{"title":"Ef Mounts","description":null,"products":[{"product_id":"canon-control-ring-mount-adapter-ef-eos-r","title":"Canon Control Ring Mount Adapter EF-EOS R","description":"\u003cp\u003eControl Ring Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter incorporates a customizable Control Ring, the same as that on native RF-mount lenses, for intuitively adjusting exposure settings, such as ISO, aperture, and exposure compensation. It also retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717558702247,"sku":"GC66-EF-EOSRCONTROL","price":305.46,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ef-eosrcontrol_2.jpg?v=1666506090"},{"product_id":"canon-mount-adapter-ef-eos-r","title":"Canon EF-EOS R Mount Adapter","description":"\u003cp\u003eExtending the range of compatible lenses, the Canon Mount Adapter EF-EOS R is a lightweight, compact lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This simple adapter retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717558767783,"sku":"GC66-EF-EOSR","price":159.34,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ef-eosr.jpg?v=1666507142"},{"product_id":"canon-drop-in-filter-mount-adapter-ef-eos-r","title":"Canon Drop-In Filter Mount Adapter EF-EOS R with CPL","description":"\u003cp\u003eExtending the range of compatible lenses, the Canon Drop-In Filter Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter affords compatibility with drop-in circular polarizer and variable ND filters, extending the ability to use filters with unique lenses that cannot accept filters on the front. It also retains full autofocus and image stabilization capabilities and contains no optical components, thereby maintaining the original optical quality of the mounted lens.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717558800551,"sku":"GC66-EF-EOSRFILTERCPL","price":465.77,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ef-eosrfiltercpl_1.jpg?v=1666504995"},{"product_id":"canon-drop-in-filter-mount-adapter-ef-eos-r-with-variable-nd-filter","title":"Canon Drop-In Filter Mount Adapter EF-EOS R with Variable ND Filter","description":"\u003cp\u003eExtending the range of compatible lenses, this Canon Drop-In Filter Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter affords compatibility with select A-type drop-in filters, and includes a variable neutral density filter for greater control over your exposure settings.Extending the range of compatible lenses, this Canon Drop-In Filter Mount Adapter EF-EOS R is a unique lens adapter designed for attaching any EF or EF-S-mount lens to the EOS R mirrorless digital camera. This sophisticated adapter affords compatibility with select A-type drop-in filters, and includes a variable neutral density filter for greater control over your exposure settings.\u003c\/p\u003e\n\u003cp\u003eThe adapter's design extends the ability to use filters with unique lenses that cannot accept filters on the front, and and it also retains full autofocus and image stabilization capabilities of the mounted lens. It is also dust- and water-resistant, making it suitable for use in harsh weather conditions.\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717574824103,"sku":"GC66-EF-EOSRFILTERND","price":584.83,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ef-eosrfilternd_3.jpg?v=1666506053"},{"product_id":"canon-mount-adapter-ef-eos-r-0-71x","title":"Canon Mount Adapter EF-EOS R 0.71x","description":"\u003cp\u003eExtending the range of compatible lenses while maintaining their original field of view, the Canon Mount Adapter EF-EOS R 0.71x permits attaching EF-mount lenses to RF-mount cine and mirrorless cameras. Intended for cameras featuring a Super35 sensor size, this adapter also incorporates an optical system to increase the effective angle of view by 0.71x, reducing the effects of a full-frame to Super35 crop factor and increasing the maximum aperture performance by one stop. Electric contacts are also incorporated into the adapter's design and maintain full communication between the camera and lens, as well as support metadata transmission and use of Dual Pixel AF with select Canon EF lenses. The adapter directly attaches to RF-mount camera bodies, and four screws and a split locking collar are included for a more secure attachment.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLens Compatibility:\u003c\/h3\u003e\n\u003cp\u003eThis adapter physically supports working with any Canon EF-mount lens; however, select lenses can maintain full Dual Pixel autofocus support and metadata transmission between the lens and camera, including:\u003c\/p\u003e\n\u003cp\u003eEF 16-35mm f\/2.8L III USM\u003c\/p\u003e\n\u003cp\u003eEF 24-70mm f\/2.8L II USM\u003c\/p\u003e\n\u003cp\u003eEF 24-105mm f\/4L IS II USM\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717576003751,"sku":"GC66-EF-EOS R 0.71x","price":969.09,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ef-eos_r_0.71x.jpg?v=1666507149"},{"product_id":"sigma-18-35mm-t2-cine-lens","title":"Sigma 18-35mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 18-35mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 18-35mm T2 Cine High-Speed Zoom Lens with a Canon EF mount and with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High-Speed Zoom lineup, which makes for rapid lens changes.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180¬∞ of rotation from close focus to infinity, the zoom barrel rotates 160¬∞, and the clickless iris ring features 60¬∞ of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1\/4\"-20 support foot that helps support the lens with the aid of a 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eColour Balance\u003c\/h3\u003e\n\u003cp\u003eAll the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eDustproof and Splashproof Design\u003c\/h3\u003e\n\u003cp\u003eSharing the same dustproof and splashproof construction as the SIGMA 150-600mm F5-6.3 DG OS HSMÔΩúSports, each ring and mount is sealed to prevent water and dust from entering.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eAll-Metal Body Construction\u003c\/h3\u003e\n\u003cp\u003eThe lens body is made completely of metal to stand up to the rigors of the production day.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eLens Markings\u003c\/h3\u003e\n\u003cp\u003eThe main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. 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This 135mm EF mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T2 maximum aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select marks in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet with select marks in luminous paint\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718787895463,"sku":"GC40-4240966","price":6962.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/4240966.jpg?v=1666597804"},{"product_id":"sigma-105mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 105mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 105mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility-yet compact.\u003c\/h3\u003e\n\u003ch3\u003eIntroducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ǭ≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires. Offering the latest optical design for 8K shooting and more, the FF High-Speed Prime Line takes digital cinema cameras to the next level of performance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100 per cent retained \u0026amp; 100 per cent new\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718788452519,"sku":"GC40-4259966","price":8989.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si105mm-ef.jpg?v=1666597695"},{"product_id":"sigma-50mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 50mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 50mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 50mm EF-mount prime is a longer mid-range focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718789566631,"sku":"GC40-4311966","price":5386.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1550744130_img_1143105.jpg?v=1666598256"},{"product_id":"sigma-85mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 85mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 85mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 85mm Canon EF-mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select marks in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet with select marks in luminous paint\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790025383,"sku":"GC40-4321966","price":5269.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1572441384_img_1268862.jpg?v=1666598323"},{"product_id":"sigma-85mm-t1-5-fully-luminous-feet-cine-lens-for-canon-ef-mount","title":"Sigma 85mm T1.5 Fully Luminous Feet Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 85mm T1.5 Fully Luminous Feet Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 85mm Canon EF-mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ǭ∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet and are fully luminous for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet and are fully luminous\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790418599,"sku":"GC40-432F966","price":6510.03,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/432f966_1.jpg?v=1666598353"},{"product_id":"sigma-40mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 40mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 40mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. 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Offering the latest optical design for 8K shooting and more, the FF High-Speed Prime Line takes digital cinema cameras to the next level of performance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100 percent retained \u0026amp; 100 percent new\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ǭ∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞ the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ǭ∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ǭ∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring 5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMAs cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB Dock allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMAs Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003elenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790680743,"sku":"GC40-4332966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si40mm-ef.jpg?v=1666598200"},{"product_id":"sigma-35mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 35mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 35mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility‚Äùyet compact. Introducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ǭ≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography‚Äù now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA lineup offering an astonishing combination of specifications and value‚Äù all thanks to our ultra-efficient vertically integrated production system.\u003c\/h3\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA√¢‚Ǩ‚Ñ¢s CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e82mm filter size\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003eCertain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA√¢‚Ǩ‚Ñ¢s cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e180¬∞ focus rotational angle\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e160¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ǭ∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003eOnly applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718791401639,"sku":"GC40-4340966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si35t15ef_1_1.jpg?v=1666598151"},{"product_id":"sigma-35mm-t1-5-cine-lens-fully-luminous-feet-for-canon-ef-mount","title":"Sigma 35mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount","description":"\u003ch3\u003eSigma 35mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 35mm Canon EF prime is a mid-range focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ǭ∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet and are fully luminous for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet and are fully luminous.\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture.\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels.\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line.\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions).\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718791991463,"sku":"GC40-434F966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/434f966.jpg?v=1666598173"},{"product_id":"sigma-24mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 24mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 24mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 24mm EF-mount prime is a wider focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e\n\u003cp\u003eMake sure to use the best HTML CSS JavaScript tools to get the perfect code.\u003c\/p\u003e\n\u003cp\u003eRemember the Windows XP operating system? You can work with it online at GeekPrank.com and trick your friends.\u003c\/p\u003e\n\u003cp\u003eThe JS beautifier will take care of your dirty JavaScript codes, assuring a syntax error-free solution.\u003c\/p\u003e\n\u003cp\u003eGenerate the CSS style for border-radius, fonts, transforms, backgrounds, box and text shadows with the online CSS code generators.\u003c\/p\u003e\n\u003cp\u003eThe Word to HTML converter is the best free online tool to transform Word, Excel, Google docs, and any other document into web content.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718793171111,"sku":"GC40-4401966","price":5269.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/15728_sigma-24mm-t1.5-canon-ef-mount-cine-lens.jpg?v=1666598058"},{"product_id":"sigma-24mm-t1-5-cine-lens-fully-luminous-feet-for-canon-ef-mount","title":"Sigma 24mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount","description":"\u003ch3\u003eSigma 24mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility√¢‚Ǩ‚Äù yet compact. Introducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ǭ≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography√¢‚Ǩ‚Äù now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA lineup offering an astonishing combination of specifications and value\" all thanks to our ultra-efficient vertically integrated production system.\u003c\/h3\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA√¢‚Ǩ‚Ñ¢s cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA√¢‚Ǩ‚Ñ¢s leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA√¢‚Ǩ‚Ñ¢s CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003eCertain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e95mm front diameter\u003c\/h3\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA√¢‚Ǩ‚Ñ¢s cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ǭ∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160¬∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount with electronic contacts\u003c\/h3\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eEnhanced EF mount\u003c\/h3\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003eOnly applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA√¢‚Ǩ‚Ñ¢s Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718794088615,"sku":"GC40-440F966","price":6779.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sf_1.jpg?v=1666598082"},{"product_id":"sigma-20mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 20mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 20mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 20mm EF-mount prime is a wide focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718794252455,"sku":"GC40-4412966","price":4529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/15722_sigma-20mm-t1.5-canon-ef-mount-cine-lens.jpg?v=1666597958"},{"product_id":"sigma-28mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 28mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 28mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 28mm Canon EF-mount prime is a wider focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, relatively lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ǭ∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718795169959,"sku":"GC40-4441966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/4441966.jpg?v=1666598062"},{"product_id":"sigma-14mm-t2-cine-lens-for-canon-ef-mount","title":"Sigma 14mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 14mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 14mm EF-mount prime is the widest focal length of the series, offering full-frame sensor coverage, 6-8K resolution, and a T2 aperture in a relatively lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ǭ∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture.\u003c\/p\u003e\n\u003cp\u003eFast T2 maximum aperture aids in shooting with low light levels.\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line.\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions).\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718796054695,"sku":"GC40-4450966","price":5999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si14mmt2l-ef.jpg?v=1666597822"},{"product_id":"sigma-24-35mm-t2-2-cine-lens-for-canon-ef-mount","title":"Sigma 24-35mm T2.2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 24-35mm T2.2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eFull-frame compatibility and outstanding resolution for 6K-8K shooting. This lens is ideal for the latest digital cine cameras.\u003c\/h3\u003e\n\u003cp\u003eCompatible with full-frame image sensors, the FF Zoom Line offers the outstanding optical performance required for high-resolution shooting in 6K-8K. An exceptional option for cinematographers, this lens is compatible with image sensors larger than Super 35, now used in the latest digital cinema cameras. This cinema zoom lens combines the highest level of image quality with a compact design.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% retained: ultra-high-performance optical system\u003c\/h3\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% new: mechanical structure\u003c\/h3\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA's cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ǭ∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ǭ∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ǭ∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the Mount Converter MC-11 allows users to enjoy the high performance of SIGMA's Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718796710055,"sku":"GC40-4588966","price":9149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si24-35mm.jpg?v=1666598002"},{"product_id":"sigma-50-100mm-t2-cine-lens-for-canon-ef-mount","title":"Sigma 50-100mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 50-100mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eT2 brightness throughout the zoom range. Outstanding resolution ready for 6K-8K.\u003c\/h3\u003e\n\u003ch3\u003eThese lenses combine top performance with superior compactness.\u003c\/h3\u003e\n\u003cp\u003eThe High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% retained: ultra-high-performance optical system\u003c\/h3\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% new: mechanical structure\u003c\/h3\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ecolour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA's cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ǭ∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ǭ∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ǭ∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA's Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718797168807,"sku":"GC40-4693966","price":5609.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sit2cl-ef.jpg?v=1666598231"},{"product_id":"sigma-mc-11-e-mount-converter","title":"Sigma MC-11 E-Mount Converter - CANON EF TO SONY E-MOUNT","description":"\u003cp\u003eThe MC-11 Mount Converter enables the use of Canon EF-mount lenses on Sony E-mount mirrorless camera bodies and maintains full lens performance, including autofocus and auto-exposure, as well as in-camera correction technologies. An integrated LED can be used to display select Sigma lens compatibility with the adapted camera body, and the adapter also supports in-camera image stabilization. In order to maintain a high degree of image quality, the interior of the adapter is flocked to reduce reflections, and it also retains full Exif data to benefit post-production and file management.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCompatibility\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eSony Cameras\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003ea9 series\u003c\/p\u003e\n\u003cp\u003ea7 series\u003c\/p\u003e\n\u003cp\u003ea6000 series\u003c\/p\u003e\n\u003cp\u003ea5000 series\u003c\/p\u003e\n\u003cp\u003eNEX series\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e12-24mm f\/4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e14-24mm f\/2.8 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e24-35mm f\/2 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e24-70mm f\/2.8 DG OS HSM Art\u003c\/p\u003e\n\u003cp\u003e24-105mm f\/4 DG OS HSM Art\u003c\/p\u003e\n\u003cp\u003e60-600mm f\/4.5-6.3 DG OS HSM Sports\u003c\/p\u003e\n\u003cp\u003e70-200mm f\/2.8 DG OS HSM Sports\u003c\/p\u003e\n\u003cp\u003e100-400mm f\/5-6.3 DG OS HSM Contemporary\u003c\/p\u003e\n\u003cp\u003e120-300mm f\/2.8 DG OS HSM Sports\u003c\/p\u003e\n\u003cp\u003e150-600mm f\/5-6.3 DG OS HSM Sports\u003c\/p\u003e\n\u003cp\u003e150-600mm f\/5-6.3 DG OS HSM Contemporary\u003c\/p\u003e\n\u003cp\u003e14mm f\/1.8 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e20mm f\/1.4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e24mm f\/1.4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e28mm f\/1.4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e35mm f\/1.4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e40mm f\/1.4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e50mm f\/1.4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e70mm f\/2.8 DG Macro Art\u003c\/p\u003e\n\u003cp\u003e85mm f\/1.4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e105mm f\/1.4 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e135mm f\/1.8 DG HSM Art\u003c\/p\u003e\n\u003cp\u003e500mm f\/4 DG OS HSM Sports\u003c\/p\u003e\n\u003cp\u003e17-70mm f\/2.8-4 DC Macro OS HSM Contemporary\u003c\/p\u003e\n\u003cp\u003e18-35mm f\/1.8 DC HSM Art\u003c\/p\u003e\n\u003cp\u003e18-200mm f\/3.5-6.3 DC Macro OS HSM Contemporary\u003c\/p\u003e\n\u003cp\u003e18-300mm f\/3.5-6.3 DC Macro OS HSM Contemporary\u003c\/p\u003e\n\u003cp\u003e50-100mm f\/1.8 DC HSM Art\u003c\/p\u003e\n\u003cp\u003e30mm f\/1.4 DC HSM Art\u003c\/p\u003e\n\u003cp\u003e19mm f\/2.8 DN Art\u003c\/p\u003e\n\u003cp\u003e30mm f\/1.4 DC HSM Art\u003c\/p\u003e\n\u003cp\u003e60mm f\/2.8 DN Art\u003c\/p\u003e\n\u003cp\u003e16mm f\/1.4 DC DN Contemporary\u003c\/p\u003e\n\u003cp\u003e30mm f\/1.4 DC DN Contemporary\u003c\/p\u003e\n\u003cp\u003e56mm f\/1.4 DC DN Contemporary\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718799954087,"sku":"GC40-489E965","price":399.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sigma_mc-11_e-mount_converter.jpg?v=1666598453"},{"product_id":"laowa-15mm-f-4-5-zero-d-shift-canon-ef-new","title":"Laowa 15mm f\/4.5 Zero-D Shift - Canon EF Mount","description":"\u003ch3\u003eLaowa 15mm f\/4.5 Zero-D Shift - Canon EF\u003c\/h3\u003e\n\u003cp\u003eLaowa 15mm f\/4.5 Zero-D Shift is currently the World‚Äôs Widest Shift lens for full-frame cameras and medium format cameras. The amount of shift is ¬±11mm for the full-frame camera and ¬±8mm for medium format cameras. The lens is perfect for architectural and interior photography. The sky-high buildings can be captured in a corrected perspective easily.\u003c\/p\u003e\n\u003cp\u003eImage quality is guaranteed with high image sharpness and nearly no distortion (Zero-D). 15mm f\/4.5 Zero-D Shift enriches the diversity of Laowa‚Äôs extensive wide-angle lens collection by giving photographers more control on the perspective in their images.\u003c\/p\u003e\n\u003cp\u003eThe new Laowa 15mm T2.1 Zero-D Cine lens is one of the widest and brightest lenses ever designed for full-frame \/ vista vision sensors. Offering a distortion-free 110¬∞ Angle of view, it is perfect for architecture and cityscape shots. The large T\/2.1 aperture also makes it extremely useful to shoot in the low light situation. The tiny size \u0026amp; lightweight makes it a perfect companion with gimbals and run-and-gun shooting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003e¬±11mm Shift Amount\u003c\/h3\u003e\n\u003cp\u003eThe maximum possible shift amount of the lens is ¬±11mm for the full-frame camera and ¬±8mm for medium format camera (e.g. Fujifilm GFX \/ Hasselblad X1D). The shift capability allows photographers to capture straight architecture with ease. 15mm f\/4.5 Zero-D Shift straightens the lines that appear to converge in the distance. Crooked images can be corrected by changing the perspective of the lens. Perspective distortion is being eliminated to create the reality-like image.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLarge Image Circle\u003c\/h3\u003e\n\u003cp\u003eWith a huge ‚åÄ65mm image circle, the lens not only works with the full-frame format but also covers the medium format sensors. This makes it currently the World‚Äôs Widest lens covering Fujifilm GFX sensor with no vignetting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eZero Distortion\u003c\/h3\u003e\n\u003cp\u003e15mm f\/4.5 Zero-D Shift is composed of 17 elements in 11 groups. It suppresses the distortion to nearly Zero level from corner to corner. Perfect for architecture photography as any straight lines will be retained.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eHigh Image Quality\u003c\/h3\u003e\n\u003cp\u003e15mm f\/4.5 Zero-D Shift coupled with new lens coating. A significant improvement on the chromatic aberration, flaring and ghosting.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eExtremely Close Focusing Distance\u003c\/h3\u003e\n\u003cp\u003e15mm f\/4.5 Zero-D Shift is an ultra-wide shift lens coupled with 20cm closest focusing distance. Macro-like photos can be created easily. The Functionality of the lens is diverse. The wide-angle macro image can be easily captured with this lens.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eStunning 10-point Sunstar\u003c\/h3\u003e\n\u003cp\u003eThe 5-bladed aperture creates stunning 10-point Sunstar rendering.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e360¬∞ Rotation\u003c\/h3\u003e\n\u003cp\u003eShift lens support is specially designed for 15mm f\/4.5 Zero-D Shift. Perfect for panorama stitching as the optic axis remains unchanged.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLens Support\u003c\/h3\u003e\n\u003cp\u003eShift lens support is specially designed for 15mm f\/4.5 Zero-D Shift. 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Sufficient shift capability allows photographers to correct converging vertical lines created by distance. By changing the perspective of the lens, straight architecture can be easily captured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eOutstanding Optical Performance\u003c\/h3\u003e\n\u003cp\u003eThis lens has 16 elements in 11 groups with 2 aspherical elements and 3 ED elements, bringing impressive control on chromatic aberration and ensuring the image sharpness is consistent from the center to the edge.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eUltimate distortion control\u003c\/h3\u003e\n\u003cp\u003eLaowa 20mm f\/4 Zero-D Shift is one of the ‚ÄúZero-D‚Äù family, the distortion is nearly zero meaning any straight lines can be maintained from corner to corner. It is a must-have advantage for architectural, commercial, interior, and landscape photographers.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e14-blade Aperture\u003c\/h3\u003e\n\u003cp\u003eThe 14-blade aperture creates smooth circular bokeh, the effect is pleasantly astonishing in architecture photography.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e82mm Filter Thread\u003c\/h3\u003e\n\u003cp\u003eLaowa 20mm f\/4 Zero-D Shift is designed with 82mm filter thread. The screw-in filter can be used which is more cost effective and lighter than optional square filter systems.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRotatable Lens hood\u003c\/h3\u003e\n\u003cp\u003eThe 360¬∞ rotatable lens hood shades the front of the lens, reducing unwanted flares. Photographers can also adjust the angle of the lens hood to avoid blocking the image when extreme shifts.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eOptional Special Designed Lens Support\u003c\/h3\u003e\n\u003cp\u003eThe new lens support is compatible with both the 20mm f\/4 Zero-D Shift and 15mm f\/4.5 Zero-D Shift. The rotatable ring outside allows the user to retain the axis of the image when changing orientations and shifting. Important for achieving perfect stitching for panorama photography.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":42718805196967,"sku":"GC07-VE2040C","price":1627.45,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/gc7.png?v=1666526722"},{"product_id":"visibledust-flexodome-sensor-cleaning-accessory-for-canon-ef-mount-cameras","title":"VisibleDust FlexoDome Sensor Cleaning Accessory for Canon EF-Mount Cameras","description":"\u003ch2\u003eVisibleDust FlexoDome Sensor Cleaning Accessory for Canon EF-Mount Cameras\u003c\/h2\u003e\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eFlexoDome‚Ñ¢ features a ring to be attached to each specific camera body for hands-free operation. The cup on FlexoDome‚Ñ¢ is uniquely designed to accept a variety of nozzles from different bulb blowers. Once attached to the camera body, FlexoDome‚Ñ¢ acts as a fence against accidental contact between the blower‚Äôs nozzle and the camera‚Äôs sensor. The followings are some advantages of its use in sensor cleaning;\u003c\/p\u003e\u003cul\u003e\n\u003cli\u003eFlexoDome‚Ñ¢ acts as a fence against the sensor contact and blower nozzle allowing the operator to invert the camera‚Äôs sensor downward without the fear of entering the chamber area damaging the sensor. This method facilitates the removal of heavier particles based on gravity action. However, this seems to be an impossible task when the camera‚Äôs sensor is faced upward acting against gravity. By using FlexoDome‚Ñ¢ one can remove all dust particles regardless of their size.\u003c\/li\u003e\n\u003cli\u003eSome bulb blowers use shorter or narrower openings in their nozzles to increase the blasting power of air and to avoid sensor contact. However, this results in higher friction between air molecules passing through a narrower opening, generating higher static charges, turning the sensor into a dust magnet.\u003c\/li\u003e\n\u003cli\u003eAnother problem associated with the increase in blasting power of shorter and narrower nozzles are the projectiles generated by this method. These sharp microscopic particles hit the sensor with more force damaging the sensor coating and creating images resembling the moon‚Äôs surface. FlexoDome‚Ñ¢ eliminates the need for shorter and narrower nozzles in bulb blowers allowing a directional blast for more efficient dust removal. Directional blast maximizes the efficiency of a traditional blower in removing dust particles without creating adverse side effects.\u003c\/li\u003e\n\u003c\/ul\u003e\u003cp\u003eThus, FlexoDome‚Ñ¢ creates a safe fence against accidental contact between bulb blower and sensor surface, by taking advantage of gravity action and directional blast, it maximizes dust removal efficiency. The use of FlexoDome‚Ñ¢ and VisibleDust bulb blower Zeeion‚Ñ¢ creates a powerful combo tool for professionals and amateurs as the first line of defense in-camera sensor cleaning.\u003c\/p\u003e","brand":"VisibleDust","offers":[{"title":"Default Title","offer_id":42719228264615,"sku":"GC11-VD12723857","price":65.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/vd12723857.jpg?v=1666612479"},{"product_id":"avenger-i8030cb-mounting-stirrup-for-39-reflector-board","title":"Avenger I8030CB Mounting Stirrup for 39\" Reflector Board","description":"\u003cp\u003e\u003cstrong\u003eAvenger I8030CB Mounting Stirrup for 39\" Reflector Board\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eFits Board 0.19 - 0.9.\" Thick\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Avenger","offers":[{"title":"Default Title","offer_id":42719416090791,"sku":"GC76-I8030CB","price":598.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/av-i8030cb.jpg?v=1666500896"},{"product_id":"kupo-kcp-253-tube-mounting-coupler-for-dji-ronin-freefly-movi-pro","title":"KUPO KCP-253 Tube Mounting Coupler For DJI Ronin Freefly Movi Pro","description":"\u003ch3\u003eKUPO KCP-253 Tube Mounting Coupler For DJI Ronin Freefly Movi Pro\u003c\/h3\u003e\n\u003cp\u003eMade of aluminium extrusion, this Kupo KCP-253 coupler features a removable rubber pad inside which allows it to fit any tube size or Gimbal handlebar that comes with a diameter of 25mm or 30mm, including the DJI Ronin, and Freefly Movi Pro.\u003c\/p\u003e\n\u003cp\u003eThere are various threaded holes including 3\/8‚Äù-16 (2 pcs), 1\/4‚Äù-20 (7 pcs) and M4 (4 pcs) on the main base of the coupler to mount a wide range of adapters, grip accessories, cameras, lights or monitor arms.\u003c\/p\u003e","brand":"KUPO","offers":[{"title":"Default Title","offer_id":42719501484199,"sku":"GC52-KPKCP253","price":114.34,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpkcp253.jpg?v=1666525834"},{"product_id":"bright-tangerine-cine-tape-rangefinder-mounting-brackets","title":"Bright Tangerine Cine Tape Rangefinder Mounting Brackets","description":"\u003ch2\u003eBright Tangerine Cine Tape Rangefinder Mounting Brackets\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Cine Tape Rangefinder Mounting Brackets attach to the top of the Misfit Kick carbon fibre sunshade and provide mounting points for the B1235.1040 Cine Tape Rangefinder Rail, in addition to supporting the carbon fibre top flag.\u003c\/p\u003e\n\u003cp\u003eTo install the brackets, simply remove the existing brackets and replace with the new brackets.\u003c\/p\u003e\n\u003cp\u003eThe brackets are CNC cut from high-grade aluminium, and are then hard anodised for durability. It comes with our famous Bright Tangerine Support and the addition of a 5-year warranty.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e","brand":"Bright Tangerine","offers":[{"title":"Default Title","offer_id":42719521308839,"sku":"GC63-B1235.1042","price":59.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/b1235.1042.jpg?v=1666504898"},{"product_id":"blackmagic-pocket-cinema-camera-6k-g2-canon-ef-mount","title":"Blackmagic Pocket Cinema Camera 6K G2 (Canon EF Mount)","description":"\u003cp\u003eThe Blackmagic Pocket Cinema Camera 6K G2 (Canon EF Mount) is the perfect tool for both experienced and budding filmmakers. With its expansive line-up of features and professional-grade capabilities, it’s designed to help you capture stunning visuals with ease. It has a super 35mm HDR sensor that allows you to record up to 6144 x 3456 resolution video in either ProRes or RAW formats. 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Its lightweight and portable design make it easy to take with you wherever your next shoot is taking you, while its rugged magnesium alloy construction will keep up with whatever you throw at it.\u003c\/p\u003e\n\u003cp\u003eWhether you’re an experienced filmmaker or a newcomer to the craft, the Blackmagic Pocket Cinema Camera 6K G2 (Canon EF Mount) has everything you need to realize your creative vision.\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":42720061915303,"sku":"GC50-CINECAMPOCHDEF6K2","price":2786.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/blackmagicpc6klensmount_1.png?v=1666503526"},{"product_id":"z-cam-e2-f6-full-frame-6k-cinema-camera-ef-mount","title":"Z CAM E2-F6 Full-Frame 6K Cinema Camera (EF Mount)","description":"\u003ch3\u003eZ CAM E2-F6 Full-Frame 6K Cinema Camera (EF Mount)\u003c\/h3\u003e\n\u003cp\u003eShoot professional high-definition cinema footage with the Z CAM E2-F6 Full-Frame 6K Cinema Camera with a Canon EF lens mount. 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It allows you to start\/stop recording and adjust the camera settings remotely, and also has advanced features on a camera live preview.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eCamera Settings\u003c\/h3\u003e\n\u003cp\u003eWhite balance: Auto, preset, manual (2300 to 7500K)\u003c\/p\u003e\n\u003cp\u003eFocus modes: MF, AF, CAF\u003c\/p\u003e\n\u003cp\u003eImage: Brightness, contrast, saturation, sharpness\u003c\/p\u003e\n\u003cp\u003eLUT: REC. 709, Z-Log2, FLAT, HLG\u003c\/p\u003e\n\u003cp\u003eTimecode: Current time, manual input\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eCamera Body\u003c\/h3\u003e\n\u003cp\u003eMade from aluminium for strength and heat dissipation\u003c\/p\u003e\n\u003cp\u003e2-pin LEMO 12 VDC power output\u003c\/p\u003e\n\u003cp\u003ePowers from a separately available power adapter or optional L-series batteries\u003c\/p\u003e","brand":"Z CAM","offers":[{"title":"Default Title","offer_id":42720118145191,"sku":"GC82-Z-CAM-E2-F8-EF","price":9388.63,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/z_cam_e2_f8_professional_full_frame_8k_1567013767_1496580.jpg?v=1666614385"},{"product_id":"tokina-cinema-lens-mount-kit-for-canon-ef-mount","title":"Tokina Cinema Lens Mount Kit for Canon EF Mount","description":"\u003ch3\u003eTokina Cinema Lens Mount Kit for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThis is the Tokina Cinema Lens Mount Kit for Canon EF Mount.\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720722944167,"sku":"GC40-CINELENSMOUNT-EF","price":799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/cinelensmount-ef_1_1.jpg?v=1666609727"},{"product_id":"tokina-cinema-lens-mount-kit-for-ef-mount-11-20mm","title":"Tokina Cinema Lens Mount Kit for EF Mount - 11-20mm","description":"\u003ch2\u003e\nTokina Cinema Lens Mount Kit for EF Mount - 11-20mm\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe EF Mount and Shim Kit from Tokina enables users to convert their Tokina Cinema 11-20mm zoom lens to an EF Mount. This set includes the mount, a shim set, a screw set, and a rear lens cap.\u003c\/p\u003e\n\n\u003cp\u003eAs the flange-focal distance can vary among camera types, it can be necessary to make adjustments when switching between lens mounts or camera models. To perform this adjustment, the shim set provides 0.02, 0.05, and 0.1mm thicknesses.\u003c\/p\u003e\u003cp\u003eCompatibility\u003cbr\u003eTokina Cinema 11-20mm T2.9 zoom lens\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720723271847,"sku":"GC40-KPO-1008EF","price":798.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpo-1008ef.jpg?v=1666609019"},{"product_id":"metabones-t-speed-booster-xl-0-64x-adapter-for-full-frame-canon-ef-mount-lens-to-select-micro-four-thirds-mount-cameras","title":"Metabones T Speed Booster XL 0.64x Adapter for Full-Frame Canon EF-Mount Lens to Select Micro Four Thirds-Mount Cameras","description":"\u003cp\u003eThe Metabones T Speed Booster XL 0.64x Adapter for Full-Frame Canon EF-Mount Lens to Select Micro Four Thirds-Mount Cameras allows a full-frame Canon EF-mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter's optics help to maximise the connected lens's apparent angle of view while providing a 1.3-stop increase for the camera over the lens's aperture range.\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003eIf a lens intended for 35mm film or similarly-sized \"full-frame\" camera sensors is connected to a camera with a Micro Four Thirds sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the centre portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera \"crop factor\". The T Speed Booster XL 0.64x Adapter for Full-Frame Canon EF-Mount Lens to Select Micro Four Thirds-Mount Cameras condenses the light from a lens designed for 35mm film or \"full-frame\" camera sensors and projects it onto a Micro Four Thirds sensor. This allows a Micro Four Thirds sensor to utilise more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1.3 stops of light for each of the lens's f\/stop settings.\u003c\/p\u003e\n\u003cp\u003eThis adapter is constructed from aluminium alloy for durability while minimising weight and its mounting rings are made with brass to further prevent wear-and-tear. Inside are six lens elements in four groups that are designed to provide optical clarity as well as colour fidelity, and a detachable tripod foot is included that features 3\/8\" threads as well as compatibility with Arca-Swiss tripod heads.\u003c\/p\u003e\n\u003cp\u003eThe T Speed Booster XL 0.64x Adapter for Full-Frame Canon EF-Mount Lens to Select Micro Four Thirds-Mount Cameras supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilisation, as well as camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T Speed Booster XL 0.64x Adapter for Full-Frame Canon EF-Mount Lens to Select Micro Four Thirds-Mount Cameras is designed to allow that information to be saved along with image files generated with a combination of the lens, a compatible Micro Four Thirds mount camera, and the adapter.\u003c\/p\u003e\n\u003cp\u003eThis adapter can be mounted onto the Panasonic DMC-GH4, GH3, G3, G5, G6, G10, GF3, GF5, GF6, and GX1 Mirrorless Micro Four Thirds Digital Cameras; the Olympus PEN E-PL7 Mirrorless Micro Four Thirds Digital Camera; the Blackmagic Cinema Camera with Micro Four Thirds mount; and the Blackmagic Pocket Cinema Camera.\u003c\/p\u003e\n\u003cp\u003e \u003cbr\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eAllows a full-frame Canon EF-mount lens to be used with a Micro Four Thirds-mount camera\u003c\/p\u003e\n\u003cp\u003eMaximises apparent angle of view of combined camera and lens\u003c\/p\u003e\n\u003cp\u003eProvides a 1.3-stop increase for the camera over the lens's aperture range\u003c\/p\u003e\n\u003cp\u003eIntegrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera\u003c\/p\u003e\n\u003cp\u003eSix lens elements in four groups for optical clarity as well as colour fidelity\u003c\/p\u003e\n\u003cp\u003eSupports electronic communication between camera and lens to enable autofocus, image stabilisation, on-camera aperture control, and EXIF metadata generation when possible\u003c\/p\u003e\n\u003cp\u003eInternal coating minimises reflections within the adapter barrel\u003c\/p\u003e\n\u003cp\u003eDetachable, Arca-Swiss compatible tripod foot with 3\/8\" threads\u003c\/p\u003e\n\u003cp\u003eAluminium alloy components for weight reduction\u003c\/p\u003e\n\u003cp\u003eBrass mounting rings prevent wear-and-tear\u003c\/p\u003e\n\u003cp\u003eLocking mechanism for secure attachment of lens with push-button release\u003c\/p\u003e","brand":"Metabones","offers":[{"title":"Default Title","offer_id":42720725762215,"sku":"GC47-MB-122","price":1535.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/mb-122.jpg?v=1666537916"},{"product_id":"metabones-canon-ef-lens-to-sony-e-mount-t-smart-adapter-mark-v","title":"Metabones Canon EF Lens to Sony E-mount T Smart Adapter (Mark V)","description":"\u003ch3\u003eMetabones Canon EF Lens to Sony E-mount T Smart Adapter (Mark V)\u003c\/h3\u003e\n\u003cp\u003eBring out your Canon EF and EF-S mount lenses for use on a variety of full-frame and APS-C format Sony E-mount cameras with this Metabones EF to E Mount T Smart Adapter. Further improving on previous generations of Smart Adapters, this fifth-generation model now features a rubber gasket to protect the camera's mount from dust and moisture, offers a status notification LED light to check operation modes, and a dedicated switch that controls in-body image stabilization of select cameras. Also, this version is compatible with the Sony PXW-FS7 Mark II video camera.\u003c\/p\u003e\n\u003cp\u003eThis adapter is equipped with numerous capabilities thanks to the use of a high-performance 32-bit processor. The features include support for both phase-detect and contrast-detect AF systems as well as the ability to control the aperture from the camera body. Smooth iris effects are possible as well on select lenses and 5-axis stabilization is available thanks to the communication of distance information with supported lenses. Also, it features a programmable function button, enables electronic (focus-by-wire) manual focusing, transmits Exif data to the camera, and works with in-lens image stabilization. Additionally, distance and zoom is displayed on certain camcorders and mirrorless cameras, auto magnify can be enabled, and it can automatically switch into APS-C mode depending on the lens used.\u003c\/p\u003e\n\u003cp\u003eBeyond electronic communication, the adapter has many physical advantages as well, such as a black felt flocking on the inside of the adapter that prevents reflections. For larger lenses, there is a removable Arca-type-compatible tripod foot with a 1\/4\"-20 thread on the base.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eAllows users to adapt a Canon EF\/EF-S-mount lens to a full-frame or APS-C Sony E-mount camera.\u003c\/p\u003e\n\u003cp\u003eElectronic contacts permit the transmission of data between the lens and camera enabling autofocus, autoexposure, image stabilization, aperture control from the camera body, saving Exif information, and more.\u003c\/p\u003e\n\u003cp\u003eStatus notification LED light on the adapter will show the user what mode the adapter is currently in.\u003c\/p\u003e\n\u003cp\u003eDedicated switch for controlling in-body image stabilization.\u003c\/p\u003e\n\u003cp\u003eProgrammable function button for rapid access to commonly used settings and features.\u003c\/p\u003e\n\u003cp\u003eSupport for phase-detect AF with the a7R II, a7 II, a6500, and a6300 cameras.\u003c\/p\u003e\n\u003cp\u003eCompatible with Sony PXW-FS7M2 (FS7 Mark II) camera.\u003c\/p\u003e\n\u003cp\u003eSmooth iris support with select Canon (2009 and later), Tamron (SP series 2013 and later), and Sigma (2016 and later) lenses.\u003c\/p\u003e\n\u003cp\u003eEnables an electronic manual focusing on lenses, such as the Canon EF 85mm f\/1.2L II, that use a focus-by-wire system.\u003c\/p\u003e\n\u003cp\u003eSupport for distance and zoom display, auto magnify, and auto APS-C Size Capture settings on select cameras.\u003c\/p\u003e\n\u003cp\u003eInternal felt flocking prevents reflections.\u003c\/p\u003e\n\u003cp\u003eRemovable Arca-type compatible tripod foot with 1\/4\"-20 thread.\u003c\/p\u003e\n\u003cp\u003ePowered by the camera body.\u003c\/p\u003e","brand":"Metabones","offers":[{"title":"Default Title","offer_id":42720725794983,"sku":"GC47-MB-121","price":879.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/mb-121.jpg?v=1666537897"},{"product_id":"metabones-t-speed-booster-ultra-0-71x-adapter-for-canon-full-frame-ef-mount-lens-to-micro-four-thirds-mount-camera","title":"Metabones T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Micro Four Thirds-Mount Camera","description":"\u003ch3\u003eMetabones T Speed Booster Ultra 0.71x Adapter for Canon EF to Micro Four Thirds\u003c\/h3\u003e\n\u003cp\u003eThe T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Micro Four Thirds-Mount Camera from Metabones allows a full-frame Canon EF-mount lens to be mounted onto a Micro Four Thirds-mount camera. While doing so, the adapter's optics help to maximize the connected lens's apparent angle of view while providing a 1-stop increase for the camera over the lens's aperture range.\u003c\/p\u003e\n\u003cp\u003eIf a lens intended for 35mm film or similarly-sized full-frame camera sensors is connected to a camera with a Micro Four Thirds sized sensor, it would project an image larger than the Micro Four Thirds sensor was built to accept. Able to capture only the centre portion of the projected image, the effective angle of view of the lens would be narrowed, creating an in-camera \"crop factor.\" The T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Micro Four Thirds-Mount Camera condenses the light from a lens designed for 35mm film or \"full-frame\" camera sensors and projects it onto a Micro Four Thirds sensor. This allows a Micro Four Thirds sensor to utilize more of the light gathered by a connected lens, which effectively reduces the crop factor while making available to the sensor an additional 1 stop of light for each of the lens's f\/stop settings.\u003c\/p\u003e\n\u003cp\u003eThis adapter is constructed from aluminium alloy for durability while minimizing weight and its mounting rings are made with brass to further prevent wear-and-tear. Inside are five lens elements in four groups that are designed to provide optical clarity as well as colour fidelity, and a detachable tripod foot is included that features 1\/4\"-20 threads as well as compatibility with Arca-Swiss tripod heads.\u003c\/p\u003e\n\u003cp\u003eThe T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Micro Four Thirds-Mount Camera supports electronic communication between an attached camera and lens. If the lens includes autofocus, image stabilization, as well as camera-controlled aperture functions, this adapter is intended to allow those features to be used. Also, if an attached lens is capable of generating EXIF metadata when used with a directly compatible camera, the T Speed Booster Ultra 0.71x Adapter for Canon Full-Frame EF-Mount Lens to Micro Four Thirds-Mount Camera is designed to allow that information to be saved along with image files generated with a combination of the lens, a compatible Micro Four Thirds mount camera, and the adapter.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eAllows a full-frame Canon EF-mount lens to be used with a Micro Four Thirds-mount camera\u003c\/p\u003e\n\u003cp\u003eMaximizes apparent angle of view of combined camera and lens\u003c\/p\u003e\n\u003cp\u003eProvides a 1-stop increase for the camera over the lens's aperture range\u003c\/p\u003e\n\u003cp\u003eIntegrated jog dial for incremental aperture adjustment and push-button access to lens's widest aperture setting when used with a compatible Panasonic camera\u003c\/p\u003e\n\u003cp\u003eFive lens elements in four groups for optical clarity as well as colour fidelity\u003c\/p\u003e\n\u003cp\u003eSupports electronic communication between camera and lens to enable autofocus, image stabilization, on-camera aperture control, and EXIF metadata generation when possible\u003c\/p\u003e\n\u003cp\u003eInternal coating minimizes reflections within the adapter barrel\u003c\/p\u003e\n\u003cp\u003eDetachable, Arca-Swiss compatible tripod foot with 3\/8\" threads\u003c\/p\u003e\n\u003cp\u003eAluminium alloy components for weight reduction\u003c\/p\u003e\n\u003cp\u003eBrass mounting rings prevent wear-and-tear\u003c\/p\u003e\n\u003cp\u003eLocking mechanism for secure attachment of lens with push-button release\u003c\/p\u003e","brand":"Metabones","offers":[{"title":"Default Title","offer_id":42720725827751,"sku":"GC47-MB-125","price":1535.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/mb-125_4d4cebca-3fc1-4afd-a5dc-6679bd09c189.jpg?v=1666537899"},{"product_id":"metabones-canon-ef-x-mount-t-cine-speed-booster-ultra-0-71x","title":"Metabones Canon EF - X-mount T Cine Speed Booster ULTRA 0.71x","description":"\u003ch3\u003eMetabones Canon EF - X-mount T Cine Speed Booster ULTRA 0.71x\u003c\/h3\u003e\n\u003ch3\u003eSharper corners, less distortion, reduced vignetting\u003c\/h3\u003e\n\n\u003cp\u003eOptical design:  advanced 5-element\/4-group optical design incorporating ultra-high index tantalum-based optical glass to achieve extraordinary optical performance with improved corner sharpness, distortion and reduced vignetting.\u003c\/p\u003e\n\n\u003cp\u003eLike the revolutionary original Metabones Speed Booster¬Æ announced in January 2013, the Speed Booster ULTRA has a magnification of 0.71x, and so it effectively reduces the crop factor of mirrorless cameras with DX-sized sensors(APS-C), such as Sony E-mount and Fuji X-mount cameras, from 1.5x to 1.07x.  However, the new ULTRA design makes very effective use of exotic materials at the furthest limit of glassmaking technology, and as a result is well corrected for use with virtually all full-frame SLR lenses regardless of exit pupil distance. Thus, the Speed Booster ULTRA performs extremely well with professional-grade f\/2.8 zoom lenses such as the 24-70mm f\/2.8 and 70-200mm f\/2.8 zooms by Canon and Nikon to produce 17-50mm f\/2.0 and 50-142mm f\/2.0 high-speed zooms, respectively.  Similarly, high-speed fixed focal length lenses such as a 50mm f\/1.2 will be transformed into a 35.5mm f\/0.9 lens with excellent contrast and resolution from the centre all the way to the edges of the image.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eOptical\u003c\/h3\u003e\n\n\u003cp\u003eIncrease maximum aperture by 1 stop. (with a maximum output aperture of f\/0.9).\u003c\/p\u003e\n\u003cp\u003eIncrease MTF.\u003c\/p\u003e\n\u003cp\u003eMakes lens 0.71x wider.\u003c\/p\u003e\n\u003cp\u003eAdvanced 5-element\/4-group optical design incorporating ultra-high index tantalum-based optical glass by Caldwell Photographic in the USA (patent granted).\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eElectronic\u003c\/h3\u003e\n\n\u003cp\u003eCanon EF mount lens to Fujifilm X-mount camera.\n\u003c\/p\u003e\u003cp\u003eAutofocus. Phase-detection autofocus (PDAF) is supported no matter which AF lens is used. \u003c\/p\u003e\u003cp\u003eAdapters support PDAF by translating pertinent metadata about the optics between the lens interfaces. In this way, broad support of the widest range of lenses is made possible.\u003c\/p\u003e\n\u003cp\u003eLens iris\/aperture is set by the controls on the camera body.\u003c\/p\u003e\n\u003cp\u003eFujifilm XF Teleconverters support.\u003c\/p\u003e\n\u003cp\u003eOptical image stabilization (IS) lens support.\u003c\/p\u003e\n\u003cp\u003eSmooth iris support with the latest Canon (2009+), Tamron (SP series 2013+) and Sigma (2016+) lens models.\u003c\/p\u003e\n\u003cp\u003eFocal length and aperture are adjusted in EXIF.\u003c\/p\u003e\n\u003cp\u003eStore EXIF data (lens name, focal length and maximum\/minimum aperture) for one manual lens in the adapter.\u003c\/p\u003e\n\u003cp\u003eParallax correction on the X-Pro series rangefinders is also supported.\u003c\/p\u003e\n\u003cp\u003eLED indicator shows communication status. \u003c\/p\u003e\n\u003cp\u003ePowered by the camera body. With most lenses, no external power source required.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eMechanical\u003c\/h3\u003e\n\n\u003cp\u003ePatented positive-lock EF lens mount.\u003c\/p\u003e\n\u003cp\u003eFlocking to reduce internal reflection.\u003c\/p\u003e\n\u003cp\u003eRubber gasket protects the X-mount connection from dust and moisture.\u003c\/p\u003e\n\u003cp\u003eAluminium alloy and brass construction with chromium plating.\u003c\/p\u003e\n\u003cp\u003eSatin surface finish.\u003c\/p\u003e\n\u003cp\u003eDetachable tripod foot compatible with Arca Swiss Style ball head, such as Markins and Photo \u003c\/p\u003e\u003cp\u003eClam or attach to quick release plate by a 1\/4\"-20 screw. \u003c\/p\u003e","brand":"Metabones","offers":[{"title":"Default Title","offer_id":42720726253735,"sku":"GC47-MB-203","price":1720.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/mb-203_1.jpg?v=1666537888"},{"product_id":"blackmagic-design-ursa-mini-pro-ef-mount","title":"Blackmagic Design URSA Mini Pro EF Mount","description":"\u003ch3\u003eBlackmagic Design URSA Mini Pro EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe URSA Mini Pro EF Mount from Blackmagic Design is a replacement mount for use on the URSA Mini Pro and is available as a spare mount, as the URSA Mini Pro comes with an EF mount installed. The mount incorporates the electronic connections that allow the lens to work with the camera. The included set of shims enables precise flange-distance adjustment when installing this mount on your camera.\u003c\/p\u003e","brand":"Blackmagic","offers":[{"title":"Default Title","offer_id":42720728416423,"sku":"GC50-CINEURSAMUPROTEF","price":285.56,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/cineursamuprotef_1.jpg?v=1666503474"},{"product_id":"z-cam-ef-mount-for-e2-flagship-series","title":"Z CAM EF mount for E2 Flagship Series","description":"\u003cp\u003eChange out the mount on your E2-S6, E2-F6, or E2-F8 to expand your lens options with this Interchangeable Lens Mount from Z CAM. The Z CAM E2 flagship series E2-S6, E2-F6, and E2-F8 cameras allow you to change out your lens mount with alternate mounts, and this EF mount installs easily with the four included screws. No shims are required to fit this custom mount to your Z CAM camera. An Allen wrench is also included to assist your install.\u003c\/p\u003e","brand":"Z CAM","offers":[{"title":"Default Title","offer_id":42720729301159,"sku":"GC82-Z-CAM-EM101","price":168.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/z-cam-em102.jpg?v=1666614411"},{"product_id":"tokina-cinema-at-x-100mm-t2-9-macro-lens-canon-ef-mount","title":"Tokina Cinema AT-X 100mm T2.9 Macro Lens (Canon EF Mount)","description":"\u003ch3\u003eTokina Cinema AT-X 100mm T2.9 Macro Lens (Canon EF Mount)\u003c\/h3\u003e\n\u003cp\u003eCapture cinema-quality images with the Cinema AT-X 100mm T2.9 Macro Lens from Tokina. This 4K-ready macro lens covers full-frame 35mm image sensors and features a 1:1 macro close focus working distance of 11.8\". It features minimal focus breathing and a wide T2.9 to T32 aperture range offering great control over exposure and depth of field. The lens features a Canon EF mount.\u003c\/p\u003e\n\u003cp\u003eIts 9-blade iris provides a soft bokeh, and its sharp high-contrast glass allows for low distortion and chromatic aberrations. The lens housing is made from durable metal, it has gear rings that accept standard cine follow focus gears, features an 82mm filter thread, and it has an 85mm front diameter to fit a wide variety of matte boxes.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eClose-focus 1:1 reproduction at 11.8\" working distance\u003c\/p\u003e\n\u003cp\u003eFast, wide T2.9 to T32 aperture range\u003c\/p\u003e\n\u003cp\u003eFull-frame 35mm format support, 4K ready\u003c\/p\u003e\n\u003cp\u003eMinimized focus breathing\u003c\/p\u003e\n\u003cp\u003eSmooth, de-clicked, 9-blade, curved iris for beautiful bokeh\u003c\/p\u003e\n\u003cp\u003eDurable all-metal, the cine-style housing with geared focus and aperture rings for use in follow-focus systems\u003c\/p\u003e\n\u003cp\u003eFeatures an 82mm filter thread and an 85mm front diameter\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720747258023,"sku":"GC40-100CINEFXEF","price":3970.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/14570_tokina-cinema-at-x-100mm-t2.9-macro-lens-canon-ef-mount_1.jpg?v=1666609693"},{"product_id":"tokina-opera-50mm-f-1-4-ff-lens-for-canon-ef","title":"Tokina opera 50mm f\/1.4 Lens - Canon EF Mount","description":"\u003ch3\u003eTokina opera 50mm f\/1.4 FF Lens for Canon EF\u003c\/h3\u003e\n\u003cp\u003eThe 50mm F1.4 FF is the debut premium lens in Tokina's new opera series for high-performance full-frame DSLR cameras. The lens incorporates Tokina's latest advancements in optical engineering and electronic design to meet the demands of today's DSLR technology. With advanced features like ring-shaped ultrasonic motors for fast and quiet operation, Tokina's new ELR lens coating technology, and advanced weather sealing technology, the new 50mm F1.4 FF opera lens will be a go-to lens in many camera bags.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSuperior optical performance and Natural Bokeh\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn order to effectively suppress chromatic aberrations and deliver sharp edge-to-edge images at all apertures, the opera 50mm F1.4 FF optical construction includes 3 lens elements moulded from SD (Super-low Dispersion) glass and one aspherical glass element in the rear-focus lens group. The lens incorporates a 9-blade, round-shaped diaphragm for naturally beautiful bokeh. Tokina also incorporates an electric diaphragm specific to the Nikon mount for more accurate and precise aperture control. Fast and quiet AF along with superior optical performance at all apertures and focus points makes this lens suitable for a variety of photographic genres and scenes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eExclusive Next Generation Tokina ELR coating\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe newly developed, Tokina ELR (Extremely Low Reflection) Coating was engineered to specifically target the visible light spectrum as it enters and passes through the lens. This drastically reduces the reflection ratio when compared to traditional Tokina lens coatings. This results in dramatically reduced ghosting and flares when shooting in challenging lighting conditions especially when strong light sources are within the image.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust \u0026amp; Weather Resistant Sealing\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lens employs the latest advancements in dust resistance and weather sealing targeting 8 areas in the lens construction most vulnerable to dust and water penetration. 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This provides photographers and filmmakers a valuable tool when speed and quiet are critical features to capturing their vision.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHood with filter operation window\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe BH-726 lens hood included with the opera 50mm F1.4 FF has a special filter window incorporated into the design. When the BH-726c window is removed from the hood the user has access to the filter allowing them to rotate polarizer or other rotation type filter.\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720748601511,"sku":"GC40-11C0384K01","price":1558.36,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/11c0384k01.jpg?v=1666609880"},{"product_id":"tokina-at-x-14-20mm-f-2-pro-dx-lens-for-canon-ef","title":"Tokina AT-X 14-20mm f\/2 PRO DX Lens - Canon EF Mount","description":"\u003cp\u003eThe Tokina AT-X 14-20 F2 PRO DX is a wide-angle zoom lens with super-fast F2 aperture. This is the fastest lens ever made by Tokina. The lens is designed for use with either Canon or Nikon DSLR cameras with APS-C (DX) sensors. \u003cbr\u003e\u003cbr\u003eTokina adds its fastest lens to date to its family of fast-aperture wide-angle zooms focused on providing photographers professional quality optics and construction at an affordable price. The extremely fast F2 aperture lens offers an equivalent 21-30mm** zoom range. The super-bright, constant F2.0 aperture makes viewing, auto focus and shooting possible in very low light situations while still maintaining reasonable size and weight. \u003cbr\u003e\u003cbr\u003eThe 14-20mm F2 has an all-new proprietary optical design that uses three aspherical lens elements (2 all-glass molded and 1 P-MO hybrid) to achieve superior contrast, sharpness, and correct for spherical aberrations. Additionally, Tokina uses of an four SD (Super-low Dispersion, “FK01” and FK03”) glass elements to control chromatic aberrations. \u003cbr\u003e\u003cbr\u003eTokina’s exclusive One-Touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing. The lens is also designed to stand up to the rigors of daily use by photographers in a wide variety of shooting conditions and environments.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ctable class=\"data-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\u003cth colspan=\"2\"\u003e\u003ch4\u003eSpecifications\u003c\/h4\u003e\u003c\/th\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e14-20mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Aperture\u003c\/td\u003e\n\u003ctd\u003eF2\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003e22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction E\/G\u003c\/td\u003e\n\u003ctd\u003e13\/11\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoatings\u003c\/td\u003e\n\u003ctd\u003eMulti-layer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e91.68 – 71.78°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e0.9 ft (0.28 m)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMacro Ratio\u003c\/td\u003e\n\u003ctd\u003e1:8.36\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocusing Mode\u003c\/td\u003e\n\u003ctd\u003eAuto Focus\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eZooming System\u003c\/td\u003e\n\u003ctd\u003erotary\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSD Glass\u003c\/td\u003e\n\u003ctd\u003e4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Thread\u003c\/td\u003e\n\u003ctd\u003e0.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Outer Diameter\u003c\/td\u003e\n\u003ctd\u003e3.5 in (89mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Length\u003c\/td\u003e\n\u003ctd\u003e4.2 in (106mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Size\u003c\/td\u003e\n\u003ctd\u003eAPS-C\/DX\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e1.6 lbs (725g)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Hood\u003c\/td\u003e\n\u003ctd\u003eBH-823\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMounts\u003c\/td\u003e\n\u003ctd\u003eCanon, Nikon\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e2 Year Limited Warranty\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720750633127,"sku":"GC40-1420PRODXEOS","price":1371.84,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/l0000084-0002.jpg?v=1666609562"},{"product_id":"tokina-at-x-17-35mm-f-4-sd-if-pro-fx-lens-for-canon-ef","title":"Tokina AT-X 17-35mm f\/4 SD (IF) PRO FX Lens - Canon EF Mount","description":"\u003cp\u003eDesigned for Full-Frame cameras, the Tokina AT-X 17-35mm F\/4 give photographers a new wide-angle option. With a focal length of 17mm at the wide side the lens yields a spectacular 103.9 degree field of view which is great for shooting in tight situations or for taking in wide expanses of space. \u003cbr\u003e\u003cbr\u003eThis compact wide-angle zoom has a bright constant F\/4 aperture make viewing and auto focus possible in lower light situations but still maintaining a reasonable size and weight. \u003cbr\u003e\u003cbr\u003eTwo Super-Low Dispersion glass elements and one aspheric glass allow the proprietary optical design to achieve excellent contrast and sharpness as well as controlling chromatic aberration. \u003cbr\u003e\u003cbr\u003eTokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing. \u003cbr\u003e\u003cbr\u003eAdditionally the mechanics have been designed for better seals around moving parts making the lens more water-resistant* than lenses of the past. The lens is also designed to stand up to the rigors of daily use by photographers in a wide variety of shooting conditions and environments.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\u003ctable class=\"data-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFocal Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e17 - 35mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ef\/4.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Aperture\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003ef\/22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eConstruction E\/G\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e13 Elements in 12 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eCoatings\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eMulti-layer\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAngle of View\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e103.96 - 64.74°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMinimum Focus Distance\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e0.9 ft (0.279 m)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMacro Ratio\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1:4.82\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eZooming System\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eRotary Type\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eAperture Blades\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eFilter Size\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMaximum Outer Diameter\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.5 in (88.90mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Width\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.5 in (88.90mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Length\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e3.7 in (93.98mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eWeight\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003e1.3 lbs (600g)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eLens Hood\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eBH-82\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eMounts\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eCanon Full Frame, Nikon Full Frame, Canon APS-C, Nikon APS-C\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003e\u003cstrong\u003eNotes\u003c\/strong\u003e\u003c\/td\u003e\n\u003ctd\u003eThe AT-X 17-35 is only water-resistant, not water-proof and is not designed to be submerged or used unprotected in heavy rain.\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720751059111,"sku":"GC40-1735PROFXEOS","price":696.11,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/l0000002-0001.jpg?v=1666609530"},{"product_id":"tokina-at-x-24-70mm-f-2-8-pro-fx-lens-for-canon-ef","title":"Tokina AT-X 24-70mm f\/2.8 PRO FX Lens - Canon EF Mount","description":"\u003cp\u003eThe Tokina AT-X 24-70mm F2.8 PRO FX lens gives photographers with full frame Canon and Nikon camera bodies a 24mm wide-angle to 70mm moderate telephoto lens with a fast F2.8 aperture at an affordable price. \u003cbr\u003e\u003cbr\u003eThe new groundbreaking proprietary optical design uses three precision molded all-glass aspherical lens elements to achieve excellent contrast, sharpness, and corrects for spherical aberrations. One of these elements is very special and difficult to manufacture. G09, is made from Super-Low Dispersion (SD) glass and is a large sized aspherical element. \u003cbr\u003e\u003cbr\u003eThese lens elements also yield even illumination across the whole image sensor.\u003cbr\u003e\u003cbr\u003eThe Tokina 24-70MM lens also uses three SD (super-low Dispersion, “FK01” and FK03”) glass elements in the rear groups to control chromatic aberrations. \u003cbr\u003e\u003cbr\u003eAll these specialized lens elements work in consort to yield maximum resolution to match the 50-megapixel DSLR cameras entering the market. \u003cbr\u003e\u003cbr\u003eThe fast constant F2.8 aperture makes viewing and auto focusing possible in very low light situations while keeping some flexibility for setting the shutter speed. \u003cbr\u003e\u003cbr\u003eIn addition to excellent optics, the lens incorporates a fast moving SDM (Silent Drive-Module) motor to greatly reduce AF noise making it one of Tokina’s quickest and quietest auto-focusing lenses to date. \u003cbr\u003e\u003cbr\u003eTokina’s exclusive One-touch Focus Clutch Mechanism allows the photographer to switch between AF and MF simply by snapping the focus ring forward for AF and back toward the lens mount for manual focusing. The lens is also designed to stand up to the rigors of daily use by photographers in a wide variety of shooting conditions and environments.\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003ctable class=\"data-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\u003cth colspan=\"2\"\u003e\u003ch4\u003eSpecifications\u003c\/h4\u003e\u003c\/th\u003e\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFocal Length\u003c\/td\u003e\n\u003ctd\u003e24-70mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Aperture\u003c\/td\u003e\n\u003ctd\u003eF2.8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Aperture\u003c\/td\u003e\n\u003ctd\u003eF22\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eConstruction E\/G\u003c\/td\u003e\n\u003ctd\u003e15 Elements in 11 Groups\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCoatings\u003c\/td\u003e\n\u003ctd\u003eMulti-layer coatings\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAngle of View\u003c\/td\u003e\n\u003ctd\u003e84.20-34.49°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMinimum Focus Distance\u003c\/td\u003e\n\u003ctd\u003e1.2 ft (0.38 m)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMacro Ratio\u003c\/td\u003e\n\u003ctd\u003e1:4.73\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eZoom Mode\u003c\/td\u003e\n\u003ctd\u003eRotary Zoom\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eZoom Range\u003c\/td\u003e\n\u003ctd\u003e24-70mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAperture Blades\u003c\/td\u003e\n\u003ctd\u003e9\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSD Glass\u003c\/td\u003e\n\u003ctd\u003e3 Elements\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFilter Size\u003c\/td\u003e\n\u003ctd\u003e82mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMaximum Outer Diameter\u003c\/td\u003e\n\u003ctd\u003e3.5 in (89.6mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Width\u003c\/td\u003e\n\u003ctd\u003e3.5 in (89.6mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Length\u003c\/td\u003e\n\u003ctd\u003e4.2 in (107.5mm)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSensor Size\u003c\/td\u003e\n\u003ctd\u003eFull Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight\u003c\/td\u003e\n\u003ctd\u003e2.2 lbs (1010g)\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAccessories\u003c\/td\u003e\n\u003ctd\u003eLens Hood\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eLens Hood\u003c\/td\u003e\n\u003ctd\u003eBH-822\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMounts\u003c\/td\u003e\n\u003ctd\u003eCanon Full Frame, Nikon Full Frame\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNotes\u003c\/td\u003e\n\u003ctd\u003eInternational Version\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWarranty\u003c\/td\u003e\n\u003ctd\u003e2 Year Limited Warranty\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e\u003cp\u003e \u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720751190183,"sku":"GC40-2470PROFXEOS","price":1352.54,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/l0000082-0002.jpg?v=1666609532"},{"product_id":"tokina-cinema-50-135mm-t3-0-with-canon-ef-mount","title":"Tokina Cinema 50-135mm T3.0 with Canon EF Mount","description":"\u003ch3\u003eTokina Cinema 50-135mm T3.0 with Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Cinema 50-135mm T3.0 with Canon EF Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.\u003c\/p\u003e\n\u003cp\u003eFeaturing two aspherical elements and super-low dispersion lens elements complimented with multi-layer coatings, the lens is able to produce images with high contrast and sharpness, while minimizing flare, diffraction, and ghosting. A 9-blade aperture diaphragm yields pleasing focus highlights while further reducing the chance of diffraction at small apertures. The lens has an industry-standard 114mm front diameter for use with professional matte boxes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConstant maximum aperture T3.0 zoom lens\u003c\/p\u003e\n\u003cp\u003eParfocal lens design prevents focus shift as you change your zoom\u003c\/p\u003e\n\u003cp\u003eIt Covers Super 35 sized sensors\u003c\/p\u003e\n\u003cp\u003e4K image sharpness\u003c\/p\u003e\n\u003cp\u003eRugged all-metal lens housing\u003c\/p\u003e\n\u003cp\u003e0.8 pitch geared focus, aperture, and zoom rings\u003c\/p\u003e\n\u003cp\u003eLDS (Lens Data System) support\u003c\/p\u003e\n\u003cp\u003e9-blade aperture diaphragm\u003c\/p\u003e\n\u003cp\u003eIndustry-standard 114mm front diameter for use with matte boxes\u003c\/p\u003e\n\u003cp\u003e112mm filter diameter\u003c\/p\u003e\n\u003cp\u003eThe minimum focus distance of 39.4\"\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720755220647,"sku":"GC40-50135CINEEOS","price":6614.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/9909_tokina-cinema-50-135mm-t3.0-with-canon-ef-mount_1.jpg?v=1666609688"},{"product_id":"tokina-11-20mm-t2-9-cine-zoom-lens-for-canon-ef-mount","title":"Tokina 11-20mm T2.9 Cine Zoom Lens for - Canon EF Mount","description":"\u003ch3\u003eTokina 11-20mm T2.9 Cine Zoom Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (EF Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigors of cine production and incorporates 0.8 Mod lens gears for compatibility with FIZ (focus\/iris\/zoom) control systems.\u003c\/p\u003e\n\u003cp\u003eInterchangeable LPL, PL, Sony E, MFT, and Nikon F lens mounts are available separately for swapping with the EF mount, expanding the lens's compatibility with additional cameras. The Tokina Cinema ATX 11-20mm incorporates low-distortion glass, and its 9-bladed iris produces attractive bokeh in out-of-focus areas. Focus (feet), iris, and zoom settings are marked on both sides of the lens barrel.\u003c\/p\u003e\n\u003cp\u003eAdditional cine features include a minimum focus distance of 12\", 300¬∞ of focus rotation, and an industry-standard 95mm front diameter compatible with most pro-style matte boxes. An 86mm front thread provides a second filtration option especially useful for low-profile or lightweight rig configurations.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eCompact, wide-angle T2.9 zoom lens covers Super 35mm sensors\u003c\/p\u003e\n\u003cp\u003eEF mount is interchangeable with separately available PL, LPL, MFT, Nikon F, and Sony E mounts\u003c\/p\u003e\n\u003cp\u003eCine-style 0.8 Mod lens gears are designed for use with FIZ (focus, iris, zoom) systems\u003c\/p\u003e\n\u003cp\u003eA constant T2.9 aperture is maintained throughout the zoom range\u003c\/p\u003e\n\u003cp\u003eLow distortion glass\u003c\/p\u003e\n\u003cp\u003e9-bladed iris for precise exposure control and attractive bokeh\u003c\/p\u003e\n\u003cp\u003e12\" minimum focus distance enables wide but close shots\u003c\/p\u003e\n\u003cp\u003eParfocal lens design maintains focus while zooming\u003c\/p\u003e\n\u003cp\u003eThe 95mm front diameter fits most pro-style matte boxes and adapters\u003c\/p\u003e\n\u003cp\u003eThe all-metal, cine-style housing includes a front 86mm filter thread\u003c\/p\u003e\n\u003cp\u003eFocus (feet), iris, and zoom marks are on both sides of the lens barrel\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720756334759,"sku":"GC40-KPC-1018EF","price":3499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-1018ef-1.jpg?v=1666609440"},{"product_id":"tokina-35mm-t1-5-cinema-vista-prime-lens-for-canon-ef-mount","title":"Tokina 35mm T1.5 Cinema Vista Prime Lens - Canon EF Mount","description":"\u003ch3\u003eTokina 35mm T1.5 Cinema Vista Prime Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 35mm T1.5 Cinema Vista Prime Lens with an EF mount and with focus scales marked in feet, provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 35mm focal length lens, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300¬∞ of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 35mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300¬∫ of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features threading on the front of the lens to accommodate a 112 mm screw-on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720756662439,"sku":"GC40-KPC-3001EF","price":6599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/tokina_kpc_3001ef_cinema_vista_35mm_t1_5_1493725043_1318327.jpg?v=1666609464"},{"product_id":"tokina-50mm-t1-5-cinema-vista-prime-lens-for-canon-ef-mount","title":"Tokina 50mm T1.5 Cinema Vista Prime Lens - Canon EF Mount","description":"\u003ch3\u003eTokina 50mm T1.5 Cinema Vista Prime Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 50mm T1.5 Cinema Vista Prime Lens with an EF mount and with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 50mm focal length and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300¬∞ of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 50mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300¬∫ of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw-on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720757448871,"sku":"GC40-KPC-3002EF","price":5599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-3002ef.jpg?v=1666609523"},{"product_id":"tokina-cinema-85mm-t1-5-lens-for-canon-ef-mount","title":"Tokina Cinema 85mm T1.5 Lens for Canon EF Mount","description":"\u003ch3\u003eTokina Cinema 85mm T1.5 Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 85mm T1.5 Cinema Vista Prime Lens with an EF mount and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This 85mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\n\n\u003cp\u003eThe 9-bladed iris provides round, out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300√Ǭ∞ of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\n\n\u003cp\u003eThe 85mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300√Ǭ∫ of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features threading on the front of the lens to accommodate 112mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eCovers Full-Frame Sensors\u003c\/p\u003e\n\u003cp\u003e46.7mm Image Circle\u003c\/p\u003e\n\u003cp\u003eSuitable for 8K Image Capture\u003c\/p\u003e\n\u003cp\u003eInternal Focus Design\u003c\/p\u003e\n\u003cp\u003eVirtually No Lens Breathing\u003c\/p\u003e\n\u003cp\u003e300√Ǭ∞ Focus Barrel Rotation\u003c\/p\u003e\n\u003cp\u003eT1.5 Aperture, Clickless 9-Bladed Iris\u003c\/p\u003e\n\u003cp\u003eWeighs 4.92 Pounds\u003c\/p\u003e\n\u003cp\u003e114mm Front Lens Diameter\u003c\/p\u003e\n\u003cp\u003eIntegrated Lens Support Foot\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720757678247,"sku":"GC40-KPC-3003EF","price":7599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-3003ef-4.jpg?v=1666609711"},{"product_id":"tokina-cinema-vista-25mm-t1-5-lens-for-ef-mount","title":"Tokina Cinema Vista 25mm T1.5 Lens for EF Mount","description":"\u003ch3\u003eTokina Cinema Vista 25mm T1.5 Lens for EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 25mm T1.5 Cinema Vista Prime Lens with a Canon EF mount and with focus scales marked in feet, provides an image circle that more than covers full-frame sensors, and is designed to provide sharp images even when recording images at 8K resolution. This 25mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations, or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\n\n\u003cp\u003eThe 9-bladed iris provides round, out of focus highlights for a natural looking bokeh. The Cinema Vista Prime lenses are designed to minimize focus breathing, and feature geared, manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eThe 25mm T1.5 Canon EF mount prime lens focuses images on a sensor with full 8K-resolution and features a 46.7mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth, round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual, and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind, or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features threading on the front of the lens to accommodate 112mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e\n\u003cp\u003eCovers Full-Frame Sensor Size\u003c\/p\u003e\n\u003cp\u003e46.7mm Image Circle\u003c\/p\u003e\n\u003cp\u003eSuitable for 8K Image Capture\u003c\/p\u003e\n\u003cp\u003eInternal Focus Design\u003c\/p\u003e\n\u003cp\u003eVirtually No Lens Breathing\u003c\/p\u003e\n\u003cp\u003eT1.5 Aperture, Clickless 9-Bladed Iris\u003c\/p\u003e\n\u003cp\u003eWeighs 5 Pounds\u003c\/p\u003e\n\u003cp\u003e114mm Front Lens Diameter\u003c\/p\u003e\n\u003cp\u003eFocus Marks on Both Sides of Barrel\u003c\/p\u003e\n\u003cp\u003eIntegrated Lens Support Foot\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720758595751,"sku":"GC40-KPC-3005EF","price":8819.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-3005ef-1.jpg?v=1666609782"}],"url":"https:\/\/www.georges.com.au\/collections\/ef-mounts.oembed","provider":"Georges Cameras","version":"1.0","type":"link"}