\u003c\/p\u003e\n\u003cp\u003eRounded 11-blade diaphragm results in smooth, circular bokeh quality.\u003c\/p\u003e\n\u003ch3\u003eDesigned for Hybrid Shooters\u003c\/h3\u003e\n\u003cp\u003eAs a lens equally suited for photography and filmmaking purposes, the 28-70mm f\/2 GM has a number of useful features in its design to benefit its hybrid use:\u003c\/p\u003e\n\u003cp\u003eFour XD (extreme dynamic) linear motors generate fast and responsive AF performance that's equally quiet and smooth. The focusing system is compatible with continuous shooting speeds up to 120 fps or high-speed video recording at up to 240 fps.\u003c\/p\u003e\n\u003cp\u003eInternal focusing design promotes quicker focusing speeds and maintains the lens length during use.\u003c\/p\u003e\n\u003cp\u003eShort-throw zoom design means the lens only extends 0.7\" when changing from 28mm to 70mm positions, meaning, despite the lens not being a true internal zoom, you still do not need to adjust gimbal settings when changing the zoom position.\u003c\/p\u003e\n\u003cp\u003eFocus breathing has been greatly reduced optically and the lens supports the Breathing Compensation function in select cameras to effectively eliminate angle of view shifts while changing the zoom position.\u003c\/p\u003e\n\u003cp\u003eManual aperture ring can be de-clicked for smooth, silent switching and the zoom smoothness can also be adjusted to be smooth or tight for more precise handling.\u003c\/p\u003e\n\u003cp\u003eThe lens weighs 0.9 kg, however much of this weight is placed at the rear of the barrel for a balanced design that promotes comfortable handheld use.\u003c\/p\u003e\n\u003ch3\u003ePortable and Nimble Design\u003c\/h3\u003e\n\u003cp\u003eDespite its huge maximum aperture and versatile range, this 28-70mm f\/2 still manages a portable, relatively lightweight design that's suitable for handheld shooting and everyday use.\u003c\/p\u003e\n\u003cp\u003eMeasuring 5.5\" long and weighing 0.9 kg, this lens is 28% larger and 24% heavier than the 24-70mm f\/2.8 GM II while managing to be twice as bright.\u003c\/p\u003e\n\u003cp\u003eManual aperture ring offers tactile exposure control and the ring can be de-clicked for smooth and silent iris pulls or it can be locked in the 'A' position for camera-based aperture switching.\u003c\/p\u003e\n\u003cp\u003eTwo programmable focus hold buttons and a focus mode switch for intuitive focus control.\u003c\/p\u003e\n\u003cp\u003eZoom smoothness switch for changing between Smooth and Tight zoom ring torque.\u003c\/p\u003e\n\u003cp\u003eHybrid construction uses both metal and plastic components to maximise both durability and a low weight design.\u003c\/p\u003e\n\u003cp\u003eDust- and moisture-resistant design includes rubber gaskets at each seam and a rubber ring sealing the lens mount for ensured use when working in inclement weather conditions.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eFull-Frame | f\/2 to f\/22\u003c\/p\u003e\n\u003cp\u003eUltra-Fast Standard Zoom\u003c\/p\u003e\n\u003cp\u003eFour XD Linear AF Motors, Floating Focus\u003c\/p\u003e\n\u003cp\u003eMin. Focus: 1.2' Throughout Zoom Range\u003c\/p\u003e\n\u003cp\u003eAperture De-Click and Lock Switches\u003c\/p\u003e\n\u003cp\u003eZoom Smoothness Switch\u003c\/p\u003e\n\u003cp\u003eXA and Super ED Elements\u003c\/p\u003e\n\u003cp\u003eNano AR Coating II and Fluorine Coating\u003c\/p\u003e\n\u003cp\u003eDust and Moisture-Resistant Construction\u003c\/p\u003e\n\u003cp\u003eRounded 11-Blade Diaphragm\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony FE 28-70mm f\/2 GM Lens\u003c\/p\u003e\n\u003cp\u003eALC-F86S 86mm Front Lens Cap\u003c\/p\u003e\n\u003cp\u003eALC-R1EM Rear Lens Cap\u003c\/p\u003e\n\u003cp\u003eLens Hood\u003c\/p\u003e\n\u003cp\u003eLens Case\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46282866294951,"sku":"GC35-SEL2870GM","price":4499.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/8405394063527SP_5325ba9c-431e-47c6-bb5b-484d6bea001e.jpg?v=1784642490"},{"product_id":"sony-a1-ii-mirrorless-camera-body-only","title":"Sony A1 II Mirrorless Camera Body Only","description":"\u003ch3\u003eSony A1 II Mirrorless Camera Body Only\u003c\/h3\u003e\n\u003cp\u003eThe Sony a1 II is their most versatile camera yet, offering the best overall mixture of speed, video capabilities, high-resolution stills, and a robust, professional-worthy body design. It pulls much of the original a1's well-rounded feature-set into an a9 III body and adds the AF and IBIS technologies introduced with the a7R V. It's a camera meant for working professionals, whether they are sports, editorial, product, fashion, or advertising shooters, and it's equally appealing to landscape, portrait, wedding, and event photographers, too. And, beyond photography, it has the video tools the a1-series is known for, including 8K recording, along with useful stabilisation and framing aids borrowed from the ZV class of cameras.\u003c\/p\u003e\n\u003cp\u003eThe original a1 was already known for its strong imaging performance and the a1 II improves on this with upgraded BIONZ XR processing, an AI processing unit, more powerful 8.5-stop IBIS, and the impressive 50MP stacked BSI CMOS sensor from its predecessor. The sensor and processor still afford a top 30-fps shooting rate, expandable sensitivity from ISO 50-102400, and an impressive 15-stop dynamic range. Additionally, on the speed front, the a1 II gains the Pre-Capture and Speed Boost functions that debuted on the a9 III.\u003c\/p\u003e\n\u003ch3\u003e\n\u003cmeta charset=\"utf-8\"\u003e \u003cspan\u003eSensor and Processing Improvements\u003c\/span\u003e\n\u003c\/h3\u003e\n\u003cp\u003eUp to 30 fps continuous shooting with an electronic shutter, or 10 fps with the mechanical shutter, with AF and AE supported.\u003c\/p\u003e\n\u003cp\u003ePre-Capture Shooting records at up to 30 fps for up to 1 second prior to fully pressing the shutter, helping to ensure you don't miss fleeting moments.\u003c\/p\u003e\n\u003cp\u003eSpeed Boost lets you vary your continuous shooting speed mid-burst; when the C5 button is depressed while burst shooting, you can switch from the chosen continuous shooting speed to a faster or slower one to suit the pace of action you're photographing.\u003c\/p\u003e\n\u003cp\u003eRefined 5-axis in-body image stabilisation compensates for up to 8.5 stops of camera shake at the centre of the frame and 7 stops at the periphery; an improvement of 3 stops of shake control compared to the original a1.\u003c\/p\u003e\n\u003cp\u003eSame full-frame 50MP stacked BSI CMOS sensor as the a1, mixing high resolution with the speed and reduced rolling shutter of a stacked design to suit both meticulous and quick-working shooters.\u003c\/p\u003e\n\u003ch3\u003eSmarter, Faster Autofocus and Subject Tracking\u003c\/h3\u003e\n\u003cp\u003eThe a1 II's focusing system received similarly significant upgrades from its predecessor, now sporting an AI Processing Unit and refined subject detection and tracking. The phase-detection AF system itself still comprises 759 points, which cover about 92% of the sensor area, and support focusing down to -4 EV at f\/2. Subject tracking and subject detection is improved, too, specifically how the camera is 30% faster at detect human eyes and 50% faster with animal eyes.\u003c\/p\u003e\n\u003cp\u003eFirst seen in the a7R V and a9 III, the a1 II sports a dedicated AI Processing Unit for refined, responsive, and intelligent subject tracking and detection of humans, animals, birds, insects, cars, trains, and airplanes.\u003c\/p\u003e\n\u003cp\u003eHuman pose estimation tracks body and head positions for accurate focus in portraiture and sports settings and Real-time Eye AF performance has been improved by 30%.\u003c\/p\u003e\n\u003cp\u003eAdditionally, human pose estimation can distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/p\u003e\n\u003cp\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects.\u003c\/p\u003e\n\u003cp\u003eAuto Subject Recognition modes no longer necessitate selecting a subject type, letting the camera detect and track the intended subject.\u003c\/p\u003e\n\u003cp\u003eXS and XL focus area spot sizes have been added for more versatility or you can customise AF focus areas to suit uniquely sized or shaped subjects.\u003c\/p\u003e\n\u003cp\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/p\u003e\n\u003ch3\u003eAlpha's Video Capabilities\u003c\/h3\u003e\n\u003cp\u003eThe core video specs of the original a1 were ahead of their time, and in many ways, still are. The a1 II keeps many of the core resolutions and frame rates but refines the video recording capabilities with more supportive modes and features, including access to Dynamic Area Stabilisation and timecode input with an optional adapter. This makes the a1 II just as capable on a professional film set as it is in a photography studio.\u003c\/p\u003e\n\u003cp\u003eFamiliar recording formats: 8K 30p with 10-bit 4:2:0 sampling and 4K 120p with 10-bit 4:2:2 sampling. When using a Super 35 recording area, 4K footage can use 5.8K oversampling for improved detail and the full-frame area offers 8.6K oversampling for the 8K footage.\u003c\/p\u003e\n\u003cp\u003eAI subject recognition, gained from the AI Processing Unit, benefits the Framing Stabiliser mode, which can be used to automatically crop and recompose so the subject remains centreed in the image.\u003c\/p\u003e\n\u003cp\u003eDynamic Active Mode Stabilisation also helps retain accurate framing while filming, especially when recording while walking or moving.\u003c\/p\u003e\n\u003cp\u003eIncluded S-Cinetone profile, ProRes RAW output over HDMI, and the ability to import LUTs all point to the great amount of colour control the a1 II offers.\u003c\/p\u003e\n\u003cp\u003eSupport for Breathing Compensation mode, which reduces the effects of focus breathing when using select lenses.\u003c\/p\u003e\n\u003ch3\u003ePre-Capture \u0026amp; Speed Boost-Never Miss a Moment\u003c\/h3\u003e\n\u003cp\u003eAlong with the key technology delivered by the sensor, the a1 II brings additional features to unlock the camera's full potential.\u003c\/p\u003e\n\u003cp\u003ePre-Capture: The a1 II can be configured to begin recording images to the buffer when the shutter button is half-pressed. Users can set this between 0.03-1.0 second. Upon pressing the shutter these images will be saved to the memory card.\u003c\/p\u003e\n\u003cp\u003eSpeed Boost: With Speed Boost and the C5 button, which is conveniently placed near the grip on the front of the camera, users can instantly switch their camera from their usual continuous shooting frame rate to a faster one to make sure their next shot is just right. Photographers will be able to select various frame rates up to 30 fps.\u003c\/p\u003e\n\u003ch3\u003eProfessional Body Design and Connectivity\u003c\/h3\u003e\n\u003cp\u003eThe a1-series has always been a top-of-the-line model for Sony and, as such, had one of the most durable and refined physical designs within the system. The a1 II, though, gains a bit of an upgrade to bring it in line with the a9 III in terms of button layout, screen and EVF implementation, and durability. It's a camera built for professional use and has the strongest, most reliable design in Sony's lineup.\u003c\/p\u003e\n\u003ch3\u003eVersatile and Durable Design\u003c\/h3\u003e\n\u003cp\u003eThe a1 II gains the latest Sony mirrorless body design first seen on the a9 III which includes a C5 custom button on the front of camera body and an enhanced grip.\u003c\/p\u003e\n\u003cp\u003eFor transferring, an upgraded 2.5GBASE-T wired LAN port offers faster transfer speeds to suit high-profile tethered shooting applications. There is also a USB-C port and a full-size HDMI port.\u003c\/p\u003e\n\u003cp\u003eUSB-C port offers fast USB 3.2 Gen 2 speeds of up to 10 Gb\/s.\u003c\/p\u003e\n\u003cp\u003eDual memory card slots both accept either CFexpress Type A or SD-type memory cards. The dual slot design allows for flexible file saving and handling and can be configured to partition file types or can be used for overflow recording. Additionally, both of the card slots are rated to support UHS-II memory cards for faster transfer speeds.\u003c\/p\u003e\n\u003ch3\u003eTru-Finder EVF and Tilting Touchscreen LCD\u003c\/h3\u003e\n\u003cp\u003eAn impressive QXGA OLED Tru-Finder EVF features a high 9.44m-dot resolution and 0.9x magnification for exceptionally bright, clear, and detailed eye-level viewing. There is also a 120-fps option that maintains the higher resolution for a better mixture of clarity and motion fluidity.\u003c\/p\u003e\n\u003cp\u003e3.2\" 2.1m-dot 4-axis multi-angle touchscreen LCD-first seen on the a7R V. This screen has a wide colour gamut covering the DCI-P3 space.\u003c\/p\u003e\n\u003cp\u003eIntuitive menu structure that complements having different workflows with different settings selections for movie recording and stills shooting. The menu system also works in conjunction with the touchscreen design of the rear LCD.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e50MP Full-Frame Stacked BSI CMOS Sensor\u003c\/p\u003e\n\u003cp\u003eAI Tracking \u0026amp; Human Pose Estimation\u003c\/p\u003e\n\u003cp\u003e8K 30p and 4K 120p Video in 10-Bit\u003c\/p\u003e\n\u003cp\u003eUp to 30 fps Shooting with AF\/AE\u003c\/p\u003e\n\u003cp\u003ePre-Capture \u0026amp; Speed Boost Button\u003c\/p\u003e\n\u003cp\u003e8.5-Stop IBIS + Dynamic Stabilisation\u003c\/p\u003e\n\u003cp\u003e9.44m-Dot EVF with 240 fps Refresh Rate\u003c\/p\u003e\n\u003cp\u003e3.2\" 2.1m-Dot 4-Axis Touchscreen LCD\u003c\/p\u003e\n\u003cp\u003e5 GHz MIMO Wi-Fi, 2.5GBASE-T Ethernet\u003c\/p\u003e\n\u003cp\u003eDual CFexpress Type A\/SD Card Slots\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony A1 II Mirrorless Camera Body Only\u003c\/p\u003e\n\u003cp\u003eNP-FZ100 Battery (2280mAh)\u003c\/p\u003e\n\u003cp\u003eBC-ZD1 Dual-Battery Charger for NP-FZ100 Batteries\u003c\/p\u003e\n\u003cp\u003eALC-B1EM Body Cap for E-Mount Cameras\u003c\/p\u003e\n\u003cp\u003eFDA-EP19 Eyepiece Cup\u003c\/p\u003e\n\u003cp\u003eFDA-EP21 Deep Eyepiece Cup\u003c\/p\u003e\n\u003cp\u003eMulti Interface Shoe Cap\u003c\/p\u003e\n\u003cp\u003eCable Protector\u003c\/p\u003e\n\u003cp\u003eShoulder Strap\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46285578240167,"sku":"GC35-ILCE1M2B","price":8999.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/8406016852135SP_24acdd41-8031-4458-9da0-d0187b82706c.jpg?v=1784642485"},{"product_id":"sony-fe-50-150mm-f-2-gm-lens","title":"Sony FE 50-150mm f\/2 GM Lens","description":"\u003ch3\u003eSony FE 50-150mm f\/2 GM Lens\u003c\/h3\u003e\n\u003cp\u003eThe Sony FE 50-150mm f\/2 GM lens is the ultimate no-compromises do-everything zoom for the mid-telephoto range. Within its 50-150mm zoom range, it delivers exceptional optical quality all the way down to its stunning f\/2 maximum aperture, perfect for everything from weddings and portraiture to court sports. At 1340g, the FE 50-150mm f\/2 GM stays comfortable to carry over a working day, while ensuring you have the perfect lens for whatever the job throws your way, every time. Even close focus is covered, with a floating focus system providing crisp and well-corrected close-up capture down to 0.2x reproduction ratio, perfect for ring shots.\u003c\/p\u003e\n\n\u003ch3\u003eOutstanding Autofocus Speed\u003c\/h3\u003e\n\n\u003cp\u003eAs a flagship GM lens, the FE 50-150mm f\/2 GM benefits from Quad XD Linear Motors, driving two focus groups in a floating focus arrangement. This allows for a shorter minimum working distance and superior optical performance at close range. Because of the use of XD Linear Motors, the lens also boasts extraordinary autofocus characteristics, working with the Alpha 1 and Alpha 9 cameras at their maximum speeds, and tracking moving subjects tenaciously in both still and video modes.\u003c\/p\u003e\n\n\u003ch3\u003ePower \u0026amp; Flexibility\u003c\/h3\u003e\n\n\u003cp\u003eThe FE 50-150mm f\/2 GM is a natural fit for stills photographers who want beautiful background defocus across a wide range, but the lens is also a powerful option for videographers. A de- clickable aperture ring facilitates handheld video, while internal focus and zoom make the lens remarkably easy to manage on a gimbal system.\u003c\/p\u003e\n\n\u003ch3\u003eDurable and Reliable\u003c\/h3\u003e\n\n\u003cp\u003eIn addition, the front lens element features a fluorine coating, which makes it easy to remove fingerprints, dust, oil, and other contaminants from the lens surface. The dust and moisture resistant design provides extra reliability for outdoor use in challenging conditions and expands the freedom of shooting.\u003c\/p\u003e\n\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eExceptional Optical Quality at f\/2\u003c\/p\u003e\n\u003cp\u003eQuad Xd Linear Motors for Autofocus\u003c\/p\u003e\n\u003cp\u003eFloating Focus for Crisp Close-ups\u003c\/p\u003e\n\u003cp\u003eDe-clickable Aperture for Video\u003c\/p\u003e\n\u003cp\u003eFluorine Coating for Easy Cleaning\u003c\/p\u003e\n\u003cp\u003eDust and Moisture Resistant Design\u003c\/p\u003e\n\u003cp\u003e95mm Filter Size\u003c\/p\u003e\n\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony 50-150mm f\/2 GM E Mount Lens\u003c\/p\u003e\n\u003cp\u003eSony ALC-F95S Front Cap\u003c\/p\u003e\n\u003cp\u003eSony ALC-R1EM Rear Cap\u003c\/p\u003e\n\u003cp\u003eSoft Case\u003c\/p\u003e\n\u003cp\u003eTripod Mount\u003c\/p\u003e\n\u003cp\u003eLens Strap\u003c\/p\u003e\n\u003cp\u003eSony ALC-SH183 Rounded Shaped Hood\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46732771262631,"sku":"GC35-SEL50150GM","price":5253.41,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/8509981556903SP_a7284fe0-ed81-4a12-8d6f-ef25d251c2a1.jpg?v=1784642490"},{"product_id":"sony-cinema-line-fx3-full-frame-e-mount-camera","title":"Sony Cinema Line FX3A Full Frame E-mount Camera","description":"\u003ch3\u003eSony Cinema Line FX3A Full Frame E-mount Camera\u003c\/h3\u003e\n\u003cp\u003eWith a compact design for solo shooters, travel applications, or as an ideal B camera, the Sony FX3A borrows from both the Cinema Line and Alpha series of cameras to create an optimised portable cinema camera. The FX3A features all the imaging attributes you'd expect from this class but sports a new lightweight, handheld form with a streamlined profile and a \"cage-free\" design, offering the ability to secure various accessories directly to the camera body.\u003c\/p\u003e\n\u003ch3\u003eExpressive UHD 4K Video Capture\u003c\/h3\u003e\n\u003cp\u003eThe FX3A's 12.1MP Exmor R BSI CMOS sensor (10.2MP effective in video mode) is paired with a BIONZ XR processor to achieve UHD 4K video capture with internal 10-bit 4:2:2 sampling or 16-bit raw output. The sensor's BSI design heightens clarity and sensitivity, with an expandable ISO 80-409,600 range and a greater-than-15-stop dynamic range for working in mixed lighting conditions. Benefiting colour and tonal control, the S-Cinetone mode can be used for matching to VENICE, FX9, or FX6 sources, and there is also S-Log3\/2 gamut support and 10-bit HLG for simple HDR productions. The sensor and processor also work together to greatly reduce rolling shutter, and the sensor's design incorporates a Fast Hybrid AF system for intelligent and quick focusing performance and subject tracking.\u003c\/p\u003e\n\u003ch3\u003e4K Full-Frame CMOS Exmor R Sensor\u003c\/h3\u003e\n\u003cp\u003eA 12.1MP Exmor R sensor and BIONZ XR processor offer the FX3A true cinematic expression with 10.2MP effective video and 12.1MP still capture. The full-frame sensor provides shallow depth of field looks, impressive bokeh, and reduced rolling shutter artifacts. A base sensitivity of 80-102,400 expands to a lofty 409,600 for impressive low-light capture, and 15+ stops of dynamic range reproduce the nuances of both spectacular exteriors and carefully lit interior scenes with plenty of allowance for colour grading.\u003c\/p\u003e\n\u003ch3\u003eS-Cinetone Colour\u003c\/h3\u003e\n\u003cp\u003eBeautiful skin tone reproduction and a softer-toned look that complements your VENICE, FX9, or FX6 footage are created using the FX3A's default S-Cinetone colour setting. S-Log-3, S-Gamut3, S-Gamut3.Cine, and 10-bit 4:2:2 support help maintain rich gradation and colour matching with the range of Sony Cinema Line cameras, while HLG HDR provides the option of direct HLG playback without the need for grading.\u003c\/p\u003e\n\u003ch3\u003eVideo Recording\u003c\/h3\u003e\n\u003cp\u003eCapture sharp, detailed images at rates up to 4K 120p with up to 5x slow motion at 24p output. Recording options include the ability to output DCI 4K+ in 16-bit raw over HDMI to compatible recorders while simultaneously recording XAVC 4K and proxies in-camera. Internal 4K recording options include 4:2:2 10-bit colour with All-Intra and Long GOP codecs.\u003c\/p\u003e\n\u003cp\u003eCooling features like a silent fan and a heatsink dissipate warmth to enable uninterrupted recording up to 4K60\u003c\/p\u003e\n\u003cp\u003eDual SD card slots accept both CFexpress Type A and SDXC cards for easy relay or backup recording\u003c\/p\u003e\n\u003cp\u003eSuper 35 1080p capture at rates up to 240p\u003c\/p\u003e\n\u003ch3\u003eSteady Focus\u003c\/h3\u003e\n\u003cp\u003eNow, even solo shooters can keep the action in focus thanks to real-time Tracking and Eye autofocus functions made possible by AI-based algorithms, plus a simple touchscreen focus function.\u003c\/p\u003e\n\u003cp\u003eSeven choices of AF Transition Speed let you rack focus, and five AF Subject Shift settings enable you to adjust the speed when shifting from a locked-on subject.\u003c\/p\u003e\n\u003cp\u003eFast Hybrid AF uses 627 points to cover approximately 89% of the image frame.\u003c\/p\u003e\n\u003ch3\u003eErgonomic Form for Solo Operation\u003c\/h3\u003e\n\u003cp\u003eThe FX3A's cage-free design enables you to mount ¼\"-20 compatible accessories directly on the camera or the detachable handle, saving you the weight and setup\/breakdown time of a camera cage. The clustered record button, focus and menu controls, and six assignable buttons all help to enable single-handed control, leaving your left hand free for balancing or controlling your lens.\u003c\/p\u003e\n\u003ch3\u003eTilting Touchscreen LCD\u003c\/h3\u003e\n\u003cp\u003eThe fold-out 3\" touchscreen LCD has a crisp 2.35MP resolution and can be variously angled for optimal viewing.\u003c\/p\u003e\n\u003ch3\u003eEasily Viewable Tally Lights\u003c\/h3\u003e\n\u003cp\u003eTop, front, and rear tally indicators let the operator, talent, and sound person know precisely when the camera is recording.\u003c\/p\u003e\n\u003cp\u003eThis enables more accurately timed movements and dialogue delivery.\u003c\/p\u003e\n\u003ch3\u003eQuality Audio Options\u003c\/h3\u003e\n\u003cp\u003ePro audio recording options include:\u003c\/p\u003e\n\u003cp\u003eA detachable XLR adapter handle with two XLR-1\/4\" TRS combo audio inputs\u003c\/p\u003e\n\u003cp\u003eA mic holder and a 3.5mm input for adding a microphone\u003c\/p\u003e\n\u003cp\u003eUp to 4-channel, 24-bit audio recording\u003c\/p\u003e\n\u003ch3\u003eRemote Control, Streaming, and Transfers\u003c\/h3\u003e\n\u003cp\u003eControl your FX3A remotely using the Imaging Edge Mobile or Imaging Edge Desktop apps, and transfer files using Wi-Fi or via a wired USB-C connector to let your editor get a jump on post-production.\u003c\/p\u003e\n\u003cp\u003eYou can also stream your content using your computer and the Imaging Edge Webcam app.\u003c\/p\u003e\n\u003ch3\u003ePost-Production Stabilisation with E-Mount Lenses\u003c\/h3\u003e\n\u003cp\u003eSony's Catalyst Prepare\/Browse software uses shake metadata to stabilise your image\u003c\/p\u003e\n\u003cp\u003eAn adjustable balance between shake compensation and image area trimming lets you fine-tune the image\u003c\/p\u003e\n\u003ch3\u003eImproved FX3A Features\u003c\/h3\u003e\n\u003cp\u003eThe FX3A updates the Cinema Line with improvements like comfortable, cage-free handheld operation, a battery runtime 1.6x longer than that of the a7S II, and a USB-PD power option for extended shooting times.\u003c\/p\u003e\n\u003ch3\u003eCommon FX3A\/FX6\/a7S III Features\u003c\/h3\u003e\n\u003cp\u003eLike the FX6 and the a7S III, the FX3A features:\u003c\/p\u003e\n\u003cp\u003eFull-frame, back-illuminated 12.1MP Exmor R CMOS sensor and BIONZ XR processor\u003c\/p\u003e\n\u003cp\u003eHigh-speed rates of 120p in 4K and 240p in HD\u003c\/p\u003e\n\u003cp\u003eA dynamic range of 15+ stops\u003c\/p\u003e\n\u003ch3\u003eShared FX3A\/FX6 Attributes\u003c\/h3\u003e\n\u003cp\u003eAttributes that the FX3A has in common with the larger FX6 camera include:\u003c\/p\u003e\n\u003cp\u003eS-Cinetone, S-Log3, HLG, and Rec. 709 gamma options\u003c\/p\u003e\n\u003cp\u003eTally lamps on the front, side, and rear\u003c\/p\u003e\n\u003cp\u003eAn internal fan to prevent overheating\u003c\/p\u003e\n\u003cp\u003eA zoom lever for easy frame adjustments\u003c\/p\u003e\n\u003ch3\u003eShared FX3A\/a7S III Attributes\u003c\/h3\u003e\n\u003cp\u003eAttributes that the FX3A shares with the a7S III include:\u003c\/p\u003e\n\u003cp\u003e5-axis in-body image stabilisation\u003c\/p\u003e\n\u003cp\u003e16-bit raw output via HDMI\u003c\/p\u003e\n\u003cp\u003eS-Log2 gamma choice\u003c\/p\u003e\n\u003cp\u003e80 to 409,600 ISO range (expanded)\u003c\/p\u003e\n\u003ch3\u003eWireless Connectivity\u003c\/h3\u003e\n\u003cp\u003eDual-band 2.4\/5 GHz wireless connectivity\u003c\/p\u003e\n\u003cp\u003eWired LAN link using the USB-C port and a separate adapter\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e12.1MP Full-Frame CMOS Exmor R Sensor\u003c\/p\u003e\n\u003cp\u003eUHD 4K up to 120 | 1080p up to 240\u003c\/p\u003e\n\u003cp\u003eCompact Form for Cage-Free Operation\u003c\/p\u003e\n\u003cp\u003e10-Bit 4:2:2 XAVC S-I,16-Bit Raw Output\u003c\/p\u003e\n\u003cp\u003eS-Cinetone\/S-Log3\/HLG, 15+ Stops DR\u003c\/p\u003e\n\u003cp\u003eDetachable Dual XLR\/TRS Adapter 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Featuring a higher resolution 61MP BSI CMOS sensor, improved AF and video performance, an updated body design, larger battery, and the same beloved ZEISS Sonnar T 35mm f\/2 prime lens from past models, this is the high-performance companion camera that melds extreme image quality with a highly portable size.\u003c\/p\u003e\n\u003ch3\u003e61MP Exmor R BSI Sensor\u003c\/h3\u003e\n\u003cp\u003eBorrowing the proven high-resolution sensor from the a7R V and a7CR cameras, the RX1R III features the full-frame 61MP Exmor R BSI chip, along with BIONZ XR processing, that achieves incredible resolution, high clarity, low noise, and a wide 15-stop dynamic range. The sensor's structure promotes impressive image quality, and a copper wiring layer dramatically improves data transmission speed for creating 14-bit, 61MP stills with a native sensitivity range from ISO 100-32000.\u003c\/p\u003e\n\n\u003ch3\u003eBIONZ XR Processing\u003c\/h3\u003e\n\u003cp\u003eMatching the sensor is the adept BIONZ XR processor, which offers up to 8x greater processing performance compared to previous generations, which enables faster overall performance, impressive image quality with wide sensitivity and dynamic ranges, and more fluent processing that's capable of handling a bevy of AI tasks and intelligent AF alongside imaging processes. This processing system also reduces rolling shutter and other motion distortions for clean rendering of moving subjects.\u003c\/p\u003e\n\n\u003ch3\u003eAI Processing Unit and Autofocus\u003c\/h3\u003e\n\u003cp\u003eUsing dedicated processing, the RX1R III's autofocus is greatly benefitted by more intelligent subject tracking and recognition capabilities along with the reliable hybrid AF system Alpha cameras are known for. Real-time Recognition AF works with seven different selectable target types:\u003c\/p\u003e\n\u003cp\u003eHuman, which tracks body and head positions for accurate portraits. Real-time Eye AF performance has also been improved by 60% thanks to the human pose estimation capabilities.\u003c\/p\u003e\n\n\u003cp\u003eAnimal, Bird, and Animal\/Bird modes are now 40% more accurate for tracking and recognising a variety of animal types. Recognition of these subjects includes dogs, cats, birds and more, with the ability to pinpoint focus on eyes and recognise animal bodies and heads.\u003c\/p\u003e\n\u003cp\u003eInsect recognition offers even finer performance with the ability to detect the head or entire insect subject.\u003c\/p\u003e\n\u003cp\u003eCar\/Train and Airplane recognition means the camera can detect the front part of a train, nose of an airplane, or easily detect the entire fast-moving subject.\u003c\/p\u003e\n\u003cp\u003eReal-time Tracking benefits from AI-based subject recognition for following moving subjects, making it particularly well-suited to sports and action subjects. Also, Human pose estimation allows the camera to distinguish between multiple people and maintain focus on the targeted subject; even if someone crosses in front, the camera maintains focus on the key person.\u003c\/p\u003e\n\n\u003ch3\u003eAdvanced Fast Hybrid AF\u003c\/h3\u003e\n\u003cp\u003eCovering 79% of the full-frame image area, or 100% of the APS-C cropped area, a Fast Hybrid AF system incorporates a dense 693 phase-detection point grid for quick and precise focusing in a variety of lighting conditions with sensitivity down to -4 EV. This focusing system is available for use in all recording modes, to benefit both video and stills applications.\u003c\/p\u003e\n\u003cp\u003eFull-time DMF (Direct Manual Focus) enables using the lens's focus ring for manual focus control at any time, making it easier to switch focus to a different subject even when working with AF.\u003c\/p\u003e\n\n\u003ch3\u003eAccurate Exposure and Colour\u003c\/h3\u003e\n\u003cp\u003eEspecially accurate metering and white balance is possible thanks to AI-powered algorithms, like Human Pose Estimation, to detect skin areas for more accurately balance exposures when shooting portraits. This AE method is approximately 20% more reliable, even in backlit or direct sunlight situations, or even when the subject is not directly facing the camera. Deep learning technology, along with external visible light and IR sensors, also contributes to more accurate colour reproduction and auto white balance processing.\u003c\/p\u003e\n\n\u003ch3\u003eStep Crop Modes\u003c\/h3\u003e\n\u003cp\u003eSuiting a high-resolution fixed lens camera, the RX1R III introduces Step Crop modes that simulate the field of view of lenses other than the built-in 35mm lens. By default, changing these modes is set to the C1 button and lets you cycle between 50mm (29MP) and 70mm (15MP) settings to make tighter in-camera compositions.\u003c\/p\u003e\n\n\u003ch3\u003eCreative Looks\u003c\/h3\u003e\n\u003cp\u003eAlso befitting a fixed lens, carry-everywhere camera, a series of new Creative Look settings have been added to impart a unique aesthetic to frames straight out of the camera. There are now 12 presets total, including the classic filmic FL setting; a new nostalgic FL2 film mode; a contrasty, slicker FL3 slide film-inspired look, and IN is reminiscent of instant film.\u003c\/p\u003e\n\u003ch3\u003eCompact, Everyday Design\u003c\/h3\u003e\n\n\u003ch3\u003ePortable Profile\u003c\/h3\u003e\n\u003cp\u003eBuilt to be a camera to take everywhere, much attention has been focused on keeping this camera as small as possible without sacrificing on quality.\u003c\/p\u003e\n\u003cp\u003eMeasuring 4.4 x 2.6 x 2.9\" and weighing 500g, the camera can easily fit in a coat pocket for everyday carry.\u003c\/p\u003e\n\u003cp\u003eNow compatible with the larger capacity NP-FW50 battery, the RX1R III is rated for approximately 300 shots per charge.\u003c\/p\u003e\n\u003cp\u003eUpdated physical design maintains a flat top plate for a sleeker, minimalist appearance.\u003c\/p\u003e\n\u003cp\u003eNew grip texture and matte colouring also contributes to a more discrete and appealing look and feel.\u003c\/p\u003e\n\u003cp\u003eRobust magnesium alloy body offers a durable profile and incorporates dust and moisture seals to protect against harsh environments.\u003c\/p\u003e\n\n\u003ch3\u003eEVF and LCD\u003c\/h3\u003e\n\u003cp\u003eAnother change in design from the previous generation, the RX1R III sheds the pop-up EVF design for a fixed position design, making the finder more reliable and intuitive to use. The EVF is a 0.39\" 2.36m-dot OLED and has a 0.7x magnification.\u003c\/p\u003e\n\u003cp\u003eThe rear LCD is a fixed 3.0\" 2.36m-dot panel and its touchscreen design suits easy navigation and Touch Af and Touch Tracking controls.\u003c\/p\u003e\n\n\u003ch3\u003eConnectivity\u003c\/h3\u003e\n\u003cp\u003eUSB-C port for in-camera battery charging and data transfer.\u003c\/p\u003e\n\u003cp\u003eMicro-HDMI port can be used in conjunction with an external recorder or monitor.\u003c\/p\u003e\n\u003cp\u003e3.5mm microphone port supports the use of an external mic.\u003c\/p\u003e\n\u003cp\u003eMulti Interface Shoe supports an external flash or working with the optional ECM-B1M Shotgun Microphone or XLR-K3M XLR Adapter Kit, which provide improved, clear audio recording sound by sending a digital audio signal to the camera, opposed to an analog signal.\u003c\/p\u003e\n\u003cp\u003eA nod to tradition, the shutter button is also threaded to accept a conventional cable release for making shake-free long exposures.\u003c\/p\u003e\n\u003ch3\u003eVideo Recording\u003c\/h3\u003e\n\n\u003cp\u003eRecord full frame, 30 fps 4K video in 10-bit 4:2:2 using the advanced XAVC S-I format for consistent performance and quality at bitrates up to 300 Mb\/s.\u003c\/p\u003e\n\u003cp\u003eThe S-Log3 and S-Gamut3.Cine Gamma Curves allow for more than 15 stops of dynamic range and for increased post-production flexibility, including matching video from other Sony Cinema Line cameras.\u003c\/p\u003e\n\u003cp\u003eS-Cinetone can be used to deliver distinct colours and healthy-looking skin tone rendering that is based on technology from the professional Cinema Line cameras, such as the VENICE. This colour profile offers natural mid-tones, soft colours, and especially well-controlled highlights.\u003c\/p\u003e\n\u003cp\u003eCreative Looks can be baked into the recorded footage to create a specific mood during recording and minimise the need for editing.\u003c\/p\u003e\n\u003cp\u003eUser-created LUTs and presets can be set for accurately monitoring footage or previewing a specific look during shooting and can be applied to the camera's monitor, EVF, or HDMI output.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e61MP Full-Frame Exmor R BSI Sensor\u003c\/p\u003e\n\u003cp\u003eZEISS Sonnar T 35mm f\/2 Lens\u003c\/p\u003e\n\u003cp\u003eBIONZ XR \u0026amp; AI Processing Unit\u003c\/p\u003e\n\u003cp\u003e693-Point PDAF \u0026amp; Real-Time Tracking AF\u003c\/p\u003e\n\u003cp\u003e4K 30p 10-Bit \u0026amp; FHD 120p Video\u003c\/p\u003e\n\u003cp\u003e2.36m-Dot 0.7x OLED EVF\u003c\/p\u003e\n\u003cp\u003e3.0\" 2.36m-Dot Touchscreen LCD\u003c\/p\u003e\n\u003cp\u003eStep Crop Modes and Creative Looks\u003c\/p\u003e\n\u003cp\u003eUpdated Design, Improved Battery Life\u003c\/p\u003e\n\u003cp\u003eSD UHS-II Slot; USB-C, HDMI, Mic Ports\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony RX1R III Digital Camera\u003c\/p\u003e\n\u003cp\u003eSony NP-FW50 Lithium-Ion Rechargeable Battery (1020mAh)\u003c\/p\u003e\n\u003cp\u003eLens Cap\u003c\/p\u003e\n\u003cp\u003eAccessory Shoe Cap\u003c\/p\u003e\n\u003cp\u003eEyepiece Cup\u003c\/p\u003e\n\u003cp\u003eShoulder Strap\u003c\/p\u003e\n\u003cp\u003eWrapping Cloth\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":46897685823655,"sku":"GC35-DSCRX1RM3","price":7449.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/8553575252135SP_6002a2c0-2591-49b9-b4d4-c3e21336096e.jpg?v=1784642485"},{"product_id":"sony-fe-100-400mm-f-4-5-gm-oss-lens","title":"Sony FE 100-400mm f\/4.5 GM OSS Lens","description":"\u003ch3\u003eSony FE 100-400mm f\/4.5 GM OSS Lens\u003c\/h3\u003e\n\u003cp\u003eThe 100-400mm f\/4.5 GM OSS is a versatile constant aperture supertelephoto zoom, providing wildlife and sports photographers with a zoom option that still provides maximum optical performance.\u003c\/p\u003e\n\u003ch3\u003eVersatility without Compromise\u003c\/h3\u003e\n\u003cp\u003eUnlike the original 100-400mm GM zoom, which continues to be available, this new lens uses an internal zoom mechanism, giving extraordinary durability and reliability. Focus has been upgraded, along with stabilisation, giving exceptional optical performance in any situation, and detailed consideration has been given to the total design, ensuring ease and security of operation for all users, from amateur to professional.\u003c\/p\u003e\n\u003ch3\u003eClass-Leading Autofocus\u003c\/h3\u003e\n\u003cp\u003eFour XD Linear motors, two for each focus group, provide the exacting focus performance that advanced sports and wildlife photographers require. Compared to the original 100-400mm f\/4.5-5.6 GM, the new 100-400mm f\/4.5 GM boasts a 3x improvement in focus speed and a 50% improvement in tracking performance, which translates into more keepers after every shoot. This improved focus performance extends to challenging shooting conditions like 120fps capture and capture during zoom actuation.\u003c\/p\u003e\n\u003ch3\u003eAcquire and Capture\u003c\/h3\u003e\n\u003cp\u003eRapidly shifting between 100mm and 400mm within a short quarter-turn zoom throw, the 100-400mm f\/4.5 GM allows photographers to quickly acquire wide and then punch in as desired for capture. Making use of the lens' full compatibility with the 1.4x and 2x teleconverters available from Sony, this workflow can be adapted for a wide variety of shooting scenarios.\u003c\/p\u003e\n\u003ch3\u003ePortable and Reliable\u003c\/h3\u003e\n\u003cp\u003eWeighing in under 2kg and built to withstand the elements, the 100-400mm f\/4.5 GM is suitable for a huge range of outdoor applications. A comfortable carrying grip is thoughtfully built in to the tripod foot for ease of carrying, and a security lock supports extra security for remote shooting, along with full dust and weather sealing throughout for total peace of mind.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eKey Features\u003c\/p\u003e\n\u003cp\u003e95mm Filter Size\u003c\/p\u003e\n\u003cp\u003eConstant f\/4.5 Aperture\u003c\/p\u003e\n\u003cp\u003eInternal Zoom Mechanism\u003c\/p\u003e\n\u003cp\u003eFour XD Linear Motors\u003c\/p\u003e\n\u003cp\u003e3x Improvement in Focus Speed\u003c\/p\u003e\n\u003cp\u003eTeleconverter Compatible\u003c\/p\u003e\n\u003cp\u003eDust and Moisture Proof\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony FE 100-400mm f\/4.5 GM OSS Lens\u003c\/p\u003e\n\u003cp\u003eSony ALC-SH187 Lens Hood\u003c\/p\u003e\n\u003cp\u003eSony ALC-F95S Lens Front Cap\u003c\/p\u003e\n\u003cp\u003eSony ALC-R1EM Rear Cap\u003c\/p\u003e\n\u003cp\u003eSony Soft Case\u003c\/p\u003e\n\u003cp\u003eSony Lens Strap\u003c\/p\u003e\n\u003cp\u003eSony Case Strap\u003c\/p\u003e\n\u003cp\u003eSony Slot-in Filter Holder\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49719165550759,"sku":"GC35-SEL100400MC","price":6799.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/9965762904231SP_c9990dbb-f882-4dc9-976f-db1bbc337e0d.jpg?v=1784642500"},{"product_id":"sony-a7r-vi-mirrorless-camera-body-only","title":"Sony A7R VI Mirrorless Camera (Body Only)","description":"\u003ch3\u003eSony A7R VI Mirrorless Camera (Body Only)\u003c\/h3\u003e\n\u003cp\u003eBeyond the core technology, the Alpha 7R VI is designed as a supremely refined tool, with unstinting attention to detail throughout. A new battery system, improved ergonomics, 4-axis tilt screen, self-illuminated buttons and beautifully detailed screens deliver a photography experience that truly satisfies.\u003c\/p\u003e\n\u003ch3\u003eRapid Capture\u003c\/h3\u003e\n\u003cp\u003eThanks to a massive upgrade in sensor readout speed, the A7R VI provides triple the maximum drive speed of its predecessor, at 30 frames per second, at full resolution RAW. In addition to this jaw-dropping headline, improved sensor readout speed also enables major upgrades to AF tracking speed, with 60 AF\/AE cycles per second providing massive improvements to AF hit rates and focus tenacity.\u003c\/p\u003e\n\u003ch3\u003eFlagship Image Stabilisation System\u003c\/h3\u003e\n\u003cp\u003eThe Alpha 7R VI utilises an upgraded 5-axis in-body image stabilisation system which delivers up to 8.5-step1 stabilisation. An updated stabilisation algorithm paired with a high-precision gyro sensor provides detection and control right down to the single-pixel level, ensuring crisp and clear images, even on longer lenses at dawn and dusk.\u003c\/p\u003e\n\u003ch3\u003eStills and Video\u003c\/h3\u003e\n\u003cp\u003eAlthough it is designed as a stills photographers' camera first, the A7R VI is an incredibly capable filmmaking tool thanks to its fully-stacked sensor. 4K 60p and 8K 30p are availabile with no sensor crop, and 120p is also available from a Super35 area of the sensor. Audio is also upgraded, with the 7R VI being fully compatible with the new XLR-A4 XLR adapter for high quality 32-bit float audio.\u003c\/p\u003e\n\u003ch3\u003eDepth and Detail\u003c\/h3\u003e\n\u003cp\u003eThe Alpha 7R VI's Exmor RS Sensor is supported by the latest advances in Sony image processing technology, including an expanded 16-stop dynamic range during mechanical shutter capture, and powerful extended RAW processing modes that allow multiple RAW image captures to be combined into a final image with enhanced noise, enhanced detail, or extended dynamic range.\u003c\/p\u003e\n\u003ch3\u003eStamina\u003c\/h3\u003e\n\u003cp\u003eIn addition to the extraordinary new capabilities it brings to the table, the Alpha 7R VI also delivers on reliability, with a massive 600 shot CIPA rated battery life, or 135 minutes of continuous video recording, thanks to the new SA series battery. Not only is battery life outstanding, but heat management is also outstanding, allowing 120 minutes of continous 8K 30p recording without thermal shutdown.\u003c\/p\u003e\n\u003ch3\u003eImproved Usability\u003c\/h3\u003e\n\u003cp\u003eAmong all these technological advances, usability has not been neglected. The Alpha 7R VI boasts the acclaimed 4-axis tilt screen from the Alpha 9 III and Alpha 1 II. In a first for the Alpha series, the camera now has self-illuminated buttons, making operation simple and easy for Astro and other low-light applications. Grip design has also been updated, with a slightly broader design that borrows design cues from the flagship A1 II and A9 III cameras.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e66.8 MP Fully-Stacked Exmor RS Sensor\u003c\/p\u003e\n\u003cp\u003eBIONZ XR2 Processor with AI Unit\u003c\/p\u003e\n\u003cp\u003e30fps Blackout-Free Shooting with AF\/AE\u003c\/p\u003e\n\u003cp\u003eFull-Frame 4K 60p \u0026amp; 8K 30p\u003c\/p\u003e\n\u003cp\u003e30fps Full Resolution RAW Burst\u003c\/p\u003e\n\u003cp\u003e8.5-Step Advanced Image Stabilisation\u003c\/p\u003e\n\u003cp\u003e16-Stop Dynamic Range Capture\u003c\/p\u003e\n\u003cp\u003e600-Shot CIPA Battery Life\u003c\/p\u003e\n\u003cp\u003eSelf-Illuminated Buttons and 4-Axis Screen\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eSony A7R VI Mirrorless Camera (Body Only)\u003c\/p\u003e\n\u003cp\u003eSony NP0SA100 Rechargeable Battery\u003c\/p\u003e\n\u003cp\u003eSony BC-SAD1 Battery Charger\u003c\/p\u003e\n\u003cp\u003ePower Cord\u003c\/p\u003e\n\u003cp\u003eCable Clamper\u003c\/p\u003e\n\u003cp\u003eShoulder Strap\u003c\/p\u003e\n\u003cp\u003eBody Cap\u003c\/p\u003e\n\u003cp\u003eAccessory Shoe Cap\u003c\/p\u003e\n\u003cp\u003eEyepiece Cup\u003c\/p\u003e","brand":"Sony","offers":[{"title":"Default Title","offer_id":49719165616295,"sku":"GC35-ILCE7RM6B","price":6899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/9965762969767SPasdf_bf01c801-3e59-4ea4-b698-3b4426bd835a.jpg?v=1784642490"}],"url":"https:\/\/www.georges.com.au\/collections\/leatherman-giveaway-sony.oembed","provider":"Georges Cameras","version":"1.0","type":"link"}