{"title":"Digital Consoles","description":null,"products":[{"product_id":"roland-v-mixer-digital-console-with-32-channels-and-ipad-control-ipad-not-included","title":"Roland V-Mixer Digital Console With 32 Channels And IPad Control (IPad Not Included)","description":"\u003ch3\u003eRoland V-Mixer Digital Console With 32 Channels And IPad Control (IPad Not Included)\u003c\/h3\u003e\n\u003cp\u003eThe M-200i being part of the V-Mixer family means it has award-winning sound quality, operation and expandability – all condensed into a compact body. It is a V-Mixer with 24 analog inputs, 12 analog outputs and stereo digital output (AES\/EBU) all built-in to the main unit. It's ready to perform, out of the box.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003e32-channel digital mixer (controllable with or without iPad)\u003c\/p\u003e\n\u003cp\u003e17 motorized faders, dedicated buttons and knobs for key functions\u003c\/p\u003e\n\u003cp\u003e24 onboard inputs and 14 outputs - expandable up to 64 x 54\u003c\/p\u003e\n\u003cp\u003eFully featured, comprehensive iPad control for all major functions\u003c\/p\u003e\n\u003cp\u003eWireless and wired iPad control (two at the same time)\u003c\/p\u003e\n\u003cp\u003eEasily expandable to include personal mixing and multi-channel playback\/record\u003c\/p\u003e\n\u003cp\u003eMulti-channel recording up to 40 channels\u003c\/p\u003e\n\u003cp\u003eThe M-200i is a part of the V-Mixer lineup which includes the M-480, and the M-300. To find out more about how each model compares see the V-Mixer Comparison Chart.\u003c\/p\u003e\n\u003cp\u003eWith the built-in REAC port, it is easily expanded to include remote I\/O simply by adding a Roland Digital Snakehead.\u003c\/p\u003e\n\u003cp\u003eExpand further with any other device from the REAC family including Personal Mixers and\/or Multi-channel Recorder\/Player technology. Inside it is equipped with a fully spec'd 32 channels plus Main LR, 8 AUX, 4 Matrix outputs, along with 8 DCA groups.\u003c\/p\u003e\n\u003cp\u003eIt is loaded with four multi-effect processors and four 31-band graphic EQ units which are requirements for any professional live sound production. Other popular functions including WAV recording\/playback using USB memory, remote control via PC\/Mac, and DAW recording. The flexibility and mobility of comprehensive iPad control fused with the reliability and precision of a professional digital mixing console.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eCutting edge hybrid surface that combines an iPad with a physical controller\u003c\/h3\u003e\n\u003cp\u003eThe iPad functions as a large touch screen display. Use the iPad for intuitive control of effects and other graphical manipulation, while physically controlling the volume with the motorized faders. The advanced \"Touch \u0026amp; Turn\" surface provides a more convenient mixing environment than ever before by allowing you to touch a control on the iPad and control it with a physical knob.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAll functions required for high-end live audio production are included\u003c\/h3\u003e\n\u003cp\u003eComfortable mixing capacity with 32ch inputs + Main\/8AUX\/4Matrix outputs. Despite its compact size, the M-200i ensures a comfortable 32ch input mix capacity. The output has the full specifications of Main(LR)\/8AUX\/4Matrix, which supports many mixing applications. Any of the built-in 24 analog inputs, the 40x40 channels on the REAC port, the effect outputs, and USB memory recorder can be assigned to the 32 channels.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eHighly flexible performance regardless of your operational preferences\u003c\/h3\u003e\n\u003cp\u003eBy incorporating the iPad, the M-200i can be operated in a variety of styles to fit any situation. Sound checks can be performed remotely from the stage or any location\/seat in the room using the iPad. At the same time, all operations can still be performed at the console using the built-in display and dedicated knobs and buttons.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAll input channels are equipped with two dynamics processors and a 4-band parametric EQ\u003c\/h3\u003e\n\u003cp\u003eA gate\/expander, compressor and 4-band parametric EQ are available on all 32 channels. The basics of any mix start with good channel processing and the M-200i has it covered. The Main\/8AUX\/4Matrix output buses are all equipped with a compressor, 4-band parametric EQ, limiter, and delay.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eInternal or remote head amp circuitry is digitally controlled for full recall\u003c\/h3\u003e\n\u003cp\u003eThe head amp control circuit is fully digitalized so, at the touch of a button, all the parameters can be saved or recalled instantly. An externally connected Digital Snake is easily connected and remotely controlled perfectly from the M-200i surface.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e24x12 Analog I\/O that is easily expanded with REAC\u003c\/h3\u003e\n\u003cp\u003e16 mic\/line inputs, 8 line inputs, 2 main outputs, and 10 assignable outputs are all included in the compact body. Connect a Digital Snake to the REAC port to expand the number of inputs and outputs. It is also equipped with stereo digital output (AES\/EBU) for directly connecting digital devices, as well as two headphone outputs for multiple-operator monitoring.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eDiscrete design of high-grade head amp circuit. Instantly save\/recall all parameters\u003c\/h3\u003e\n\u003cp\u003e16 inputs are equipped with a discretely designed high-grade microphone preamp circuit. The full digital control specification allows for instant saving and recalling of all parameters such as input gain, padding, and phantom power. An externally connected Digital Snake is fully controlled remotely.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eEquipped with four versatile multi-effect processors. No need for outboard gear\u003c\/h3\u003e\n\u003cp\u003eFour multi-effect processors can be easily inserted into any input channel, AUX bus, matrix bus and final output bus. Effect types can be selected from fifteen kinds of processors including reverb and delay, as well as three kinds of Roland \"Vintage Effects\" which are praised by audio engineers throughout the world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eEffect Type\u003c\/h3\u003e\n\u003cp\u003eStereo Reverb, REVERB+GATE, DELAY x 2, LONG DELAY, Multi-Tap Delay, Cross-modulation Delay, Stereo Chorus, Stereo Flanger, Stereo Phaser, Channel Strip x 2, Pitch Shifter x 2, GEQ, STEREO FLANGER SBF-325, PHASE SHIFTER SPH-323, DIMENSION D SDD-320\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFour 31-band graphic EQs - crucial for fine sound correction\u003c\/h3\u003e\n\u003cp\u003eFour 31-band graphic EQs are included which are indispensable for live venues. Used together with signal delay on the input channel and output bus, detailed sound adjustments can be easily performed with the M-200i. In a venue where more detailed sound correction is required, four more 31-band graphic EQs can be used by selecting the graphic EQ from the four multi-effects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuilt-in USB memory recorder for Uncompressed WAV recording\u003c\/h3\u003e\n\u003cp\u003eAny two of the Main\/8AUX\/4Matrix outputs can be recorded as a 16-bit, uncompressed WAV file by inserting a USB memory stick in the back panel. WAV files stored in USB memory can be also be played from any input channel. In addition, the USB memory can be used for saving\/loading configuration files on the M-200i.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eComprehensive iPad control enables even better ways to mix a room\u003c\/h3\u003e\n\u003cp\u003eNot just a few functions but comprehensive control - new workflows and ways to mix a room. Remotely control all aspects of the mix from the iPad and enjoy the feeling of superior response and comfortable operation. One of the compelling features the M-200i brings is the comfort of a surface with faders, knobs and buttons so tightly integrated with fully featured iPad screens that go well beyond controlling just a limited set of features. A wireless connection is established by simply attaching the WNA1100-RL Wireless USB Adapter or a wireless LAN access point that in turn allows the user to remotely control the M-200i with the iPad from the stage or any location in the house. Operating the M-200i is not limited by its physical location.\u003c\/p\u003e\n\u003ch3\u003eThe DOCK CABLE for connecting the iPad is included\u003c\/h3\u003e\n\u003cp\u003eThe DOCK CABLE connector for the iPad provides a reliable wired connection and stable operation which is not affected by fluctuations in electrical current. The DOCK CABLE connector also supplies power to the iPad. Use an Apple Lightning to 30-pin Adapter to connect with the new iPad and iPad mini.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eControl remotely from a PC (Windows\/Mac)\u003c\/h3\u003e\n\u003cp\u003eThe M-200i can be controlled remotely from a PC (Windows\/Mac) by using the M-200i RCS* dedicated software. You can operate the M-200i simultaneously from the iPad, a PC and the M-200i itself. *The M-200i RCS is a free download.\u003c\/p\u003e\n\u003ch3\u003eThree types of wireless connections\u003c\/h3\u003e\n\u003cp\u003eThe M-200i and an iPad can be connected wirelessly by attaching the \"WNA1100-RL\"(sold separately) dedicated wireless USB adapter or connecting with a wireless LAN device directly. The M-200i can then be operated from a remote location such as the stage or any seat in the house using the iPad. Depending on the situation, the communication method for the iPad and the M-200i can be selected from one of three types: \"cable LAN connection,\" \"wireless LAN connection,\" or\"Ad-Hoc connection.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eVarious methods of recording to fit any venue and application\u003c\/h3\u003e\n\u003cp\u003eWith REAC, it is a simple setup to enable high quality to live multi-channel recording with the M-200i. Connect a computer's network port via a Cat5e\/6 cable to the REAC port and record up to 40 channels directly to \"Cakewalk SONAR Producer\" DAW software. Edit and mix immediately after the recording. When the R-1000 48-track recorder\/player is connected, a full playback and recording environment is enabled for virtual rehearsals, training and live capture. This way a fully integrated playback and recording system can be built without using a computer. Use the S-MADI unit to interface into MADI-based recording or broadcast environments. The S-RDK REAC Driver Kit is required for recording to Cakewalk SONAR Producer. The Roland OCTA-CAPTURE, the FA-66, or the VS-700R is required for monitoring.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eThe superior operability of the control surface enables all operations from the unit itself\u003c\/h3\u003e\n\u003cp\u003eThe M-200i can perform all operations with the moving faders, buttons and konbs on the main body itself. The parameter levels, system settings, and level meters can be confirmed with the LCD screen located on the top right corner. If an unexpected problem occurs with the iPad, all operations can be performed with the M-200i exclusively.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRemote control interface including MIDI and RS-232 connectors. Supports V-LINK to sync with video equipment\u003c\/h3\u003e\n\u003cp\u003eThe back panel is equipped with MIDI connectors to transmit and receive data to and from external devices along with an RS-232C connector for integrated wall-panel and other types of remote control. The MIDI connectors support V-LINK, which makes it possible to link to Roland video equipment. When a device such as the V-40HD Video Switcher is connected, video images can be synchronized with the volume control of any channel – a true audio-follows-video configuration.\u003c\/p\u003e","brand":"Roland","offers":[{"title":"Default Title","offer_id":42721128087719,"sku":"GC08-M200i","price":4098.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/m200i_1_1.jpg?v=1666592098"},{"product_id":"tascam-16-channel-digital-recording-mixing-console","title":"Tascam 16 Channel Digital Recording\/Mixing Console","description":"\u003ch3\u003eTascam 16 Channel Digital Recording\/Mixing Console\u003c\/h3\u003e\n \u003cp\u003eTascam has a long history of high-quality digital mixers, culminating with the legendary DM-4800, a workhorse mixer that set a new standard. With Tascam Sonicview, Tascam has created an entirely new line of digital mixing consoles that incorporate the latest technology and make it easy to see and control all of the parametres you want, when you want, with completely customisable touch screens and user-definable buttons, along with motorised faders and intuitive control software.\u003c\/p\u003e\n \u003cp\u003eTascam Sonicview mixing consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit\/96 kHz multi-channel USB audio interface, and plenty of I\/O. No-compromise audio quality, including 54-bit float-point FPGA mixing, combines with ample signal processing, an expansion slot for additional connectivity, and wireless remote control to make Tascam Sonicview mixers a next-generation choice for touring, installed sound, recording studios, and broadcasting.\u003c\/p\u003e\n \u003ch3\u003eIntuitive Operation at Your Fingertips\u003c\/h3\u003e\n \u003cp\u003eThe Tascam Sonicview 16 offers motorised channel faders in two banks of eight, plus a motorised stereo fader for the main bus. Above each bank of channel faders is a colour touch panel that allows you to view entire mixer channels, or get down to details, controlling each parametre with your fingertip.\u003c\/p\u003e\n \u003ch3\u003eThe Amazing View\u003c\/h3\u003e\n \u003cp\u003eTruly the next generation in mixer user interfaces, the powerful intuitive Tascam Visual Interactive Ergonomic Workflow (View) system lets you quickly and easily configure the Tascam Sonicview 16's two touch screens.\u003c\/p\u003e\n \u003cp\u003eThanks to the View user interface, there are three different ways to view your settings, and each touch screen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix on screen 2.\u003c\/p\u003e\n \u003cp\u003eTo view the status of any eight adjacent channels at a glance, as you would see on vertical channel strips with an analogue mixer, choose Channel Strip View.\u003c\/p\u003e\n \u003cp\u003eIn Module View, you can monitor and control any two sets of parametres for one single channel, including the compressor, graphic EQ, effects send, and more.\u003c\/p\u003e\n \u003cp\u003eIndividual View is the ultimate in customised displays. View any functions for any channel, group of channels, and more-all on different screens, simultaneously. For instance, you could simultaneously monitor the output bus metre on screen 1, and monitor levels on important input channels on screen 2.\u003c\/p\u003e\n \u003ch3\u003eChannel Strip View\u003c\/h3\u003e\n \u003cp\u003eChannel Strip View lets you monitor and control eight adjacent channels, and view them as virtual channel strips like an analogue mixer layout.\u003c\/p\u003e\n \u003ch3\u003eModule View\u003c\/h3\u003e\n \u003cp\u003eModule View lets you monitor and control any two sets of parametres simultaneously for one single channel.\u003c\/p\u003e\n \u003ch3\u003eIndividual View\u003c\/h3\u003e\n \u003cp\u003eIndividual View lets you monitor and control a custom selection of functions for any channel or group of channels.\u003c\/p\u003e\n \u003ch3\u003eHigh-end Audio Quality\u003c\/h3\u003e\n \u003cp\u003eTascam Sonicview delivers the finest audio performance in its class, thanks to a 54-bit float-point FPGA mixing engine; continuous, high-definition 32-bit\/96 kHz sampling; and 32-bit analogue-to-digital converters. The mixing engine's float-point processing makes it possible to flexibly change levels without compromising resolution and FPGA mixing engine make it possible to ensures ultra-low latency, even in analogue-to-analogue connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems.\u003c\/p\u003e\n \u003ch3\u003eInput Channels and Processing\u003c\/h3\u003e\n \u003cp\u003eThe Tascam Sonicview 16 offers 16 channels with XLR mic\/line inputs or 8 channels with both XLR mic inputs and balanced TRS line inputs. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback mic.\u003c\/p\u003e\n \u003ch3\u003eChannel Control and Processing\u003c\/h3\u003e\n \u003cp\u003eThere's much more to Tascam Sonicview than meets the eye. Internally, Tascam Sonicview mixers have a generous 40 mono channels, 2 stereo and 4 stereo FX return channels channels so you can fly in backing tracks to make a small praise band sound huge, accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. The programmable layer keys select which custom combination of channels and output buses are controlled by the motorised faders\u003c\/p\u003e\n \u003ch3\u003eTop-of-the Line Class 1 HDIA Mic Preamps\u003c\/h3\u003e\n \u003cp\u003eEach Tascam Sonicview microphone input feeds a Tascam Class 1 HDIA (High Definition Instrumentation Architecture) preamp-the finest mic preamp we've ever made. Thanks to an instrumentation amplifier with extremely good noise characteristics in the first stage, Class 1 HDIA microphone preamps exhibit excellent EIN, signal-to-noise ratio, distortion ratio, and frequency response. Tascam Sonicview ultra definition mic preamps will pick up the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The mic inputs can accept up to +32 dBu signals, providing plenty of headroom for sudden level increases.\u003c\/p\u003e\n \u003cp\u003eThe combination of Class 1 HDIA preamps, 32-bit\/96 kHz ADCs, and our 54-bit FPGA mixing engine is impressive but we didn't stop there: We conducted extensive internal and external evaluations to tune Tascam Sonicview mixers for optimal performance. The result is best-in-class sound that will never disappoint.\u003c\/p\u003e\n \u003ch3\u003eBuilt-in USB Audio Interface and Stereo Recording\u003c\/h3\u003e\n \u003cp\u003eTascam Sonicview's integrated 32-in\/32-out USB audio interface makes it a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses, and the L\/R main bus to your favourite DAW at up to 96 kHz with the same 32-bit precision used throughout the Tascam Sonicview.\u003c\/p\u003e\n \u003cp\u003eYou can simultaneously capture the main mix directly to the onboard stereo SD\/USB recorder - handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.\u003c\/p\u003e\n \u003ch3\u003eDante-enabled for Superior Networking\u003c\/h3\u003e\n \u003cp\u003eDante audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, houses of worship, and much more. Tascam Sonicview consoles can serve as the audio centre of these systems, thanks to a built-in 64-in\/64-out Dante interface that supports Dante Domain Manager and have AES67 and SMPTE ST 2110 interoperability. Two Dante ports enable redundant streams.\u003c\/p\u003e\n \u003ch3\u003eRemote Control and Offline Editing\u003c\/h3\u003e\n \u003cp\u003eWhether onstage, backstage, in a control room, or at the rear of a concert hall, you're always in full control of your Tascam Sonicview 16 mixer. Just connect a Wi-Fi router to the Tascam Sonicview's Ethernet port and use free Tascam Sonicview Control software for macOS, Windows, and iPadOS to manage your Tascam Sonicview 16 from virtually anywhere in the venue. Edit settings offline in advance so you're ready to go when a session or show begins, then make adjustments from the console or from the software.\u003c\/p\u003e\n \u003ch3\u003eWork Quickly with Function Keys\u003c\/h3\u003e\n \u003cp\u003eTascam Sonicview offers intuitive, analogue-like operation, while providing a variety of convenient digital functions that can be customised as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback, and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. A footswitch (not included) can be used to tap in delay-time settings.\u003c\/p\u003e\n \u003ch3\u003eExpanded User Keys \u0026amp; Configurable Library (supported in V2.2.0)\u003c\/h3\u003e\n \u003cp\u003eTascam Sonicview's User Keys now offer expanded functionality, with up to 64 additional keys accessible via the LCD screen. This enhancement delivers greater flexibility and more customisation options for frequently used functions. The new User Defined Control Library makes it easy to store and recall multiple User key layouts, GPIO and Foot switch-ideal for switching between different workflows, users, or production scenarios.\u003c\/p\u003e\n \u003ch3\u003eClear, Mistake-free Navigation\u003c\/h3\u003e\n \u003cp\u003eWhen you're mixing a show, broadcast, or crucial recording session, you can't afford to hit the wrong button or grab the wrong control. Tascam Sonicview's mixing surface makes it easy to see at a glance what you're controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-colour LED. The User keys feature full-colour LEDs, so you can group each input source and function by colour and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customisable touch panels, you always know where you are and what you're controlling.\u003c\/p\u003e\n \u003ch3\u003eAuto Mixer (supported in V2.0.0)\u003c\/h3\u003e\n \u003cp\u003eThe Tascam Sonicview features a gain-sharing Auto Mixer function that automatically controls gain in real time, ensuring optimal conditions at all times during panel discussions, events, and talk shows where multiple participants are speaking.\u003c\/p\u003e\n \u003cp\u003eFour groups allow up to four different mixes to be created independently for each group. A Priorityfunction that enables only the chairperson or moderator to speak, and a Weight function allows the level of a particular channel to be mixed higher or lower for each group.\u003c\/p\u003e\n \u003ch3\u003eAn additional monitor bus system and OSC\/talkback capability add more versatility for broadcast and monitoring applications (supported in V1.5.0)\u003c\/h3\u003e\n \u003cp\u003eTwo monitor buses are now available with V1.5.0, Monitor 1 and Monitor 2. Each monitor section comes with 6 switchable monitor source presets with essential functions such as MUTE\/DIMMER. In addition, a location setting has been added to automatically mute the monitor speakers when in the same enclosed space as a live microphone.\u003c\/p\u003e\n \u003cp\u003eInput sources can be freely assigned in the talkback section. Also, outputs can now be directly assigned into each bus or monitor, or to output routers. All of these settings and OSC on\/off settings can be assigned to, and controlled by User keys for quick control a variety of broadcast system and monitoring environments.\u003c\/p\u003e\n \u003ch3\u003eAudio Follow Video Function to Link Video and Audio (supported in V1.6.1)\u003c\/h3\u003e\n \u003cp\u003eThe corresponding audio fader level can be operated in conjunction with the video material tally from the video switcher. Tally events can be input via GPIO, with 8 inputs on the Tascam Sonicview and up to 40 inputs when a SB-16D is connected.\u003c\/p\u003e\n \u003cp\u003eVarious parametres (On Level, Off Level, Wait Time, Rise Time, Hold Time, Fall Time) can be set on the channel selected as the control target. It enables simple sound and video interlocking operation in broadcast studio systems as well as in various outside broadcasting such as sports.\u003c\/p\u003e\n \u003ch3\u003eSMPTE ST2110 Compliant (supported in V2.0.0)\u003c\/h3\u003e\n \u003cp\u003eBy installing the optional IF-ST2110 card (sold separately), IP connection compliant with SMPTE ST 2110 is possible, making Tascam Sonicview a mixer that is compatible with a ST2110 system.\u003c\/p\u003e\n \u003ch3\u003eRemote Control With Ember+ (supported in 2.2.0)\u003c\/h3\u003e\n \u003cp\u003eIntegrate your Tascam Sonicview console into your Ember+ network and unlock powerful remote control capabilities. With expanded protocol support, a wide range of Sonicview parametres are now accessible remotely - bringing deeper connectivity and control to your workflow.\u003c\/p\u003e\n \u003ch3\u003eMonitoring via Network Using SNMP (supported in V2.0.0)\u003c\/h3\u003e\n \u003cp\u003eThe Tascam Sonicview supports SNMPv1 and SNMPv2c, allowing monitoring of the unit over the network.\u003c\/p\u003e\n \u003ch3\u003eKey Features:\u003c\/h3\u003e\n \u003cp\u003eTascam View Interface with Three Custom Views\u003c\/p\u003e\n \u003cp\u003eDual 7-Inch Multi-Touch Display Panels\u003c\/p\u003e\n \u003cp\u003e44 Input Channels with 4 FX Returns\u003c\/p\u003e\n \u003cp\u003e22 Output Buses and Main L\/R Bus\u003c\/p\u003e\n \u003cp\u003e96 kHz, 54-Bit Floating-Point FPGA Mixing Engine\u003c\/p\u003e\n \u003cp\u003eUltra-Low Latency of 0.51 ms Analog-to-Analog\u003c\/p\u003e\n \u003cp\u003e32-Bit\/96 kHz AD\/DA Conversion\u003c\/p\u003e\n \u003cp\u003eTascam Class 1 HDIA Mic Preamps\u003c\/p\u003e\n \u003cp\u003e32-In\/32-Out USB Audio Interface\u003c\/p\u003e\n \u003cp\u003eBuilt-In 64-In\/64-Out Dante Interface with Redundancy\u003c\/p\u003e\n \u003cp\u003eAES67 and SMPTE ST 2110 Compatible\u003c\/p\u003e\n \u003cp\u003e16 Mic\/Line Inputs and 16 XLR Outputs\u003c\/p\u003e\n \u003cp\u003eFour High-Quality Multi-Effects Processors\u003c\/p\u003e\n \u003cp\u003eSonicview Control Software for macOS, Windows, and iPadOS\u003c\/p\u003e\n \u003cp\u003eTwo Expansion Slots for Optional Interface Cards\u003c\/p\u003e\n \u003cp\u003eOptional SDXC, MADI, Dante, AES\/EBU, and ST 2110 Cards\u003c\/p\u003e\n \u003cp\u003eAdvanced Auto Mixer Function\u003c\/p\u003e\n \u003cp\u003eEmber+ Compatible External Control Protocols\u003c\/p\u003e\n \u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n \u003cp\u003eTascam 16 Channel Digital Recording\/Mixing Console\u003c\/p\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":47171803414695,"sku":"GC152-TA-SONICVIEW-16","price":10998.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC152-TA-SONICVIEW-16.jpg?v=1761723681"},{"product_id":"tascam-24-channel-digital-recording-mixing-console","title":"Tascam 24 Channel Digital Recording\/Mixing Console","description":"\u003ch3\u003eTascam 24 Channel Digital Recording\/Mixing Console\u003c\/h3\u003e\n \u003cp\u003eTascam has a long history of high-quality digital mixers, culminating with the legendary DM-4800, a workhorse mixer that set a new standard. With Tascam Sonicview, Tascam has created an entirely new line of digital mixing consoles that incorporate the latest technology and make it easy to see and control all of the parametres you want, when you want, with completely customisable touch screens and user-definable buttons, along with motorised faders and intuitive control software.\u003c\/p\u003e\n \u003cp\u003eTascam Sonicview mixing consoles integrate beautifully with the rest of your system, thanks to built-in Dante networking, a 32-bit\/96 kHz multi-channel USB audio interface, and plenty of I\/O. No-compromise audio quality, including 54-bit float-point FPGA mixing, combines with ample signal processing, an expansion slot for additional connectivity, and wireless remote control to make Tascam Sonicview mixers a next-generation choice for touring, installed sound, recording studios, and broadcasting.\u003c\/p\u003e\n \u003ch3\u003eIntuitive Operation at Your Fingertips\u003c\/h3\u003e\n \u003cp\u003eThe Tascam Sonicview 24 offers motorised channel faders in three banks of eight, plus a motorised stereo fader for the main bus. Above each bank of channel faders is a colour touch panel that allows you to view entire mixer channels, or get down to details, controlling each parametre with your fingertip.\u003c\/p\u003e\n \u003ch3\u003eThe Amazing View\u003c\/h3\u003e\n \u003cp\u003eTruly the next generation in mixer user interfaces, the powerful intuitive Tascam Visual Interactive Ergonomic Workflow (View) system lets you quickly and easily configure the Tascam Sonicview 24's three touch screens.\u003c\/p\u003e\n \u003cp\u003eThanks to the View user interface, there are three different ways to view your settings, and each touch screen can be configured independently, so you can monitor and control any combination of settings you want, in whichever screens you want, whenever you want. For instance, you could monitor levels for eight channels of vocals on screen 1, while tweaking the parametric EQ on a drum submix in screen 2 and keeping an eye on the output-bus level and compression curve on screen 3.\u003c\/p\u003e\n \u003cp\u003eTo view the status of any eight adjacent channels at a glance, as you would see on vertical channel strips with an analogue mixer, choose Channel Strip View.\u003c\/p\u003e\n \u003cp\u003eIn Module View, you can monitor and control any three sets of parametres for one single channel, including the compressor, graphic EQ, aux\/effects send, and more.\u003c\/p\u003e\n \u003cp\u003eIndividual View is the ultimate in customised displays. View any functions for any channel, group of channels, and more-all on different screens, simultaneously. For instance, you could simultaneously monitor the output bus metre, adjust a graphic equaliser, and monitor levels on important input channels.\u003c\/p\u003e\n \u003ch3\u003eChannel Strip View\u003c\/h3\u003e\n \u003cp\u003eChannel Strip View lets you monitor and control eight adjacent channels, and view them as virtual channel strips like an analogue mixer layout.\u003c\/p\u003e\n \u003ch3\u003eModule View\u003c\/h3\u003e\n \u003cp\u003eModule View lets you monitor and control any three sets of parametres simultaneously for one single channel.\u003c\/p\u003e\n \u003ch3\u003eIndividual View\u003c\/h3\u003e\n \u003cp\u003eIndividual View lets you monitor and control a custom selection of functions for any channel or group of channels.\u003c\/p\u003e\n \u003ch3\u003eHigh-end Audio Quality\u003c\/h3\u003e\n \u003cp\u003eTascam Sonicview delivers the finest audio performance in its class, thanks to a 54-bit float-point FPGA mixing engine; continuous, high-definition 32-bit\/96 kHz sampling; and 32-bit analogue-to-digital converters. The mixing engine's float-point processing makes it possible to flexibly change levels without compromising resolution and FPGA mixing engine make it possible to ensures ultra-low latency, even in analogue-to-analogue connections. The result is no-compromises performance, including with Dante networks and in-line monitoring systems.\u003c\/p\u003e\n \u003ch3\u003eInput Channels and Processing\u003c\/h3\u003e\n \u003cp\u003eThe Tascam Sonicview 24 offers 24 channels with XLR mic\/line inputs and 8 channels with both XLR mic inputs and balanced TRS line inputs. You also get TRS insert points on two channels, two stereo pairs of RCA aux inputs, and an XLR input for a talkback mic.\u003c\/p\u003e\n \u003ch3\u003eChannel Control and Processing\u003c\/h3\u003e\n \u003cp\u003eThere's much more to Tascam Sonicview than meets the eye. Internally, Tascam Sonicview mixers have a generous 40 mono channels, 2 stereo channels and 4 stereo FX return channels so you can fly in backing tracks to make a small praise band sound huge, accommodate additional physical audio inputs via the expansion slots for larger ensembles, manage sources from every part of a venue via the Dante network, and mix dozens of DAW tracks. Eight DCAs enable you to easily control groups of channels. The programmable layer keys select which custom combination of channels and output buses are controlled by the motorised faders.\u003c\/p\u003e\n \u003ch3\u003eTop-of-the Line Class 1 HDIA Mic Preamps\u003c\/h3\u003e\n \u003cp\u003eEach Tascam Sonicview microphone input feeds a Tascam Class 1 HDIA (High Definition Instrumentation Architecture) preamp-the finest mic preamp we've ever made. Thanks to an instrumentation amplifier with extremely good noise characteristics in the first stage, Class 1 HDIA microphone preamps exhibit excellent EIN, signal-to-noise ratio, distortion ratio, and frequency response. Tascam Sonicview ultra definition mic preamps will pick up the slightest nuance from rosin on a violin bow to the subtle dynamic changes of a voice or saxophone. The mic inputs can accept up to +32 dBu signals, providing plenty of headroom for sudden level increases.\u003c\/p\u003e\n \u003cp\u003eThe combination of Class 1 HDIA preamps, 32-bit\/96 kHz ADCs, and our 54-bit FPGA mixing engine is impressive but we didn't stop there: We conducted extensive internal and external evaluations to tune Tascam Sonicview mixers for optimal performance. The result is best-in-class sound that will never disappoint.\u003c\/p\u003e\n \u003ch3\u003eBuilt-in USB Audio Interface and Stereo Recording\u003c\/h3\u003e\n \u003cp\u003eTascam Sonicview's integrated 32-in\/32-out USB audio interface makes it a first-rate front end for recording and broadcast studios, as well as for capturing live events. Record your choice of channel direct outs, flex buses, and the L\/R main bus to your favourite DAW at up to 96 kHz with the same 32-bit precision used throughout the Tascam Sonicview.\u003c\/p\u003e\n \u003cp\u003eYou can simultaneously capture the main mix directly to the onboard stereo SD\/USB recorder - handy when the band wants to listen to their performance at the hotel or on the bus. A top-panel port also lets you record in stereo to a USB flash drive.\u003c\/p\u003e\n \u003cp\u003eDante-enabled for Superior Networking\u003c\/p\u003e\n \u003cp\u003eDante audio-over-IP networks integrate thousands of concert touring systems, as well as installed systems in recording studios, radio stations, corporate boardrooms, houses of worship, and much more. Tascam Sonicview consoles can serve as the audio centre of these systems, thanks to a built-in 64-in\/64-out Dante interface that supports Dante Domain Manager and have AES67 and SMPTE ST 2110 interoperability. Two Dante ports enable redundant streams.\u003c\/p\u003e\n \u003ch3\u003eRemote Control and Offline Editing\u003c\/h3\u003e\n \u003cp\u003eWhether onstage, backstage, in a control room, or at the rear of a concert hall, you're always in full control of your Tascam Sonicview 24 mixer. Just connect a Wi-Fi router to the Tascam Sonicview's Ethernet port and use free Tascam Sonicview Control software for macOS, Windows, and iPadOS to manage your Tascam Sonicview 24 from virtually anywhere in the venue. Edit settings offline in advance so you're ready to go when a session or show begins, then make adjustments from the console or from the software.\u003c\/p\u003e\n \u003ch3\u003eWork Quickly with Function Keys\u003c\/h3\u003e\n \u003cp\u003eTascam Sonicview offers intuitive, analogue-like operation, while providing a variety of convenient digital functions that can be customised as needed. Eighteen user-defined function keys can be assigned to recording with the internal recorder, playback, and more. Several keys are conveniently preassigned to functions such as Sends On Fader and Snapshot Recall but you can reassign them as desired. A footswitch (not included) can be used to tap in delay-time settings.\u003c\/p\u003e\n \u003ch3\u003eExpanded User Keys \u0026amp; Configurable Library (supported in V2.2.0)\u003c\/h3\u003e\n \u003cp\u003eTascam Sonicview's User Keys now offer expanded functionality, with up to 64 additional keys accessible via the LCD screen. This enhancement delivers greater flexibility and more customisation options for frequently used functions. The new User Defined Control Library makes it easy to store and recall multiple User key layouts, GPIO and Foot switch-ideal for switching between different workflows, users, or production scenarios.\u003c\/p\u003e\n \u003ch3\u003eClear, Mistake-free Navigation\u003c\/h3\u003e\n \u003cp\u003eWhen you're mixing a show, broadcast, or crucial recording session, you can't afford to hit the wrong button or grab the wrong control. Tascam Sonicview's mixing surface makes it easy to see at a glance what you're controlling, even in a dark concert hall. Each channel strip includes a channel-name LCD with a full-colour LED. The User keys feature full-colour LEDs, so you can group each input source and function by colour and view them easily. The Solo and Channel Select keys have distinctive shapes, and the Mute key is guarded with a cap. With these features and the customisable touch panels, you always know where you are and what you're controlling.\u003c\/p\u003e\n \u003ch3\u003eAuto Mixer (supported in V2.0.0)\u003c\/h3\u003e\n \u003cp\u003eThe Tascam Sonicview features a gain-sharing Auto Mixer function that automatically controls gain in real time, ensuring optimal conditions at all times during panel discussions, events, and talk shows where multiple participants are speaking.\u003c\/p\u003e\n \u003cp\u003eFour groups allow up to four different mixes to be created independently for each group. A Priorityfunction that enables only the chairperson or moderator to speak, and a Weight function allows the level of a particular channel to be mixed higher or lower for each group.\u003c\/p\u003e\n \u003ch3\u003eAn additional monitor bus system and OSC\/talkback capability add more versatility for broadcast and monitoring applications (supported in V1.5.0)\u003c\/h3\u003e\n \u003cp\u003eTwo monitor buses are now available with V1.5.0, Monitor 1 and Monitor 2. Each monitor section comes with 6 switchable monitor source presets with essential functions such as MUTE\/DIMMER. In addition, a location setting has been added to automatically mute the monitor speakers when in the same enclosed space as a live microphone.\u003c\/p\u003e\n \u003cp\u003eInput sources can be freely assigned in the talkback section. Also, outputs can now be directly assigned into each bus or monitor, or to output routers. All of these settings and OSC on\/off settings can be assigned to, and controlled by User keys for quick control a variety of broadcast system and monitoring environments.\u003c\/p\u003e\n \u003ch3\u003eAudio Follow Video Function to Link Video and Audio (supported in V1.6.1)\u003c\/h3\u003e\n \u003cp\u003eThe corresponding audio fader level can be operated in conjunction with the video material tally from the video switcher. Tally events can be input via GPIO, with 8 inputs on the Tascam Sonicview and up to 40 inputs when a SB-16D is connected.\u003c\/p\u003e\n \u003ch3\u003eSMPTE ST2110 Compliant (supported in V2.0.0)\u003c\/h3\u003e\n \u003cp\u003eBy installing the optional IF-ST2110 card (sold separately), IP connection compliant with SMPTE ST 2110 is possible, making Tascam Sonicview a mixer that is compatible with a ST2110 system.\u003c\/p\u003e\n \u003ch3\u003eRemote Control With Ember+ (supported in 2.2.0)\u003c\/h3\u003e\n \u003cp\u003eIntegrate your Tascam Sonicview console into your Ember+ network and unlock powerful remote control capabilities. With expanded protocol support, a wide range of Sonicview parametres are now accessible remotely - bringing deeper connectivity and control to your workflow.\u003c\/p\u003e\n \u003ch3\u003eMonitoring via Network Using SNMP (supported in V2.0.0)\u003c\/h3\u003e\n \u003cp\u003eThe Tascam Sonicview supports SNMPv1 and SNMPv2c, allowing monitoring of the unit over the network.\u003c\/p\u003e\n \u003ch3\u003eKey Features:\u003c\/h3\u003e\n \u003cp\u003eTascam View Interface with Three View Modes\u003c\/p\u003e\n \u003cp\u003eTriple 7-Inch Multi-Touch Display Panels\u003c\/p\u003e\n \u003cp\u003e44 Input Channels with 4 FX Returns\u003c\/p\u003e\n \u003cp\u003e22 Output Buses and Main L\/R Bus with 31-Band EQ\u003c\/p\u003e\n \u003cp\u003e96 kHz, 54-Bit Floating-Point FPGA Mixing Engine\u003c\/p\u003e\n \u003cp\u003eUltra-Low Latency of 0.51 ms Analog-to-Analog\u003c\/p\u003e\n \u003cp\u003e32-Bit\/96 kHz AD\/DA Conversion\u003c\/p\u003e\n \u003cp\u003eTascam Class 1 HDIA Mic Preamplifiers\u003c\/p\u003e\n \u003cp\u003e32-In\/32-Out USB Audio Interface (32-Bit\/96 kHz)\u003c\/p\u003e\n \u003cp\u003eBuilt-In 64-In\/64-Out Dante Interface with Redundancy\u003c\/p\u003e\n \u003cp\u003eAES67 and SMPTE ST 2110 Interoperability\u003c\/p\u003e\n \u003cp\u003e24 Mic\/Line Inputs and 16 XLR Outputs\u003c\/p\u003e\n \u003cp\u003eFour High-Performance Multi-Effects Processors\u003c\/p\u003e\n \u003cp\u003eSonicview Control Software for macOS, Windows, and iPadOS\u003c\/p\u003e\n \u003cp\u003eTwo Expansion Slots for Optional Interface Cards\u003c\/p\u003e\n \u003cp\u003eSupports SDXC, MADI, Dante, AES\/EBU, and ST 2110 Cards\u003c\/p\u003e\n \u003cp\u003eBuilt-In Auto Mixer Function\u003c\/p\u003e\n \u003cp\u003eCompliant with ST2110-30\/31 and AES67 Standards\u003c\/p\u003e\n \u003cp\u003eEmber+ Compatible for External Control Integration\u003c\/p\u003e\n \u003ch3\u003eWhat's in the Box:\u003c\/h3\u003e\n \u003cp\u003eTascam 24 Channel Digital Recording\/Mixing Console\u003c\/p\u003e","brand":"Tascam","offers":[{"title":"Default Title","offer_id":47171803447463,"sku":"GC152-TA-SONICVIEW-24","price":12698.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/files\/GC152-TA-SONICVIEW-24.jpg?v=1761723635"}],"url":"https:\/\/www.georges.com.au\/collections\/digital-consoles.oembed","provider":"Georges Cameras","version":"1.0","type":"link"}