{"title":"Flash Sale - 10% Off","description":"","products":[{"product_id":"nikon-monarch-hg-8x42-outdoor-binoculars","title":"Nikon Monarch HG 8x42 Outdoor Binoculars","description":"\u003cp\u003eTravel light with Nikon MONARCH HG 8x42 binoculars to bring nature up close. You'll spot the tiniest details when birdwatching, enjoying the great outdoors or exploring urban architecture, as a Field Flattener Lens System offers a wide field of view with edge-to-edge sharpness. Extra-low dispersion (ED) glass gives a contrast-rich and high-resolution image while a dielectric high-reflective multilayer prism coating creates an exceptionally bright view. Together they ensure you'll experience colours so natural they'll take your breath away. And it's all packed into a waterproof and fog-proof magnesium alloy body weighing just 450 g. For high optical performance on the go, choose the sleek and compact MONARCH HG 8x30.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eSuperbly Sharp Optics And A Wide Field Of View\u003c\/p\u003e\n\u003cp\u003eComfortable To Carry And Built For All Weathers\u003c\/p\u003e\n\u003cp\u003eBrilliant And Natural Colour Fidelity\u003c\/p\u003e\n\u003cp\u003eMaterial Construction Magnesium alloy body\u003c\/p\u003e\n\u003cp\u003eEye Relief 17.8 mm Millimeters\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Default Title","offer_id":42717681025191,"sku":"GC46-BAA793SB","price":1745.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/baa793san.jpg?v=1666575196"},{"product_id":"fujifilm-fujinon-xf-8-16mm-f2-8-r-lm-wr-lens","title":"Fujifilm XF 8-16mm F2.8 R LM WR Lens","description":"\u003cp\u003eCapture the world with this ultra-wide-angle XF 8-16mm f\/2.8 R LM WR Lens from Fujifilm. With four aspherical and six ED lens elements, including three super ED elements that specifically target lateral chromatic aberration, this lens offers exceptional control over fringing. A Nano-GI coating on the front two lens elements helps reduce ghosting and flare. Also in the lens is a field curvature correction element that can adjust the position depending on the zoom. This element helps retain sharpness and reduces optical distortion that is normally found in ultra-wide-angle lenses. Autofocus is powered by an internal linear motor that provides quick, quiet, and accurate focus. The lens is also weather-sealed at 11 points and can withstand temperatures as cold as 14¬∞F for use in adverse conditions.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eA bright maximum aperture of f\/2.8 provides exceptional depth of field control and excellent performance in low-light scenarios.\u003c\/p\u003e\n\u003cp\u003eFour aspherical lenses, three ED lenses and three super ED lenses minimize distortion and chromatic and spherical aberrations. Nano-GI coating on the front elements reduces ghosting and flare.\u003c\/p\u003e\n\u003cp\u003eThe field curvature correction lens corrects the field curvature commonly found in ultra-wide-angle lenses.\u003c\/p\u003e\n\u003cp\u003eA linear autofocus motor provides reliable focusing quickly and quietly.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42717718151335,"sku":"GC22-74344","price":2407.28,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/74344.jpg?v=1666514621"},{"product_id":"fujifilm-x-h2s-body-only","title":"Fujifilm X-H2S - Body Only","description":"\u003cp\u003eThe Fujifilm X-H2S - Body Only is an advanced mirrorless camera that features the latest cutting-edge technology. It has a 24MP APS-C Sensor, hybrid autofocus system with 425 phase detect points and 8fps burst shooting.\u003c\/p\u003e\n\u003cp\u003eAlso, its 3\" LCD Touchscreen tilts up to 180 degrees for easy high and low angle shots. The built in Wi-Fi and Bluetooth capabilities make it simple to transfer images wirelessly too. With its impressive image quality and top notch performance, this camera will take your photography to new heights! Whether you’re a professional or just starting out, the Fujifilm X-H2S - Body Only is sure to help you capture stunning photos and videos.\u003c\/p\u003e\n\u003ch3\u003eFeatures: \u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003eX-Processor 5\u003c\/h3\u003e\n\u003cp\u003ePartner to the newly designed sensor is a fresh engine‚Äîthe X-Processor 5‚Äîwhich uses 64-bit processing to realize 3x faster speeds for both video and photo tasks compared to the X-T4. On the video side, this enables recording at up to 6.2K with high bitrates like ProRes 422 HQ or at high speeds, like with 240 fps recording at Full HD.\u003c\/p\u003e\n\u003cp\u003eOn the stills end, this quick processing means faster shooting to suit photographing moving subjects. When working with an electronic shutter, shooting at up to 40 fps is possible, with a buffer of 140 consecutive uncompressed raw frame. With the mechanical shutter, shooting speeds up to 15 fps are possible, along with the ability to shoot upwards of 1000 raw frames in a single burst.\u003c\/p\u003e\n\u003cp\u003eBenefitting both video and stills applications, this processing also benefits the sophisticated and AI-backed autofocus system, helps achieve a 14-stop dynamic range, and enables a broad sensitivity range from ISO 160-12800.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003ePowerful Video Capabilities\u003c\/h3\u003e\n\u003ch3\u003e4K 120p and 6.2K 30p Internal Recording\u003c\/h3\u003e\n\u003cp\u003eWith a penchant for video, the X-H2S has a well-rounded recording system that places this camera squarely in the 'hybrid' category and performs equally well for video as it does for video. Internal 4:2:2 10-bit recording is possible in both DCI\/UHD 4K at up to 120p and Full HD at up to 240p as well as an open-gate 3:2 6.2K setting that's suitable for anamorphic applications. A variety of codecs are supported as well, including H.265 and three tiers of ProRes: the high bitrate 422 HQ, the standard 422, and the more compressed 422 LT. Also, continuous recording times up to 90 minutes are possible at all frame rates and resolutions.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eExternal Raw Recording\u003c\/h3\u003e\n\u003cp\u003eUsing the full-size HDMI port, raw video recording is possible when paired with a compatible external recorder. Both ProRes RAW and Blackmagic RAW recording is possible, along with the ability to work with F-Log or F-Log 2 profiles, and either format supports working in resolutions up to the open-gate 6.2K.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eImproved Autofocus and Image Stabilization\u003c\/h3\u003e\n\u003ch3\u003eHybrid AF with Deep Learning AI\u003c\/h3\u003e\n\u003cp\u003eBenefitted by the improved processing, autofocus performance is noticeably faster and more intelligent. This hybrid focusing system uses 425 phase-detection points and is now sensitive down to -7 EV for working in truly low-light conditions. Also, backed by deep learning, an AI adaptive algorithm means this focusing system is better suited to automatically detect and track a variety of subject types. Compared to previous focusing systems, the X-H2S's Face and Eye Detection capabilities have been refined for greater accuracy and to account for unique features, like glasses, face coverings, and hairlines. Also, the range of recognized subjects types has been expanded to include cars, planes, trains, motorcyclists, birds, horses, dogs, cats and more.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eIn-Body Image Stabilization\u003c\/h3\u003e\n\u003cp\u003eBuilt-in 5-axis sensor-shift image stabilization helps to minimize the appearance of camera shake by up to 7 stops. This system works in conjunction with most X Series lenses, including non-stabilized ones, and benefits working with slower shutter speeds and when shooting in difficult lighting conditions. Additionally, digital image stabilization can also be used during video recording to further aid in steadying footage, especially when recording handheld.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eBody Design \u003cbr\u003e\n\u003c\/h3\u003e\n\u003ch3\u003ePractical and Durable Design\u003c\/h3\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eLarge OLED electronic viewfinder features a crisp 5.76m-dot resolution and a 0.8x magnification for bright, clear, and detailed eye-level viewing.\u003cbr\u003e* Rear 3.0\" LCD has a high 1.62m-dot resolution and a touchscreen interface for intuitive control. Also, its vari-angle design means the screen can be flipped out to the side, tilted up or down, and closed with the screen against the body for protection.\u003cbr\u003e* 1.28\" monochrome LCD screen on the top plate is a simple means for quickly reviewing shooting settings.\u003cbr\u003e* Dual memory card slots include one CFexpress Type B slot and one SD UHS-II slot for file-saving flexibility. The CFexpress Type B slot should be prioritized for higher bitrate video recording and fast continuous shooting, and the SD slot is a convenient alternative for backups or less speed-critical shooting.\u003cbr\u003e* NP-W235 battery provides approximately 720 frames per charge when working with the EVF in Economy Mode, or approximately 580 frames in Normal Mode.\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003e\u003cbr\u003e\u003c\/h3\u003e\n\u003ch3\u003eConnectivity\u003c\/h3\u003e\n\u003cp\u003e* Full-size HDMI Type A port for outputting video to an external recorder or monitor.\u003cbr\u003e* USB 3.2 Gen 2 Type-C port supports tethering, data transfer, and in-camera battery charging.\u003cbr\u003e* 3.5mm headphone and external microphone ports for greater control over audio recording.\u003cbr\u003e* PC sync port for flash sync.\u003cbr\u003e* 2.5mm remote port for using wired remote controllers.\u003cbr\u003e* Integrated Bluetooth and Wi-Fi connectivity allows for wirelessly sharing images to a mobile device or to use the device to remotely control the camera.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFilm Simulation Modes\u003c\/h3\u003e\n\u003cp\u003eFilm Simulation modes allow you to reproduce the look and feel of several of FUJIFILM's film types, including Provia, Velvia, Astia, Classic Chrome, Classic Neg., Nostalgic Neg., Pro Neg. Hi, Pro Neg. Standard, Eterna, Eterna Bleach Bypass, Acros, Monochrome, and Sepia. Additionally, Grain Effect can be adjusted as well as Color Chrome effect to fine-tune the look of imagery.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42717725065383,"sku":"GC22-74442","price":3399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/fujifilmxh2s1_1.png?v=1763121218"},{"product_id":"fujifilm-xf-56mm-f-1-2-r-lens","title":"Fujifilm XF 56mm f\/1.2 R Lens","description":"\u003cp\u003ePerfect for portraiture, the XF 56mm f\/1.2 R from FUJIFILM is an 85mm-equivalent prime distinguished by its exceedingly fast f\/1.2 maximum aperture for isolating subjects and working in low-light conditions. The optical design employs both aspherical and extra-low dispersion elements, which help to reduce a variety of aberrations, colour fringing, and distortion in order to achieve high sharpness and clarity. A Super EBC coating is used, too, to reduce flare and ghosting for improved contrast and colour accuracy in bright and backlit conditions. Additionally, this lens also features an internal focusing mechanism for quick focusing performance along with a rounded seven-blade diaphragm to produce a pleasing bokeh quality.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eThe prime portrait-length lens is designed for APS-C-format Fujifilm X-mount mirrorless cameras and provides an 85mm equivalent focal length.\u003c\/p\u003e\n\u003cp\u003eEspecially bright f\/1.2 maximum aperture excels in low-light conditions and also offers notable control over depth of field for using selective focus techniques.\u003c\/p\u003e\n\u003cp\u003eOne double-sided aspherical element limits distortion and spherical aberration in order to realize greater sharpness and accurate rendering.\u003c\/p\u003e\n\u003cp\u003eTwo extra-low dispersion elements reduce colour fringing and chromatic aberrations in order to provide greater clarity and colour accuracy.\u003c\/p\u003e\n\u003cp\u003eSuper EBC coating has been applied to individual elements to reduce lens flare and ghosting for improved contrast and colour fidelity when working in strong lighting conditions.\u003c\/p\u003e\n\u003cp\u003eThe internal focusing design affords fast and quiet autofocus performance that benefits both stills and video applications.\u003c\/p\u003e\n\u003cp\u003eThe rounded seven-blade diaphragm contributes to a pleasing out-of-focus quality to benefit the use of selective focus and shallow depth of field techniques.\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":42717725917351,"sku":"GC22-75440","price":1443.41,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/8148_fujifilm-xf-56mm-f1.2r.jpg?v=1666514611"},{"product_id":"laowa-15mm-f-4-5-zero-d-shift-sony-fe","title":"Laowa 15mm f\/4.5 Zero-D Shift - Sony FE","description":"\u003ch3\u003eLaowa 15mm f\/4.5 Zero-D Shift - Sony FE\u003c\/h3\u003e\n\u003cp\u003eLaowa 15mm f\/4.5 Zero-D Shift is currently the World‚Äôs Widest Shift lens for full-frame cameras and medium format cameras. The amount of shift is ¬±11mm for the full-frame camera and ¬±8mm for medium format cameras. The lens is perfect for architectural and interior photography. The sky-high buildings can be captured in a corrected perspective easily.\u003c\/p\u003e\n\u003cp\u003eImage quality is guaranteed with high image sharpness and nearly no distortion (Zero-D). 15mm f\/4.5 Zero-D Shift enriches the diversity of Laowa‚Äôs extensive wide-angle lens collection by giving photographers more control on the perspective in their images.\u003c\/p\u003e\n\u003cp\u003eThe new Laowa 15mm T2.1 Zero-D Cine lens is one of the widest and brightest lenses ever designed for full-frame \/ vista vision sensors. Offering a distortion-free 110¬∞ Angle of view, it is perfect for architecture and cityscape shots. The large T\/2.1 aperture also makes it extremely useful to shoot in the low light situation. The tiny size \u0026amp; lightweight makes it a perfect companion with gimbals and run-and-gun shooting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003e¬±11mm Shift Amount\u003c\/h3\u003e\n\u003cp\u003eThe maximum possible shift amount of the lens is ¬±11mm for the full-frame camera and ¬±8mm for medium format camera (e.g. Fujifilm GFX \/ Hasselblad X1D). The shift capability allows photographers to capture straight architecture with ease. 15mm f\/4.5 Zero-D Shift straightens the lines that appear to converge in the distance. Crooked images can be corrected by changing the perspective of the lens. Perspective distortion is being eliminated to create the reality-like image.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLarge Image Circle\u003c\/h3\u003e\n\u003cp\u003eWith a huge ‚åÄ65mm image circle, the lens not only works with the full-frame format but also covers the medium format sensors. This makes it currently the World‚Äôs Widest lens covering Fujifilm GFX sensor with no vignetting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eZero Distortion\u003c\/h3\u003e\n\u003cp\u003e15mm f\/4.5 Zero-D Shift is composed of 17 elements in 11 groups. It suppresses the distortion to nearly Zero level from corner to corner. Perfect for architecture photography as any straight lines will be retained.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eHigh Image Quality\u003c\/h3\u003e\n\u003cp\u003e15mm f\/4.5 Zero-D Shift coupled with new lens coating. A significant improvement on the chromatic aberration, flaring and ghosting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eExtremely Close Focusing Distance\u003c\/h3\u003e\n\u003cp\u003e15mm f\/4.5 Zero-D Shift is an ultra-wide shift lens coupled with 20cm closest focusing distance. Macro-like photos can be created easily. The Functionality of the lens is diverse. The wide-angle macro image can be easily captured with this lens.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eStunning 10-point Sunstar\u003c\/h3\u003e\n\u003cp\u003eThe 5-bladed aperture creates stunning 10-point Sunstar rendering.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e360¬∞ Rotation\u003c\/h3\u003e\n\u003cp\u003eShift lens support is specially designed for 15mm f\/4.5 Zero-D Shift. Perfect for panorama stitching as the optic axis remains unchanged.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLens Support\u003c\/h3\u003e\n\u003cp\u003eShift lens support is specially designed for 15mm f\/4.5 Zero-D Shift. Perfect for panorama stitching as the optic axis remains unchanged.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":42718804934823,"sku":"GC07-VE1545FE","price":2099.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ve1545nz_4_1__2.jpg?v=1666526671"},{"product_id":"manfrotto-camera-support-mini-salon-190","title":"Manfrotto Mini Salon 190 Camera Stand with Counter-Balance","description":"\u003ch3\u003eMini Salon 190 Camera Stand with Counter-Balance\u003c\/h3\u003e\n\u003cp\u003eDesigned for 35mm and medium format cameras, the Mini Salon 190 allows working heights from 22'' (56cm) to 71.6'' (182cm). The counter-balanced column is black anodized aluminium and is mounted on a heavy cast iron base with two pivoting wheels which lock firmly into place with individual wheel locks. Features smooth-operating counter balanced horizontal gear driven cross arm, supplied complete with camera support platform. The cross rm support casting features a built-in accessory tray 7.8'' x 11'' (20x28cm).\u003c\/p\u003e","brand":"Manfrotto","offers":[{"title":"Default Title","offer_id":42719563120807,"sku":"GC40-MF-806","price":3078.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/806_1_1.jpg?v=1666535685"},{"product_id":"manfrotto-camera-support-salon-230","title":"Manfrotto Camera Support Salon 230","description":"\u003cp class=\"p1\"\u003eThe Manfrotto Camera Support Salon 230 is designed to provide reliable and stable support for your camera gear, whether in the studio or on location. With an impressive weight capacity of up to 13kg, it accommodates a wide range of cameras and accessories. Its adjustable height (57cm to 232cm) offers versatile positioning for various shots, while its sturdy construction ensures lasting durability. The compact design makes it easy to transport, providing a perfect balance of stability, flexibility, and convenience for any professional setup.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eKey Features:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cb\u003eAdjustable height\u003c\/b\u003e: Offers versatile positioning for various shooting angles.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cb\u003eSturdy construction\u003c\/b\u003e: Provides reliable support for heavy equipment.\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e\u003cb\u003eCompact and portable design\u003c\/b\u003e: Easy to transport and set up for on-the-go shoots.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eSpecifications:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eWeight: \u003cb\u003e65.7kg\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eMin Height: \u003cb\u003e57cm\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eMax Height: \u003cb\u003e232cm\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p4\"\u003e\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003e•\u003cspan class=\"Apple-tab-span\"\u003e \u003c\/span\u003eSafety Payload Weight: \u003cb\u003e13kg\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003ePerfect For:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe Manfrotto Camera Support Salon 230 is ideal for professional photographers and videographers who need a reliable support system for their cameras and equipment. Its sturdy build and adjustable height make it perfect for both studio setups and on-location shoots, ensuring that your gear is safely and securely mounted.\u003c\/p\u003e\n\u003cp class=\"p3\"\u003e\u003cb\u003eRecommended Accessories:\u003c\/b\u003e\u003c\/p\u003e\n\u003cp class=\"p1\"\u003eThe \u003cb\u003eManfrotto 055 Series Tripod\u003c\/b\u003e is a sturdy and versatile option that enhances camera support for improved stability. The \u003cb\u003eManfrotto 502HD Fluid Video Head\u003c\/b\u003e provides smooth and precise camera movements, making it ideal for video production. Use the \u003cb\u003eManfrotto Super Clamp\u003c\/b\u003e to securely attach additional lighting or accessories to the support system. For outdoor shoots, the \u003cb\u003eManfrotto Sandbags\u003c\/b\u003e ensure stability by adding extra weight to your setup. Lastly, the \u003cb\u003eManfrotto Quick Release Plate\u003c\/b\u003e allows for efficient and quick attachment and removal of your camera during shoots.\u003c\/p\u003e\n","brand":"Manfrotto","offers":[{"title":"Default Title","offer_id":42719563219111,"sku":"GC40-MF-809","price":5238.66,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/809.jpg?v=1666534362"},{"product_id":"hasselblad-xcd-65mm-f-2-8-lens","title":"Hasselblad XCD 65mm f\/2.8 Lens","description":"\u003ch3\u003eHasselblad XCD 65mm f\/2.8 Lens\u003c\/h3\u003e\n\u003cp\u003eAn all-arounder for the Hasselblad X-series of medium format mirrorless cameras, the XCD 65mm f\/2.8 is a 50mm-equivalent prime offering a natural field of view to suit working in a broad variety of shooting situations. The f\/2.8 maximum aperture strikes a balance between a sleek form factor and being adept in difficult lighting conditions. For working with close-up subjects, a minimum focusing distance of 1.6' is possible and a 10-elements-in-six-groups optical design helps to realize high sharpness and clarity. Like other XCD lenses, the 65mm f\/2.8 has an integrated Central Lens Shutter that is capable of shutter speeds up to 1\/2000 sec with flash sync at all speeds, and its internal autofocus design can be manually overridden for precise manual focusing control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eHasselblad X System\u003c\/p\u003e\n\u003cp\u003e50mm (35mm Equivalent)\u003c\/p\u003e\n\u003cp\u003eAperture Range: f\/2.8 to f\/32\u003c\/p\u003e\n\u003cp\u003eCentral Lens Shutter, 1\/2000 Sec Sync\u003c\/p\u003e\n\u003cp\u003eMinimum Focus Distance: 1.6'\u003c\/p\u003e\n\u003cp\u003eInternal Focusing with MF Override\u003c\/p\u003e\n\u003cp\u003eFront Filter Thread: 67mm\u003c\/p\u003e","brand":"Hasselblad","offers":[{"title":"Default Title","offer_id":42720755515559,"sku":"GC41-CP.HB.00000252.01","price":4175.1,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/cphb.00000252.01.jpg?v=1749037431"},{"product_id":"canon-rf-5-2mm-f-2-8l-dual-fisheye-3d-vr-lens","title":"Canon RF 5.2mm f\/2.8L Dual Fisheye 3D VR Lens","description":"\u003cp\u003eUnlock new dimensions in visual storytelling with the RF 5.2mm f\/2.8L Dual Fisheye 3D VR from Canon. Currently compatible with the EOS R5 Mirrorless Digital Camera, this L-series lens is the world's first digital interchangeable lens that can capture stereoscopic 3D 180¬∞ VR imagery to a single image sensor. The dual high-performance L-series fisheye lenses combine imagery onto a single image sensor delivering impressive results to a single file. This helps simplify your workflow by eliminating the need to sync and stitch multiple video files. Creators can go from traditional stills or video shooting to stereoscopic 3D capture with a simple lens swap, and the pairing of this lens with the EOS R5 provides for high-resolution video recording at up to DCI 8K 30fps and DCI 4K 60 fps.\u003c\/p\u003e\n\u003cp\u003eWith firmware 1.5.0 or higher and one of Canon's VR software solutions, you can create immersive 3D that can be experienced when viewed on compatible head mount displays including the Oculus Quest 2 and more. Viewers will be able to take in the scene with a vivid, wide field of view by simply moving their heads. Creatives, industry professionals, and newcomers to VR can create an immersive experience, capturing dynamic scenes for entertainment, tourism, training and education, real estate, storytelling, or anywhere you want to bring your audience to.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e3D 180¬∞ VR Capture\u003c\/h3\u003e\n\u003cp\u003eDesigned for use with the Canon EOS R5 Mirrorless Digital Camera, this lens gives you the ability to create an immersive 3D experience. When captured imagery is viewed on compatible head mount displays such as the Oculus Quest 2 and more, a viewer can feel like they are a part of the story that you create. With stereoscopic 3D 180¬∞ VR, your audience can see the life-like depth and can move their head to look around the viewing environment. The lens features a beautifully engineered and optimized folded optical design, with separate left and right optical systems. This enables you to capture stereoscopic 3D imagery with a 180¬∞ field of view to a single full-frame image sensor.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eVR with Ease\u003c\/h3\u003e\n\u003cp\u003ePairing this one lens with an EOS R5 camera provides you with the ability to deliver a single file. This lets you create a powerful and convenient solution compared to traditional VR systems that capture a 3D scene with two separate fisheye lenses, recorded to two separate cameras, which write two separate files. This saves you time and effort behind the camera and in post-production by helping to solve issues such as multi-camera positioning, multi-lens syncing, image stitching, audio syncing, encoding, and more.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eEOS R5 Camera with Updated Firmware (Version 1.5.0 or Later)\u003c\/h3\u003e\n\u003cp\u003eTo help improve the user experience when shooting with the RF 5.2mm f\/2.8L Dual Fisheye 3D VR lens, special features have been added to the firmware to optimize VR shooting. This firmware provides metadata information for the software to convert the image from fisheye to equirectangular. One of the features enabled with the use of this lens is a Magic Window on-screen overlay, accessed by tapping the INFO button that assists in framing the central resting position, which shows an approximate field of view in the composition. The user can magnify at 6x and 15x magnification and also use MF Peaking while magnified. Additionally, you can swap between the left and right lenses with a simple tap of the INFO button while magnified, which is incredibly useful when manually focusing the lens.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eCanon's EOS VR System\u003c\/h3\u003e\n\u003cp\u003eCanon's EOS VR System is comprised of this lens plus an EOS R5 camera with updated firmware and subscription-based software, either Canon's EOS VR Utility or EOS VR plug-in for Adobe Premiere Pro, both of which are currently in development. Availability and details to follow on or about early 2022. This powerful and convenient combination provides much-desired flexibility and efficiency, helping save you precious time accessing your content so you can prepare it and share it more quickly. With either solution, conversion of fisheye to equirectangular imagery is possible, as well as the processing and exporting at various resolutions and formats to help you capture, convert, and process high-quality VR images and movies.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eStereoscopic 3D Imagery\u003c\/h3\u003e\n\u003cp\u003eFeaturing dual 5.2mm fisheye lenses positioned with 60mm of spacing between left and right lens centres, this lens provides an interpupillary distance closely resembling human vision. This provides for a powerful and immersive experience that brings the viewer to feel as if they are within the scene where the video or stills image takes place. Also, this lets the viewer change their viewing angle within a recorded scene so they can look around with the use of a compatible head mount display.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eDual-Synchronized Electro-Magnetic Diaphragm\u003c\/h3\u003e\n\u003cp\u003eEach of the left and right fisheye lenses has its own optical system, including separate but coordinated aperture mechanisms. Together they seamlessly and simultaneously control the exposure of both lenses, so setting your aperture is the same process as with any other RF lenses.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eL-Series Lens Elements\u003c\/h3\u003e\n\u003cp\u003eEngineered with 12 elements in 10 groups and highlighted by two ultra-low dispersion glass elements and prisms in both the left and right lenses, this lens delivers impressive colour and clarity with minimal chromatic aberration. Subwavelength Structure Coating (SSC)\u003c\/p\u003e\n\u003cp\u003eSWC technology decreases ghosting and reflections that may occur when shooting in more challenging lighting conditions such as during strong backlight, providing versatility and more uniform colour balance in the scene.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eManual Focusing\u003c\/h3\u003e\n\u003cp\u003eCoordinated manual focusing of both lenses allows you to focus each lens using the manual focus ring. Additionally, a left-right focus adjustment dial lets you refine the focus of the right lens separately from the left lens by using the included hexagon wrench.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eLarge Aperture\u003c\/h3\u003e\n\u003cp\u003eProviding a highly adaptable aperture range, the RF 5.2mm f\/2.8L Dual Fisheye 3D VR lens allows you to go from a bright f\/2.8 aperture in low light shooting to a deep depth of field of f\/16 for more control of your exposure in brighter environments. Additionally, a gelatin filter holder is located at the rear of the lens allowing optional gel filters to be used similarly to previous ultra wide-angle Canon lens offerings.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eCompact, Lightweight, and Portable\u003c\/h3\u003e\n\u003cp\u003eThanks to the RF mount and the folded optical design, the size and weight of this lens make it easy to use in tight spaces and easy to carry in a camera bag. The lens weighs under 1 lb and is just slightly over 2\" in depth from the rear mount to the front side of the lens, creating a compact, portable, and lightweight solution.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eDust- and Water-Resistant Sealing with Fluorine Coating\u003c\/h3\u003e\n\u003cp\u003eBuilt to L-series lens specifications, the lens features a highly durable RF mount design. With dust- and water-resistant sealing, you can confidently shoot in challenging weather conditions. Fluorine coating is used on the front element to help prevent water, oil, and another surface residue like fingerprints from sticking to the lens, and this also facilitates quick and easy wiping without the use of solvents.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42720767344807,"sku":"GC66-RF52DUALFISH","price":2855.81,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/5554c003aa.jpg?v=1666507403"},{"product_id":"profoto-d2-500ws-airttl-monolight","title":"Profoto D2 500 Air TTL Monolight - Includes 1 Light","description":"\u003cp\u003eHaving wowed us with the introduction of the battery-powered TTL B1 and B2 flash heads, Profoto does it again with the AC-powered D2 500Ws AirTTL Monolight. Building on the foundation of the popular D1, this light maxes out the D1 performance specs while adding wireless TTL from the B1 and B2. With the D2, \"speed\" is the operative word.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eThe D2 500 recycles to full power in 0.6 seconds, almost half the time as the D1 500, and in Freeze Mode, achieves flash durations as short as 1\/63,000 of a second, outperforming most studio pack systems. That's good news for special effects photographers and sports shooters. It can also shoot bursts of 20 flashes per second, so you're sure to capture peak action or several versions of it. In addition, the D2 also supports High-Speed Sync up to 1\/8000 of a second for photographers who want to stop action or use wide apertures with full ambient light control. The 10-stop power range gives ample choices to achieve your objective.\u003c\/p\u003e\n\u003cp\u003eBesides super-fast operation, the D2 shortens your shooting time with onboard TTL compatibility. Pros who formerly turned their noses up at the term \"point-and-shoot\" as amateurish will learn to love this technology. Simply set your lights up, set the camera to TTL and shoot. The first shot is nearly always a keeper. The key to this control is the optional Air Remote TTL-C (for Canon) or TTL-N (for Nikon). Operating on 2.4 GHz bandwidth, the wireless transmitter, really a controller, has 8 frequency channels and with 6 groups and a range of up to 330' for TTL triggering and 1000' for normal triggering. Each channel has a power ratio capability of +\/- 2 stops. If you prefer to use a manual, you have 10 stops of power variation.\u003c\/p\u003e\n\u003cp\u003eThe D2 also features an enhanced, intuitive LCD screen display. Modeling Light, Ready Indicator, Mode, Sync, Channel, and Group are easily selected through the Settings button. The display even flips around the way your iPhone does in case you're working with the head upside down or hanging it overhead. The D2 has a self-seeking multi-voltage (100-240) power supply for worldwide use, too. Profoto has covered so many features on the photographer's wish list that you'll wonder what they can come up with next.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eCatch the Moment\u003c\/h3\u003e\n\u003cp\u003eThe D2 can shoot up to 20 flashes per second. That's fast enough to catch the best of any moment. Ask your subject to jump, and you'll have 20 mid-air exposures to choose from.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFreeze the Moment\u003c\/h3\u003e\n\u003cp\u003eThe D2 can provide super quick flash durations up to 1\/63,000 of a second. Shoot a splash of water, and it will be frozen in midair.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eShoot with Ease Using TTL\u003c\/h3\u003e\n\u003cp\u003ePoint-and-shoot in TTL Mode using the separately purchased Air Remote TTL-C (for Canon) or TTL-N (for Nikon). Switch to Manual mode and control the light with intuitive buttons and menus.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eOverpower Any Light\u003c\/h3\u003e\n\u003cp\u003eThe D2 packs enough punch to overpower the available light in almost any situation. Its power is also an advantage when shooting at longer distances or when using larger light shaping tools.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eControl Your Surroundings\u003c\/h3\u003e\n\u003cp\u003eProfoto High-Speed Sync (HSS) enables you to shoot with shutter speeds up to 1\/8000 of a second. Use HSS to shoot with a wide aperture in bright conditions or to freeze action with absolute sharpness.\u003c\/p\u003e","brand":"Profoto","offers":[{"title":"Default Title","offer_id":42720890519719,"sku":"GC40-901012","price":3205.11,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1473911407000_1275334.jpg?v=1666589933"},{"product_id":"nikon-af-s-nikkor-300mm-f2-8g-ed-vr-ii-lens-second-hand","title":"Nikon AF-S NIKKOR 300mm f2.8G ED VR II Lens - Second Hand","description":"\u003cp\u003eWith a long telephoto focal length, bright f2.8 aperture, VR stabilizer and solid build quality the Nikon AF-S NIKKOR 300mm f2.8G ED VR II Lens - Second Hand is the weapon of choice for many sports and wildlife photographers and also finds its uses in portraiture and the photojournalism fields. Optically this lens has been constructed for professional use, providing users with sublime images, tack sharp and with shallow depths of field – the results are astonishing. With a long focal length like the 300mm offered on this lens, hand-held shooting can often be incredibly difficult, particularly when a photographer is unable to use a fast shutter speed. Thanks to the VR II stabilizer, the 300mm f2.8 allows the photographer to leave the tripod aside on more occasions than not, able to improve on camera shake and allow shooting at shutter speeds up to 3 stops slower than usually possible. Lift the camera right up to your eye and move along as your subject does; this lens gives you the confidence and freedom to do so thanks to the promise of blur-free results.\u003c\/p\u003e\n\u003cp\u003eThe bright f2.8 aperture of the Nikon 300mm lens can be used in combination with the previously discussed stabilization to enable users to shoot in available light conditions, but it is most notable for the shallow depth of field it delivers. Backgrounds can be thrown right out of focus and thanks to the rounded 9-blade diaphragm, the visual appearance of these out of focus areas is beautiful. Stunning portraits with creamy bokeh is a given with this telephoto prime lens.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e3 ED Glass elements, Nanocrystal and Nikon super integrated coating\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOptically and physically the Nikon 300mm f2.8G ED VR II is constructed for professional use. Serious photographers can feel free to use this lens in the toughest of locations without the threat of failure or damage. Part of the optical construction includes 3 ED Glass elements for exceptional sharpness and reduced chromatic aberration. Nikon Super integrated coating is included as is Nano crystal coating, both of which reduce the appearance of internal reflections, ghosting and flare – you do not need to waste your time inspecting your results for signs of imperfection, you are not going to find any.\u003c\/p\u003e","brand":"Second Hand","offers":[{"title":"Default Title","offer_id":42725257805991,"sku":"SH-JAA339DB-SH","price":4500.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/nikkorafs300mm.png?v=1666557134"},{"product_id":"blackmagic-studio-camera-6k-pro","title":"Blackmagic Studio Camera 6K Pro","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eBoost your studio recording with cinematic images using the Blackmagic Studio Camera 6K Pro. This latest model of the Studio Camera not only boasts a 6K sensor for greater resolution and full RGB color, it also features an active Canon EF mount—providing compatibility with a large array of affordable EF-mount cine-style and still lenses. The Studio Camera 6K Pro now offers live streaming while retaining the talkback, tally, color correction, and raw recording to USB disks of the original 6K version. Built-in, electronically controllable ND filters let you quickly adapt to changing light conditions and a host of both broadcast and consumer interfaces makes it a snap to connect the 6K Pro to your studio setup.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCinematic 6K Images for Live Production\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp\u003e The larger 6K sensor combined with Blackmagic generation 5 color science gives you the same imaging technology used in digital film cameras, producing cinematic images for live production. When combined with the built-in DaVinci Resolve primary color corrector, you get much better images than simple broadcast cameras. The color corrector can even be controlled from the switcher. With 13 stops of dynamic range, the Studio 6K Pro camera has darker blacks and brighter whites, perfect for color correction. The sensor features a resolution of 6144 x 3456, which produces truly cinematic images with support for frame rates from 23.98 up to 60 fps.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eCanon EF Lens Mount\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eEquipped with a an active Canon EF lens mount, Studio Camera 6K Pro is compatible with a wide range of affordable cine-style and photographic lenses. Photographic lenses offer incredible quality because they're designed for use in high-resolution photography. Plus, the active lens mount lets you adjust the lens remotely. To eliminate the need to reach around to adjust the lens zoom and focus, the optional focus and zoom demands let you adjust a compatible lens from the tripod handles, just like a large studio camera. This means you avoid camera shake when adjusting the lens, so you can track shots and operate the camera without taking your hands off the tripod. It gives you the same feel as an expensive B4 broadcast lens.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eCompact and Lightweight Design\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro tucks the benefits of a large studio camera into a single compact design. Its lightweight carbon fiber-reinforced polycarbonate body provides innovative technology in a miniaturized design. The camera is designed for live production, so it's easy to track and frame shots with its large 7\" viewfinder. Control is provided via your switcher or software or by using the touchscreen menus for camera settings and knobs for brightness, contrast, and focus peaking. The included tripod mount with 15mm LWS rod ports and mounting plate speeds your setup.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eGlobal Live Streaming\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBuilt-in live streaming means you can use the Blackmagic Studio Camera 6K Pro as a remote camera anywhere in the world and generate an H.264 live stream sent via the internet back to your studio. You can even back up your Ethernet link by connecting your 4G or 5G smartphone to one of the USB-C ports. The live stream is converted back to video in the studio by an ATEM Streaming Bridge, which also supports tally, talkback, and camera control.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBuilt-In ND Filters\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUse the Blackmagic Studio Camera 6K Pro's built-in ND filters to quickly and easily adjust the amount of light entering the camera. Designed to match the color of the camera, the 2, 4, and 6-stop neutral density filters (plus clear) filter both optical and IR wavelengths, eliminating IR contamination. The ND filters can be controlled using the buttons on the camera or remotely.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003ePowerful Broadcast Connections\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWith 12G-SDI, 10GbE Ethernet, talkback, and balanced XLR audio inputs, the Blackmagic Studio Camera 6K Pro model is designed for use with robust SDI switchers workflows. Interfaces designed for both broadcast and consumer components include HDMI with tally, camera control, a record trigger, and headphone and mic connections including dual XLR ports, and two USB Type-C expansion ports. The 10G Ethernet allows all video, tally, talkback, and camera power via a single connection, so your setup is fast and more affordable.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eExceptional Low-Light Performance\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro features gain from -12 dB (100 ISO) up to +36 dB (25,600 ISO), so it's optimized to reduce grain and noise in images while maintaining the full dynamic range of the sensor. The primary native ISO is 400, which is ideal for use under studio lighting. The secondary high-base ISO of 3200 is perfect when shooting in dimly lit environments. The gain can be set from the camera or remotely from a switcher using the SDI or Ethernet remote camera control.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eFrame Shots with Large 7\" Viewfinder\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe large 7\" high-resolution screen will totally transform how you work with the camera because it's big enough to make framing shots much easier. The Pro model features an HDR display with extremely high brightness, perfect outdoors in sunlight. On-screen overlays show status and record parameters, histogram, focus peaking indicators, levels, frame guides, and more. You can even apply 3D LUTs for monitoring shots with the desired color and look. The touchscreen also has menus, and you can load and customize presets for different jobs. The included sunshade can be folded to protect the screen for transport, plus it's compatible with sunshades from the Blackmagic Studio Viewfinder.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003ePhysical and Touchscreen Controls\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Studio Cameras feature physical buttons and knobs as well as touchscreen controls. Knobs on the right side of the camera allow adjusting of the brightness, contrast, and focus peaking. The focus peaking knob is incredibly useful as it lets you fine-tune the detail highlight, so you can get perfect focus as you zoom. Buttons on the left can have functions like zebra, false color, focus peaking, LUTs, and more assigned to them. You can change the function assigned to each button using the menus. The touchscreen also includes a heads-up display with the most important shooting information as well as menus for all camera settings, LUTs, and custom presets.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eCommunicate with the Director via Talkback\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eUnlike consumer cameras, the Blackmagic Studio Camera 6K Pro model has SDI connections that include talkback, so the switcher operator can communicate with cameras during live events. That means the director can talk to the camera operators to guide shot selection, eliminating the problem where all cameras could have the same shot at the same time. The talkback connector is built into the side of the camera and supports standard 5-pin XLR broadcast headsets. Talkback uses audio channels 15 and 16 in the SDI connection between the camera and the switcher, and in the program return from the switcher to the camera. This means any embedded SDI audio device can work with talkback.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eFour Ways to Connect\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Studio Cameras can be connected in lots of different ways. All models feature HDMI, so they are perfect for HDMI switchers such as the ATEM Mini. The HDMI supports video, tally, control, and record trigger for a broadcast-style workflow using a single HDMI cable. The Blackmagic Studio Camera 6K Pro has 12G-SDI, so you can connect it to SDI-based switchers, such as the ATEM Constellation. There's a 12G-SDI connection for camera video and one for program return. The program return also includes tally, talkback, and remote camera control. Or you can use 10G Ethernet to get camera video, program return, tally, talkback, camera control, and even power using a regular Cat 6a Ethernet cable.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBuilt-In Tally for On-Air Status\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Studio Cameras feature a very large tally light that illuminates red for on-air, green for preview, and orange for ISO recording. The tally light also includes clip-on transparent camera numbers, so it's easy for talent to see camera numbers from up to 20' away. The Blackmagic Studio cameras support the SDI tally standard used on all ATEM live production switchers and the HDMI tally used on ATEM Mini switchers. This means a director can cut between cameras and the tally information will be sent back to the cameras via the SDI program return feed, lighting up the tally light on the camera whenever it's on air. SDI tally eliminates complex wiring, so job setup is faster.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eLow-Cost SMPTE Fiber Style Workflow\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro model supports connecting cameras via a single Ethernet cable. It's so simple; just plug it in and you're ready. Traditional broadcast studio cameras use SMPTE fiber to communicate and power cameras; however, SMPTE fiber is very expensive. Blackmagic Studio Camera 6K Pro model has 10G Ethernet as an alternative to SMPTE fiber, so it's much lower cost. The Ethernet includes all camera video, program return feeds, tally, talkback, camera control, and power. The Blackmagic Studio Converter handles all video conversions at the switcher end plus adds power to the Ethernet cable. That means you don't need to connect power to the camera.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eUSB Expansion Port for Accessories\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThis camera features a high-speed USB Type-C expansion port that allows you to record to external disks or connect to a wide range of accessories. Plug in an external USB flash disk and the camera can record high-quality, 12-bit Blackmagic Raw files for later editing and color correction. That means you can just move the disk to a computer to work, and you don't need to waste time with file copying. You can even plug in optional focus and zoom demands to allow full lens control of compatible lenses. Plus, the USB port will power any phone or disk that's plugged in.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eBlackmagic Raw Quality\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Raw is a revolutionary format designed to capture and preserve the quality of the sensor data from your camera. Unlike highly compressed formats, such as H.264, Blackmagic Raw eliminates compression problems, so you get stunning images with incredible detail and rich color throughout the whole postproduction pipeline. Blackmagic Raw also saves camera settings as metadata, so you can change ISO, white balance, and exposure later in DaVinci Resolve. Plus, the files are small and fast, so editing responsiveness is incredible.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eIncludes Built-In Microphones\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro incorporates built-in microphones, so you get sound included in the design, making setup much faster. The built-in microphones are shock and wind resistant, so you get great sound, even in tough conditions. With each microphone placed at the edges of the screen, you get the advantage of the studio camera design for better stereo separation than what is possible on a regular video camera. There's also a 3.5mm audio input for connecting video camera microphones as well as a 3.5mm headphone jack. On the Blackmagic Studio Camera 6K Pro model, you get professional XLR audio inputs and a built-in speaker for listening to the program return audio.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eMonitor Program Video\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Camera 6K Pro lets you view program video from the switcher at the press of a button. Simply press the camera's PGM button, and the viewfinder will switch from the camera display to the program return feed from the switcher and monitor the switcher audio. Program return is a fantastic feature as sometimes on large live shows, camera operators can be left waiting a long time for their camera to be used, so program return lets them watch the show while they wait. This means that even if the camera operator is a large distance away from the switcher, they can still keep up with what's happening and remain alert.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eSupports 3D LUTs for Film Looks\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eWhen Blackmagic Raw files use logarithmic film gamma to preserve the camera dynamic range, 3D LUTs can be used to convert the images on the viewfinder display from looking flat and washed out. The 3D LUTs solve this problem because they convert the image just before it's displayed on the LCD. This allows the film gamma images being recorded to be converted to nicer-looking images on the LCD. The 3D LUTs are also saved into the Blackmagic Raw files, so they can be used in later postproduction, but they are never burned into the Blackmagic Raw image data, so you always have the option to disable them. This means the 3D LUT is transported in the Blackmagic Raw file, but only used when you enable it.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eLocalized in 13 Popular Languages\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eThe Blackmagic Studio Cameras are designed to be used worldwide, so they support 13 popular languages. When setting up your camera, you can choose to work in English, German, French, Spanish, Polish, Portuguese, Italian, Russian, Turkish, Chinese, Japanese, Korean, or Ukrainian. It's easy to switch to another language simply by going into the menu settings. When switching between languages, the on-screen overlays, heads-up display, and setup menus will be displayed in the selected language, and you can change languages any time you like.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003ePowers from DC or 10G Ethernet\u003c\/h3\u003e\n\u003cdiv class=\"feature_UbV5SNP5Eo\"\u003e\n\u003cdiv class=\"\"\u003e\n\u003cdiv\u003e\n\u003cp class=\"js-injected-html text_UbV5SNP5Eo\"\u003eBlackmagic Studio Camera 6K Pro has several power options, including a 12 VDC locking power connector that prevents the cable from being accidentally pulled out. The camera includes a power supply with five different AC socket adapters for different countries. However, if you're using a single Ethernet cable to connect to the Blackmagic Studio Camera 6K Pro model, then the whole camera and its accessories can be powered from the Ethernet connection. The Blackmagic Studio Converter has a large power supply that adds PoE power to the Ethernet cable, so you don't need any power connection to the camera. That's a great solution when there's no power available where the cameras are placed.\u003c\/p\u003e\n\u003cdiv class=\"js-injected-html text_UbV5SNP5Eo\"\u003e\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003c\/div\u003e\n\u003ch3\u003eOptional Accessories\u003c\/h3\u003e\n\u003cp\u003eYou can use the separately available Focus and Zoom demands to remotely control your compatible lens and the Blackmagic Studio Converter for a single Ethernet connection to the camera.\u003c\/p\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eActive Canon EF Lens Mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eCapture up to 6K 6144 x 3456p50\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eLive Streaming\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRemote Controlled ND Filters\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRaw Recording to External USB-C Disks\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRecords Blackmagic Raw, Up to 25,600 ISO\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e7\" High-Brightness HDR Touchscreen LCD\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003e12G-SDI, HDMI \u0026amp; 10G Ethernet Video I\/O\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eXLR \u0026amp; 3.5mm Audio Input, Built-In Mics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eBuilt-In DaVinci Resolve Color Corrector\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul class=\"list__cXkStmX9s\" data-selenium=\"includesInTheBoxList\"\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eBlackmagic Design Studio Camera 6K Pro (EF Mount)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eSun Shade\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e15mm LWS Tripod Mount\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eTripod Mount Plate\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eTurret Dust Cap\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eUniversal Power Supply with International Socket Adapters\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eDaVinci Resolve Download Card\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eSticker\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":43193507020967,"sku":"GC50-CINSTUDMFT\/G26PDK","price":3470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1677163841_1753951.jpg?v=1677464927"},{"product_id":"nanlux-evoke-1200b-led-spot-light-5600k","title":"Nanlux Evoke 1200B LED Spot Light 5600K","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eAs aiming at professional film industry that calls for more portable and versatile equipment, Nanlux Evoke 1200B LED Spot Light 5600K won wild applause when released as signature product under NANLUX. Ever since, NANLUX have been exploring the possibility for Evoke evolution. Now legend the Nanlux Evoke 1200B LED Spot Light 5600K, a whole new Bi-colour Spot Light, is officially launched! Nanlux Evoke 1200B LED Spot Light 5600K expects to change the game for large productions that demand precision lighting on subtlety, offering cinematographer \u0026amp; gaffer a new weapon to get the job done on professional TV \u0026amp; film sets.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003eHight Output, Refresh Imagination\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Nanlux Evoke 1200B LED Spot Light 5600K adopts 2X1200W LED chips in dot matrix form as light source, provides an impeccable beam in the same category. Keeping the NL mount, Evoke 1200B achieves a remarkable light efficiency, outputting up to 18,570 lux@3m 5600K with 45 Degree reflector, beating 1.8K HMI Par or 2.5K fresnel with the ability of changing CCT in a twist. The Evoke 1200's impressive flicker-free function has been loaded into the Evoke 1200B as well.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eCombined LED's iconic advantages with the high luminous efficacy and non-preheated requirement, the Evoke 1200B is a revolutionary weapon for DPs and gaffers.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb data-mce-fragment=\"1\"\u003e2700K-6500K Wide CCT Range From Sunrise to Daylight to Sunset\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe Nanlux Evoke 1200B LED Spot Light 5600K features advanced Bi-Color light mixing technologies ensuring continuity and accuracy in CCT change from 2700K all the way up to 6500K. The CCT adjustment will be easily made at the turn of a knob, making CTO\/CTB gels a thing of the past, it also offers way more flexibility in filmmaking by simulating natural light from sunrise to daylight to sunset. Furthermore, the incorporated constant output functionality supports through range CCT tuning without any intensity shift at all.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eDeveloped for professionals who care about the quality of colour rendition, the Nanlux Evoke 1200B LED Spot Light 5600K brings excellent colour rendering capability in real shootings proof by all the ratings.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e• Average 96 CRI\u003cbr\u003e• Average 97 TLCI\u003cbr\u003e• Average 79 SSI\u003cbr\u003e• Average 95 TM-30 Rf\u003cbr\u003e• Average 102 TM-30 Rg\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cb\u003eIP54 RATING\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnywhere? Everywhere!\u003c\/b\u003e\u003cbr\u003eThe Nanlux Evoke 1200B LED Spot Light 5600K's whole-fixture IP54 rated in hermetically sealed structure to withstand inclement weather or extreme conditions, no matter it's rain, snow or dust. The protection for power supply is enhanced to the same rating for more practicality, meaning the whole unit can stand side by side as long as the camera could work, rainforest, snowberg or even in sandstorm, you name it.\u003cbr\u003e\u003cbr\u003e\u003cb\u003e0.1% Increments Fine-tuning for Precise Adjustment\u003c\/b\u003e\u003cbr\u003eWith a simplified and intuitive menu interface visualized on a 2.8-inch display, the Evoke 1200B is easy to control in all aspects, and familiar to existing NANLUX and NANLITE fixtures.\u003cbr\u003e\u003cbr\u003eDimming is fine-tuned from 0-100% in 0.1% increment with great smoothness, and the sudden jump in low output section between 0-1% is eliminated. Five dimming curves available via DMX control to perfectly match exacting control request of industry standard: LINEAR, EXPONENT, LOGARITHM, S CURVE, GAMMA 2.2.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLimitless Connecting Options\u003c\/b\u003e\u003cbr\u003ePermits comprehensive wired\/wireless controlling solutions to seamlessly integrate into various on-set workflows. Wired and wireless DMX control in particular makes precise and digital lighting control on set a sure thing - can be connected to DMX console via 5-pin cable or controlled wirelessly through the built-in LumenRadio Timo Two module. Both reliability and flexibility are on the table for you to bring creative ideas to life.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLumenRadio CRMX\u003c\/b\u003e\u003cbr\u003eLumenRadio Timo Two's both transmitting and receiving functions makes connection with other fixtures easy and stable.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eNANLINK App\u003c\/b\u003e\u003cbr\u003eConnects NANLINK lighting control system via built-in 2.4G or Bluetooth to offer accurate and professional control at your fingertips.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDMX\/RDM\u003c\/b\u003e\u003cbr\u003eWire connects to DMX console via the on-board 5-pin XLR port to achieve stable and reliable control.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDesigned for Frequent Use and A Long Lifetime\u003c\/b\u003e\u003cbr\u003eThermal management of high power LEDs was crucial in the development of the Evoke 1200B. NANLUX created an even more efficient heat management system for Evoke 1200B to optimise heat dissipation while maintaining a compact fixture housing. This modification effectively achieves a higher efficiency and longer LED lifetime in high running temperature, compared to common LED lighting.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAn enhanced fan control system with 4 operation modes for various shooting scenarios and environments\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eSmart Mode\u003c\/b\u003e\u003cbr\u003eSmart sensors that adapt to the ambient temperature, allowing for real-time monitoring of LEDs temperature and automatically adjust the fan speed to offer better dissipation and a minimal noise level.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eFull Speed Mode\u003c\/b\u003e\u003cbr\u003eHeat dissipation boosted in high speed mode to meet the shooting requirements under high temperature environment.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLow Speed Mode\u003c\/b\u003e\u003cbr\u003eLimit the noise level within acceptable range for recording on set while discharging heat effectively. Maximum output is 50% in low speed mode.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOff Mode\u003c\/b\u003e\u003cbr\u003eFan shut down to minimise the noise level for an optimal sound environment. Maximum output is 10% in off mode.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eClassic Structure Design Compact and Efficient\u003c\/b\u003e\u003cbr\u003eInherits the design essence from Evoke 1200 - Aluminium die casting alloys used for its construction, the weight of light fixture is kept at 7.75kg, only 70% of a 1.8K HMI, giving it an edge in terms of transportability while retaining the necessary intensity. All basic controls are integrated on the lamp head and easily accessible.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eQuick Release Clamp\u003c\/b\u003e\u003cbr\u003eSecures the power supply tight on light stand \u0026amp; truss.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eOffset Yoke\u003c\/b\u003e\u003cbr\u003eNew offset yoke design with 15 Degree for greater range of tilting while using softboxes and other light shaping accessories.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eDC Connection Cable\u003c\/b\u003e\u003cbr\u003eOffers 7.5M DC cables as standard and 10M \u0026amp; 12M connection cable as optional, extending the power supply distance. The self-locking connector allows for quick and tight connection.\u003c\/span\u003e\u003c\/p\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003ch3 class=\"tabSectionHeader\" data-mce-fragment=\"1\"\u003eNanlux Evoke 1200B LED Spot Light 5600K Features\u003c\/h3\u003e\n\u003cul data-mce-fragment=\"1\"\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003eEquivalent output of a 2.5K HMI with a CCT range of 2700-6500K\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003eHigh precision colour accuracy across the entire CCT range in addition to one of the best tungsten colour reproduction of any LED on the market\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003eBuilt in wireless bluetooth, Wi-Fi, CRMX and RDM. Also compatible with Nanlink App and WS-TB-1 transmitter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003eIP54 certification for the head unit and ballast\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-mce-fragment=\"1\"\u003e\n\u003cp\u003eProfessional grade rugged design suitable for field and studio applications\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eNanlux Evoke 1200B 1200W Bi-Color LED Video Spotlight\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eYoke\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower Supply\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eReflector (RF-NLM-45)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eRemote Controller (WS-RC-C2)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eConnecting Cable (7.5m)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePower Cable (6m)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eQuick Release Clamp (AS-CP-QR-EV)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUSB Flash Drive\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eUser Manual\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cbr data-mce-fragment=\"1\"\u003e","brand":"Nanlite","offers":[{"title":"Default Title","offer_id":43194966835367,"sku":"GC52-NLEVOKE1200B","price":6911.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/NLEVOKE1200B-2.jpg?v=1677559734"},{"product_id":"canon-10x30-is-ii-binoculars","title":"Canon 10x30 IS II Binoculars","description":"\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003eCanon's second generation Canon 10x30 IS II Binoculars feature the proprietary IS system adapted from the lens systems to create this compact optic that compensates for hand-shake to make them ideal for a long day of bird or nature watching and sporting events. Utilizing vari-angle prisms placed between the front lens and the main prism, when the internal gyro sensors vertical or horizontal detect movement they direct the prisms to compensate and correct for external the shaking to produce smoother views and panning. A microcomputer, outfitted with proprietary algorithms, enhances IS operation, aids shorter startup times, and enable more efficient energy consumption.\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eBring What Excites You, Closer\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo bring the action closer, experience the difference with Canon's compact and versatile 10x30 IS II. Whether looking at the feathers of a bird, the expression on a child's face as they run to catch a fly ball or a row of skyscrapers across the river, these lightweight and portable binoculars are ideal for travel, bird watching, sports, concerts and much more. With 10x magnification and bright 30mm\/1.18 in. objective lenses, these binoculars perform wonderfully both indoors and out.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFeaturing improved Canon Image Stabilization (IS) technology for smooth, extended viewing without the need for a tripod, these binoculars have Canon optics and corrective technology for sharp, colorful and bright, virtually distortion-free viewing. With all-day use in mind, the 10x30 IS II are designed to be comfortable even when wearing glasses. With an improved, low reflective exterior coating that helps minimize glare from the sun, they're less conspicuous when viewing wildlife, in the stands at a stadium or anywhere else where distracting reflections might occur. Energy efficient, with environmentally friendly-glass, these can be the perfect binoculars to bring along, everywhere.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eExcellent Performance, On the Go\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanon's 10x30 IS II are lightweight and compact, perfect for bringing along on a wide range of activities: hiking, going to the theatre, sports events, concerts and more. But don't let their compact size deceive, as they incorporate a sophisticated Image Stabilization (IS) system, Canon optics and improved electronics for efficient, brilliant performance no matter the user, no matter the application.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eImproved Technology for Stunning Performance\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eTo maintain stable images at high magnification, without the need for a tripod, the 10x30 IS II feature Canon's Image Stabilization (IS) technology for performance on par with Canon's EF series of lenses. Vari-Angle prisms are placed between the front lens and the main prism. When the binoculars' gyro sensors detect movement, vertical or horizontal, they direct these prisms to compensate and correct for external shaking for smoother panning. A high performance microcomputer with advanced algorithms not only enhances IS operation, it helps provide shorter startup times and more efficient energy consumption. This means a comfortable, stable view that can be easy to maintain, whether standing on a mountain tracking a bird in flight, looking out the window of a moving vehicle or watching the pitcher wind up to throw a strike.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh Magnification, Compact Size\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanon's 10x30 IS II feature a refined optical system designed to provide a 10x angle of view with remarkably compact optics. With an objective lens effective diameter of 30mm\/1.18 in., the 10x30 IS II offer a great balance between brightness and portability.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eThe Perfect Combination of Compact, Efficient Binocular Design\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCanon's 10x30 IS II use a Porro II Prism design. Because both the front lens and the eyepiece use convex-shaped glass, the binoculars' design necessitates a prism system between the front objective lens and the eyepiece to flip the otherwise inverted image that would appear. Porro type prisms are a perfect fit for the 10x30 IS II because they deliver clear, bright images at high magnification with excellent sharpness and minimal light falloff.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eA Beautiful, Wide Field of View\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThe 10x30 IS II feature doublet field-flattener lenses in the eyepieces. Doublet lenses correct curvature of field, the image quality degradation typical at the edges of the image frame. Thanks to the doublet field-flattener the 10x30 IS II can display a sharp, even view, corner to corner.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eKey features\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eVari-Angle Prism Image Stabilization\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eEco-Friendly Lead-Free Glass\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eSuper Spectra Multicoated Optics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eDoublet Field-Flattener Lenses\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eApparent Angle of View: 60°\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eCenter Focus Wheel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eRuns on Two AA Alkaline \/ NiMH Batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eCanon 10x30 IS II Image Stabilized Weather Resistant Binocular\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eEyepiece Cap\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eNeck Strap\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCase\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAlkaline Battery (LR6)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInstruction Book\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":43202016837799,"sku":"GC66-10x30ISII","price":923.56,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1583757723_1149460.jpg?v=1677728665"},{"product_id":"canon-12x32-image-stabilised-binoculars","title":"Canon 12X32 IS Binoculars","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eWhether you are birdwatching, viewing a live sporting event, or enjoying the great outdoors, the Canon 12 x 32 IS Binoculars are great for bringing sharp and bright images up close thanks to its high magnification ratio of 12x. Meanwhile, the images are kept steady by the Lens Shift Image Stabilization and Powered IS function. With the help of its ergonomically designed grips, this is also comfortable to grip during long viewing sessions. Extending your vision is more enjoyable with this Porro Prism-designed Canon binocular!\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cstrong\u003e12x High Magnification Ratio\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThanks to an excellent optical system, Canon’s 12x32 IS binoculars can deliver impressive performance and a stunning, close-up view through a high magnification ratio of 12x. This makes it easy to see details and action that would likely be missed with the naked eye. From the intricate feathers of a bird on a branch, to the expression on the face of a graduating student or the ball flying out of the ballpark, what you want to see can be brought closer with the 12x32 IS binoculars.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLens Shift Image Stabilization\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 12x32 IS binoculars feature a powerful Lens Shift Image Stabilization system that’s remarkably effective in canceling out possible shaking made by movement and vibration. Borrowing technology from Canon’s EF lenses, Lens Shift Image Stabilization maintains a steady view by incorporating a continually adjusting vibration gyro mechanism, moving the IS lens both vertically and horizontally. This helps the 12x32 IS binoculars deliver clear and sharp images with minimal color fringing for a view that’s consistently pleasing to look at.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePowered IS Mode with Microcomputer Control Technology\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eOriginating from Canon’s high-quality video and digital camera technology, the 12x32 IS binoculars’ Powered IS technology significantly improves upon conventional binocular IS technology. Activated with the press of a button, Powered IS makes it easy to maintain a high-magnification view, especially in situations where body movement or strong shake might occur. Toggle between Powered IS and Normal IS to pick the ideal mode for the scene, whether your subject is still or in motion.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eImproved Design and Comfortable Grip\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eNot only does the incorporation of Lens Shift Image Stabilization improve optical performance, but it also has the added benefit of making the 12x32 ISbinoculars easy and comfortable to hold. Through the miniaturization of the IS unit the binoculars provide an ergonomic and sturdy grip, allowing quick, intuitive access to the IS switch, focusing ring diopter and more, with ease.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eField Flattener Lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFor edge-to-edge sharpness, the 12x32 IS binoculars use a field flattening lens element. Countering the blurred effect typically rendered by the curvature of conventional lens elements, field flattener lenses help deliver a sharp, low-distortion image across the entire field of view.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuper Spectra Lens Coating\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo suppress color bias, lens flare and ghosting as well as render a sharp view with contrast, the 12x32 IS binoculars incorporate Super Spectra Coating on its lenses. This coating effectively suppresses reflected light across a wide range of wavelengths, resulting in high contrast, high definition and a clear viewing experience.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimum Focusing Distance\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eA notable reduction over previous models, the 12x32 IS binoculars feature a minimum focusing distance of 6.6 ft. (2m) ideal for viewing animals, flowers and other small objects from a short distance. Combined with the 12x magnification ratio, it’s easy to see even the smallest details with the 12x32 IS binoculars.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eLens-Shift Image Stabilization\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eField-Flattener Lens System\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eSuper Spectra Multi-Coated Optics\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eNormal and Powered IS Modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eSimple 2-Button User Interface\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eLarge Center Focusing Wheel\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eFold-Down Rubber Eyecups\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eRuns on Two AA Batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"listItem_OMS5rN7R1Z\" data-selenium=\"sellingPointsListItem\"\u003e\n\u003cp\u003eWeight: 27.5 Ounces\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cmeta charset=\"utf-8\"\u003e\n\u003cp\u003e\u003cspan\u003eCanon 12 x 32 IS Binoculars\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOne-Piece Ocular Rainguard with Cord\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eNeck Strap\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCarrying Case\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e2 x AA Batteries\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e24 Months Warranty with Canon Australia\u003c\/span\u003e\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":43202016870567,"sku":"GC66-12X32IS","price":1672.89,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/12x32is.jpg?v=1677728135"},{"product_id":"aputure-infinibar-pb6-8-light-kit","title":"Aputure Infinibar PB6 8 Light Kit","description":"\u003cp\u003eThe INFINIBAR PB6 8-Light Kit includes eight of Aputure’s first 2-foot (60cm) full-colour LED pixel bars. Featuring 48 pixels, intuitive mounting and connecting options with an infinite blending design, an integrated battery, and advanced connectivity methods, the INFINIBAR PB6 excels in constructing unique, colourful designs that bring scenes to life in new and exciting ways.\u003c\/p\u003e\n\u003cp\u003eThe 8-Light Kit expands this mid-sized multitool’s capabilities, with not only eight times the available light, but also additional power cables, adapters, and light control grids in a sturdy flight case to extend your creative possibilities. And in addition to charging each light individually, the 8-Light Kit is equipped with a 330W Power Adapter with 8-Way Splitters that can simultaneously charge all fixtures.\u003c\/p\u003e\n\u003cp\u003eThe INFINIBAR’s most unique feature is the ability to link multiple 1ft, 2ft, or 4ft INFINIBARs together using 10 differently-shaped connectors1 to design creative shapes and effects. Users can operate multiple INFINIBARs using one power supply when linked by the power-sharing connectors or use their internal batteries for greater versatility. The pixel bar’s infinite blending design also eliminates visible gaps between fixtures to create seamless pixelated effects using the PB6’s 48 RGB pixels.\u003c\/p\u003e\n\u003cp\u003eFeaturing advanced wireless connectivity, the INFINIBAR PB6’s 48 pixels can be grouped and controlled via Sidus Link, LumenRadio CRMX, or through wired DMX using Aputure’s USB-C to DMX Adapter.2 It also incorporates critical colour controls (including advanced HSI with white- point adjustability, RGB, and xy) for full creative freedom. Toggle between 9 built-in System FX and 7 built-in Pixel FX, or save up to 20 Custom FX in the Sidus Link app for easy access to different light modes.\u003c\/p\u003e\n\u003cp\u003eThe INFINIBAR PB6’s proprietary RGBWW chipset produces stunning colour quality throughout its wide CCT range of 2,000K to 10,000K with full green-magenta adjustment, and can reproduce \u0026gt;90% of colours within the Rec.2020 Colour Space. Matching Aputure’s high standards for colour, the INFINIBAR PB6 also produces accurate skin tones, measuring scores of CRI: 96+, TLCI: 98+, SSI (D56): 74, and SSI (Tungsten): 85.\u003c\/p\u003e\n\u003cp\u003eWith its lightweight yet durable aluminum housing, the INFINIBAR PB6 provides ultimate flexibility across all shooting environments. Whether linked together or used independently, the INFINIBAR’s built-in magnets, INFINIBAR Rail and Baby Pin Clamp system, and two 1⁄4-20in threads allow the PB6 to be mounted with ease. And with its built-in 29.6Wh Lithium battery, the INFINIBAR PB6 can operate at its 14W max output for 100 minutes, making it a versatile and compact fixture for your lighting toolkit.\u003c\/p\u003e\n\u003ch3\u003e\u003c\/h3\u003e\n\u003ch3\u003eFeatures\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e8-Light Kit with 2ft (60cm) 14W RGBWW Full Color LED Pixel Bar\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e48 Independent Pixels (Lighting Zones)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eInfinite Blending Design\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFrosted Diffusion Layer\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eApprox. 100 Min Battery Life at Max Output (29.6Wh)\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIncluded Flight Case and 8x 45o Slip-On Light Control Grids\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e0-100% Brightness Control at 0.1% Increments\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFully Tunable CCT from 2,000K-10,000K + G\/M Adjustment\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eAdvanced HSI with White Point CCT Control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eIndustry-standard xy (CIE 1931), RGB, 300+ Gel Presets\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Aputure","offers":[{"title":"Default Title","offer_id":43208882618535,"sku":"GC49-24.APM0300AX3","price":4796.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/24.APM0300AX3.webp?v=1678428062"},{"product_id":"bright-tangerine-leftfield-3-kasbah-system-shoulder-pad-15mm-lws-19mm-handle-kit","title":"Bright Tangerine LeftField 3 KASBAH System - Shoulder Pad + 15mm LWS\/19mm Handle Kit","description":"\u003cp\u003eThe hand grip supports can be articulated into a wide range of positions to create various handheld looks and is configurable for 15mm LWS \u0026amp; 19mm Studio setups.\u003c\/p\u003e\n\u003ch3\u003eNext Level Comfort \u0026amp; Airflow\u003c\/h3\u003e\n\u003cp\u003eThe shoulder pad \u0026amp; hand grip have been created using Digital Light Synthesis (DLS), a process pioneered by Carbon that uses oxygen-permeable optics \u0026amp; programmable liquid resins to form a unique matrix structure with an infinite number of density zones.\u003c\/p\u003e\n\u003cp\u003eThe open structure allows air to naturally flow through, evaporating sweat to keep the operator cool. Made for long days on set, operators will experience a new level of comfort \u0026amp; freedom to move. Extremely durable \u0026amp; sturdy, capable of being used in any extreme conditions, the pad is easy to clean with water and UV resistant\u003c\/p\u003e\n\u003cp\u003eThe included mounting bracket allows the pad to connect to the rear of the LeftField 3 15mm LWS baseplate, with the riser providing clearance when using an ARRI standard balance plate.\u003c\/p\u003e\n\u003ch3\u003eTripod to Handheld in Seconds\u003c\/h3\u003e\n\u003cp\u003eThe riser features a guided track to align the baseplate with an end stop that provides tactile feedback to the operator that the baseplate is on the riser. The safety wedge prevents the baseplate from sliding off accidentally.\u003c\/p\u003e\n\u003cp\u003eUnlike VCT systems, the KASBAH System works on any ARRI standard dovetail removing any flex or play due to tolerances between the wedge \u0026amp; receiver plates. Going back to handheld operation is as simple as opening up the lever and lifting off the camera.\u003c\/p\u003e\n\u003cp\u003eAlternatively, the LeftField 3 baseplate or any other baseplate with an ARRI dovetail clamp can dock on top of the shoulder pad, making it compatible with third party manufacturers.\u003c\/p\u003e\n\u003ch3\u003eBattery Plates \u0026amp; Counterbalance\u003c\/h3\u003e\n\u003cp\u003eAttaching the rear 15mm bracket extends the mounting options even further. Supporting battery plates and other accessories which also serves as counter balance for larger camera builds.\u003c\/p\u003e\n\u003cp\u003eThe arms feature 3x 3\/8\" anti-twist \u0026amp; 5x 1\/4\" threaded points which can be used to mount articulating arms for monitors \u0026amp; other accessories.\u003c\/p\u003e\n\u003ch3\u003ePrecision Milled, Not Stamped\u003c\/h3\u003e\n\u003cp\u003eEach rosette has been CNC precision cut from high-grade stainless steel. Compared to stamped rosettes, ours offer higher engagement \u0026amp; maximum compatibility that won't slip.\u003c\/p\u003e\n\u003ch3\u003eLeftField 3 System\u003c\/h3\u003e\n\u003cp\u003eCustomise your camera build with the extensive selection of accessories in the LeftField system. Letting you create the right setup for each and every task.\u003c\/p\u003e\n\u003cp\u003eThis kit has been updated to LeftField 3 and is not compatible with LeftField 2 accessories. For a complete list of compatible accessories,\u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003eBright Tangerine LeftField 3 KASBAH System - Shoulder Pad + 15mm LWS\/19mm Handle Kit\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eVariable density zones using KASBAH for optimal cushioning \u0026amp; pressure relief\u003c\/li\u003e\n\u003cli\u003eOpen structure for air flow \u0026amp; allows for heat dissipation \u0026amp; evaporation of sweat\u003c\/li\u003e\n\u003cli\u003eHand grip system for 15mm LWS \u0026amp; 19mm Studio configurations\u003c\/li\u003e\n\u003cli\u003eUpper flange encourages a relaxed grip and reduces tension\u003c\/li\u003e\n\u003cli\u003e3\/8\" Anti-twist \u0026amp; 1\/4\" threads on Grip Arm for mounting accessories\u003c\/li\u003e\n\u003cli\u003eMilled rosettes offers positive engagement using ARRI standard for maximum compatibility\u003c\/li\u003e\n\u003cli\u003eSymmetrical design allows for use on left or right sides\u003c\/li\u003e\n\u003cli\u003eGlove-friendly knob for easy adjustments in fast paced settings\u003c\/li\u003e\n\u003cli\u003ePrecision cut from high-grade aluminium \u0026amp; stainless steel\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Bright Tangerine","offers":[{"title":"Default Title","offer_id":43222286925991,"sku":"GC63-B6000.0105","price":2126.85,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/B6000.0105_1.png?v=1678698729"},{"product_id":"dji-mavic-3-pro-fly-more-combo-rc-pro","title":"DJI Mavic 3 Pro Fly More Combo (RC PRO)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eFilmmakers get more control over what they capture with this DJI Mavic 3 Pro Fly More Combo (RC PRO). This flagship drone adds a third lens to the system with the 70mm f\/2.8 medium telephoto to enhance your creative possibilities with more control of how much you capture of a subject and their surroundings. Remaining are the impressive 24mm Hasselblad wide-angle lens, with 5.1K resolution, and the 166mm telephoto, which has been upgraded to f\/3.4 and 60 fps for more light sensitivity and smoother video. This tri-camera system joins other Mavic 3 technologies, such as O3+ long-range transmission, up to 43 minutes of flight, and omnidirectional sensing with APAS 5.0 to make the Mavic 3 Pro safe, even for beginner pilots.\u003c\/p\u003e\n\u003ch3\u003eKey features\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e3-Axis Gimbal with Tri-Camera System\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e20MP 5.1K Wide-Angle 4\/3 CMOS Hasselblad\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e166mm 12MP 7x Zoom Telephoto\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e70mm 48MP 3x Zoom Medium Telephoto Lens\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e7 Intelligent Flight Modes\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eUp to 43 Minutes of Flight Time\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eO3+ Transmission with a 9.3-Mile Range\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eOmnidirectional Avoidance with APAS 5.0\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eD-LOG, D-LOG M \u0026amp; HLG Post Processing\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eFly More Combo \u0026amp; DJI RC Pro Remote\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eTriple-Lens Camera System\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e24mm Hasselblad Wide-Angle: The 20MP Hasselblad camera remains, with its adjustable f\/2.8 to f\/11 aperture and large 4\/3 CMOS sensor for reduced noise in low-light situations. It offers 5.1K video resolution at 50 fps and incorporates the Hasselblad Natural Color Solution (HNCS) to capture and produce true-to-life colors in your media. When post-processing, you can use D-Log, D-Log M, and HLG.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e70mm Medium Telephoto: The new camera in the tri-cam system, this 48MP lens offers an f\/2.8 aperture and 1\/1.3\" CMOS for excellent day and night shots. Video is captured in 4K at 60 fps, and you can get clearer midrange shots with a 3x optical zoom. D-Log M and HLG are supported for efficient post-production, and it's capable of taking advantage of Night, ActiveTrack, and Hyperlapse shooting modes.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e166mm Telephoto: This 12MP full telephoto lens returns, but with an updated aperture of f\/3.4, letting more light in for better low-light performance using its 1\/2\" CMOS. It also improves its 4K fps from 30 to 60 for smoother video and incorporates a 7x optical zoom for clear close-ups.\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eSafe Flying\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cp\u003eAn omnidirectional obstacle sensing system with APAS 5.0 technology actively detects obstacles during flight and will automatically plot safe routes around them during flight.\u003c\/p\u003e\n\u003ch3 class=\"featureHeader_UbV5SNP5Eo\"\u003eIntelligent Flight Modes\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eWaypoint Flight\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eCruise Control\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eHyperlapse\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eMaserShots\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eFocusTrack\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003ePanorama\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eQuickShots\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cdiv class=\"featureHeader_UbV5SNP5Eo\"\u003e\n\u003ch3 class=\"text_TAw0W35QK_ comfy_TAw0W35QK_ sizeTitle2_TAw0W35QK_ weightNormal_TAw0W35QK_ primary_i3MsQsqoe0\"\u003eAdditional Features\u003c\/h3\u003e\n\u003c\/div\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003eUp to 43 minutes of flight time\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eO3+ video transmission from up to 9.3 miles away\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003eSupports optional DJI Goggles 2, Goggles Integra, and RC Motion 2 for a more immersive flight experience\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cul class=\"list__cXkStmX9s\" data-selenium=\"includesInTheBoxList\"\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eDJI Mavic 3 Pro Drone with Fly More Combo \u0026amp; DJI RC Pro\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eRC Pro Remote\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003ePair of Control Sticks\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e3 x Intelligent Flight Battery\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e6 x Pair of Low-Noise Propellers\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e100W USB-C Power Adapter\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e100W USB-C Power Adapter AC Power Cable\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e100W Battery Charging Hub\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eStorage Cover\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eND Filter Set (ND8, ND16, ND32, and ND64)\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003e2 x USB-C Cable\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"item_u6ujeLWy3W\" data-selenium=\"includesInTheBoxItem\"\u003e\n\u003cp\u003e\u003cspan\u003eShoulder Bag\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":43303087767719,"sku":"GC41-DJIMAVIC3PRORCP","price":4799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/1682412382_1761809.jpg?v=1682657257"},{"product_id":"aputure-mc-pro-rgb-led-light-panel-production-8-light-kit","title":"Aputure MC Pro RGB LED Light Panel (Production 8-Light Kit)","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003eThe Aputure MC Pro RGB LED Light Panel (Production 8-Light Kit) is an upgraded RGBWW lensed mini LED panel light featuring LumenRadio CRMX and a durable IP65 construction. Based on the original Aputure MC, the MC Pro features a similar compact, credit card-sized form factor while packing in a comprehensive suite of professional functionalities. Whether you need a quick eye light, fill light, or a light that can be hidden in the scene, the MC Pro is the perfect tool for the job. Following the same mini philosophy as other M-series lights, the MC Pro features the same pocketable form factor that is fast, convenient to use, and always at your fingertips – while packing in features designed for the pros.\u003c\/p\u003e\n\u003cp\u003eBuilt with a custom optical design that features a tighter 45º beam angle to balance quality and output, the MC Pro creates a sharper and more focused spot for cinematographers and gaffers who require the extra punch. With the ability to output 1,585 lux at 0.5m at 5,600K, the MC Pro is 4 times brighter than the original MC.\u003c\/p\u003e\n\u003cp\u003eModify the softness or direction of the MC Pro in less than a second by stacking multiple lighting accessories together or separately using the magnetic accessory mount. 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Nikon is here to make your day for those who love retro-inspired cameras or remember the glory days of film photography! Themed after the highly popular Nikon FM2 from the early 80s, the Nikon Z FC is a tactile and retro delight. True to Nikon film cameras of that era, the Z FC features essential commands dials for old-school exposure compensation.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIn addition to the all-new Nikon Z FC, Nikon has announced a new retro-styled 28mm special-edition lens plus a silver version of the popular 16-50mm. But there's so much more on offer - you'll just have to read on.\u003c\/p\u003e\n\u003ch3\u003eStylish Design Yet Tough as Nails\u003c\/h3\u003e\n\u003cp\u003eThe Nikon Z FC looks stunning with eye-catching form and features that every photographer will fall in love with. The dust and drip-resistant magnesium alloy body is rugged and delivers exceptional strength to weight ratio. As a result, the camera is just 390g, making it ideal for street, travel and everyday carry. It's the lightest Nikon Z series camera to date. The retro design of the Nikon Z FC is built around the revolutionary Nikon Z-mount, making it a compact camera with the widest mount of any comparable camera system.\u003c\/p\u003e\n\u003cp\u003eWhile there's an impressive amount of tech hidden behind the retro skin, that's not even the best bit! The Nikon Z FC is available in no less than seven different colours, including Black, Mint Green, Coral Pink, Amber Brown, Natural Grey, White and Sand Beige. But there's no need to stress about being stuck with a colour for life. Nikon is offering to interchange the body skin colours at any time via their service centres.\u003c\/p\u003e\n\u003cp\u003eThe top plate of the Nikon Z FC features three independent command dials to dial in exposure settings. They include an ISO dial, Shutter Speed dial and Exposure Compensation. 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It houses a 20.9Mp APS-C DX-format image sensor driven by the blistering fast Expeed 6 Image Processor. Together to allow for fast and accurate shooting in all lighting conditions and support an ISO range from 100-51,200 and expanded up to 204,800.\u003c\/p\u003e\n\u003cp\u003eAll that processing power allows for stunning performance in autofocus, thanks also to the 209-point AF system with 87% coverage of the sensor. In addition, the Nikon Z FC boasts a range of autofocus tracking modes, including Eye Detect AF in both stills and video. The Nikon Z FC also supports Wide-area AF Eye-Detect modes for greater control over focus.\u003c\/p\u003e\n\u003ch3\u003eThe Nikon Z FC Crowns Video as King!\u003c\/h3\u003e\n\u003cp\u003eBeyond stellar optical performance fit for photographers, the Nikon Z FC is a content creators dream. Video is king in the world of online social media and content sharing. Fortunately, the Nikon Z FC delivers sensational 4K UHD video up to 30p without any crop factor in play. If you want to capture smooth and mesmerising slow motion, it will support up to 120p in Full HD.\u003c\/p\u003e\n\u003cp\u003eVloggers love neat tech, and they'll love the Nikon Z FC for its vlogging-conscious performance. The various-angle LCD flips out to the side and rotates for camera-facing vlogging and selfies. Plus, a high-mounted hot-shoe supports an external shotgun or wireless microphone set-up. The typical tripod screw-thread mount allows you to drop the camera onto a gimbal or a full-height or table-top tripod.\u003c\/p\u003e\n\u003cp\u003eTo further support visual content creators, the Nikon Z FC is compatible with Nikon's Webcam utility software. As a result, you can employ the Z fc as a high-resolution webcam for live streaming. A USB-C port allows you to connect directly to a computer or charge the camera.\u003c\/p\u003e\n\u003ch3\u003eThere's So Much More To The Nikon Z fc Announcement\u003c\/h3\u003e\n\u003cp\u003eThe news of the upcoming Nikon Z FC has woken up the camera community to the possibilities of unique camera designs. And while the idea of a retro-inspired camera also being available in seven colours is hot news, there's more in store. \u003c\/p\u003e\n\u003ch3\u003e\u003cstrong\u003eNIKKOR Z 28mm F\/2.8 SE\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eThe Nikon Z fc wouldn't be complete without an optically superior, retro-inspired lens. That's why Nikon has also announced the NIKKOR Z 28mm F\/2.8 SE - a fast and optically sharp prime lens. It weighs just 160g and has a length of 43mm, and is optically correct to minimise typical aberrations. The special edition lens is the perfect companion for the Z fc and creates an ultra-stylish yet powerful and compact combo. \u003c\/p\u003e\n\u003ch3\u003eWhen Can You Get Your Hands On One?\u003c\/h3\u003e\n\u003cp\u003eAsides from wanting to scream, -shut up and take my money!\" the obvious questions is, when can I get my hands on one? The great news is that you don't have to wait long to get your hands on the Ninok Z fc digital mirrorless camera. The Nikon Z fc and all seven colour variations will be available for sale from 28 July 2021. That includes the body only and all three unique kits, including the retro NIKKOR Z 28mm F\/2.8 SE. It will also be available as a standalone product later in the year. So what are you waiting for? Head in-store or online at Georges Cameras now to pre-order your copy of the Nikon Z fc, along with the kits and lenses. Don't delay as we guarantee these will sell fast.\u003c\/p\u003e","brand":"Nikon","offers":[{"title":"Black","offer_id":43361454424231,"sku":"GC46-VOK090NA","price":1899.95,"currency_code":"AUD","in_stock":true},{"title":"White","offer_id":43361454456999,"sku":"GC46-ZFC091YA","price":1900.24,"currency_code":"AUD","in_stock":true},{"title":"Sand Beige","offer_id":43361454489767,"sku":"GC46-ZFC092YA","price":1900.24,"currency_code":"AUD","in_stock":true},{"title":"Natural Grey","offer_id":43361454522535,"sku":"GC46-ZFC093YA","price":1900.24,"currency_code":"AUD","in_stock":true},{"title":"Amber Brown","offer_id":43361454555303,"sku":"GC46-ZFC094YA","price":1900.24,"currency_code":"AUD","in_stock":true},{"title":"Coral Pink","offer_id":43361454588071,"sku":"GC46-ZFC095YA","price":1900.24,"currency_code":"AUD","in_stock":true},{"title":"Mint Green","offer_id":43361459536039,"sku":"GC46-ZFC096YA","price":1900.24,"currency_code":"AUD","in_stock":true},{"title":"Midnight Grey","offer_id":43589764153511,"sku":"GC46-ZFC098YA","price":1900.24,"currency_code":"AUD","in_stock":true},{"title":"Crimson Red","offer_id":43589768544423,"sku":"GC46-ZFC099YA","price":2029.0,"currency_code":"AUD","in_stock":true},{"title":"Olive Green","offer_id":43589768577191,"sku":"GC46-ZFC100YA","price":2029.0,"currency_code":"AUD","in_stock":true},{"title":"Walnut Brown","offer_id":43589768609959,"sku":"GC46-ZFC101YA","price":1900.24,"currency_code":"AUD","in_stock":true},{"title":"Mustard Yellow","offer_id":43589768642727,"sku":"GC46-ZFC102YA","price":2029.0,"currency_code":"AUD","in_stock":true},{"title":"Chalk Blue","offer_id":46916011491495,"sku":"GC46-ZFC097YA","price":1900.24,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/NikonZfcMirrorlessCamerawithNIKKOR16-50mmVRSL.jpg?v=1768395720"},{"product_id":"red-komodo-x-starter-pack-incl-batteries","title":"RED KOMODO-X Starter Pack (incl. 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Improved detail and colour in shadows, paired with double the frame rates at 6K 80P and 4K 120P makes KOMODO-X an even more powerful tool for creatives.\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"list_OMS5rN7R1Z\"\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eSuper35 KOMODO-X 6K Camera\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eFull-Frame 6K to 80 fps, 4K to 120 fps\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eReinforced, Locking Canon RF Lens Mount\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e2 x RED PRO CFexpress 1TB Cards\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e2 x REDVOLT NANO-V 49Wh Batteries\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eKOMODO Outrigger R\/S Top Handle\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003e2 x KOMODO Wing Grips\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eCompact Dual V-Mount Battery Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eCFexpress Card Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli data-selenium=\"sellingPointsListItem\" class=\"listItem_OMS5rN7R1Z\"\u003e\n\u003cp\u003eTimecode and 5-Pin to 3.5mm Audio Cables\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e\u003cstrong\u003eENHANCED BODY AND I\/O\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWith key improvements for professional workflows, the KOMODO-X now shares many features with the DSMC3\u003csup\u003e™\u003c\/sup\u003e line while still maintaining the impressively small KOMODO form factor. An integrated micro V-Lock allows for direct attachment of professional micro V-Lock batteries without the need for adapters and is also compatible with the upcoming RED Pro I\/O Module to provide auxiliary power and compatibility with full sized V-Lock and Gold Mount batteries.\u003c\/p\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003eA reinforced RF lens mount with locking mechanism maintains the flexibility of toolless switching between multiple lens mount types, while providing the stability and rigidity professionals need. KOMODO-X is also fully compatible with \/i PL lenses using the RED\u003c\/span\u003e\u003csup\u003e®\u003c\/sup\u003e\u003cspan\u003e RF to PL Adapter.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e12G SDI, full sized DC-IN, USB Type-C, and a phantom powered locking audio connector further enables KOMODO-X to seamlessly integrate into any professional workflow. KOMODO-X is compatible with DSMC3™ RED® 5-Pin to Single 3.5mm Adapter to support existing KOMODO microphones, or the DSMC3™ RED® 5-Pin to Dual XLR Adapter for general purpose XLR microphones.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAn integrated 2.9” LCD allows for simplified control and image preview in compact setups. For more precise monitoring, KOMODO-X supports the DSMC3™ RED® Touch 7.0\" LCD which provides a daylight viewable, high-resolution, camera top monitor and control solution without the mess of cables.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eIP CONNECTED\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eKOMODO-X is a powerful platform for any IP based workflow, from virtual production to live broadcast. With integrated USB Type-C connection and built-in Wi-Fi, remotely control the camera using RED Control or RED Control Pro, as well as IP media offloading using FTPS or in-camera Cloud Uploading functionality (Frame.io and S3). In addition, KOMODO-X supports frame-accurate PTP synchronisation or tri-level genlock sensor sync with the ability to offset on the fly to support multi-camera LED volume productions.\u003c\/p\u003e\n\u003ch3\u003eSpecifications\u003c\/h3\u003e\n\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan\u003e\u003cstrong\u003eSENSOR TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eKOMODO-X 19.9MP Super 35mm Global Shutter CMOS\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eEFFECTIVE PIXELS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e6144 x 3240\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSENSOR SIZE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e27.03 mm x 14.26 mm (Diagonal: 30.56mm)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDYNAMIC RANGE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e16.5+ stops\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMOUNT TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated locking RF mount with electronic communication\u003cbr data-mce-fragment=\"1\"\u003eSupports \/i PL lenses with RED® RF to PL Adapters\u003cbr data-mce-fragment=\"1\"\u003eSupports Canon EF Adapter with communication and other adapters based on the RF mount\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMAX DATA RATES\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eUp to 560 MB\/s using RED branded or other qualified CFexpress media cards\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eREDCODE® RAW MAX FRAME RATES\u003c\/strong\u003e\u003c\/span\u003e\u003cspan\u003e \u003cmeta charset=\"utf-8\"\u003e80 fps at 6K 17:9 (6144 x 3240)\u003cbr data-mce-fragment=\"1\"\u003e96 fps at 5K 17:9 (5120 x 2700))\u003cbr data-mce-fragment=\"1\"\u003e120 fps at 4K 17:9 (4096 x 2160)\u003cbr data-mce-fragment=\"1\"\u003e240 fps at 2K 17:9 (2048 x 1080)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003ePLAYBACK FRAME RATES (PROJECT TIME BASE)\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e23.98, 24, 25, 29.97, 30, 50, 59.94, 60 fps, all resolutions\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eBEST AVAILABLE REDCODE® SETTINGS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 6K 17:9 (6144 x 3240) up to 80 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 4K 17:9 (4096 x 2160) up to 120 fps\u003cbr data-mce-fragment=\"1\"\u003eREDCODE HQ, MQ, LQ, and ELQ at 2K 17:9 (2048 x 1080) up to 240 fps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eREDCODE® RAW ACQUISITION FORMATS \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003e6K 17:9 (6144 x 3240), 2:1, 2.4:1, 16:9. 1:1, and Anamorphic 2x, 1.8x, 1.6x, 1.5x, 1.3x, 1.25x\u003cbr data-mce-fragment=\"1\"\u003e5K 17:9 (5120 x 2700) and 16:9\u003cbr data-mce-fragment=\"1\"\u003e4K 17:9 (4096 x 2160) and 16:9\u003cbr data-mce-fragment=\"1\"\u003e2K 17:9 (2048 x 1080)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAPPLE PRORES\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eDedicated recording in 4K (4096 x 2160) ProRes 4444 XQ up to 60 fps, ProRes 4444 up to 80 fps, and ProRes 422 HQ, ProRes 422, and ProRes 422 LT up to 120 fps\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCONSTRUCTION\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAluminium Alloy\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDIMENSIONS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e129.37 x 101.26 x 95.26 mm (LxWxH, largest fixed dims.)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eWEIGHT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e2.62lbs (without body cap and CFexpress card)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMEDIA TYPE \u003c\/strong\u003e\u003cmeta charset=\"utf-8\"\u003eCFexpress Type B\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eBATTERY TYPE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated V-Lock battery interface optimised for Micro V-Lock Batteries\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eDC POWER INPUT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e11-17V via 6-pin DC-IN\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eOPERATING TEMPERATURE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e0°C to 40°C (32°F to 104°F)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSTORAGE TEMPERATURE\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e–20°C to 50°C (–4°F to 122°F)\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eSTORAGE RELATIVE HUMIDITY\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003e0% to 85% non-condensing\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eCOLOR MANAGEMENT\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eImage Processing Pipeline 2 (IPP2)\u003cbr data-mce-fragment=\"1\"\u003eSupports 33×33×33 3D LUTs\u003cbr data-mce-fragment=\"1\"\u003eSupports import and adjustment of CDLs\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAUDIO\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eIntegrated dual channel digital mono microphones, uncompressed, 24-bit 48 kHz\u003cbr data-mce-fragment=\"1\"\u003eIntegrated dual channel (mic\/line\/+48V) input via 5-Pin 00B Audio Port, uncompressed, 24-bit 48 kHz\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eAUTOFOCUS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003ePhase Detect and Contrast\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eMONITOR OPTIONS\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eProprietary Top Accessory Port for Monitoring and Control\u003cbr data-mce-fragment=\"1\"\u003eIntegrated 2.9\" 1440x1440 touchscreen LCD with preview and camera control\u003cbr data-mce-fragment=\"1\"\u003eIntegrated 12G-SDI with 6G-SDI, 3G-SDI and 1.5G-SDI modes\u003cbr data-mce-fragment=\"1\"\u003e12G-SDI: Up to 4096 x 2160 4:2:2 for 60p\u003cbr data-mce-fragment=\"1\"\u003e6G-SDI: Up to 4096 x 2160 4:2:2 for 30p\u003cbr data-mce-fragment=\"1\"\u003e3G-SDI: Up to 2048 x 1080 4:2:2 for 60p\u003cbr data-mce-fragment=\"1\"\u003e1.5G-SDI: Up to 2048 x 1080 4:2:2 for 30p, 24p\u003cbr data-mce-fragment=\"1\"\u003eSMPTE Timecode, HANC Metadata, 24-bit 48 kHz Audio\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eADDITIONAL I\/O\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eTri-Level Genlock Input via 9-Pin EXT\u003cbr data-mce-fragment=\"1\"\u003eLTC Timecode Input via 9-Pin EXT\u003cbr data-mce-fragment=\"1\"\u003eRS232 CTRL (using RCP2) via 9-Pin EXT\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eIP CONNECTED\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eWi-Fi (2.4GHz\/5GHz) for camera control, video preview, and media offloading\u003cbr data-mce-fragment=\"1\"\u003eEthernet via USB Type-C for camera control, video preview, and media offloading\u003cbr data-mce-fragment=\"1\"\u003eMJPEG 1080p live stream accessible through Wi-Fi and USB-C.\u003cbr data-mce-fragment=\"1\"\u003ePTP for frame level synchronisation\u003cbr data-mce-fragment=\"1\"\u003eR3D live broadcasting available with RED Connect License and 5Gbps Ethernet Adapter\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\u003cmeta charset=\"utf-8\"\u003e \u003cstrong\u003eRED CONTROL \u0026amp; RED CONTROL PRO\u003c\/strong\u003e \u003cmeta charset=\"utf-8\"\u003eAccess full camera controls and live preview from iOS or Android devices\u003cbr data-mce-fragment=\"1\"\u003ePro App: Operate one or multiple cameras over an IP connection to synchronise settings, manage media files locally or upload directly to FrameIO, develop custom looks with advanced CDL and LUT controls, and more. Ideal for control of multi-camera arrays, multi-cam shoots, and live events, all from one central location.\u003cbr data-mce-fragment=\"1\"\u003eStandard app available from the Apple App Store and Google Play Store.\u003cbr data-mce-fragment=\"1\"\u003eRED Control Pro available via Apple App store only and requires additional purchase.\u003cbr data-mce-fragment=\"1\"\u003eRED Control works wirelessly or wired via USB-C\u003c\/span\u003e\u003c\/p\u003e\n\u003ch3\u003e\u003cspan\u003eWhat's in the Box\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul class=\"ul1\"\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003eKOMODO-X Camera System\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e2x RED PRO CFexpress 1TB\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x RED CFexpress Card Reader\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e2x REDVOLT NANO-V\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x RED Compact Dual V-Lock Charger\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x KOMODO® Wing Grip\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x KOMODO® Outrigger Handle​\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x DSMC3™ 5-Pin to Single 3.5mm Adapter\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli class=\"li1\"\u003e\n\u003cp\u003e\u003cspan class=\"s1\"\u003e\u003c\/span\u003e1x RED® EXT-to-Timecode Cable 3'\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"RED","offers":[{"title":"Default Title","offer_id":43362263629991,"sku":"GC47-RED-710-0386","price":15605.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/710-0386_0.png?v=1686723038"},{"product_id":"fujifilm-fujinon-gf110mmf5-6-tilt-shift-macro-lens","title":"Fujifilm FUJINON GF110mmF5.6 Tilt Shift Macro Lens","description":"\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eThe \u003cstrong\u003eGF110mmF5.6 T\/S Macro\u003c\/strong\u003e is a mid-telephoto tilt shift macro lens with the focal length of 110mm (equivalent to 87mm in the 35mm film format) and maximum reproduction rate of 0.5x. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eIt suppresses various types of aberration including distortion, lateral chromatic aberration, and axial chromatic aberration to achieve an advanced level of image resolution. The focal position of a subject in close-up can be controlled freely to meet the needs of commercial photography for still life.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e\u003cspan data-mce-fragment=\"1\"\u003eFeatures\u003c\/span\u003e\u003c\/h3\u003e\n\u003cul\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eLong awaited Tilt Shift lens for the GFX Series\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eEquivalent to 87mm in 35mm format\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003e0.5x maximum magnification ratio\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eTilting of ±10°, shifting of up to ±15mm and revolving up to ±90°\u003c\/span\u003e\u003cspan\u003e\u003cbr\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003cli\u003e\n\u003cp\u003e\u003cspan\u003eBuilt in sensor that detects the degree of shifting and revolving movements\u003c\/span\u003e\u003c\/p\u003e\n\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":43451994439847,"sku":"GC22-74472","price":5339.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GF110mm_F5_6_TS_front_mainFUKAN.jpg?v=1694405061"},{"product_id":"dji-transmission-with-high-bright-monitor-combo","title":"DJI Transmission Combo (Standard Combo)","description":"\u003ch3\u003eDJI Transmission Combo (Standard Combo)\u003c\/h3\u003e\n\u003cp\u003eThe product of years of industry knowledge, research and development, the innovative new DJI Transmission video transmission system is designed to bring new levels of creative autonomy to film and broadcast professions.\u003c\/p\u003e\n\u003cp\u003eThe DJI Transmission Standard Combo is made up of two innovative components; the DJI Video Transmitter and the DJI Video Receiver. Combined, these two components provide an unparalleled video transmission solution that can be applied to a wide variety of professional filming and broadcasting scenarios.\u003c\/p\u003e\n\u003cp\u003eDJI Transmission is compatible with a virtually endless number of cameras and devices. With support for both SDI and full-size HDMI inputs, the DJI Video Transmitter can be mounted and used with practically all modern DSLRs, mirrorless and cinema cameras. Compatibility ranges from smaller solutions like the BlackMagic Pocket Cinema series all the way to large-scale cinema solutions including the ARRI Alexa and DJI Inspire 3.\u003c\/p\u003e\n\u003ch3\u003eKey Features\u003c\/h3\u003e\n\u003cp\u003eExperience high-quality, low-latency video transmission like never before with the new DJI Transmission video transmission system. Powered by DJI’s groundbreaking O3 Pro transmission technology, DJI Transmission delivers 1080p\/60fps video at a stellar transmission range of up to 6KM!\u003c\/p\u003e\n\u003ch3\u003eReliable Transmission, Everytime\u003c\/h3\u003e\n\u003cp\u003eO3 Pro features automatic frequency hopping, allowing the transmitter to jump between 2.4 GHz, 5.8 GHz and DFS channels for reliable transmission regardless of environment.\u003c\/p\u003e\n\u003cp\u003ePlus with the power of DJI O3 Pro, a single DJI Video Transmitter can be used with multiple receivers simultaneously, opening up new possibilities on large film sets.\u003c\/p\u003e\n\u003cp\u003eThe Standard Combo sports the compact DJI Video Receiver that is ultra-versatile and can be adapted to your needs. Featuring native dual SDI and HDMI video outputs, the DJI Video Receiver will feel right at home in your video village.\u003c\/p\u003e\n\u003ch3\u003ePart of the Family\u003cbr\u003e\n\u003c\/h3\u003e\n\u003cp\u003eAs the latest member of the DJI Ronin family, DJI Transmission integrates seamlessly with professional creative tools including the DJI Ronin 2, DJI RS3, DJI Master Wheels and more for a seamless filming experience.\u003c\/p\u003e\n\u003cp\u003ePair DJI Transmission with a Ronin series gimbal for newfound stability and creative control and use DJI Master Wheels or Ronin 4D Hand Grips for precise movement and setting controls.\u003c\/p\u003e\n\u003ch3\u003ePower Your Creativity\u003c\/h3\u003e\n\u003cp\u003eWith support for multiple power solutions, both the transmitter and receiver can be powered your way via independent power sources or your pre-existing solutions.\u003c\/p\u003e\n\u003cp\u003eBoth components natively supports DJI WB37 batteries and can be adapted to support NP-F batteries, larger V-mount batteries and direct DC-IN.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eVideo Transmitter \u0026amp; Receiver System\u003c\/p\u003e\n\u003cp\u003eWB37 Batteries, Plates \u0026amp; Charger\u003c\/p\u003e\n\u003cp\u003eL-Series Battery Plates\u003c\/p\u003e\n\u003cp\u003ePower, SDI \u0026amp; USB-C Cables\u003c\/p\u003e\n\u003cp\u003eIncludes Carry Case\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003e1x DJI Video Transmitter\u003c\/p\u003e\n\u003cp\u003e1x DJI Video Receiver\u003c\/p\u003e\n\u003cp\u003e2x WB37 Intelligent Battery\u003c\/p\u003e\n\u003cp\u003e1x WB37 Battery Charging Hub (USB-C)\u003c\/p\u003e\n\u003cp\u003e2x WB37 Battery Adapter\u003c\/p\u003e\n\u003cp\u003e1x RS Gimbal Mounting Plate\u003c\/p\u003e\n\u003cp\u003e2x NP-F Battery Adapter (TX)\u003c\/p\u003e\n\u003cp\u003e1x DJI Transmission USB-C Power Cable\u003c\/p\u003e\n\u003cp\u003e1x DC to P-TAP Power Cable\u003c\/p\u003e\n\u003cp\u003e1x SDI Cable\u003c\/p\u003e\n\u003cp\u003e1x USB-C Cable\u003c\/p\u003e\n\u003cp\u003e1x Installation Toolkit\u003c\/p\u003e\n\u003cp\u003e1x Protector Case\u003c\/p\u003e\n\u003cp\u003e2x Ronin Video Transmission Antenna\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":43682565226663,"sku":"GC41-DJITRANSCB-STD","price":3119.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/DJITransmissionCombo_StandardCombo.jpg?v=1745819151"},{"product_id":"benq-pd3225u-32-4k-designer-monitor","title":"BenQ PD3225U 32\" 4K Designer Monitor","description":"\u003ch3\u003eBenQ PD3225U 32\" 4K Designer Monitor\u003c\/h3\u003e\n\u003ch3\u003eImpeccable 2000:1 Contrast Ratio\u003c\/h3\u003e\n\u003cp\u003eExperience the brilliance of our 2000:1 IPS Black Technology, which delivers unparalleled deep black and exceptional contrast, elevating your visual experience to new heights.\u003c\/p\u003e\n\u003ch3\u003eIncredible Colour Space Coverage\u003c\/h3\u003e\n\u003cp\u003ePD3225U covers 98% P3, 99% sRGB, and 99% Rec.709 colour spaces and has amazing Delta E \u0026lt; 2 which ensures superb accuracy and absolute colour confidence.\u003c\/p\u003e\n\u003ch3\u003eAttentive Colour Modes for Creators\u003c\/h3\u003e\n\u003ch3\u003eOne Click Syncs Mac Device Colours\u003c\/h3\u003e\n\u003cp\u003eThe PD3225U ships from the factory with default colour settings that perfectly match Mac and MacBook Pro laptop colours. Exclusive M-Book mode provides active colour syncing, creating an additional layer of colour precision assurance.\u003c\/p\u003e\n\u003ch3\u003eColour Consistency at Your Fingertips\u003c\/h3\u003e\n\u003cp\u003eThe ICCsync feature in Display Pilot 2 software automatically matches and synchronizes ICC profiles on the monitor when changing colour modes and also between your Mac and BenQ monitor. All of this is done instantly.\u003c\/p\u003e\n\u003ch3\u003eUnique Hotkey by Your Mac Keyboard\u003c\/h3\u003e\n\u003cp\u003eEffortlessly adjust display brightness using your Mac keyboard through Display Pilot 2 software.\u003c\/p\u003e\n\u003ch3\u003eAnimation Mode\u003c\/h3\u003e\n\u003cp\u003eEnhance the clarity of dark areas without overexposing bright regions.\u003c\/p\u003e\n\u003ch3\u003eCAD\/CAM Mode\u003c\/h3\u003e\n\u003cp\u003eEnjoy superior contrast between lines and shapes in technical illustrations.\u003c\/p\u003e\n\u003ch3\u003eDualView\u003c\/h3\u003e\n\u003cp\u003eShowcase designs in two modes side-by-side for improved workflow and enhanced productivity.\u003c\/p\u003e\n\u003ch3\u003eAccurate Colours Benefits Creators\u003c\/h3\u003e\n\u003cp\u003eOur Craftsman spirit comes with precise colour tuning, corner-to-corner uniformity, and an accuracy guarantee by authoritative third-party organizations.\u003c\/p\u003e\n\u003ch3\u003eFactory Calibrated for Colour Accuracy\u003c\/h3\u003e\n\u003cp\u003eBenQ DesignVue monitors feature meticulous factory calibration, so designers make full use of total display colour accuracy from the get-go.\u003c\/p\u003e\n\u003ch3\u003eCalman Verified\u003c\/h3\u003e\n\u003cp\u003ePD3225U is fully Calman Verified. Creative professionals demand excellence, and BenQ delivers.\u003c\/p\u003e\n\u003ch3\u003ePantone \u0026amp; Pantone SkinTone Validation\u003c\/h3\u003e\n\u003cp\u003ePD3225U also features Pantone and Pantone SkinTone validation, appealing to professionals who need a display that achieves the utmost authenticity when showing real-world colours.\u003c\/p\u003e\n\u003ch3\u003ePantone Connect Premium\u003c\/h3\u003e\n\u003cp\u003eGo digital with BenQ, the first brand to work with Pantone on a mobile app. As an existing owner or a new purchaser of BenQ professional monitors, you get one year of free Pantone Connect Premium for digitally mobile colour consistency and accuracy.\u003c\/p\u003e\n\u003ch3\u003eBenQ Uniformity Technology\u003c\/h3\u003e\n\u003cp\u003eDeliver corner-to-corner authentic colour and consistent luminescence. The display is divided into hundreds of sub-regions and meticulously fine-tuned for precision to assure dependable image fidelity.\u003c\/p\u003e\n\u003ch3\u003eExpand Your Mac Devices\u003c\/h3\u003e\n\u003cp\u003eThunderbolt 3 carries images, videos, and other data seamlessly while charging your mobile devices at the same time, all with one cable.\u003c\/p\u003e\n\u003cp\u003eThe Thunderbolt 4 cable provided is backward compatible with Thunderbolt 3 displays to offer full functionality.\u003c\/p\u003e\n\u003cp\u003eYour Thunderbolt 4 devices are compatible with USB-C on BenQ displays, ensuring consistent and seamless work efficiency.\u003c\/p\u003e\n\u003ch3\u003eMatching Colours Across Displays Has Never Been Easier\u003c\/h3\u003e\n\u003cp\u003eMade simple. Display ColourTalk provides an intuitive interface for creative professionals to effortlessly match the colours of two displays, whether it's a MacBook display with a single monitor or across two monitors.\u003c\/p\u003e\n\u003ch3\u003eWide Connectivity\u003c\/h3\u003e\n\u003cp\u003eTo help you set up a powerful workstation, PD3225U comes equipped with USB-C ports for Thunderbolt 3, HDMI ports, DisplayPort, and a USB hub. You can easily setup KVM and connect to Hotkey Puck G2, headphones, and external storage for greater productivity.\u003c\/p\u003e\n\u003ch3\u003eBuilt-in KVM\u003c\/h3\u003e\n\u003cp\u003eWith built-in KVM (keyboard, video, mouse) switch functionality, PD3225U allows users to control two systems from one keyboard and mouse set. Click to switch between systems via Hotkey Puck G2 to boost efficiency.\u003c\/p\u003e\n\u003ch3\u003eHotkey Puck G2\u003c\/h3\u003e\n\u003cp\u003eBenQ Hotkey Puck G2 offers users the flexibility to customize and access their most-used features. Press and switch the dial to access brightness, contrast, and volume adjustment, plus assign shortcuts to feature sets using the three function keys. Additionally, the rotation key allows users to assign custom shortcuts to settings.\u003c\/p\u003e\n\u003ch3\u003eHDR Technology\u003c\/h3\u003e\n\u003cp\u003eSupporting HDR10 and DisplayHDR 400, it delivers enhanced results for designs with higher brightness, colour uniformity, and deeper black levels.\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box\u003c\/h3\u003e\n\u003cp\u003eBenQ PD3225U 32\" 4K Designer Monitor\u003c\/p\u003e","brand":"BenQ","offers":[{"title":"Default Title","offer_id":44998039994535,"sku":"GC163-PD3225U","price":1598.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC30-PD3225U.jpg?v=1712051134"},{"product_id":"miller-cx8-fluid-head-with-solo-75-2-stage-alloy-tripod-system","title":"Miller CX8 Fluid Head with Solo 75 2-Stage Alloy Tripod System","description":"\u003ch3\u003eMiller CX8 Fluid Head with Solo 75 2-Stage Alloy Tripod System\u003c\/h3\u003e\n\u003cp\u003eDesigned for videographers on the go, the Miller CX8 Fluid Head with Solo 75 2-Stage Alloy Tripod System offers light overall weight, payload support up to 11.9 kg, quick-deploy 2-stage folding design, and no need for a spreader. Whether shooting low to the ground or above spectators' heads, the large height range is sure to come in handy. The wide payload range is supported by a 15+0 step counterbalance and five fluid drag positions, plus a zero drag position. See below for more information on the individual parts of this tripod system.\u003c\/p\u003e\n\n\u003ch3\u003eMiller CX8 Fluid Head\u003c\/h3\u003e\n\u003cp\u003eThe Miller CX8 Fluid Head is designed to accommodate a wide payload range with 16 steps of counterbalance. Pan, tilt, and counterbalance can all be set to zero, enabling even the lightest of cameras to be supported. Maxed out, this head is rated to support camera setups up to 11.9 kg, suitable for small cinema cameras with rigs or medium sized ENG camcorders. Securing your camera or rig is easy. The sideload plate design enables you to simply drop in your camera without the alignment issues posed by rear-loading variations. The plate offers 2.4\" of sliding range to balance your rig.\u003c\/p\u003e\n\n\u003cp\u003eTo survive fast-paced shooting environments, the CX8 is die-cast from a lightweight, yet durable metal alloy with composite polymers and precision ball-bearings for smooth mechanical operation. Even in harsh conditions, the CX8 will perform reliably. The base of the CX8 is a 75 ball for mounting to compatible tripods and grip equipment. An illuminated bubble level makes it easy to level the CX8 in dark environments. A pan handle with a 15.4\" fixed length is included and a second rosette is incorporated for attaching an optional second pan handle.\u003c\/p\u003e\n\n\u003ch3\u003eMiller Solo DV Aluminium Tripod with 75mm bowl- Supports up to 20 kg\u003c\/h3\u003e\n\u003cp\u003eThe Miller Solo DV aluminium tripod is a unbraced ultra-light support meant for rapid setup and breakdown while supporting a substantial load of 20 kg. The industry standard 75mm bowl will accommodate many fluid heads, and the spiked legs wind-down rubber pads assure the best footing no matter the terrain.\u003c\/p\u003e\n\n\u003cp\u003eUltra rigid aluminium alloy and magnesium design\u003c\/p\u003e\n\u003cp\u003e3-position Leg Angle locking - no spreader\u003c\/p\u003e\n\u003cp\u003eSpike or wind-down rubber feet\u003c\/p\u003e\n\u003ch3\u003eMiller Pan Handle for Compass15 and Compass20 Fluid Heads\u003c\/h3\u003e\n\u003cp\u003eThe Miller Pan Handle for Compass15 and Compass20 Fluid Heads is a 16mm fixed-length pan arm. The main tube is black-anodized aluminium alloy and features a comfortable rubber grip.\u003c\/p\u003e\n\n\u003ch3\u003eMiller 1520 Solo DV Strap - for Miller Solo DV Tripods\u003c\/h3\u003e\n\u003cp\u003eThe Miller 1520 Solo DV Strap is a padded tripod carry strap designed for the Miller Solo DV series tripods.\u003c\/p\u003e\n\n\u003cp\u003e1.5 inch wide tripod carry strap\u003c\/p\u003e\n\u003cp\u003e17 inch long shoulder pad\u003c\/p\u003e\n\u003ch3\u003eCompatible with:\u003c\/h3\u003e\n\u003cp\u003eMiller Solo DV tripods\u003c\/p\u003e\n\u003ch3\u003eMiller Softcase for 2-Stage Toggle 2 Tripod Systems (Black)\u003c\/h3\u003e\n\u003cp\u003eStore, transport, and protect your tripod or other gear with the black Miller Softcase for 2-Stage Toggle 2 Tripod Systems. This sturdy case is constructed from Cordura nylon and high-density foam, with a brushed polyester interior. The triangular shape promotes a secure fit, and the dual zippers and wide opening provide easy access. Carry the case with the dual strap handles or attach an optional, user-supplied shoulder strap to the D-links. Users will appreciate the external pocket and card holder.\u003c\/p\u003e\n\n\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eSupports 0 to 11.9 kg\u003c\/p\u003e\n\u003cp\u003e75mm Ball\u003c\/p\u003e\n\u003cp\u003e16-Step Counterbalance (15+0)\u003c\/p\u003e\n\u003cp\u003e5-Step Pan\/Tilt Drag + Zero\u003c\/p\u003e\n\u003cp\u003eSliding Sideload Plate\u003c\/p\u003e\n\u003cp\u003eIlluminated Bubble Level\u003c\/p\u003e\n\u003cp\u003e2-Stage Alloy Legs\u003c\/p\u003e\n\u003cp\u003e16.3 to 71.1\" Height Range\u003c\/p\u003e\n\u003cp\u003eNo Spreader Needed\u003c\/p\u003e\n\u003cp\u003eCollapses to 34.3\"\u003c\/p\u003e\n\n\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eMiller CX8 Fluid Head\u003c\/p\u003e\n\u003cp\u003eMiller Standard Camera Plate for AIR, DS10, DS20, Compass, CompassX Heads (2.4\")\u003c\/p\u003e\n\u003cp\u003eMiller Pan Handle for Compass15 and Compass20 Fluid Heads\u003c\/p\u003e\n\u003cp\u003eMiller Solo DV Aluminium Tripod with 75mm bowl- Supports up to 20 kg\u003c\/p\u003e\n\u003cp\u003eMiller Pan Handle for Compass15 and Compass20 Fluid Heads\u003c\/p\u003e\n\u003cp\u003eMiller 1520 Solo DV Strap - for Miller Solo DV Tripods\u003c\/p\u003e\n\u003cp\u003eMiller Softcase for 2-Stage Toggle 2 Tripod Systems (Black)\u003c\/p\u003e","brand":"Miller","offers":[{"title":"Default Title","offer_id":45017423544487,"sku":"GC140-3742","price":4275.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC140-3742.jpg?v=1712207950"},{"product_id":"fujinon-gf-500mm-f-5-6-r-lm-ois-wr-lens","title":"Fujinon GF 500mm f\/5.6 R LM OIS WR Lens","description":"\u003ch3\u003eFujinon GF 500mm f\/5.6 R LM OIS WR Lens\u003c\/h3\u003e\n\u003cp\u003eThe GF500mmF5.6 R LM OIS WR is a super telephoto prime lens that captures images up to 500mm (equivalent to 396mm in 35mm format), making it the longest in the FUJINON GF lens lineup. When paired with the FUJINON Teleconverter GF1.4X TC WR, it extends to a maximum focal length of 700mm (equivalent to 554mm in 35mm format). Despite its significant reach, the lens remains highly portable, weighing approximately 1,375g.\u003c\/p\u003e\n\u003ch3\u003eSuperior Performance and Precision\u003c\/h3\u003e\n\u003cp\u003eThe powerful telephoto capabilities of the GF500mmF5.6 R LM OIS WR, combined with the high resolution of the GFX System, work in harmony to capture intricate details that are typically missed. This lens is adept at capturing dynamic scenes such as athletes in motion, wildlife, and detailed avian photography. By reducing the typical bulk and weight associated with super telephoto lenses and enhancing autofocus speed and accuracy, the GFX System now facilitates easier sports, wildlife, and bird photography.\u003c\/p\u003e\n\u003cp\u003eEnhanced image stabilisation further improves performance, offering up to 6.0 stops of vibration compensation, which is crucial for handheld shooting in the super telephoto range where camera shake is prevalent. This integration of the GFX System with the GF500mmF5.6 R LM OIS WR lens expands the possibilities for achieving exceptional image quality, traditionally captured by 35mm full-frame cameras.\u003c\/p\u003e\n\u003cp\u003eWith a focal length of 500mm, this lens is the longest in the GF series and is ideal for sports, wildlife, and bird photography.\u003c\/p\u003e\n\u003cp\u003eUsing the FUJINON Teleconverter GF1.4X TC WR extends the focal length to an equivalent of 700mm. Additionally, the \"35mm format mode\" allows shooting at a focal length equivalent to 693mm.\u003c\/p\u003e\n\u003cp\u003eComprising 14 groups and 21 elements, including two Super ED and five ED lenses, the lens construction effectively minimises chromatic aberration and delivers high-resolution imagery beyond the capacity of the naked eye.\u003c\/p\u003e\n\u003cp\u003eRedesigned for Portability: Despite its capabilities, the lens weighs approximately 1,375g due to the use of lightweight components, changing the perception of large-format telephoto lenses.\u003c\/p\u003e\n\u003cp\u003eThe lens features a weather-resistant and low-temperature resistant structure with 18 sealing points. The front element has a fluorine coating, providing water-repellent and anti-smudge properties, ensuring reliability in adverse weather conditions.\u003c\/p\u003e\n\u003cp\u003eImage Stabilisation: By improving the sensing accuracy of camera shake and optimising mechanical design, the lens achieves a powerful 6.0-stop image stabilisation mechanism.\u003c\/p\u003e\n\u003cp\u003eFast and Accurate Autofocus: The inner focus system utilises a linear motor to drive a lighter focus lens group, enabling swift and silent autofocus with a minimal delay of approximately 0.31 seconds.\u003c\/p\u003e\n\u003cp\u003eFeatures such as the Focus Preset and Focus Limiter enhance user experience by reducing the need for frequent focus adjustments and allowing autofocus range restrictions, respectively.\u003c\/p\u003e\n\u003cp\u003eThe GF500mmF5.6 R LM OIS WR lens combines advanced optical technology, rugged durability, and ergonomic design, setting a new standard for super telephoto photography in the GFX series.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eLongest Focal Length\u003c\/p\u003e\n\u003cp\u003eTeleconverter Compatibility\u003c\/p\u003e\n\u003cp\u003eAdvanced Lens Construction\u003c\/p\u003e\n\u003cp\u003eLightweight Design and Durability\u003c\/p\u003e\n\u003cp\u003eWeather Resistance\u003c\/p\u003e\n\u003cp\u003eEnhanced Stabilisation and Autofocus\u003c\/p\u003e\n\u003cp\u003eFocus Customisation\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eFujinon GF 500mm f\/5.6 R LM OIS WR Lens\u003c\/p\u003e\n\u003cp\u003eFront lens cap FLCP-95\u003c\/p\u003e\n\u003cp\u003eRear lens cap RLCP-002\u003c\/p\u003e\n\u003cp\u003eLens hood\u003c\/p\u003e\n\u003cp\u003eTripod collar foot\u003c\/p\u003e\n\u003cp\u003eLens pouch\u003c\/p\u003e","brand":"Fujifilm","offers":[{"title":"Default Title","offer_id":45377187414183,"sku":"GC22-74405","price":5899.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GF500mm_lens_side_leftDiagnal.jpg?v=1715341541"},{"product_id":"canon-cr-n300-4k-ndi-ptz-camera-with-20x-zoom","title":"Canon CR-N300 4K NDI PTZ Camera with 20x Zoom","description":"\u003ch3\u003eCanon CR-N300 4K NDI PTZ Camera with 20x Zoom\u003c\/h3\u003e\n\u003ch3\u003eClarity and Control\u003c\/h3\u003e\n\u003cp\u003eIf you have a professional production that requires remotely controlled cameras with minimal crew and a high-resolution output, the CR-N300 4K NDI PTZ Camera with 20x Zoom from Canon will fit right into your house of worship, corporate conference room, government application, courtroom, broadcast streaming production, event space, or even add an extra camera to your documentary shoot. The CR-N300 sports many features of a Canon camcorder, such as a 1\/2.3\" dual-pixel CMOS sensor, Hybrid AF, the Canon DIG!C DV6 image processor, scene modes, 20x optical zoom, 20x digital zoom, microphone input, and video capture and output up to UHD 4K. The camera also includes NDI|HX support without requiring a separate license, allowing you to drop the camera into your existing NDI network with minimal configuration.\u003c\/p\u003e\n\u003ch3\u003e1\/2.3\" CMOS Dual-pixel Sensor\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 features a Canon 1\/2.3\" UHD 4K CMOS image sensor capable of UHD 4K video capture at 30p and up to 60p in Full HD, making the PTZ camera a strong contender for professional production.\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 PTZ camera incorporates Canon's DIG!C DV 6 Image Processor, which is essential in providing high image quality, advanced performance, and convenient operability. This advanced core technology component provides the image-processing power and speed that enables features such as 4K UHD video acquisition and precise Hybrid AF.\u003c\/p\u003e\n\u003ch3\u003eOversampling HD Processing\u003c\/h3\u003e\n\u003cp\u003eThe full HD capture and output (oversampling HD processing) takes full advantage of the image information acquired by the 4K sensor to generate beautiful, high-definition full HD video. This helps content creators produce stunningly detailed FHD video when utilising the CR-N300.\u003c\/p\u003e\n\u003ch3\u003eCanon 4K UHD Lens\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 features a 20x optical zoom lens and exhibits a wide viewing angle of 65.6° (horizontal) in 4K. At the wide end, the 29.3mm (35mm equivalent) lens is capable of capturing extensive scenes in tight shooting spaces, such as indoor events for cinematic wide shots. The camera utilises aspheric lens elements to achieve 4K image quality while minimising various aberrations over the entire zoom range.\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 is equipped with \"Hybrid AF\", an auto-focus system that combines high-precision contrast AF technology and the high-speed, phase-difference AF technology to confirm auto focus from the camera. This hybrid auto focus system helps achieve auto focus faster and more reliably compared to contrast auto focus alone.\u003c\/p\u003e\n\u003ch3\u003eSmooth \u0026amp; Responsive Pan \/ Tilt Performance\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 is equipped with the PT drive mechanism that can change the pan\/tilt speed in incremental steps. This allows the operator to set the speeds to desired preference to allow for smooth PT movement. The CR-N300 exhibits a variable pan speed of 0.2 to 300°\/second and variable tilt speed of 0.2 to 170°\/second.\u003c\/p\u003e\n\u003ch3\u003eFour Scene Modes for Impressive Video\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 features Scene Modes that offer four preset shooting modes suitable for the desired application.\u003c\/p\u003e\n\u003cp\u003eThere are four types of Scene Modes:\u003c\/p\u003e\n\u003cp\u003ePortrait mode-exhibits a blurred background while subject is in sharp focus\u003c\/p\u003e\n\u003cp\u003eSports mode-enhances capture of moving objects\u003c\/p\u003e\n\u003cp\u003eLow-Light mode-enhances capture of bright images, even in dark places\u003c\/p\u003e\n\u003cp\u003eSpotlight mode-enhances capture of beautiful images of spotlighted objects\u003c\/p\u003e\n\u003cp\u003eBy selecting a Scene Mode, capture can be performed without having to adjust multiple settings within the Camera menu, which aids a speedy setup and configuration, allowing the operator to start shooting with impressive image expression.\u003c\/p\u003e\n\u003ch3\u003eWebcam via USB Connection\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 supports USB in addition to IP, SDI, and HDMI. It is equipped with the specifications of UVC (Video: USB Video Class Ver. 1.1) and UAC (Audio: USB Audio Class Ver. 1.0), which are the connection standard of USB cameras and computers. This allows video and audio output by connecting to a compatible USB device.\u003c\/p\u003e\n\u003cp\u003eIn addition, driver settings are not required for connection to a computer. It can also be used as a webcam by connecting to a computer with a web conferencing application installed. The CR-N300 delivers up to full HD 1920 x 1080 video for high-quality web conferencing.\u003c\/p\u003e\n\u003ch3\u003eEasy Integration into IP Streaming\u003c\/h3\u003e\n\u003cp\u003eIn addition to SDI and HDMI connections, the CR-N300 is equipped with an RJ45 interface purposed for IP communication, which supports high-resolution videos for distribution. The CR-N300 supports multiple protocols that can be utilised for video, audio, and control. The genuine RC-IP100 controller utilises the XC protocol to control the CR-N300. The CR-N300 can also be combined with third-party equipment for control purposes. This IP system can contribute to efficient and labor-saving camera operations for the field of video production, broadcasting, and more.\u003c\/p\u003e\n\u003ch3\u003eIP Multi-stream Support\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 can simultaneously distribute video to multiple protocols via IP. Simultaneous distribution is also known as multi-stream, and the CR-N300 can distribute a total of three video streams simultaneously.\u003c\/p\u003e\n\u003cp\u003eIf the HDMI\/SDI video output is 30 fps or less, the CR-N300 can distribute two video streams, 4K H.264 and 360p H.264, at the same time. Such IP multi-streams contribute to parallel workflows where the same video is used simultaneously in remote environments.\u003c\/p\u003e\n\u003ch3\u003eRTMP Streaming Protocol Supported\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 is capable of streaming video and audio using RTMP (Real-Time Messaging Protocol). Even high-quality\/large-capacity video\/audio files, such as broadcast programs, are played at the same time as distribution without waiting for the completion of download. For example, by using a live streaming service, the viewer's direct access to the distribution URL set on the camera will stream the \"current video\" captured by the camera. With the RTMP streaming distribution, multiple viewers can watch the program at the same time, even in a remote environment.\u003c\/p\u003e\n\u003ch3\u003eNDI|HX Live Video Production Support Protocol\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 supports the NDI (Network Device Interface) protocol that is well-established in the field of video production and broadcasting as the supporting RTP (Real-Time Transport Protocol). The NDI protocol has been developed and led by NewTek as a protocol that supports the workflow of live video production over an IP network.\u003c\/p\u003e\n\u003cp\u003eBy constructing a system that uses NDI protocol-compatible devices and tools, it is possible to use video and audio resources on the network, including live video from cameras. As a result, a \"live video production\" workflow is created.\u003c\/p\u003e\n\u003ch3\u003eStandard VISCA Protocol\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 supports the standard VISCA protocol to remotely control the camera via IP. When connecting a VISCA protocol-compatible remote controller to the camera over IP or serial RS-422, the camera can be operated remotely and shooting settings can be adjusted by utilising the remote controller.\u003c\/p\u003e\n\u003cp\u003eThe standard VISCA protocol is widely used in video production, broadcasting, and many other markets. The CR-N300 supports the standard VISCA protocol that is regarded as an industry standard and is suitable for operation within existing workflows.\u003c\/p\u003e\n\u003ch3\u003eOne Person Operation \u0026amp; Canon XC Protocol\u003c\/h3\u003e\n\u003cp\u003eThe XC Protocol is a newly developed IP that controls Canon video production equipment. By supporting the XC Protocol, the CR-N300 can be remotely controlled, supporting a wide range of applications, which includes sports, music, live events, lecture capture, corporate video production, and more.\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 can be controlled by IP, infrared, USB, and Wi-Fi. Canon's hardware controller, the RC-IP100 is capable of controlling up to 100 cameras and 100 presets, allowing the operator to control multiple cameras in a larger production.\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 is a perfect fit for many applications in broadcast, education, house of worship, events, staging, and more.\u003c\/p\u003e\n\u003ch3\u003eVarious Interfaces Supported for Multiple Environments\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 is equipped with four output interfaces. The IP and HDMI outputs are suitable when capturing UHD 4K at 30p or full HD resolutions at 59.94p. The SDI output is capable of full HD resolution and is suitable for usage when requiring high image-quality video at 59.94p. The USB output is capable of full HD resolution for high-quality web conferencing.\u003c\/p\u003e\n\u003ch3\u003eHigh-quality Audio Input\/Output\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 offers a method to capture and output high-quality audio through a 3.5mm stereo mini-jack mic terminal.\u003c\/p\u003e\n\u003ch3\u003eAll New Design\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 impresses with its distinctive style. A solid exterior colour and shape that looks like it was cut out from a cone, and the size that gives a sense of strength, yet stable and compact. This PTZ camera maintains design harmony with other Canon professional imaging products, such as the established Canon 4K camera systems and lenses. The CR-N300 is available in two different colours, Satin Black and Titanium White.\u003c\/p\u003e\n\u003cp\u003eThe CR-N300 is equipped with tally lamps that indicate the status of the camera. The tally lamps are located on the front of the lens section and illuminate red when the camera is shooting, providing clear visual indications for staff and performers to know which camera is shooting live.\u003c\/p\u003e\n\u003ch3\u003eWireless Remote Controls Supported\u003c\/h3\u003e\n\u003cp\u003eIn addition to the IP interface, the CR-N300 can also connect by Wi-Fi. This allows the operator to access the camera's Settings Page from a wireless tablet device that is equipped with a supported HTTP browser. When using multiple cameras at the same time, the user can set and operate the other cameras in the same way by inserting the assigned IP address of the camera in the web browser of the tablet or other device. In addition, the CR-N300 includes an infrared remote controller, which is used to control the camera wirelessly.\u003c\/p\u003e\n\u003ch3\u003eEasy-to-use Settings Page and Discovery Tool\u003c\/h3\u003e\n\u003cp\u003eThe CR-N300 supports the camera discovery tool, which is a Windows application. The Camera Search Tool is utilised to set the IP addresses of multiple cameras, which helps installers and integrators setup the CR-N300 within an existing network infrastructure. Furthermore, the CR-N300 supports the web application \"Settings Page\". The Settings Page allows the user to configure the settings of camera operation, which is accessible by web browser. Video-quality adjustments, such as exposure and balance, that are usually performed by the camera operator on site, can now be adjusted and set while watching the video from their desk through the Settings Page. Both Camera Search Tool and Settings Page enhance the ease of use by remote control.\u003c\/p\u003e\n\u003ch3\u003eRemote Camera Control Application\u003c\/h3\u003e\n\u003cp\u003eThe Remote Camera Control Application can be utilised to control the CR-N300. The Remote Camera Control Application is a Windows application for centralised control of multiple cameras. It is possible to operate up to nine cameras and display videos at the same time, achieving a \"multi-camera operation\".\u003c\/p\u003e\n\u003cp\u003eAt a video production or broadcasting site, an operator can select a camera from the videos displayed on the \"Connected Camera List\", within the application and operate it from the \"Camera Control Area\" in the control panel of the software. The software is included and can be installed immediately without having to prepare a hardware controller in advance, making it easy to use for the operator while creating an effective one-person operation.\u003c\/p\u003e\n\u003ch3\u003eKey Features: \u003c\/h3\u003e\n\u003cp\u003eCapture up to UHD 4K30 \/ 1080p60 Video\u003c\/p\u003e\n\u003cp\u003e8.29MP 1\/2.3\" CMOS Sensor with Hybrid AF\u003c\/p\u003e\n\u003cp\u003eHDMI, 3G-SDI, IP, and USB Video Output\u003c\/p\u003e\n\u003cp\u003e20x Optical, 20x Digital Zoom, AWB\u003c\/p\u003e\n\u003cp\u003eCanon DIG!C DV6 Processor\u003c\/p\u003e\n\u003cp\u003eIP, RS-422, IR, and Wi-Fi Control\u003c\/p\u003e\n\u003cp\u003eCompatible with Canon PTZ Controller\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box: \u003c\/h3\u003e\n\u003cp\u003eCanon CR-N300 4K NDI PTZ Camera with 20x Zoom\u003c\/p\u003e\n\u003cp\u003eIR Remote Control\u003c\/p\u003e\n\u003cp\u003eRemote Battery\u003c\/p\u003e\n\u003cp\u003eSafety Wire\u003c\/p\u003e\n\u003cp\u003eCeiling Plate\u003c\/p\u003e\n\u003cp\u003eSafety Wire with Screw\u003c\/p\u003e\n\u003cp\u003eAC Adapter\u003c\/p\u003e\n\u003cp\u003ePower Cable\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Satin Black","offer_id":46026618896551,"sku":"GC66-CR-N300BK","price":3390.0,"currency_code":"AUD","in_stock":true},{"title":"Titanium White","offer_id":46026618929319,"sku":"GC66-CR-N300WH","price":3299.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC66-CR-N300BK.jpg?v=1725856127"},{"product_id":"fujifilm-xf-500mm-f5-6-r-lm-ois-wr-lens","title":"Fujifilm XF 500mm F5.6 R LM OIS WR Lens","description":"\u003ch3\u003eFujifilm XF 500mm F5.6 R LM OIS WR Lens\u003c\/h3\u003e\n\u003ch3\u003eReach Out to Your Dreams\u003c\/h3\u003e\n\u003cp\u003eThe FUJINON XF500mmF5.6 R LM OIS WR Lens for X Series is here, redefining super-telephoto photography. This advanced lens leverages the advantages of an APS-C sensor with cutting-edge optical design, resulting in a far-reaching optic the size of a 300mm lens, while offering the 35mm equivalent of a 762mm focal length. Say goodbye to heavy cases, cumbersome tripods, and the need for specialist skills in hand-holding and focusing. When paired with the Fujifilm X-H2S mirrorless camera body, the combined gear weighs less than 2kg, including the battery and memory card, while delivering an impressive F5.6 maximum aperture.\u003c\/p\u003e\n\u003cp\u003eSuper-telephoto creativity is now accessible to every photographer.\u003c\/p\u003e\n\u003ch3\u003eTake a Front-row Seat\u003c\/h3\u003e\n\u003cp\u003eCapture distant details with unparalleled clarity. Whether it's birds in flight, athletes in competition, or wildlife in their natural habitats, the FUJINON XF500mmF5.6 R LM OIS WR Lens provides you with a front-row seat. With a 762mm equivalent focal length (35mm format) and a maximum aperture of F5.6, you can easily isolate subjects and create extraordinary images of incredible experiences.\u003c\/p\u003e\n\u003ch3\u003eLight on Weight, Heavy on Performance\u003c\/h3\u003e\n\u003cp\u003eDesigned for prolonged use, the lightweight and compact FUJINON XF500mmF5.6 R LM OIS WR Lens ensures you never miss a moment. Thanks to carefully engineered lens elements, the lens weighs just 1.335kg yet maintains critical sharpness. Each element is optimised to balance size and performance, making this lens the ideal companion for extended photography sessions.\u003c\/p\u003e\n\u003ch3\u003eOptically Outstanding\u003c\/h3\u003e\n\u003cp\u003eCreatives demand more from super-telephoto lenses, and the FUJINON XF500mmF5.6 R LM OIS WR delivers. Its 21 lens elements in 14 groups, including Super ED and ED glass, provide uncompromising contrast, detail, and sharpness. The familiar perspective compression of a super-telephoto lens will forever change how you see the world.\u003c\/p\u003e\n\u003ch3\u003eRazor-sharp Responses\u003c\/h3\u003e\n\u003cp\u003eAutofocus speed is essential in super-telephoto photography, and the FUJINON XF500mmF5.6 R LM OIS WR Lens delivers. Its whisper-quiet linear motor achieves precise focus in just 0.33 seconds, ensuring you never miss a fleeting moment. The precise arrangement of lens elements minimises chromatic and spherical aberrations while allowing the focusing group to move swiftly and accurately.\u003c\/p\u003e\n\u003ch3\u003eSolid Stabilisation\u003c\/h3\u003e\n\u003cp\u003ePowerful image stabilisation is critical for handheld use, and the FUJINON XF500mmF5.6 R LM OIS WR Lens offers up to 5.5 stops of correction with its advanced OIS system. This precision technology processes real-time signals to ensure extreme accuracy, making the lens group responsible for vertical stabilisation both optimised and miniaturised. 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The Pro-B3 also features the shortest flash duration in the category, so you can freeze the action whenever you want to. Add to that fast recycling and you can rest assured that you will never miss that shot.\u003c\/p\u003e\n\u003cp\u003eWith a rugged design and reliable build quality, industrial grade quartz flash tubes and powerful battery.\u003c\/p\u003e\n\u003cp\u003eThe Pro-B3 offers TTL, HSS, and unmatched speed of use thanks to the Profoto UI.  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Delivering a super wide 15-27mm equivalent zoom range, and offering a constant f\/4 aperture, this lens can produce high-quality images in a variety of difficult scenarios. The implementation of one Super ED and three aspherical elements further guarantees image quality by minimising aberrations throughout the range. Also, the lens is equipped with Optical SteadyShot image stabilisation for reducing the effects of camera shake.\u003c\/p\u003e \n\u003cp\u003eBeyond these features, the lens also features an internal focus design that enables fast, responsive autofocus and a minimum focus distance of 24.89. Additionally, it has a seven-blade circular diaphragm for smooth bokeh.\u003c\/p\u003e \n\u003cp\u003eDesigned for APS-C-format E-mount cameras, this ultra-wide angle 10-18mm lens will provide a 15-27mm equivalent zoom range.\u003c\/p\u003e \n\u003cp\u003eA constant f\/4 maximum aperture offers consistent performance throughout the zoom range and also lends greater control over focus position for shallow depth of field techniques.\u003c\/p\u003e \n\u003cp\u003eOne Super ED (extra-low dispersion) glass element is featured in the lens design to help reduce chromatic aberrations and Colour fringing for improved clarity and Colour neutrality.\u003c\/p\u003e \n\u003cp\u003eThree aspherical elements are incorporated in the lens design to reduce astigmatism, field curvature, coma, and other monochromatic aberrations.\u003c\/p\u003e \n\u003cp\u003eOptical SteadyShot image stabilisation helps to minimise the appearance of camera shake for sharper imagery when shooting handheld with slower shutter speeds. 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The microphone transmits audio to an included dual-channel receiver via Bluetooth 5.3 technology to your Sony camera's MI shoe for stable digital audio. A stand with non-slip base and a 1\/4\"-20 thread at the base of the device allow you to attach the microphone to a stand or simply place it on your desk. If wireless capture doesn't suit your gear configuration, use the USB-C or 3.5mm TRS ports on the receiver or the USB-C port on the microphone to record directly to your laptop, smartphone, or other camera brands.\u003c\/p\u003e\n\u003ch3\u003eStreaming Microphone with Selectable Pickup Patterns\u003c\/h3\u003e\n\u003cp\u003eToggle between three capture modes using an onboard switch on the microphone. Monoaural unidirectional is best for narration, voiceover, and podcasting applications. Omnidirectional allows for multiple subjects or a room's atmosphere to be captured. Stereo unidirectional is suitable for music recording. An included pop filter reduces plosives when the speaker's mouth is close to the microphone.\u003c\/p\u003e\n\u003ch3\u003eMulti Interface Shoe\u003c\/h3\u003e\n\u003cp\u003eUse the receiver's integrated Multi Interface Shoe for cable-free connection to your compatible Sony camera. The camera body can supply power to the receiver when attached. Audio is transmitted via direct digital signal for high-quality sound free of transmission deterioration.\u003c\/p\u003e\n\u003ch3\u003eVarious Wired Connections\u003c\/h3\u003e\n\u003cp\u003eUSB-C digital audio outputs on both the receiver and microphone support 48 kHz 24-bit audio recording to your compatible PC or smartphone.\u003c\/p\u003e\n\u003cp\u003eA 3.5mm TRS jack on the receiver supports a stereo audio output recording to your compatible camera, PC, or smartphone. Use the 3.5mm jack on the microphone to connect an external mic input. You can record up to 3 hours using the port on the receiver, while the microphone can record up to 13 hours with a separately available input device.\u003c\/p\u003e\n\u003cp\u003eAn integrated dial on the microphone switches the 3.5mm TRS jack from an external microphone input to a headphone jack when utilising the USB-C connection to record. This allows for real-time monitoring of the audio signal and the ability to better control your volume with the onboard volume dial.\u003c\/p\u003e\n\u003ch3\u003eMultiple Mounting Solutions\u003c\/h3\u003e\n\u003cp\u003eThe included desktop stand can be rotated 360° for optimal positioning. It can be easily attached or detached from the microphone. A 1\/4\"-20 thread at the bottom of the microphone can connect it to a tripod or boom arm.\u003c\/p\u003e\n\u003ch3\u003eBluetooth Wireless Communication\u003c\/h3\u003e\n\u003cp\u003eThe units communicate with one another via Bluetooth 5.3 low-energy LC3plus codec from up to 492' away. 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The compact, lightweight design of GFX100RF means its detail-rich 102-megapixel resolution can always be close at hand. With a precision-crafted aluminium body, tactile analog controls, and versatile aspect ratios, it brings creative joy to your hands, eyes, and heart.\u003c\/p\u003e\n\u003ch3\u003eRangefinder Style\u003c\/h3\u003e\n\u003cp\u003eGFX100RF’s offset viewfinder offers a unique photographic experience that will help elevate your image making. True to other classic rangefinder-style models, its design is the perfect match for the small, fixed lens and quiet shutter, while also providing an active image-making experience where it’s easier to see and follow what lies beyond the frame.\u003c\/p\u003e\n\u003ch3\u003eA Small Body That Opens up a Big World\u003c\/h3\u003e\n\u003cp\u003eIf a camera is smaller, you have more freedom.\u003c\/p\u003e\n\u003cp\u003eIf a camera is lighter, you can travel further.\u003c\/p\u003e\n\u003cp\u003eIf a camera is higher in resolution, memories are more vivid.\u003c\/p\u003e\n\u003cp\u003eIf you carry a camera every day, life is filled with endless possibilities.\u003c\/p\u003e\n\u003cp\u003eDesigned to fit any bag, GFX100RF weight just 735g, making it an effortless carry. No matter where you are, the power of large format photography is always by your side, ready to deliver your own unique perspective.\u003c\/p\u003e\n\u003ch3\u003ePhotography That Speaks to Your Senses\u003c\/h3\u003e\n\u003cp\u003eFrom the tactile pleasure of turning dials to the compositional creativity of the viewfinder, the design of GFX100RF delivers photographic pleasure in its purest form, seamlessly integrating you with the image-making process.\u003c\/p\u003e\n\u003ch3\u003eAspect Ratio Dial\u003c\/h3\u003e\n\u003cp\u003eGFX100RF’s new Aspect Ratio dial lets you quickly select a frame shape to match your creative vision. From the iconic ratios that shaped photographic history - such as 5:4, 3:2, and 1:1 - to the ones that define Fujifilm’s legendary past - including 17:6, 3:4, and 65:24 - nine different options are available.\u003c\/p\u003e\n\u003cp\u003eFrame the Beauty, Colour the World: Nine Aspect Ratios\u003c\/p\u003e\n\u003ch3\u003e4:3 Ratio\u003c\/h3\u003e\n\u003cp\u003eOriginating in cinema, later becoming a television staple, and now the default ratio of the GFX System - utilising the full height and width of the sensor - 4:3 is a versatile and timeless classic, suitable for any subject.\u003c\/p\u003e\n\u003ch3\u003e3:2 Ratio\u003c\/h3\u003e\n\u003cp\u003eThe native ratio of FUJIFILM X Series cameras, 3:2 shares the same proportions as the classic 35mm format. As a result, it has become synonymous with the compact, mirrorless models that are highly favored by today's image makers.\u003c\/p\u003e\n\u003ch3\u003e16:9 Ratio\u003c\/h3\u003e\n\u003cp\u003eThe 16:9 aspect ratio, widely recognised for its cinematic proportions, is a favorite for creating immersive visuals. Popular among videographers and photographers alike, it delivers a modern, widescreen format perfect for storytelling and dynamic compositions.\u003c\/p\u003e\n\u003ch3\u003e17:6 Ratio\u003c\/h3\u003e\n\u003cp\u003eA unique aspect ratio, inspired by the legendary FUJIFILM TX-1 and TX-2 analog cameras. Slightly taller than 17:6, it retains a panoramic look with a more modest wide-angle effect. Ideal for street photography and fashion.\u003c\/p\u003e\n\u003ch3\u003e65:24 Ratio\u003c\/h3\u003e\n\u003cp\u003eAn ultra-wide aspect ratio that creates a panoramic, cinematic effect. It gives a greater sense of wide angle surpassing the lens’s focal length, making it appear as though the image extends beyond the edges of the frame.\u003c\/p\u003e\n\u003ch3\u003e3:4 Ratio\u003c\/h3\u003e\n\u003cp\u003eThis vertical format was born from a wish to get more frames on 35mm film, but is now the mainstay of smartphone photography. A natural choice for portrait imagery.\u003c\/p\u003e\n\u003ch3\u003e1:1 Ratio\u003c\/h3\u003e\n\u003cp\u003eThe 1:1 aspect ratio, known for its perfect symmetry, offers a timeless and balanced composition. Ideal for portraits, still life, and creative storytelling, it draws the viewer’s focus to the subject, making it a favorite for social media and artistic expression alike.\u003c\/p\u003e\n\u003ch3\u003e7:6 Ratio\u003c\/h3\u003e\n\u003cp\u003eEmbodying the tranquility of 1:1 and the balance of 5:4, this versatile format is renowned for its compatibility with print media. It reached its peak during the golden age of film, thriving in everything from commercial shoots to personal projects and remains a beloved aspect ratio among photography enthusiasts.\u003c\/p\u003e\n\u003ch3\u003e5:4 Ratio\u003c\/h3\u003e\n\u003cp\u003eNothing short of photographic heritage, used in large format cameras like 8x10 and 4x5. Now reborn in the digital era, it carries an air of homage, blending tradition with modern innovation.\u003c\/p\u003e\n\u003ch3\u003eCustom\u003c\/h3\u003e\n\u003cp\u003eWhen set to the Custom Setting, users are free to select between any of the 9 available aspect ratios by using the Front Command Dial.\u003c\/p\u003e\n\u003ch3\u003eDial in the Delight of Photography\u003c\/h3\u003e\n\u003cp\u003eThe machined aluminium dials offer a tactile feel and an impeccably smooth movement to deliver an unparalleled user experience. Operating the dials is an interactive dialogue with your camera, with each adjustment of shutter speed, ISO, or aperture ring a moment to savor. Even the digital teleconverter transcends mere cropping or trimming, transformed into a physical delight through the action of its toggle selector.\u003c\/p\u003e\n\u003ch3\u003eNew LCD and UI: Intuitive Interface, More Immersive Creative Experience\u003c\/h3\u003e\n\u003cp\u003eThe UI provides all the necessary information while keeping your focus on image making. With the new 3:2 LCD, icons are optimally placed for clarity, while the new Surround View feature adds semi-transparent overlays or lines to show the area outside the frame, giving photographers greater freedom and a more immersive experience.\u003c\/p\u003e\n\u003ch3\u003ePrecise, High-Magnification EVF\u003c\/h3\u003e\n\u003cp\u003eA viewfinder provides a crucial connection between the three-dimensional world and your two-dimensional image of it. GFX100RF’s 0.5-inch, 5.76 million dot OLED EVF has a maximum magnification of 0.84x to deliver a seamless connection between the two.\u003c\/p\u003e\n\u003ch3\u003eA Design That Inspires\u003c\/h3\u003e\n\u003cp\u003eGFX100RF combines cutting-edge technology with a classic design that evokes a sense of nostalgia. Accessible top-tier image quality. Holding the camera sparks excitement, and once you start using it, you’ll want to keep creating.\u003c\/p\u003e\n\u003ch3\u003eUniquely Crafted\u003c\/h3\u003e\n\u003cp\u003eA camera isn’t just a tool for making images, it’s inherently part of the creative process. In GFX100RF, this philosophy comes to life with beautifully machined aluminium components, from top-plate and baseplate to aperture ring, hot shoe cover, and battery door. The sharp, defined edges, solid build quality, and unique warmth retained through its thermal properties create an unparalleled tactile experience. Each detail, crafted with the dedication of a master artisan, turns every interaction with the camera into a source of inspiration and joy.\u003c\/p\u003e\n\u003ch3\u003eAccessories Designed to Perform, Crafted to Inspire\u003c\/h3\u003e\n\u003cp\u003eIncluded accessories are equally impressive. The adapter ring, which has the same high-quality feel and precision as the body, integrates seamlessly with the lens hood. This not only enhances the design but also makes the camera weather-resistant when combined with filters. The high-quality strap offers the perfect balance of portability and security, making it an ideal solution for safe, comfortable handling.\u003c\/p\u003e\n\u003ch3\u003eA Natural View\u003c\/h3\u003e\n\u003cp\u003eThe 35mm focal length (equivalent to 28mm in 35mm format) is revered for its natural perspective, closely matched to our field of vision. Paired with the remarkable 102-megapixel large format sensor, it creates a synergy that records the world with stunning clarity and precision.\u003c\/p\u003e\n\u003ch3\u003eNewly Designed 35mm F\/4 Lens\u003c\/h3\u003e\n\u003cp\u003eThe lens uses ten elements in eight groups, including two aspherical lenses and Nano GI Coating to reduce reflections across the frame. This design keeps the lens compact while delivering excellent image quality. Sharpness is consistent from center to edges, while autofocus is smooth and accurate thanks to the DC motor. For the first time in GFX System, the lens includes a built-in 4-stop ND filter and leaf shutter that syncs flash at any shutter speed. These features give more creative control, especially when working outdoors in bright conditions.\u003c\/p\u003e\n\u003ch3\u003eFocusing Down to 20cm\u003c\/h3\u003e\n\u003cp\u003eWith a minimum focus distance of just 20cm from the front of the lens, GFX100RF invites you to get close enough to feel and experience the scene. As you move closer, the shallower depth-of-field creates stunningly soft bokeh to deliver a look only a large format camera can provide.\u003c\/p\u003e\n\u003ch3\u003eOverwhelming Image Quality\u003c\/h3\u003e\n\u003cp\u003eImage quality is one of the most important aspects of camera performance. It’s what allows you to record textures, delicate colours, and smooth tonal gradations - and create photos that can be cropped or printed large without losing detail. GFX100RF takes the core purpose of photography - recording moments - to the next level, making incredible results easy to achieve.\u003c\/p\u003e\n\u003cp\u003eWith its GFX 102MP CMOS II large format sensor, and the high-speed X-Processor 5 image processor, it sets a new standard. The redesigned pixel structure and microlens layout of the sensor provide a wide dynamic range, low noise, improved sharpness, and autofocus accuracy from edge to edge, combining to deliver the exceptional image quality GFX System is known for.\u003c\/p\u003e\n\u003ch3\u003eFilm Simulations\u003c\/h3\u003e\n\u003cp\u003eGone are the days of using different cameras and films: with GFX100RF, you can easily switch between 20 Film Simulation modes and nine aspect ratios from frame to frame. Plus, custom settings let you reflect your personal preferences, opening up endless creative possibilities.\u003c\/p\u003e\n\u003ch3\u003eProvia\u003c\/h3\u003e\n\u003cp\u003eBased on FUJICHROME PROVIA, a reversal film designed for professional use, this Film Simulation mode is great for all subject types, offering a neutral colour reproduction.\u003c\/p\u003e\n\u003ch3\u003eClassic Chrome\u003c\/h3\u003e\n\u003cp\u003eThis Film Simulation mode is designed to reproduce a look similar to documentary magazines of the 20th century. Its low saturation and hard tonal gradation in shadows make it a perfect choice for documentary photography with a touch of realism.\u003c\/p\u003e\n\u003ch3\u003eReala Ace\u003c\/h3\u003e\n\u003cp\u003eREALA ACE combines faithful colour reproduction with well-defined tonal gradation, making it suitable for a wide range of subjects and situations.\u003c\/p\u003e\n\u003ch3\u003eClassic Negative\u003c\/h3\u003e\n\u003cp\u003eBased on SUPERIA, a colour negative film loved by generations of photographers, this Film Simulation mode provides high-contrast tonal gradation. 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Seamlessly shift the center column into a 90-degree position for easier photography.\u003c\/p\u003e\n\u003ch3\u003eEasy Link\u003c\/h3\u003e\n\u003cp\u003eManfrotto also integrated an Easy Link thread onto the One tripod. This attachment point supports accessories, such as arms, and has anti-rotation points for compatible support systems\u003c\/p\u003e\n\u003ch3\u003eXtend Leg Locking Mechanism\u003c\/h3\u003e\n\u003cp\u003eThe three sections of each leg on the One tripod are designed for quick setup with the Xtend locking mechanism. 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It packs in numerous features, both classic and novel, that will simplify and speed up productions and give creators exactly what they need-more time to focus on their craft.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003eFor Hybrid Content Creators\u003c\/p\u003e\n\u003cp\u003eLoad Capacity: 15.02 kg\u003c\/p\u003e\n\u003cp\u003eWorking Height Range: 7.5 to 67.1\"\u003c\/p\u003e\n\u003cp\u003eFolded Length: 27.8\"\u003c\/p\u003e\n\u003cp\u003eXchange Mount System\u003c\/p\u003e\n\u003cp\u003eAluminium Legs with Angle Selector\u003c\/p\u003e\n\u003cp\u003e90° Center Column\u003c\/p\u003e\n\u003cp\u003eEasy Link Attachment Thread\u003c\/p\u003e\n\u003cp\u003eLeveling Column\u003c\/p\u003e\n\u003cp\u003eWeight: 3.54 kg\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eManfrotto One Hybrid Aluminium Tripod\u003c\/p\u003e","brand":"Manfrotto","offers":[{"title":"Default Title","offer_id":46889092579495,"sku":"GC40-MF-MTONEA","price":657.8,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC88-MTONEA1.jpg?v=1752215497"},{"product_id":"dji-mini-5-pro-fly-more-combo-dji-rc2","title":"DJI Mini 5 Pro Fly More Combo (DJI RC2)","description":"\u003ch3\u003eDJI Mini 5 Pro Fly More Combo (DJI RC2)\u003c\/h3\u003e\n\u003cp\u003eDJI Mini 5 Pro features a 1-inch CMOS camera, nightscape omnidirectional obstacle sensing, a gimbal with 225° of flexible rotation, and upgraded ActiveTrack 360°, all packed into its signature lightweight body. with performance on par with flagship drones, it captures lifeOptimis's beautiful moments and preserves your treasured memories in stunning detail.\u003c\/p\u003e\n\u003ch3\u003eGo Big with Mini\u003c\/h3\u003e\n\u003cp\u003eMini 5 Pro features an ultra-light, palm-sized foldable design that slips easily into a backpack or pocket. with 42GB of internal storage, footage can be saved directly, ensuring uninterrupted flight enjoyment.\u003c\/p\u003e\n\u003ch3\u003e1-Inch CMOS Sensor, Capture Like a Pro\u003c\/h3\u003e\n\u003cp\u003ewith a 50MP 1-inch CMOS sensor and f\/1.8 aperture, Mini 5 Pro captures rich details and clean low-light shots. Compact in size, it delivers pro-level imaging.\u003c\/p\u003e\n\u003cp\u003eMini 5 Pro integrates a 1-inch CMOS sensor, supporting 4K\/60fps HDR video recording with up to 14 stops of dynamic range for cinematic visuals. This large sensor, enhanced by the new image-processing technology and intelligent algorithms, preserves even minute details in low-light conditions such as sunsets and nightscapes, delivering shots that are simply, effortlessly breathtaking. with the 48mm Med-Tele mode, subjects stand out more prominently in the frame, while portrait optimisation algorithms capture every expression with remarkable clarity.\u003c\/p\u003e\n\u003ch3\u003eShooting Modes\u003c\/h3\u003e\n\u003cp\u003eScenic Nature\u003c\/p\u003e\n\u003cp\u003eCity Twilight\u003c\/p\u003e\n\u003cp\u003eOutdoor Adventures\u003c\/p\u003e\n\u003ch3\u003eMed-Tele Mode\u003c\/h3\u003e\n\u003cp\u003ewith 2x zoom, the new 48mm Med-Tele mode now offers higher image resolution than the digital zoom on previous DJI Mini Pro series. Subjects stand out with greater texture, adding depth to your aerial shots.\u003c\/p\u003e\n\u003ch3\u003ePortrait Optimisation\u003c\/h3\u003e\n\u003cp\u003eFeaturing DJI's portrait optimisation technology, DJI Mini 5 Pro enhances portraits' brightness, contrast, and skin tones. Whether it's a group shot or candid moment, portraits look naturally radiant with more vivid expressions. The 48mm Med-Tele mode further highlights subjects with true-to-life vibrance.\u003c\/p\u003e\n\u003ch3\u003eCompact, Yet Cinematic\u003c\/h3\u003e\n\u003ch3\u003e4K\/60fps HDR Video\u003c\/h3\u003e\n\u003cp\u003eThe HDR video mode offers up to 14 stops of dynamic range, capturing cinematic footage in high-contrast scenes, such as detailed views of cloud textures and other elements during sunrise and sunset.\u003c\/p\u003e\n\u003ch3\u003e4K\/120fps Slow-Motion Video\u003c\/h3\u003e\n\u003cp\u003eMini 5 Pro supports slow-motion video recording at 4K\/120fps, ensuring stunning clarity and fluidity with high resolution and frame rates. Dynamic details come to life, adding impact to footage and providing greater creative flexibility in post-production.\u003c\/p\u003e\n\u003ch3\u003e10-bit Video and High ISO Performance\u003c\/h3\u003e\n\u003cp\u003eEven in normal colour mode, Mini 5 Pro can record 10-bit video using H.265 encoding, delivering refined colour performance and greater flexibility in post, with the maximum ISO raised to 12800. In D-Log M and HLG colour modes, the maximum ISO is raised to 3200, allowing for greater brightness and more details in urban night scenes.\u003c\/p\u003e\n\u003ch3\u003eTrue Vertical Shooting and 225° Flexible Gimbal Rotation\u003c\/h3\u003e\n\u003cp\u003eMini 5 Pro supports wide-angle roll rotation and true vertical shooting, bringing greater freedom and possibilities to camera movement. Both manual control and intelligent modes provide greater flexibility in camera angles and flight routes, allowing for more creative compositions. Even when shooting upward at tall buildings or from challenging angles, unique viewpoints that were once difficult to capture can now be achieved with ease, fully unlocking creative inspiration.\u003c\/p\u003e\n\u003ch3\u003e225° Gimbal Rotation for Dynamic Camera Movement\u003c\/h3\u003e\n\u003cp\u003ewith 225° roll rotation, the gimbal enables flexible and dynamic camera movement. Paired with intelligent modes like QuickShot Rotate, Timelapse, Spotlight, and Waypoint Flight, capturing creative rotating footage is now easy.\u003c\/p\u003e\n\u003ch3\u003eTrue Vertical Shooting for Instant Sharing\u003c\/h3\u003e\n\u003cp\u003eExcellent for skyscrapers, waterfalls, and vibrant city scenes, instantly shoot vertical videos and photos and share. No cropping needed. Every photo and video is ready for social media, filling the screen with vibrant, full-frame brilliance.\u003c\/p\u003e\n\u003ch3\u003eConfident Flight with Nightscape Omnidirectional Obstacle Sensing\u003c\/h3\u003e\n\u003cp\u003eMini 5 Pro features a forward-facing LiDAR and multiple vision sensors for nightscape omnidirectional obstacle sensing, making return-to-home safer. In city nightscapes, it actively detects and avoids obstacles along flight and return paths for worry-free night flying. with sufficient light, it can memorise flight routes, enabling safe takeoff and return even without a satellite signal.\u003c\/p\u003e\n\u003ch3\u003eOmnidirectional Vision Sensing System\u003c\/h3\u003e\n\u003cp\u003eEquipped with a forward-facing LiDAR, Mini 5 Pro features fisheye lenses on the front and rear for sensing forward, backward, left, right, and upward. The bottom is fitted with binocular lenses and a 3D infrared sensor, enabling omnidirectional obstacle sensing.\u003c\/p\u003e\n\u003ch3\u003eNightscape Omnidirectional Obstacle Sensing\u003c\/h3\u003e\n\u003cp\u003eProvides robust safety for night photography, allowing you to create with confidence and efficiency.\u003c\/p\u003e\n\u003ch3\u003eNighttime RTH\u003c\/h3\u003e\n\u003cp\u003ewith the forward-facing LiDAR, Mini 5 Pro detects obstacles like tall buildings even in low-light conditions and intelligently manoeuvres upward, ensuring safer returns during nighttime flights.\u003c\/p\u003e\n\u003ch3\u003eNon-GNSS RTH\u003c\/h3\u003e\n\u003cp\u003ePowered by real-time vision positioning and map construction technologies, Mini 5 Pro memorises flight paths when adequate lighting is available. This ensures a safe return even when taking off from locations without satellite signals, such as balconies.\u003c\/p\u003e\n\u003ch3\u003eDual-Band GNSS\u003c\/h3\u003e\n\u003cp\u003ewith L1 + L5 dual-band GNSS, Mini 5 Pro connects to more satellites, for improved signal stability and precise positioning.\u003c\/p\u003e\n\u003ch3\u003eUpgraded ActiveTrack 360°\u003c\/h3\u003e\n\u003cp\u003eMini 5 Pro captures every highlight, wherever you are. The upgraded ActiveTrack 360° offers customisable tracking in various scenarios, and features more stable and safer tracking performance.\u003c\/p\u003e\n\u003ch3\u003eMulti-Scenario Tracking\u003c\/h3\u003e\n\u003cp\u003eMini 5 Pro detects sports scenarios and automatically selects Cycling or Standard mode for optimal framing and tracking. In Standard mode, the drone follows your path in real time, maintaining steady altitude and distance. In Cycling mode, it reacts quickly to turns and speed changes to keep you locked in and perfectly framed.\u003c\/p\u003e\n\u003ch3\u003eSmoother and Safer Tracking\u003c\/h3\u003e\n\u003cp\u003eTracking performance has been enhanced to balance speed, agility, and safety. In open areas, the maximum tracking speed has been raised to 15 m\/s for quicker response. In complex environments, the drone can switch to rear tracking mode, steadily keeping the subject in focus and enabling creative freedom with confidence.\u003c\/p\u003e\n\u003ch3\u003eIntelligent Modes\u003c\/h3\u003e\n\u003ch3\u003eMasterShots\u003c\/h3\u003e\n\u003cp\u003eProvides high-level camera movement templates according to portrait, close-up, and long-distance shooting needs.\u003c\/p\u003e\n\u003ch3\u003eQuickShots\u003c\/h3\u003e\n\u003cp\u003eSupports various modes such as QuickShot Rotate, Dronie, Circle, Helix, Rocket, Boomerang, and Asteroid, allowing you to easily shoot stylish short films.\u003c\/p\u003e\n\u003ch3\u003eFree Panorama\u003c\/h3\u003e\n\u003cp\u003eSupports Free Panorama, letting you create seamless panoramic shots by stitching together multiple images with a manually selected subject or area.\u003c\/p\u003e\n\u003ch3\u003eOff-State QuickTransfer\u003c\/h3\u003e\n\u003cp\u003eMini 5 Pro supports remote wake-up via the DJI Fly app within Bluetooth range. without taking out the drone or remote controller, files can be transferred at up to 100 MB\/s via Wi-Fi 6. Even when switching to other apps, the DJI Fly app continues downloading in the background.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e1-Inch Large CMOS Camera\u003c\/p\u003e\n\u003cp\u003eNightscape Omnidirectional Obstacle Sensing\u003c\/p\u003e\n\u003cp\u003eTrue Vertical Shooting and 225° Flexible Gimbal Rotation\u003c\/p\u003e\n\u003cp\u003eUpgraded ActiveTrack 360°\u003c\/p\u003e\n\u003cp\u003eLightweight and Portable\u003c\/p\u003e\n\u003cp\u003eExtended Battery Life\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eDJI Mini 5 Pro\u003c\/p\u003e\n\u003cp\u003eDJI RC 2\u003c\/p\u003e\n\u003cp\u003eDJI Mini 5 Pro Intelligent Flight Battery\u003c\/p\u003e\n\u003cp\u003eDJI Mini 5 Pro Spare Propeller (Pair) \u003c\/p\u003e\n\u003cp\u003eDJI Mini 5 Pro Two-Way Charging Hub\u003c\/p\u003e\n\u003cp\u003eDJI Mini 5 Pro Shoulder Bag\u003c\/p\u003e\n\u003cp\u003eUSB-C to USB-C Data Cable\u003c\/p\u003e\n\u003cp\u003eDJI Mini 5 Pro Storage Cover\u003c\/p\u003e\n\u003cp\u003eDJI Mini 5 Pro ND Filter Set (ND8\/32\/128)\u003c\/p\u003e","brand":"DJI","offers":[{"title":"Default Title","offer_id":47032724062375,"sku":"GC41-DJIMINI5PROFMRC2","price":1699.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC41-DJIMINI5PROFMRC2_12.jpg?v=1758175366"},{"product_id":"fujifilm-gfx-eterna-55-cinema-camera","title":"Fujifilm GFX ETERNA 55 Cinema Camera","description":"\u003ch3\u003eFujifilm GFX ETERNA 55 Cinema Camera\u003c\/h3\u003e\n\u003cp\u003eFujifilm brings its vaunted photographic history to a video-centric form with the GFX ETERNA 55 Cinema Camera. Built around a new large-format sensor that covers Open Gate and a range of additional formats, the GFX ETERNA 55 array of features is designed for exceptional video capture and seamless integration with Fujifilm G lenses.\u003c\/p\u003e\n\u003ch3\u003eNative 4:3 Aspect Ratio\u003c\/h3\u003e\n\u003cp\u003eDubbed the GFX ETERNA 55 in a nod to its diagonal sensor size, this camera incorporates one of the tallest sensors currently on the market. Its native 4:3 aspect ratio provides creators with a canvas that is 1.75x greater than 4-perf Super 35.\u003c\/p\u003e\n\u003ch3\u003eFive Main Formats\u003c\/h3\u003e\n\u003cp\u003eThe GFX ETERNA 55 offers five main formats that are paired to specific lens categories:\u003c\/p\u003e\n\u003cp\u003eGF and Premista, for use with Fujifilm lenses.\u003c\/p\u003e\n\u003cp\u003e35mm, anamorphic (35mm), and Super 35, for use with a range of lenses from multiple brands.\u003c\/p\u003e\n\u003cp\u003eEach of these five formats has multiple resolution selections, further expanding your capture options.\u003c\/p\u003e\n\u003ch3\u003eVideo Formats\/Resolutions\u003c\/h3\u003e\n\u003cp\u003eThe GFX ETERNA 55 expands the GFX100 II's video recording choices with new Open Gate, Super 35, and 2.39:1 anamorphic options using a large 43.8 x 32.9mm sensor.\u003c\/p\u003e\n\u003cp\u003eOpen Gate is available in 3.8K 4:3 at rates up to 48 fps.\u003c\/p\u003e\n\u003cp\u003eSuper 35 options include 6.3K24 in 16:9, DCI 4K30\/UHD 4K30 in 17:9 and 16:9, and up to 1080p60 in 17:9 and 16:9.\u003c\/p\u003e\n\u003cp\u003eAnamorphic 2.39:1 is available in Cine 5.8K up to 30 fps, Super 35 8K24 in 2.39:1, and Super 35 4K24 in 1.2:1.\u003c\/p\u003e\n\u003ch3\u003eAnamorphic Ready\u003c\/h3\u003e\n\u003cp\u003eThe GFX ETERNA's large 4:3 sensor is ready for you to combine with anamorphic lenses, and the camera provides real-time anamorphic de-squeezing for on-set monitoring.\u003c\/p\u003e\n\u003ch3\u003eRecording Codecs\u003c\/h3\u003e\n\u003cp\u003eTake full advantage of the GFX ETERNA 55 large sensor and internally record video in Apple ProRes 422\/HQ\/LT, 4:2:2, 10-bit HEVC\/H.265, or H.264 or ProRes proxies. Use the HDMI output for external 4:2:2 10-bit uncompressed or 12-bit raw recording.\u003c\/p\u003e\n\u003ch3\u003eCustom Frame Guides\u003c\/h3\u003e\n\u003cp\u003eUsers can create custom frame guides right from the viewfinder with up to three saved for quick access. Aspect ratios range include 1:1, 3:2, 4:3, 5:4, 16:9, 17:9, 2.39:1, and custom. Customisable functions include 1-100% scaling, four line widths, and five colour options.\u003c\/p\u003e\n\u003ch3\u003eFujifilm G and ARRI PL Mounts\u003c\/h3\u003e\n\u003cp\u003eThe native Fujifilm G-mount ETERNA 55 camera is compatible with existing G-mount lenses and the new power-zoom G 32-90mm lens, which is optimised for this camera and features autofocus and auto iris functions, as well as geared focus, iris, and zoom rings. The included ARRI PL-mount adapter provides compatibility with an array of cine-style lenses and Cooke \/i lens data where available.\u003c\/p\u003e\n\u003ch3\u003eVariable ND Filter\u003c\/h3\u003e\n\u003cp\u003eThe built-in variable electronic ND filter lets you adjust your exposure without stopping down or opening up on your lens, ideal for bright exteriors, slow shutter effects, and shallow depth-of-field looks. This dial-control filter varies from ND 0.6 to ND 2.1, providing a range of two to seven stops in visually stepless .015 increments.\u003c\/p\u003e\n\u003ch3\u003eLow-Pass Filter\u003c\/h3\u003e\n\u003cp\u003eNew to the GFX line, the included OLPF (optical low-pass filter) helps to reduce colour anomalies and moire effects, especially helpful when shooting with LED wall backgrounds.\u003c\/p\u003e\n\u003ch3\u003eHot Swapping\u003c\/h3\u003e\n\u003cp\u003eAn internal NP-W235 battery enables external battery hot swapping or switching to DC power input. This battery is automatically charged when the camera is attached to an external power source.\u003c\/p\u003e\n\u003ch3\u003e5\" Monitor and Dual 3\" Displays\u003c\/h3\u003e\n\u003cp\u003eThe GFX ETERNA 55 features dual built-in 3\" touchscreens with 4:3 aspect ratios and 700 cd\/m² brightness. Located on both sides of the camera, these displays provide easy control access for both the operator and the A.C. The GFX ETERNA 55 external 5\" touchscreen colour LCD monitor provides a 16:9 aspect ratio and 2000 cd\/m² brightness for daylight visibility.\u003c\/p\u003e\n\u003ch3\u003eDedicated Top Handle\u003c\/h3\u003e\n\u003cp\u003eThe included top handle features a multifunctional left-side dial that can be assigned to ND filter control or to focus, iris, or zoom control when paired with an electronically controlled lens. This handle has a sliding rail base, letting you quickly adjust your camera balance for hand-holding after a lens change, battery addition, etc.\u003c\/p\u003e\n\u003ch3\u003eConnectivity\u003c\/h3\u003e\n\u003cp\u003eBuilt-in Wi-Fi and Ethernet enable a range of features, including Frame.io compatibility, browser-based remote control for focus, iris, zoom, and more. 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It utilises a 1200W Daylight COB chipset to compete on the same level as industry-standard HMI Lights, with a staggering 83,100+ lux output at 3 metres with the Hyper Reflector (Narrow).\u003c\/p\u003e\n\u003ch3\u003eThe Brightest Bowens\u003c\/h3\u003e\n\u003cp\u003eThe LS 1200d Pro is the first and only Bowens Mount LED on the market with a 1200W COB, making it the highest output LED fixture compatible with Bowens Mount modifiers like Aputure Light Dome soft boxes and Lanterns. the LS 1200d Pro can also be accompanied by Bowens Mount softboxes made by manufacturers such as DoPchoice and Chimera Lighting.\u003c\/p\u003e\n\u003ch3\u003e3 Hyper Reflectors\u003c\/h3\u003e\n\u003cp\u003eTo adapt the output and beam angle of the Light Storm 1200d Pro to your shooting scenario, the 1200d Pro kit includes 3 different Hyper Reflectors optimised for the size of its COB.\u003c\/p\u003e\n\u003ch3\u003eColour Accurate\u003c\/h3\u003e\n\u003cp\u003eWith exceptional colour accuracy measurements of CRI \u0026gt;96, TLCI \u0026gt;98, CQS\u0026gt;95, and SSI (D56) \u0026gt;73, the 1200d Pro provides consistently accurate light quality for all filmmakers.\u003c\/p\u003e\n\u003ch3\u003eAdvanced UI\u003c\/h3\u003e\n\u003cp\u003eThe LS 1200d Pro features a detailed LCD screen interface that, includes a revamped professional UI that displays important information in an intuitive way, including easy-to-read intensity and colour information.\u003c\/p\u003e\n\u003ch3\u003eWeather-resistant\u003c\/h3\u003e\n\u003cp\u003eThe LS 1200d Pro joins the Light Storm Pro series, featuring a weather-resistant design. Using waterproof fans, sealed internal structures, rubber caps for all ports, and weatherproof connectors, the LS 1200d Pro can withstand challenging inclement weather environments.\u003c\/p\u003e\n\u003ch3\u003e0.1% Step-less Dimming\u003c\/h3\u003e\n\u003cp\u003eAs a professional Light Storm series fixture the 1200d Pro features enhanced, step-less dimming, as well as light control in 0.1% increments, ensuring that you get the exact amount of light that you need.\u003c\/p\u003e\n\u003ch3\u003eProfessional Controls\u003c\/h3\u003e\n\u003cp\u003eDesigned for professional lighting technicians, the Light Storm 1200d Pro integrates sACN and Art-net via a durable etherCON connector, as well as wireless Lumenradio CRMX, in addition to its responsive on-board controls, DMX512 5-Pin XLR In and Out, and Sidus Link app compatibility, to seamlessly integrate into existing lighting workflows.\u003c\/p\u003e\n\u003ch3\u003eSidus Link\u003c\/h3\u003e\n\u003cp\u003eSidus Mesh integration allows users to control the 1200d Pro from nearly any smartphone or tablet with the Sidus Link mobile app up to 400 metres away with the addition of other fixtures, including the Aputure LS 600d Pro, LS 600x Pro, Accent B7c, MC, and Nova P600c.\u003c\/p\u003e\n\u003ch3\u003eRedesigned Control Box\u003c\/h3\u003e\n\u003cp\u003eAs the flagship Light Storm product, the LS 1200d Pro also features a new control box design. The new control box has DMX512 In and Out ports, an industry-standard etherCON connector, two 48V\/15A 3-pin XLR Inputs, and an AC Input that are all housed on the side of the fixture in an orientation that maximises flexibility while minimising damage. This allows the control box to be positioned upright on its feet, so it can be set down on set seamlessly. The control box also features two Lightning Clamps for different orientations on your light stand.\u003c\/p\u003e\n\u003ch3\u003ePower Solutions\u003c\/h3\u003e\n\u003cp\u003eAs a 1200W COB LED with a maximum power draw of 1440W, the Light Storm 1200d Pro is a high-powered fixture that can compete on the same level as HMIs, while still featuring the ability to be operated using DC battery solutions. The 1200d Pro's control box has two 48V\/15A (720W) DC Inputs. Providing power to one input will operate the 1200d Pro at half power, and providing sufficient power to both inputs will operate the fixture at full output. With its 1440W maximum power draw, the LS 1200d Pro can also easily be powered using a Honda 2000W generator compared to comparable HMIs that might overload the system.\u003c\/p\u003e\n\u003ch3\u003eBuilt-in Lighting Fx\u003c\/h3\u003e\n\u003cp\u003eThe LS 1200d Pro can utilise 8 different built-in light effects: \"Paparazzi\", \"Fireworks\", \"Lightning\", \"Faulty Bulb\", \"TV\", \"Pulsing\", \"Strobe\", and \"Explosion\". The 600d Pro also has the potential to expand further into the SidusPro FX ecosystem.\u003c\/p\u003e\n\u003ch3\u003eDual Carrying Cases\u003c\/h3\u003e\n\u003cp\u003eHousing the 1200d Pro's lamp head, redesigned control box, and 3 Hyper Reflectors, the 1200d Pro is accompanied by a rolling lamp case, and reflector carrying case, making transporting the fixture to and from set a breeze.\u003c\/p\u003e\n\u003ch3\u003eKey Features:\u003c\/h3\u003e\n\u003cp\u003e1200W Daylight Bowens-Mount LED\u003c\/p\u003e\n\u003cp\u003e5600K Daylight Colour Temperature\u003c\/p\u003e\n\u003cp\u003e83,100 Lux at 3 Metres\u003c\/p\u003e\n\u003cp\u003eStepless 0-100% Brightness Control\u003c\/p\u003e\n\u003cp\u003eMultiple Control Methods Available\u003c\/p\u003e\n\u003cp\u003e8\/16-bit DMX512 Compatibility\u003c\/p\u003e\n\u003cp\u003eArt-net and sACN Support\u003c\/p\u003e\n\u003cp\u003eCurved Disk-Brake Yoke Design\u003c\/p\u003e\n\u003cp\u003eDust and Water Resistant Build\u003c\/p\u003e\n\u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n\u003cp\u003eAputure LS1200D Pro LED Light with V Lock - Ex Demo\u003c\/p\u003e","brand":"Second Hand","offers":[{"title":"Default Title","offer_id":47359529418919,"sku":"EX-24.LS1200D-EX","price":3600.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/EX-24.LS1200D-EX.jpg?v=1764664470"}],"url":"https:\/\/www.georges.com.au\/collections\/flash-sale-10-off.oembed","provider":"Georges Cameras","version":"1.0","type":"link"}