{"title":"Canon EF Mount Cine Lenses","description":"\u003cp\u003e\u003cmeta charset=\"utf-8\"\u003e\u003cspan data-mce-fragment=\"1\"\u003eGeorges Cameras' range of Canon EF Mount Cine Lenses offers a professional-grade selection for filmmakers and videographers using Canon's EF mount cameras. These lenses are designed to provide exceptional video quality, with features that cater specifically to the demands of cinematic production.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan data-mce-fragment=\"1\"\u003eKnown for their sharpness, accurate color rendition, and versatile depth of field, Canon EF Mount Cine Lenses are ideal for various film and video projects, from documentary filmmaking to commercial productions. Their robust construction and compatibility with a wide range of Canon cameras make them a preferred choice for professionals looking to create compelling, high-quality visual content.\u003c\/span\u003e\u003c\/p\u003e","products":[{"product_id":"canon-cn-e-14mm-t3-1l-f-cinema-lens","title":"Canon CN-E 14mm T3.1L F Cinema Lens","description":"\u003cp\u003eThe Canon CN-E 14mm T3.1 L F Cinema Prime Lens is an ultra-wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.\u003c\/p\u003e \u003cp\u003eThe lens offers a maximum T stop of 3.1 and has an 11-blade iris that provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 300¬∞ of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e \u003cp\u003eThe lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus distance markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has dust and water-resistant housing to minimize maintenance.\u003c\/p\u003e \u003cp\u003eThe CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36¬∞ iris rotation, and focus and iris gear positions, allowing for easier lens swaps.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003ch3\u003eFeatures:\u003c\/h3\u003e \u003cp\u003eCovers Full Frame and Super 35 sensors\u003c\/p\u003e \u003cp\u003e11-blade iris\u003c\/p\u003e \u003cp\u003eFocus breathing minimized to virtually zero\u003c\/p\u003e \u003cp\u003eDistance markings on both sides of the barrel\u003c\/p\u003e \u003cp\u003eRear markings on an angled surface\u003c\/p\u003e \u003cp\u003eSmooth, stepless 300¬∞ focus ring\u003c\/p\u003e \u003cp\u003eThe geared manual iris ring\u003c\/p\u003e \u003cp\u003eShares 114mm front barrel diameter, focus rotation, 36¬∞ iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/p\u003e \u003cp\u003eGlass construction counteracts temperature-induced marking discrepancies\u003c\/p\u003e \u003cp\u003eDust and water-resistant housing\u003c\/p\u003e \u003cp\u003eFocus markings can be switched to metric labelling if you send the lens to Canon for modification\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717561127079,"sku":"GC66-CN-E14MM T3.1 L F","price":6426.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/cn1431lf.jpg?v=1666506034"},{"product_id":"canon-cn-e-24mmt1-5l-f-cinema-lens","title":"Canon CN-E 24mmT1.5L F Cinema Lens","description":"\u003cp\u003eThe Canon CN-E 24mm T1.5 L F Cinema Prime Lens is a wide-angle, manual focus prime lens that covers Full Frame and Super 35 sensor formats.\u003c\/p\u003e \u003cp\u003eThe lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 300¬∞ of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e \u003cp\u003eThe lens is designed to minimize focus breathing and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It's the dual focus with markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has dust and water-resistant housing to minimize maintenance during normal use.\u003c\/p\u003e \u003cp\u003eThe CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36¬∞ iris rotation, and focus and iris gear positions, allowing for easier swaps.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCovers Full Frame and Super 35 sensors\u003c\/p\u003e \u003cp\u003e11-blade iris\u003c\/p\u003e \u003cp\u003eFocus breathing minimized to virtually zero\u003c\/p\u003e \u003cp\u003eMarkings on both sides of the barrel\u003c\/p\u003e \u003cp\u003eRear markings on an angled surface\u003c\/p\u003e \u003cp\u003eSmooth, stepless 300¬∞ focus ring\u003c\/p\u003e \u003cp\u003eThe geared manual iris ring\u003c\/p\u003e \u003cp\u003eShares 114mm front barrel diameter, focus rotation, 36¬∞ iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/p\u003e \u003cp\u003eGlass construction counteracts temperature-induced marking discrepancies\u003c\/p\u003e \u003cp\u003eDust and water-resistant housing\u003c\/p\u003e \u003cp\u003eFocus markings can be switched to metric labelling if you send the lens to Canon for modification\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717561258151,"sku":"GC66-CN-E24MM T1.5 L F","price":5575.51,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/cae24ef.jpg?v=1666506057"},{"product_id":"canon-cn-e-50mmt1-3l-f-cinema-lens","title":"Canon CN-E 50mmT1.3L F Cinema Lens","description":"\u003cp\u003eThe Canon CN-E 50mm T1.3 L F Cine Lens is an EF-mount standard-width lens for Canon's C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.\u003c\/p\u003e \u003cp\u003eThe aperture is a fast 1.3 and lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, is super-smooth, and is fully manual, even when used with a DSLR, offering an evermore accurate handle.\u003c\/p\u003e \u003cp\u003eThe CN-E 50 was released with two complementary relatives -- the CN-E 24mm and CN-E 85mm. All three lenses share the same front diameter, form factor, optical design, placement of gear rings, and mechanical construction. Because of the identical characteristics, one lens can be swapped with another easily, even when geared accessories are involved.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eA cinema lens with a precise 300Àö barrel rotation and a very rounded 11-blade diaphragm\u003c\/p\u003e \u003cp\u003eFor Canon's C100, C300 and C500, for full-frame DSLRs, and for any video-capable cameras\u003c\/p\u003e \u003cp\u003eFeatures sharp optics capable of 4K-quality recording and a fast aperture that does great in low light\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717561356455,"sku":"GC66-CN-E50MM T1.3 L F","price":5799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1572432320_img_1268557.jpg?v=1666506070"},{"product_id":"canon-cn-e-35mm-t1-5l-f-cinema-lens","title":"Canon CN-E 35mm T1.5L F Cinema Lens","description":"\u003cp\u003eThe Canon CN-E 35mm T1.5 L F Cinema Prime Lens is a manual focus prime lens that covers Full Frame and Super 35 sensor formats. The lens offers a maximum aperture of T1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look. It has an 11-blade iris that provides round out of focus highlights for a natural-looking bokeh. The lens barrel features 300¬∞ of stepless, smooth rotation from close focus to infinity, giving you a high degree of precision and consistent focus.\u003c\/p\u003e \u003cp\u003eThe lens is designed to minimize focus breathing, and also has innovative glass construction that counteracts barrel expansion and contraction to avoid temperature-induced marking discrepancies. It has focus markings on both sides of the barrel, with the rear markings on an angled surface, making it readable from either side of the camera. It also has dust and water-resistant housing to minimize maintenance during normal use.\u003c\/p\u003e \u003cp\u003eThe CN-E 14mm and the other five CN-E lenses share the same 114m front barrel diameter, focus rotation, 36¬∞ iris rotation, and focus and iris gear positions, allowing for easier swaps.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eCovers Full Frame and Super 35 sensors\u003c\/p\u003e \u003cp\u003e11-blade iris\u003c\/p\u003e \u003cp\u003eFocus breathing minimized to virtually zero\u003c\/p\u003e \u003cp\u003eMarkings on both sides of the barrel\u003c\/p\u003e \u003cp\u003eRear markings on an angled surface\u003c\/p\u003e \u003cp\u003eSmooth, stepless 300¬∞ focus ring\u003c\/p\u003e \u003cp\u003eThe geared manual iris ring\u003c\/p\u003e \u003cp\u003eShares 114mm front barrel diameter, focus rotation, 36¬∞ iris rotation, and focus and iris gear positions with the rest of the CN-E line-up\u003c\/p\u003e \u003cp\u003eGlass construction counteracts temperature-induced marking discrepancies\u003c\/p\u003e \u003cp\u003eDust and water-resistant housing\u003c\/p\u003e \u003cp\u003eFocus markings can be switched to metric labelling if you send the lens to Canon for modification\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717561389223,"sku":"GC66-CN-E35MM T1.5 L F","price":5575.51,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/canon_9139b001_cn_e35mm_t1_5_l_f_1380555507_1005140.jpg?v=1666506064"},{"product_id":"canon-cn-e-85mmt1-3l-f-cinema-lens","title":"Canon CN-E 85mmT1.3L F Cinema Lens","description":"\u003cp\u003eThe Canon CN-E 85mm T1.3 L F Cine Lens is an EF-mount long lens for Canon's C-series cinema cameras, for full-frame EOS DSLRs, and for any video-capable cameras that accept EF-mount lenses.\u003c\/p\u003e \u003cp\u003eThe aperture is a fast 1.3 and lets you get superior shots in low light. The diaphragm is made up of 11-blades and is as round as can be, and along with the fast aperture it can produce impressive bokeh and beautiful circular highlights. The diaphragm ring is stepless, is super-smooth, and is fully manual, even when used with a DSLR, offering an evermore accurate handle.\u003c\/p\u003e \u003cp\u003eThe CN-E 85 was released with two complementary relatives -- the CN-E 24mm and CN-E 50mm. All three lenses share the same front diameter, form factor, optical design, placement of gear rings, and mechanical construction. Because of the identical characteristics, one lens can be swapped with another easily, even when geared accessories are involved.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eA cinema lens with a precise 300Àö barrel rotation and a very rounded 11-blade diaphragm\u003c\/p\u003e \u003cp\u003eFor Canon's C100, C300 and C500, for full-frame DSLRs, and for any video-capable cameras\u003c\/p\u003e \u003cp\u003eFeatures sharp optics capable of 4K-quality recording and a fast aperture that does great in low light\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717561421991,"sku":"GC66-CN-E85MM T1.3 L F","price":5575.51,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/canon_6571b001_cn_e_85mm_t1_3_l_1460568834_844735.jpg?v=1666506081"},{"product_id":"canon-cn-e-135mm-t2-2l-f-cinema-lens","title":"Canon CN-E 135mm T2.2L F Cinema Lens","description":"\u003cp\u003eThe Canon CN-E 135mm T2.2 L F Cinema Prime Lens is a telephoto prime lens for the full-frame sensor format, which makes it an ideal lens for the Cinema EOS series and all Canon DSLRs. The maximum aperture is T2.2, and the 11 blade iris ensures beautiful, rounded bokeh. The lens features markings on both sides of the barrel, making it easy to read settings from behind or on either side of the camera. In order to make lens changes quicker and easier, the 135mm T2.2 is designed to share similar dimensions with other CN-E lenses.\u003c\/p\u003e \u003cp\u003e \u003c\/p\u003e \u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e \u003cp\u003eFull-frame imaging circle\u003c\/p\u003e \u003cp\u003e11-blade aperture diaphragm\u003c\/p\u003e \u003cp\u003eDesigned to fulfil 4K production standards\u003c\/p\u003e \u003cp\u003eMarkings on angled surfaces on both sides of the barrel\u003c\/p\u003e \u003cp\u003eFocus markings can be switched from standard labelling to metric\u003c\/p\u003e \u003cp\u003eControl rings engineered to maintain consistent operating torque\u003c\/p\u003e \u003cp\u003eGlass construction counteracts temperature-induced marking discrepancies\u003c\/p\u003e \u003cp\u003eShares gear position, diameter, and rotation angle with other CN-E lenses\u003c\/p\u003e \u003cp\u003e114mm front diameter matches other CN-E lenses\u003c\/p\u003e \u003cp\u003eIdeal for Cinema EOS cameras and all EOS DSLRs\u003c\/p\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717561487527,"sku":"GC66-CN-E135MM T2.2 L F","price":6142.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/canon_8326b001_cn_e_135mm_t2_2_l_1572891439_913669.jpg?v=1666506029"},{"product_id":"canon-zoom-lens-cn-e-70-200mm-t4-4-l-is-kas-s","title":"Canon Zoom Lens CN-E 70-200MM T4.4 L IS KAS S","description":"\u003cp\u003eThe Canon CN-E 70-200mm T4.4 Compact-Servo Cine Zoom Lens (EF Mount) provides 4K and HDR-compatible imaging for Super 35-sensor digital cinema cameras. This compact, lightweight zoom offers coverage in the commonly used 70-200mm range. Its range can be further expanded using the optional Canon EF 1.4x III and 2x extenders (available separately). This parfocal cine lens maintains focus while zooming and has a constant maximum iris of T4.4 across its zoom range. Its color characteristics match those of existing Canon cinema lenses, making for smooth intercutting. Another cinematic feature of this zoom is its nine-bladed iris which can be used to produce attractive bokeh (out-of-focus highlights) effects.\u003c\/p\u003e\n\u003cp\u003eThe 70-200mm Compact-Servo Cine Zoom features a click-less aperture, enabling iris control via a servo unit or wireless F\/I\/Z system. Even greater control options such as REC start\/stop, handgrip focus and zoom control, lens metadata transfer, chromatic aberration correction, and auto focus functions are available through select EF-mount cameras.\u003c\/p\u003e\n\u003cp\u003eAt just over seven inches in length and weighing under three pounds, the 70-200mm Compact-Servo Cine Zoom offers portability combined with a versatile focal length range and high optical performance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eKey Features\u003c\/strong\u003e\u003c\/p\u003e\n\u003cul\u003e\n\u003cli\u003eCovers the Super 35-size image sensor of many digital cinema cameras\u003c\/li\u003e\n\u003cli\u003e70-200mm focal length covers a range commonly used in cine-style shooting\u003c\/li\u003e\n\u003cli\u003eHigh optical performance is suitable for 4K and HDR-compatible image capture\u003c\/li\u003e\n\u003cli\u003eParfocal design maintains focus while zooming\u003c\/li\u003e\n\u003cli\u003eA constant T4.4 maximum aperture is available across the entire zoom range\u003c\/li\u003e\n\u003cli\u003eUse with the optional Canon EF 1.4x III and EF 2x extenders to expand the focal range\u003c\/li\u003e\n\u003cli\u003eColor characteristics match existing Canon cine lenses\u003c\/li\u003e\n\u003cli\u003eClick-less, continuous iris can be controlled with an optional servo unit (available separately) or third-party F\/I\/Z system\u003c\/li\u003e\n\u003cli\u003eAdditional features such as REC start\/stop, lens data transfer, and auto-focus are available when using the zoom with select EF-mount cine cameras such as the Canon EOS series\u003c\/li\u003e\n\u003cli\u003e9-blade iris for cinematic blurring of out-of-focus areas (bokeh)\u003c\/li\u003e\n\u003c\/ul\u003e","brand":"Canon","offers":[{"title":"Default Title","offer_id":42717574693031,"sku":"GC66-CN-E70-200 T4.4 L IS KAS S","price":7386.23,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/128712.jpg?v=1666507758"},{"product_id":"sigma-18-35mm-t2-cine-lens","title":"Sigma 18-35mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 18-35mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Sigma 18-35mm T2 Cine High-Speed Zoom Lens with a Canon EF mount and with focus scales marked in feet provides an image circle that covers Super 35mm-sized sensors. It features a maximum T-stop of 2, and the aperture does not ramp over the zoom range. It shares common lens gear positions with the other lens in the Sigma High-Speed Zoom lineup, which makes for rapid lens changes.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features 180¬∞ of rotation from close focus to infinity, the zoom barrel rotates 160¬∞, and the clickless iris ring features 60¬∞ of rotation. All three lens control rings are geared with cine-standard 0.8 Mod gears, and the focus scale is marked in feet. The front of the lens is 95mm in diameter with a removable 1\/4\"-20 support foot that helps support the lens with the aid of a 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eColour Balance\u003c\/h3\u003e\n\u003cp\u003eAll the lenses in the lineup are designed to comply with SIGMA's CCI standard simplifying when intercutting between lenses.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eDustproof and Splashproof Design\u003c\/h3\u003e\n\u003cp\u003eSharing the same dustproof and splashproof construction as the SIGMA 150-600mm F5-6.3 DG OS HSMÔΩúSports, each ring and mount is sealed to prevent water and dust from entering.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eAll-Metal Body Construction\u003c\/h3\u003e\n\u003cp\u003eThe lens body is made completely of metal to stand up to the rigors of the production day.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eLens Markings\u003c\/h3\u003e\n\u003cp\u003eThe main lens markings are in luminous paint for easy visibility in low light situations. The intermediate markings are laser-engraved for durability. The focus and zoom markings are readable from either side of the lens.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eLens Front\u003c\/h3\u003e\n\u003cp\u003eThe lens features a 95mm front diameter for compatibility with a wide variety of matte boxes and incorporates an 82mm front filter thread.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eLens Gears\u003c\/h3\u003e\n\u003cp\u003eAll three lens gears are standard 0.8 Mod and feature a damper that eliminates metallic sounds when you reach the end of the lens travel.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eSupport Foot\u003c\/h3\u003e\n\u003cp\u003eThe lens includes a removable support foot.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718787272871,"sku":"GC40-4210966","price":5661.54,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1505231465_1324192.jpg?v=1666597911"},{"product_id":"sigma-135mm-t2-cine-lens-for-canon-ef-mount","title":"Sigma 135mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 135mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 135mm EF mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T2 maximum aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Color reproduction is standardized for easier color correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select marks in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet with select marks in luminous paint\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718787895463,"sku":"GC40-4240966","price":6962.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/4240966.jpg?v=1666597804"},{"product_id":"sigma-105mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 105mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 105mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility-yet compact.\u003c\/h3\u003e\n\u003ch3\u003eIntroducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ǭ≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires. Offering the latest optical design for 8K shooting and more, the FF High-Speed Prime Line takes digital cinema cameras to the next level of performance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100 per cent retained \u0026amp; 100 per cent new\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718788452519,"sku":"GC40-4259966","price":8989.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si105mm-ef.jpg?v=1666597695"},{"product_id":"sigma-50mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 50mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 50mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 50mm EF-mount prime is a longer mid-range focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718789566631,"sku":"GC40-4311966","price":5386.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1550744130_img_1143105.jpg?v=1666598256"},{"product_id":"sigma-85mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 85mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 85mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 85mm Canon EF-mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet with select marks in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet with select marks in luminous paint\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790025383,"sku":"GC40-4321966","price":5269.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1572441384_img_1268862.jpg?v=1666598323"},{"product_id":"sigma-85mm-t1-5-fully-luminous-feet-cine-lens-for-canon-ef-mount","title":"Sigma 85mm T1.5 Fully Luminous Feet Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 85mm T1.5 Fully Luminous Feet Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 85mm Canon EF-mount prime is a longer focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ǭ∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet and are fully luminous for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet and are fully luminous\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790418599,"sku":"GC40-432F966","price":6510.03,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/432f966_1.jpg?v=1666598353"},{"product_id":"sigma-40mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 40mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 40mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eThe image quality of a high-end prime lens. Full-frame compatibility-yet compact.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIntroducing a complete lineup of fine lenses.\u003c\/p\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ǭ≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires. Offering the latest optical design for 8K shooting and more, the FF High-Speed Prime Line takes digital cinema cameras to the next level of performance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100 percent retained \u0026amp; 100 percent new\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ǭ∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞ the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ǭ∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ǭ∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring 5\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMAs cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB Dock allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMAs Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003elenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718790680743,"sku":"GC40-4332966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si40mm-ef.jpg?v=1666598200"},{"product_id":"sigma-35mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 35mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 35mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility‚Äùyet compact. Introducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ǭ≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography‚Äù now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA lineup offering an astonishing combination of specifications and value‚Äù all thanks to our ultra-efficient vertically integrated production system.\u003c\/h3\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA√¢‚Ǩ‚Ñ¢s CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e82mm filter size\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003eCertain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA√¢‚Ǩ‚Ñ¢s cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e180¬∞ focus rotational angle\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e160¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ǭ∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003eOnly applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718791401639,"sku":"GC40-4340966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si35t15ef_1_1.jpg?v=1666598151"},{"product_id":"sigma-35mm-t1-5-cine-lens-fully-luminous-feet-for-canon-ef-mount","title":"Sigma 35mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount","description":"\u003ch3\u003eSigma 35mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 35mm Canon EF prime is a mid-range focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in PL and Sony E-mounts. Electronic contacts in the mount provide lens data communication between the lens and the camera. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ǭ∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Focus marks are in feet and are fully luminous for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eFocus marks are in feet and are fully luminous.\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture.\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels.\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line.\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions).\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718791991463,"sku":"GC40-434F966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/434f966.jpg?v=1666598173"},{"product_id":"sigma-24mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 24mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 24mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 24mm EF-mount prime is a wider focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e\n\u003cp\u003eMake sure to use the best HTML CSS JavaScript tools to get the perfect code.\u003c\/p\u003e\n\u003cp\u003eRemember the Windows XP operating system? You can work with it online at GeekPrank.com and trick your friends.\u003c\/p\u003e\n\u003cp\u003eThe JS beautifier will take care of your dirty JavaScript codes, assuring a syntax error-free solution.\u003c\/p\u003e\n\u003cp\u003eGenerate the CSS style for border-radius, fonts, transforms, backgrounds, box and text shadows with the online CSS code generators.\u003c\/p\u003e\n\u003cp\u003eThe Word to HTML converter is the best free online tool to transform Word, Excel, Google docs, and any other document into web content.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718793171111,"sku":"GC40-4401966","price":5269.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/15728_sigma-24mm-t1.5-canon-ef-mount-cine-lens.jpg?v=1666598058"},{"product_id":"sigma-24mm-t1-5-cine-lens-fully-luminous-feet-for-canon-ef-mount","title":"Sigma 24mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount","description":"\u003ch3\u003eSigma 24mm T1.5 Cine Lens Fully Luminous Feet for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eThe image quality of a high-end prime lens. Full-frame compatibility√¢‚Ǩ‚Äù yet compact. Introducing a complete lineup of fine lenses.\u003c\/h3\u003e\n\u003cp\u003eThe lineup ranges from 14mm to 135mm and covers T1.5 to T2. The lenses are compatible with full-frame, and while being more compact, it can offer superior resolution than other high√Ǭ≠-end prime sets do. With the seven prime lenses from FF High-Speed Prime Line, there is no need to change the lighting to shoot a variety of cuts, and it is possible to meet the demands that professional movie creation requires.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography√¢‚Ǩ‚Äù now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA lineup offering an astonishing combination of specifications and value\" all thanks to our ultra-efficient vertically integrated production system.\u003c\/h3\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% retained: ultra-high-performance optical system\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% new: mechanical structure\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA√¢‚Ǩ‚Ñ¢s cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA√¢‚Ǩ‚Ñ¢s leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA√¢‚Ǩ‚Ñ¢s CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003eCertain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e95mm front diameter\u003c\/h3\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA√¢‚Ǩ‚Ñ¢s cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ǭ∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160¬∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160¬∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount with electronic contacts\u003c\/h3\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eEnhanced EF mount\u003c\/h3\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003eOnly applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA√¢‚Ǩ‚Ñ¢s Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718794088615,"sku":"GC40-440F966","price":6779.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sf_1.jpg?v=1666598082"},{"product_id":"sigma-20mm-t1-5-canon-ef-mount-cine-lens","title":"Sigma 20mm T1.5 Canon EF Mount Cine Lens","description":"\u003ch3\u003eSigma 20mm T1.5 Canon EF Mount Cine Lens\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 20mm EF-mount prime is a wide focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180¬∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service center (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service center (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718794252455,"sku":"GC40-4412966","price":4529.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/15722_sigma-20mm-t1.5-canon-ef-mount-cine-lens.jpg?v=1666597958"},{"product_id":"sigma-28mm-t1-5-cine-lens-for-canon-ef-mount","title":"Sigma 28mm T1.5 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 28mm T1.5 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 28mm Canon EF-mount prime is a wider focal length in the series, offering full-frame sensor coverage, 6-8K resolution, and a T1.5 aperture in a compact, relatively lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects and ghosting and flaring have been minimized. Colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ǭ∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture\u003c\/p\u003e\n\u003cp\u003eFast T1.5 maximum aperture aids in shooting with low light levels\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions)\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718795169959,"sku":"GC40-4441966","price":6329.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/4441966.jpg?v=1666598062"},{"product_id":"sigma-14mm-t2-cine-lens-for-canon-ef-mount","title":"Sigma 14mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 14mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eSigma's FF High-Speed Prime Lenses combine the same high-quality optics and mechanics of their Global Vision still line in a cine-oriented design. This 14mm EF-mount prime is the widest focal length of the series, offering full-frame sensor coverage, 6-8K resolution, and a T2 aperture in a relatively lightweight form; it is also available in Sony E and PL mounts. A common 95mm front diameter and similar physical attributes across the lens line make it easier and quicker to mount lens accessories such as matte boxes, follow focuses, and lens control motors.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris produces pleasing out-of-focus bokeh effects, and ghosting and flaring have been minimized. colour reproduction is standardized for easier colour correction. Each lens in the range offers consistent lens gear positions and 180√Ǭ∞ of focus barrel rotation. The FF High-Speed Primes also feature a clickless iris with linear markings, dampeners on each gear ring for silent operation, industry-standard 0.8 module gear pitch, and engraved markings for durability. Select markings are done in luminous paint for easy visibility in low light.\u003c\/p\u003e\n\u003cp\u003eTo relieve stress on your camera's lens mount, a support foot is built into the dust- and water-resistant metal lens body. If you wish to fit your FF High-Speed Prime lens to a different camera, the Canon EF and Sony E mount versions can be converted from one to the other by an authorized Sigma service centre (not available for PL mounts).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eHigh image performance covering full frame sensors; suitable for 8K capture.\u003c\/p\u003e\n\u003cp\u003eFast T2 maximum aperture aids in shooting with low light levels.\u003c\/p\u003e\n\u003cp\u003eCompact, dust- and water-resistant design with a common front diameter of 95mm across the line.\u003c\/p\u003e\n\u003cp\u003eCanon EF and Sony E mounts may be swapped at an authorized Sigma service centre (not available for PL mount versions).\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718796054695,"sku":"GC40-4450966","price":5999.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si14mmt2l-ef.jpg?v=1666597822"},{"product_id":"sigma-24-35mm-t2-2-cine-lens-for-canon-ef-mount","title":"Sigma 24-35mm T2.2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 24-35mm T2.2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eFull-frame compatibility and outstanding resolution for 6K-8K shooting. This lens is ideal for the latest digital cine cameras.\u003c\/h3\u003e\n\u003cp\u003eCompatible with full-frame image sensors, the FF Zoom Line offers the outstanding optical performance required for high-resolution shooting in 6K-8K. An exceptional option for cinematographers, this lens is compatible with image sensors larger than Super 35, now used in the latest digital cinema cameras. This cinema zoom lens combines the highest level of image quality with a compact design.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% retained: ultra-high-performance optical system\u003c\/h3\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% new: mechanical structure\u003c\/h3\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed its own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eColour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA's cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ǭ∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ǭ∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ǭ∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the Mount Converter MC-11 allows users to enjoy the high performance of SIGMA's Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718796710055,"sku":"GC40-4588966","price":9149.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/si24-35mm.jpg?v=1666598002"},{"product_id":"sigma-50-100mm-t2-cine-lens-for-canon-ef-mount","title":"Sigma 50-100mm T2 Cine Lens for Canon EF Mount","description":"\u003ch3\u003eSigma 50-100mm T2 Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eT2 brightness throughout the zoom range. Outstanding resolution ready for 6K-8K.\u003c\/h3\u003e\n\u003ch3\u003eThese lenses combine top performance with superior compactness.\u003c\/h3\u003e\n\u003cp\u003eThe High-Speed Zoom Line offers a constant aperture of T2 throughout the zoom range, and their outstanding optical performance makes them fully ready for high-resolution shooting in 6K-8K. While offering the highest image quality in their class, these zoom lenses are compact and offer amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRevolutionary lenses for the era of high-resolution digital cinematography\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePerformance born of SIGMA's experience in ultra-high megapixel digital photography- now ready to take on every challenge in the world of cinematography.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eIn the new era of high-resolution movie production, the arrival of reasonably priced, high-performance digital cinema cameras has changed the standard of what makes an excellent product in the industry and has expanded the freedom and potential of movie production. At the same time, when it comes to cine lenses, price and brand recognition are still often taken as proof of performance, which ends up being proportional to the production budget. In contrast to consumer products, professional cinema equipment is by its nature difficult to manufacture in volume, in turn causing lens R\u0026amp;D and innovations in manufacturing technology to lag behind progress in cameras. But SIGMA is different. Responding to the demanding requirements for lenses in the era of ultra-high megapixel still photography, SIGMA has developed the technologies required to produce high-performance lenses in volume. They have what it takes to offer a new solution to the cine lens market.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eA lineup offering an astonishing combination of specifications and value- all thanks to our ultra-efficient vertically integrated production system.\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt SIGMA's sole production site, the Aizu factory, they perform nearly all processes in-house, from parts and mould production to final lens assembly. This vertically integrated production system comprises both product development and manufacturing, making it a true one-stop resource. Their artisans bring expertise and skill together at the highest level in the pursuit of outstanding optical performance, while their suite of leading-edge manufacturing technologies makes possible ultra-efficient, highly precise volume production. Offering a full lineup that delivers compact design and maximum optical performance at a minimal cost. A lineup that satisfies every professional film making need while expanding the freedom and potential of cinematography. A lineup that leverages minimal equipment and investment to maximum results. With the goal of providing uniquely innovative lenses and unprecedented value, SIGMA has developed its new line of cine lenses.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% retained: ultra-high-performance optical system\u003c\/h3\u003e\n\u003cp\u003eSIGMA has combined the highest level of optical performance with compact design while keeping the cost of development and production to a minimum. SIGMA has played the leading role in the current era of 50-megapixel-plus ultra-high resolution still photography. Now, in the realm of cine lenses, SIGMA is leveraging the outstanding optical performance of its Global Vision still lens lineup, which has been acclaimed by photographers around the world. Featuring the same high-quality optical components including lens cells and aperture mechanisms, these cine lenses deliver the highest level of optical performance and amazing value.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003e100% new: mechanical structure\u003c\/h3\u003e\n\u003cp\u003eWhile retaining the same superb optical system, SIGMA's cine lenses feature a completely updated mechanical structure. Supported by this new design, the optimized specification includes all of the essential functions required for modern cinematography. Since its foundation, SIGMA has believed in achieving top performance via high-precision parts.\u003c\/p\u003e\n\u003cp\u003eThis principle and SIGMA's leading-edge manufacturing technologies have made possible ultra-high-efficiency mass production of these new lens lines.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eLineup\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eWide focal length coverage\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup covers everything from wide-angle to telephoto. Produce an entire work with SIGMA lenses alone.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCompatibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eCompatibility has been confirmed with each brand of cinema cameras.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLenses for both S35 and full-frame\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe High-Speed Zoom Line is compatible with Super35, the image size standard used by typical digital cinema cameras, while the FF High-Speed Prime Line and FF Zoom Line are compatible with a full-frame image circle.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStrong high-speed lens lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eT1.5 or T2 is available in prime lenses, while T2 is available throughout the zoom range in zoom lenses. These options enable cinematographers to realize a wide range of expressive goals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eImage Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eInspecting each and every lens\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThere are three requirements for outstanding lenses: fine design, precise manufacturing and inspection that ensures compliance with all specifications. SIGMA lenses are born of outstanding design concepts and excellent manufacturing technology, but they are not complete until they undergo their uncompromising lens performance evaluation. SIGMA has developed their own A1 proprietary Modulation Transfer Function (MTF) measuring system using 46-megapixel Foveon direct image sensors. Even previously undetectable high-frequency details are now within the scope of their quality control inspections. Each and every lens is checked before shipping. Thanks to the ultra-high resolution sensors, high- performance shooting is assured.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMinimization of flare and ghosting\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComputer-based ray tracing has been used from the design stage onward to minimize flare and ghosting and enhance contrast in backlit conditions. Ghosting has also been checked at every prototype stage, with its causes identified, assessed, and eliminated.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSharpness combined with outstanding bokeh effect\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eTo fulfil the high demands for image quality in still photography, SIGMA has solved a wide range of issues. The benefit of these efforts can now be enjoyed in cine lenses as well.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ecolour balance standardized across the lineup\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll of the lenses in the lineup are designed to comply with SIGMA's CCI standard. Standardized colour balance makes colour correction a snap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e6K-8K class resolution\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same optical system that delivers 50-megapixel or higher resolution in still photography. These lenses are therefore ready for higher-resolution shooting and are ideal for chroma keying as well.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eBuild Quality\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eLightweight and compact\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eLeveraging the high-precision, high-efficiency mass production technologies developed for its still camera lenses, SIGMA has made extremely lightweight and compact cine lenses a reality. Featuring all functions essential to cinematography, these lenses keep weight and size to a minimum, while their specification is optimized for enhanced durability. The end result is a combination of performance and compact design at the highest level.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDust-proof and splash-proof construction\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe lineup features the same dust-proof and splash-proof construction as the SIGMA 150-600mm F5-6.3 DG OS HSM√جΩ≈ìSports. With each ring and mount specially sealed to prevent water and dust from entering, this lens is ready for use in tough conditions. The unusually robust specification of the lineup allows the user to concentrate on shooting while significantly reducing the burden of maintenance.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e100% metal body\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe body is made completely of metal to stand up to tough professional use over the long term.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLuminous paint for enhanced visibility\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe specification, gradation baseline, and lens change indications all feature luminous paint to aid in changing the lens in the dark and other tasks. Moreover, new FULLY LUMINOUS versions of the lenses feature the above plus rings whose numbers and gradations are finished with luminous paint.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLaser engraving for enhanced durability\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eInformation on rings and elsewhere is laser-engraved for use over the long term. In addition, the tape may be placed on gradations without fear of stripping away paint when it is removed.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFront\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003e82mm filter size*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe filter size is standardized at 82mm, allowing users to use the same size of the ND filter on different lenses.\u003c\/p\u003e\n\u003cp\u003e*Certain lens models are not compatible with 82mm filters.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e95mm front diameter\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe front diameter is 95mm, similar to that of other cine lenses and compatible with matte boxes. Compared to lenses in the same class, SIGMA's cine lenses are more lightweight and compact.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRing\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eStandardized gear positions\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe positions of the gears in each ring are standardized, eliminating the need to adjust the follow focus, motor unit, or accessories even when the lens changes.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e0.8M gear pitch\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eEach lens has a 0.8M gear pitch, which is the standard for cine lenses, ensuring compatibility with existing accessories.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSilent ring stoppers\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe stopper of each ring incorporates a damper made of a special resin, resulting in silent operation. While offering a satisfying lock feel, this feature eliminates any metallic sounds, allowing the user to shoot with confidence in a quiet area.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e180√Ǭ∞ focus rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 180√Ǭ∞, the rotational angle of the focus ring is more than double that of a still camera lens, making possible extremely high-precision focusing. SIGMA has also optimized the cam for cine lenses for even easier long distance focusing.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e160√Ǭ∞ zoom rotational angle\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAt 160√Ǭ∞, the rotational angle of the zoom ring is more than double that of a still camera lens, making possible extremely high-precision zooming.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIris with full manual control\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eFeaturing manual control capability, the iris ring offers smooth control without clicks. The T-stop display, which is standard in cine lenses, contributes to high-precision exposures. Just like a high-end cine lens, the rotational angle of the iris ring is 60√Ǭ∞.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLinear iris ring\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe linear iris ring gives users the same rotational angle per T-stop for direct, intuitive control.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSelectable focus ring with feet or meter graduations\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eBased on user needs, a focus ring with either feet or meter graduations may be selected. For a small charge, SIGMA can also convert the ring from one type to the other after purchase.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eMount\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003ePL, EF and E*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAvailable lens mounts are the Canon EF mount, which is used on the majority of digital cinema cameras, and the Sony E-mount, which is used on the Sony FS series. All lenses in the lineup may also be used on still cameras with the compatible mount for outstanding DSLR movie shooting.\u003c\/p\u003e\n\u003cp\u003e*24-35mm T2.2 FF is not available in PL mount.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eMount with electronic contacts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe mount with electronic contacts allows the lens to communicate important information to the body (focal length, shooting distance, aperture etc.).\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eEnhanced EF mount*\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe hole for the stopper pin has been strengthened with a separate part to minimize loosening over time and enhance long-term use.\u003c\/p\u003e\n\u003cp\u003e*Only applicable for Canon EF mount\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eAccessories\u003c\/h3\u003e\n\u003cp\u003e\u003cstrong\u003eDedicated lens support foot\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eComing as a standard accessory with all lenses in the lineup, the lens support foot helps minimize load on the camera body while enhancing mount stability. The height of the seating surface is designed for compatibility with other accessories. Even though the lens is compact, its robust design offers two different screw holes for this accessory to increase user options.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCine-style front lens cap\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eAll lenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eRobust accessory selection\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe USB DOCK allows the user to connect the lens to a computer and update firmware, while the MOUNT CONVERTER MC-11 allows users to enjoy the high performance of SIGMA's Canon EF mount interchangeable lenses with the Sony E-mount camera body. These and other accessories further enhance the convenience and ease of use of the new lens lineup.\u003c\/p\u003e\n\u003cp\u003eLenses come complete with a conventional cine-style front lens cap.\u003c\/p\u003e","brand":"Sigma","offers":[{"title":"Default Title","offer_id":42718797168807,"sku":"GC40-4693966","price":5609.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/sit2cl-ef.jpg?v=1666598231"},{"product_id":"laowa-12mm-t2-9-zero-d-cine-canon-ef-meters","title":"Laowa 12mm T2.9 Zero-D Cine - Canon EF (Meters)","description":"\u003ch3\u003eLaowa 12mm T2.9 Zero-D Cine - Canon EF (Meters)\u003c\/h3\u003e\n\u003cp\u003eThe new 12mm lens is currently the widest t\/2.9 lens that can cover the sensor up to both full-frame \u0026amp; vista vision size (wider than full-frame), making it one of the ideal wide-angle options for both professional cinema cameras and mirrorless cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSuitable for both Large format \u0026amp; Super35 cameras\u003c\/h3\u003e\n\u003cp\u003eThe image circle allows cinematographers to use not only on full-frame sensors (Size = 43.14mm), but also able to fill the Vista Vision sensors on RED Monstro and the sensor on Arri Alexa LF (Size @ open-gate = 44.7mm) fully. The lens is also ideal for Super35-sized camera owners with the ultra-wide 17mm equivalent field of view and its future-proof decision when cinematographers need to upgrade to large format cameras.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSuper compact \u0026amp; lightweight\u003c\/h3\u003e\n\u003cp\u003eThis 12mm lens is extremely compact and lightweight despite the extreme specifications. It measures 3.4‚Äù (87mm) long and weighs less than 1.5 lb (675g). It can be easily fitted onto any sort of stabilizations system including handheld gimbals.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eClose-to-zero distortion\u003c\/h3\u003e\n\u003cp\u003eThe optical distortion of the ultra-wide-angle lenses will never be a nightmare for DoP. The distortion rate of good wide-angle lenses in the market ranges from 2-4%. Venus Optics, however, is able to compress the distortion to a close-to-zero level. In fact, the ‚ÄòZero-D‚Äô claim had been validated by many existing Laowa lenses owners from all around the world.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eExtremely close focusing distance\u003c\/h3\u003e\n\u003cp\u003eThe lens is able to focus at an extremely close focusing distance. It can focus anywhere from 7‚Äù away from the sensor (4‚Äù from the front element) all the way to infinity. No diopter will be needed in this case. Wide-angle lenses usually create a ‚Äòflat‚Äô image with very deep DOF but with this close focusing ability and a fast t-stop, Laowa 12mm is able to create some unique wide \u0026amp; shallow DOF look with pleasing bokeh.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eRobust and Professional Cinema Housing\u003c\/h3\u003e\n\u003cp\u003eDesigned with standard 0.8 mod gears on both aperture and focusing rings for easy installation of the follow-focus system. An extended 270¬∞ smooth focus throw is designed for accurate focus pulling. The entire enclosure of the lens is made up of aluminum alloy.\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":42718801821863,"sku":"GC07-VE1229CCM","price":2413.95,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ve1229ccm.jpg?v=1666526555"},{"product_id":"laowa-12mm-t2-9-zero-d-cine-lens-canon-ef","title":"Laowa 12mm T2.9 Zero-D Cine Lens (Canon EF)","description":"\u003ch3\u003eLaowa 12mm T2.9 Zero-D Cine Lens (Canon EF)\u003c\/h3\u003e\n\u003cp\u003eThe Canon EF mount Laowa 12mm T2.9 Zero-D Cine Lens from provides a wide, 122¬? angle of view well suited for outdoor and landscape shots and in tight interior locations, and it is optimized for digital cinematography. It is so lightweight and compact that it can be used not only with handheld shooting, it is also light enough for use on gimbals. The lens produces an image circle that will cover full-frame, VistaVision, and ARRI ALEXA LF sized sensors or smaller.\u003c\/p\u003e\n\u003cp\u003eThe 12mm cine lens features a maximum aperture of T2.9 with 16 elements in 10 groups. Its 7-blade aperture provides a soft, pleasing bokeh, a shallow depth of field with little to no distortion, and a 7\" close focus distance. The focus and aperture rings feature industry-standard 0.8 pitch gearing that will accommodate standard cine follow focus motors. The 102mm front diameter can be stepped up to 114mm with the included adapter to fit industry-standard matte boxes to prevent glare and reflection, as well as to add filters. Focus, aperture, and depth of field markings are in feet on the side of the lens to aid focus pullers.\u003c\/p\u003e\n\u003cp\u003eIn addition to the 114mm step-up adapter ring, a shim set is included for calibration, and a hard-shell Pelican case with custom foam is included to protect and transport the lens.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eUltra wide-angle 12mm T2.9 prime designed for EF mount cine cameras with up to full-frame\/VistaVision\/ALEXA LF sensor\u003c\/p\u003e\n\u003cp\u003eDesigned with 16 elements in 10 groups, low distortion, and 7-blade iris\u003c\/p\u003e\n\u003cp\u003e102mm front diameter with 114mm step-up adapter ring to fit industry-standard matte box\u003c\/p\u003e\n\u003cp\u003e7\" close focus, smooth 270¬? focus rotation, and standard 0.8 MOD focus ring\u003c\/p\u003e\n\u003cp\u003eShim set and hard-shell Pelican case with custom foam are included\u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":42718816927911,"sku":"GC07-VE1229CC","price":2469.05,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ve1229cc_8.jpg?v=1666612008"},{"product_id":"laowa-24mm-f-14-probe-lens-for-canon-ef-cine-mod-version","title":"Laowa 24mm f\/14 Probe Lens for Canon EF (Cine-Mod Version)","description":"\u003ch3\u003eLaowa 24mm f\/14 Probe Lens for Canon EF (Cine-Mod Version)\u003c\/h3\u003e\n\u003cp\u003eDescribed as \"weird but genius,\" the Canon EF-mount Laowa 24mm f\/14 Probe Lens from is a truly unique lens designed for close-up shooting. Distinguished by its long and slender lens barrel, this macro lens provides a 2:1 maximum magnification with a 1.5' minimum focusing distance and a close 0.8\" minimum working distance. Even with such a close working distance, the lens measures 1.3' long, placing you at a comfortable distance to photograph nearby subjects. Also, as a wide-angle lens, greater depth of field is afforded when compared to traditional telephoto macro lenses, allowing for greater detail in the background with less subject isolation.\u003c\/p\u003e\n\n\u003cp\u003eThe optical design includes both extra-low dispersion and extra-refractive index elements, which help to suppress chromatic and spherical aberrations for a high degree of clarity, color accuracy, and sharpness. Manual focus control permits focusing from 1.5' to infinity, and the front of the lens has a built-in LED ring light to aid in focusing at close distances. The slim 0.2\" diameter of the front of the lens barrel also offers greater opportunities for lighting subjects from the front. Additionally, the front portion of the lens is waterproof and permits working with subjects just beneath the surface of the water or in dusty or trying environments.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eThis \"cine-mod\" version of the lens has been optimized for video use and features integrated gears on both the aperture and focus rings for doing iris and focus pulls using a follow focus.\u003c\/p\u003e\n\n\u003cp\u003eUnique macro lens design offers a greater-than-life-sized 2:1 maximum magnification along with a minimum focusing distance of 1.5' and a working distance of just 0.8\".\u003c\/p\u003e\n\u003cp\u003eThe long tubular lens barrel contributes to producing a distinct bug-eye perspective and, despite the short working distance, the length of the lens barrel places the camera at a comfortable shooting distance.\u003c\/p\u003e\n\u003cp\u003eWide-angle 24mm focal length affords greater depth of field and more surrounding detail than traditional telephoto macro designs, which tend to isolate subject matter with shallow depth of field.\u003c\/p\u003e\n\u003cp\u003eOptical design includes two extra-low dispersion elements that control color fringing and chromatic aberrations to produce greater clarity and color accuracy.One extra refractive index element is also featured, which reduces spherical aberrations and distortion for improved sharpness and accurate rendering.\u003c\/p\u003e\n\u003cp\u003eSlim 0.8\" front diameter allows performing unique \"slide-in\" shots as well as affords a greater range of close-up, inconspicuous shooting opportunities. \u003c\/p\u003e\u003cp\u003eThe smaller front diameter also makes it easier to illuminate close-up subjects from the front.\t\u003c\/p\u003e\n\u003cp\u003eThe front of the lens is waterproof, allowing you to comfortably work just under the water surface or in dusty environments. \u003c\/p\u003e\n\u003cp\u003eThe front of the lens has a built-in LED ring light which is powered via a micro-USB port on the barrel, providing some illumination on close-up subjects for easier focusing.\u003c\/p\u003e\n\u003cp\u003eDesigned for use as a close-up macro lens, the manual focus operation also lets you focus at infinity.\t\u003c\/p\u003e\n\u003cp\u003eThis \"cine-mod\" version of the lens has built-in focus and aperture gears to aid in doing focus and iris pulls. \u003c\/p\u003e\n\u003cp\u003eSeven-blade diaphragm contributes to a pleasing bokeh quality. \u003c\/p\u003e","brand":"Laowa","offers":[{"title":"Default Title","offer_id":42718818893991,"sku":"GC07-VE2414CC","price":2630.54,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/ve2414cc_8.jpg?v=1666612055"},{"product_id":"tokina-cinema-at-x-100mm-t2-9-macro-lens-canon-ef-mount","title":"Tokina Cinema AT-X 100mm T2.9 Macro Lens (Canon EF Mount)","description":"\u003ch3\u003eTokina Cinema AT-X 100mm T2.9 Macro Lens (Canon EF Mount)\u003c\/h3\u003e\n\u003cp\u003eCapture cinema-quality images with the Cinema AT-X 100mm T2.9 Macro Lens from Tokina. This 4K-ready macro lens covers full-frame 35mm image sensors and features a 1:1 macro close focus working distance of 11.8\". It features minimal focus breathing and a wide T2.9 to T32 aperture range offering great control over exposure and depth of field. The lens features a Canon EF mount.\u003c\/p\u003e\n\u003cp\u003eIts 9-blade iris provides a soft bokeh, and its sharp high-contrast glass allows for low distortion and chromatic aberrations. The lens housing is made from durable metal, it has gear rings that accept standard cine follow focus gears, features an 82mm filter thread, and it has an 85mm front diameter to fit a wide variety of matte boxes.\u003c\/p\u003e\n\u003ch3\u003e \u003c\/h3\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eClose-focus 1:1 reproduction at 11.8\" working distance\u003c\/p\u003e\n\u003cp\u003eFast, wide T2.9 to T32 aperture range\u003c\/p\u003e\n\u003cp\u003eFull-frame 35mm format support, 4K ready\u003c\/p\u003e\n\u003cp\u003eMinimized focus breathing\u003c\/p\u003e\n\u003cp\u003eSmooth, de-clicked, 9-blade, curved iris for beautiful bokeh\u003c\/p\u003e\n\u003cp\u003eDurable all-metal, the cine-style housing with geared focus and aperture rings for use in follow-focus systems\u003c\/p\u003e\n\u003cp\u003eFeatures an 82mm filter thread and an 85mm front diameter\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720747258023,"sku":"GC40-100CINEFXEF","price":3970.15,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/14570_tokina-cinema-at-x-100mm-t2.9-macro-lens-canon-ef-mount_1.jpg?v=1666609693"},{"product_id":"tokina-cinema-atx-16-28mm-t3-wide-angle-zoom-lens-for-canon-ef","title":"Tokina Cinema ATX 16-28mm T3 Wide-Angle Zoom Lens for Canon EF","description":"\u003ch3\u003eTokina Cinema ATX 16-28mm T3 Wide-Angle Zoom Lens for Canon EF\u003c\/h3\u003e\n\u003cp\u003eThe Tokina Cinema ATX 16-28mm T3.0 (Canon EF) is a version of Tokina's wide-angle DSLR zoom lens, re-engineered for video use and capable of producing images suitable for 4K capture. It covers full-frame 35mm image sensors and is a parfocal lens, enabling you to maintain focus throughout a zoom move. The Cinema ATX 16-28mm can open up to a T3.0 aperture throughout its zoom range, eliminating the need for exposure compensation on the tight end of the zoom. The lens design also reduces the breathing and image shifting sometimes encountered while zooming and focusing.\u003c\/p\u003e\n\u003cp\u003eThe Tokina Cinema ATX 16-28mm employs aspherical super-low dispersion elements for optimal colour correction and minimal distortion. Its 9-bladed iris diaphragm produces attractive bokeh in out-of-focus areas.\u003c\/p\u003e\n\u003cp\u003eCinema ATX 16-28mm features include focus, iris, and zoom markings on both sides of the lens barrel, a de-clicked aperture ring for smooth iris pulls, an all-metal housing, and standard gears for use with a follow focus system. A minimum focus distance of just under 1' and an industry-standard 114mm front diameter fitting most matte boxes are additional cine features.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eWide-angle T3 manual-focus zoom lens\u003c\/p\u003e\n\u003cp\u003eParfocal lens design maintains focus while zooming\u003c\/p\u003e\n\u003cp\u003eCovers full-frame 35mm sensors, images are suitable for 4K capture\u003c\/p\u003e\n\u003cp\u003eReduced breathing and image shifting while zooming or focusing\u003c\/p\u003e\n\u003cp\u003eT3.0 aperture can be maintained throughout the zoom range\u003c\/p\u003e\n\u003cp\u003eAspherical, SLD (super-low dispersion) glass elements optimize colour correction and reduce distortion\u003c\/p\u003e\n\u003cp\u003eDe-clicked 9-bladed iris for precise exposure control and attractive bokeh\u003c\/p\u003e\n\u003cp\u003e114mm front diameter is compatible with most matte boxes\u003c\/p\u003e\n\u003cp\u003e11\" minimum focus distance allows for wide but close shots\u003c\/p\u003e\n\u003cp\u003eCine-style lens housing is designed for use with follow focus systems\u003c\/p\u003e\n\u003cp\u003eFocus, iris, and zoom markings are on both sides of the lens barrel\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720750731431,"sku":"GC40-1628CINEFXEOS","price":3999.2,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/1628cinefxeos.jpg?v=1666609712"},{"product_id":"tokina-cinema-50-135mm-t3-0-with-canon-ef-mount","title":"Tokina Cinema 50-135mm T3.0 with Canon EF Mount","description":"\u003ch3\u003eTokina Cinema 50-135mm T3.0 with Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Cinema 50-135mm T3.0 with Canon EF Mount covers Super 35mm image sensors, does not exhibit focus shift while zooming, and has constant T3.0 maximum aperture over the entire zoom range. The lens features an all-metal housing optimized for video and digital cinema use and provides manual focus control with an easy-to-read distance scale, and a click-less aperture ring for smooth iris pulls. The focus, aperture, and zoom rings all have standard 0.8 pitch gears for use with follow focus systems.\u003c\/p\u003e\n\u003cp\u003eFeaturing two aspherical elements and super-low dispersion lens elements complimented with multi-layer coatings, the lens is able to produce images with high contrast and sharpness, while minimizing flare, diffraction, and ghosting. A 9-blade aperture diaphragm yields pleasing focus highlights while further reducing the chance of diffraction at small apertures. The lens has an industry-standard 114mm front diameter for use with professional matte boxes.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eConstant maximum aperture T3.0 zoom lens\u003c\/p\u003e\n\u003cp\u003eParfocal lens design prevents focus shift as you change your zoom\u003c\/p\u003e\n\u003cp\u003eIt Covers Super 35 sized sensors\u003c\/p\u003e\n\u003cp\u003e4K image sharpness\u003c\/p\u003e\n\u003cp\u003eRugged all-metal lens housing\u003c\/p\u003e\n\u003cp\u003e0.8 pitch geared focus, aperture, and zoom rings\u003c\/p\u003e\n\u003cp\u003eLDS (Lens Data System) support\u003c\/p\u003e\n\u003cp\u003e9-blade aperture diaphragm\u003c\/p\u003e\n\u003cp\u003eIndustry-standard 114mm front diameter for use with matte boxes\u003c\/p\u003e\n\u003cp\u003e112mm filter diameter\u003c\/p\u003e\n\u003cp\u003eThe minimum focus distance of 39.4\"\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720755220647,"sku":"GC40-50135CINEEOS","price":6614.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/9909_tokina-cinema-50-135mm-t3.0-with-canon-ef-mount_1.jpg?v=1666609688"},{"product_id":"tokina-11-20mm-t2-9-cine-zoom-lens-for-canon-ef-mount","title":"Tokina 11-20mm T2.9 Cine Zoom Lens for - Canon EF Mount","description":"\u003ch3\u003eTokina 11-20mm T2.9 Cine Zoom Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina Cinema ATX 11-20mm T2.9 Wide-Angle Zoom Lens (EF Mount) features a super-wide field of view and cine-style design elements. It covers Super 35mm image sensors and is a parfocal lens, holding focus throughout zoom moves. The Cinema ATX 11-20mm maintains a constant T2.9 aperture throughout its zoom range, eliminating the need for exposure compensation as you zoom in. Its durable metal housing withstands the rigors of cine production and incorporates 0.8 Mod lens gears for compatibility with FIZ (focus\/iris\/zoom) control systems.\u003c\/p\u003e\n\u003cp\u003eInterchangeable LPL, PL, Sony E, MFT, and Nikon F lens mounts are available separately for swapping with the EF mount, expanding the lens's compatibility with additional cameras. The Tokina Cinema ATX 11-20mm incorporates low-distortion glass, and its 9-bladed iris produces attractive bokeh in out-of-focus areas. Focus (feet), iris, and zoom settings are marked on both sides of the lens barrel.\u003c\/p\u003e\n\u003cp\u003eAdditional cine features include a minimum focus distance of 12\", 300¬∞ of focus rotation, and an industry-standard 95mm front diameter compatible with most pro-style matte boxes. An 86mm front thread provides a second filtration option especially useful for low-profile or lightweight rig configurations.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eCompact, wide-angle T2.9 zoom lens covers Super 35mm sensors\u003c\/p\u003e\n\u003cp\u003eEF mount is interchangeable with separately available PL, LPL, MFT, Nikon F, and Sony E mounts\u003c\/p\u003e\n\u003cp\u003eCine-style 0.8 Mod lens gears are designed for use with FIZ (focus, iris, zoom) systems\u003c\/p\u003e\n\u003cp\u003eA constant T2.9 aperture is maintained throughout the zoom range\u003c\/p\u003e\n\u003cp\u003eLow distortion glass\u003c\/p\u003e\n\u003cp\u003e9-bladed iris for precise exposure control and attractive bokeh\u003c\/p\u003e\n\u003cp\u003e12\" minimum focus distance enables wide but close shots\u003c\/p\u003e\n\u003cp\u003eParfocal lens design maintains focus while zooming\u003c\/p\u003e\n\u003cp\u003eThe 95mm front diameter fits most pro-style matte boxes and adapters\u003c\/p\u003e\n\u003cp\u003eThe all-metal, cine-style housing includes a front 86mm filter thread\u003c\/p\u003e\n\u003cp\u003eFocus (feet), iris, and zoom marks are on both sides of the lens barrel\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720756334759,"sku":"GC40-KPC-1018EF","price":3499.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-1018ef-1.jpg?v=1666609440"},{"product_id":"tokina-35mm-t1-5-cinema-vista-prime-lens-for-canon-ef-mount","title":"Tokina 35mm T1.5 Cinema Vista Prime Lens - Canon EF Mount","description":"\u003ch3\u003eTokina 35mm T1.5 Cinema Vista Prime Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 35mm T1.5 Cinema Vista Prime Lens with an EF mount and with focus scales marked in feet, provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 35mm focal length lens, and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris provides round out of focus highlights for a natural looking bokeh. The lens barrel features approximately 300¬∞ of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 35mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300¬∫ of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features threading on the front of the lens to accommodate a 112 mm screw-on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720756662439,"sku":"GC40-KPC-3001EF","price":6599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/tokina_kpc_3001ef_cinema_vista_35mm_t1_5_1493725043_1318327.jpg?v=1666609464"},{"product_id":"tokina-50mm-t1-5-cinema-vista-prime-lens-for-canon-ef-mount","title":"Tokina 50mm T1.5 Cinema Vista Prime Lens - Canon EF Mount","description":"\u003ch3\u003eTokina 50mm T1.5 Cinema Vista Prime Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 50mm T1.5 Cinema Vista Prime Lens with an EF mount and with focus scales marked in feet, provides an image circle that more than covers It provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is a 50mm focal length and shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\n\u003cp\u003eThe 9-bladed iris provides round out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300¬∞ of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFeatures:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThe 50mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7 mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300¬∫ of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features threading on the front of the lens to accommodate 112 mm screw-on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720757448871,"sku":"GC40-KPC-3002EF","price":5599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-3002ef.jpg?v=1666609523"},{"product_id":"tokina-cinema-85mm-t1-5-lens-for-canon-ef-mount","title":"Tokina Cinema 85mm T1.5 Lens for Canon EF Mount","description":"\u003ch3\u003eTokina Cinema 85mm T1.5 Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 85mm T1.5 Cinema Vista Prime Lens with an EF mount and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This 85mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\n\n\u003cp\u003eThe 9-bladed iris provides round, out of focus highlights for a natural-looking bokeh. The lens barrel features approximately 300√Ǭ∞ of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera. The lens features an EF mount, and the front of the lens is 114mm in diameter with a built-in 1\/4\"-20 support foot that helps support the lens with the aid of an optional 1\/4\"-20 rod-mounted lens support (not included).\u003c\/p\u003e\n\n\u003cp\u003eThe 85mm T1.5 EF mount prime lens is capable of focusing images on a sensor with full 8K-resolution and features a 46.7mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth round appearance to out of focus specular highlights. The Iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300√Ǭ∫ of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features threading on the front of the lens to accommodate 112mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eCovers Full-Frame Sensors\u003c\/p\u003e\n\u003cp\u003e46.7mm Image Circle\u003c\/p\u003e\n\u003cp\u003eSuitable for 8K Image Capture\u003c\/p\u003e\n\u003cp\u003eInternal Focus Design\u003c\/p\u003e\n\u003cp\u003eVirtually No Lens Breathing\u003c\/p\u003e\n\u003cp\u003e300√Ǭ∞ Focus Barrel Rotation\u003c\/p\u003e\n\u003cp\u003eT1.5 Aperture, Clickless 9-Bladed Iris\u003c\/p\u003e\n\u003cp\u003eWeighs 4.92 Pounds\u003c\/p\u003e\n\u003cp\u003e114mm Front Lens Diameter\u003c\/p\u003e\n\u003cp\u003eIntegrated Lens Support Foot\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720757678247,"sku":"GC40-KPC-3003EF","price":7599.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-3003ef-4.jpg?v=1666609711"},{"product_id":"tokina-cinema-vista-18mm-t1-5-lens-for-canon-ef","title":"Tokina Cinema Vista 18mm T1.5 Lens for Canon EF","description":"\u003ch3\u003eTokina Cinema Vista 18mm T1.5 Lens for Canon EF\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 18mm T1.5 Cinema Vista Prime Lens with a Canon EF mount and with focus scales marked in feet provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. This is an 18mm focal length lens, and it shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low-light situations or when you want to capture that exceedingly shallow depth-of-field look.\u003c\/p\u003e\n\n\u003cp\u003eThe 9-bladed iris provides round out-of-focus highlights for a natural-looking bokeh. The lens barrel features approximately 300√Ǭ∞ of rotation from close focus to infinity; this gives you a high degree of precision when pulling focus. The lens is designed to minimize focus breathing, and features geared manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.\u003c\/p\u003e\n\n\u003cp\u003eThe 18mm T1.5 Canon EF mount prime lens is capable of focusing images on a sensor with full 8K resolution and features a 46.7 mm image circle, which covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth round appearance to out-of-focus specular highlights. The iris also produces a pleasing bokeh, referring to natural-looking out-of-focus areas of the image. The iris is manual and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient. Additionally, the focus ring features approximately 300√Ǭ∫ of smooth rotation to help facilitate consistently accurate focusing especially when pulling focus during a shot.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features a 114mm front diameter to accommodate industry-standard matte box sizes.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eCovers Full-Frame Sensor Size\u003c\/p\u003e\n\u003cp\u003e46.7mm Image Circle, T1.5 Aperture\u003c\/p\u003e\n\u003cp\u003eSuitable for 8K Image Capture\u003c\/p\u003e\n\u003cp\u003eClickless 9-Blade Iris\u003c\/p\u003e\n\u003cp\u003eVirtually No Lens Breathing\u003c\/p\u003e\n\u003cp\u003e300√Ǭ∞ Focus Barrel Rotation\u003c\/p\u003e\n\u003cp\u003e114mm Front Lens Diameter, PL Mount\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720758530215,"sku":"GC40-KPC-3004EF","price":13229.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-3004ef.jpg?v=1666609765"},{"product_id":"tokina-cinema-vista-25mm-t1-5-lens-for-ef-mount","title":"Tokina Cinema Vista 25mm T1.5 Lens for EF Mount","description":"\u003ch3\u003eTokina Cinema Vista 25mm T1.5 Lens for EF Mount\u003c\/h3\u003e\n\u003cp\u003eThe Tokina 25mm T1.5 Cinema Vista Prime Lens with a Canon EF mount and with focus scales marked in feet, provides an image circle that more than covers full-frame sensors, and is designed to provide sharp images even when recording images at 8K resolution. This 25mm focal length lens shares the same form factor, lens gear position, focus rotation, and front barrel diameter as the other Tokina Cinema Vista prime lenses. This makes on-set lens changes a fast and efficient operation. It features a maximum T stop of 1.5, useful when shooting in low light situations, or when you want to capture that exceedingly shallow depth of field look.\u003c\/p\u003e\n\n\u003cp\u003eThe 9-bladed iris provides round, out of focus highlights for a natural looking bokeh. The Cinema Vista Prime lenses are designed to minimize focus breathing, and feature geared, manual focus and iris rings. Markings on both sides of the lens barrel make it readable from either side of the camera.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eThe 25mm T1.5 Canon EF mount prime lens focuses images on a sensor with full 8K-resolution and features a 46.7mm image circle, which easily covers standard-sized full-frame sensors.\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade iris produces a smooth, round appearance to out of focus specular highlights. The iris also produces a pleasing bokeh, referring to natural looking out of focus areas of the image. The iris is manual, and features smooth movement without click stops for smooth exposure adjustments while recording.\u003c\/p\u003e\n\u003cp\u003eThe lens has markings on both sides of the barrel, making it easy to read focus and aperture settings from behind, or from either side of the camera.\u003c\/p\u003e\n\u003cp\u003eThe lens shares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient.\u003c\/p\u003e\n\u003cp\u003eDesigned to minimize variations in the angle of view while focusing, a phenomenon known as focus breathing. This feature is extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable.\u003c\/p\u003e\n\u003cp\u003eThe lens features threading on the front of the lens to accommodate 112mm screw on filters. This feature allows the camera operator to add filters over the lens without taking up a filter stage in a matte box.\u003c\/p\u003e\n\u003cp\u003eCovers Full-Frame Sensor Size\u003c\/p\u003e\n\u003cp\u003e46.7mm Image Circle\u003c\/p\u003e\n\u003cp\u003eSuitable for 8K Image Capture\u003c\/p\u003e\n\u003cp\u003eInternal Focus Design\u003c\/p\u003e\n\u003cp\u003eVirtually No Lens Breathing\u003c\/p\u003e\n\u003cp\u003eT1.5 Aperture, Clickless 9-Bladed Iris\u003c\/p\u003e\n\u003cp\u003eWeighs 5 Pounds\u003c\/p\u003e\n\u003cp\u003e114mm Front Lens Diameter\u003c\/p\u003e\n\u003cp\u003eFocus Marks on Both Sides of Barrel\u003c\/p\u003e\n\u003cp\u003eIntegrated Lens Support Foot\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720758595751,"sku":"GC40-KPC-3005EF","price":8819.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-3005ef-1.jpg?v=1666609782"},{"product_id":"tokina-cinema-vista-65mm-t15-for-canon-ef-mount","title":"Tokina Cinema Vista 65mm T1.5 for Canon EF Mount","description":"\u003ch2\u003e\nTokina Cinema Vista 65mm T1.5 for Canon EF Mount\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe Canon EF-mount Tokina 65mm T1.5 Cinema Vista Prime Lens provides an image circle that more than covers full-frame sensors and is designed to provide sharp images even when recording images at 8K resolution. It features a fast maximum T-stop of 1.5 that is perfect for shooting in low-light situations or creating exceedingly shallow depth of field looks.\u003c\/p\u003e\n\n\u003cp\u003eThis 65mm lens is etched with focus marks in feet and shares the same form factor, lens gear position, and front barrel diameter as the other Cinema Vista prime lenses, enabling quick on-set lens changes. The 9-bladed, curved iris provides round, out-of-focus highlights for a natural-looking bokeh.\u003c\/p\u003e\n\n\u003cp\u003e\u003cb\u003eFull-Frame Coverage\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eA 46.7mm image circle easily covers standard-sized full-frame sensors, including sensors with full 8K resolution\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh-Speed Aperture\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eA super-fast T1.5 aperture is perfect for low-light capture and shallow depth of field effects\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eMinimal Breathing\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eNear-zero focus breathing; extremely important while pulling focus, especially on static shots, where focus breathing is more noticeable\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003e300¬∞ Focus Rotation\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eA generous 300¬∞ focus barrel rotation enables smooth and precise focus pulls\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eHigh Resolution\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eProduces high-resolution, low-distortion images for your cinema-style capture\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eLow Chromatic Aberration\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAspherical elements and lens coatings help to greatly limit chromatic aberrations, helping to produce optimal image quality\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDurable Build\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eAll-metal lens housing with 0.8 MOD gears that are compatible with cine-style FIZ systems\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eSmooth Bokeh\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eThe use of a 9-blade, curved iris produces a pleasing bokeh, referring to natural-looking out-of-focus areas of the image\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eDual-Sided Focus Marks\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eMarkings on both sides of the barrel make it easy to read focus and aperture settings from behind or from either side of the camera\u003c\/p\u003e\n\u003cp\u003e\u003cb\u003eCommon Features Across Series\u003c\/b\u003e\u003c\/p\u003e\n\u003cp\u003eShares the same front lens diameters and gear positioning on the focus and iris rings as the other lenses in the series, making lens switching quick and convenient\u003c\/p\u003e","brand":"Tokina","offers":[{"title":"Default Title","offer_id":42720759349415,"sku":"GC40-KPC-3009EF","price":11309.25,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/kpc-3009ef.jpg?v=1666609802"},{"product_id":"zeiss-lwz-3-21-100mm-t2-9-3-9-lightweight-zoom-cine-lens-for-canon-ef-mount","title":"Zeiss LWZ.3 21-100mm T2.9-3.9 Lightweight Zoom Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss LWZ.3 21-100mm T2.9-3.9 Lightweight Zoom Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBeing a filmmaker, every single shooting day awaits you with its individual, unforeseen challenges. Even if you plan your shoot carefully, unexpected moments are sometimes just what you need. It√¢‚Ǩ‚Ñ¢s your ambition to capture our world√¢‚Ǩ‚Ñ¢s unique, unreproducible moments. What could be more important to you than a powerful toolset?\u003c\/p\u003e\n\u003cp\u003eThe new ZEISS Lightweight Zoom LWZ.3 21-100 mm\/T2.9-3.9 T* zoom lens (ZEISS LWZ.3) offers you superior image performance in any imaginable shooting situation. Whether you√¢‚Ǩ‚Ñ¢re shooting a film, commercial, corporate video, television drama, soap or high-end documentary under the most difficult conditions, the ZEISS LWZ.3 is a powerful, handy and trustworthy companion on the front of your camera.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003ch3\u003eCompact and lightweight design\u003c\/h3\u003e\n\u003cp\u003eThe ZEISS LWZ.3 zoom lens is a robust and reliable featherweight in its class but nevertheless supporting you with superior performance at the same time. Whether you are shooting a short film, a soap opera, a feature film or a run-and-gun documentary - even in the most difficult conditions, the ZEISS LWZ.3 zoom lens is a trustworthy and powerful companion.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eThe look √¢‚Ǩ‚Äú made for professional cinema applications\u003c\/h3\u003e\n\u003cp\u003eAn innovative and sophisticated lens design results in a tremendously lightweight lens, still accompanied by the outstanding optical performance you are familiar with using ZEISS lenses. Your shots will stand out with pin-sharp structures, vibrant colours and high contrast. Nicely shaped out-of-focus lights, lovely bokeh and focus roll-off produce the desired cinematic look and feel of a scene. The shift of focus while zooming in and out, especially common with still photography zoom lenses, is no issue with the ZEISS LWZ.3.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFreedom even under harsh shooting conditions\u003c\/h3\u003e\n\u003cp\u003eOn a bustling set you will definitely appreciate the cine-style ergonomics of the ZEISS LWZ.3. A rugged, splash-proof housing gives you enough freedom even in ambitious shooting conditions √¢‚Ǩ‚Äú both indoors and outdoors. Each ZEISS LWZ.3 has individually calibrated, smooth, continuously precise sca. The robust gears and fixed gear positions allow you to easily attach follow focus or wireless lens control systems.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eA future-proof investment thanks to interchangeable mounts\u003c\/h3\u003e\n\u003cp\u003eThe ZEISS LWZ.3 is equipped with an easy-to-operate, interchangeable mount system. It enables you to switch quickly from a typical cine-style PL-mount to four other mounts (Canon EF, Nikon F, Sony E, MFT)*. A truly great feature that promises a flexible and future-proof investment in today√¢‚Ǩ‚Ñ¢s rapidly developing camera market.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eOne lens for all needs - a wide scope of usability\u003c\/h3\u003e\n\u003cp\u003eThe focal length range between 21 and 100 mm supplies you with a wide scope of choosing the perfect angle and the ability to capture a unique moment any second, without the time-consuming procedure of changing lenses.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720791625895,"sku":"GC40-2149-223","price":14898.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/2149-223_1_1.jpg?v=1666614936"},{"product_id":"zeiss-cp-3-50mm-t2-1-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 50mm T2.1 Feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 50mm T2.1 Feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003ch3\u003eTrue cine look\u003c\/h3\u003e\n\u003cp\u003eRanging from 15 mm to 135 mm, the ten focal lengths available in the ZEISS Compact Prime CP.3 or CP.3 XD series cover all applications from wide-angle to telephoto. The ZEISS CP.3 lenses feature advanced lens coatings, painted lens rims and special light traps within the barrel to eliminate unwelcome veiling glare and flares. The result is higher contrast, richer blacks and more saturated colours.\u003c\/p\u003e\n\u003cp\u003eClean and crisp ZEISS look which matches perfectly with other ZEISS cinema lenses.\u003c\/p\u003e\n\u003cp\u003eColour matching and covering full frame across the full range of focal lengths from 15 to 135 mm.\u003c\/p\u003e\n\u003cp\u003eSpecial lens coatings support high-dynamic range projects.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eNew ZEISS eXtended Data technology\u003c\/h3\u003e\n\u003cp\u003eThe ZEISS eXtended Data technology adds new opportunities to simplify and increase the accuracy of the image capture and processing workflow. ZEISS eXtended Data unifies two data sets: key lens data based on the open \/I* Technology standard and supported by a wide range of cameras and accessories, plus ZEISS specific lens data that contains precise lens characteristics.\u003c\/p\u003e\n\u003cp\u003eA unique technology that provides information about the lens√¢‚Ǩ‚Ñ¢ distortion and shading characteristics in real time to speed-up the workflow on set and in post-production.\u003c\/p\u003e\n\u003cp\u003eLens settings are digitally captured on every frame, avoiding the need to manually record the lens settings for every shot.\u003c\/p\u003e\n\u003cp\u003eDocumentation of the lens√¢‚Ǩ‚Ñ¢ characteristics enhances creativity by allowing more complex shots to be handled in post-production.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eUltimate cine ergonomics\u003c\/h3\u003e\n\u003cp\u003eThe ZEISS CP.3 lenses are a professional toolset that simplifies your work on set. They are easy to handle, allow for fast changeover of equipment and give you the great creative freedom to make your ideas come to life.\u003c\/p\u003e\n\u003cp\u003eStandardized positioning of the focus rings and a consistent 95 mm front diameter allows for fast and easy changeover while on set.\u003c\/p\u003e\n\u003cp\u003eExtraordinarily smooth focus rotation even in extreme temperature conditions thanks to new, sophisticated construction design.\u003c\/p\u003e\n\u003cp\u003eConsistent T-stops simplifies lighting on set and exposure compensations (T2.9 for 15 to 21 mm and T2.1 for 25 to 135 mm).\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eCompactness redefined\u003c\/p\u003e\n\u003cp\u003eThe compact and light-weight design enables you to use different stabilizing systems and to have a compact camera setup that is ideal for shooting in narrow spaces and for capturing dynamic shots.\u003c\/p\u003e\n\u003cp\u003eThe compact and light-weight design is ideal for handheld, gimbal, drone and Steadicam applications.\u003c\/p\u003e\n\u003cp\u003eConsistent size and weight across most of the focal lengths enable quick change of lenses when used on drones and gimbals.\u003c\/p\u003e\n\u003cp\u003eThe ultra-smooth focus rotation allows the use of small focus motors.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\u003cp\u003eDigital technologies have transformed traditional filmmaking and refashioned the market. New and innovative technologies in both production and post-production have paved the way for a more versatile, cost-effective and advanced workflow. The ZEISS CP.3 family is the latest contribution from ZEISS to support creative and progressive filmmaking with an affordable, future-proof and premium quality lens set.\u003c\/p\u003e\n\u003cp\u003eThe ZEISS CP.3 lenses offer the perfect combination of high image quality and reliable usability. They exhibit the clean, crisp characteristics ZEISS is known for, together with an interchangeable mount system and full-frame coverage. The ZEISS CP.3 XD version features innovative and ground-breaking lens data technology to speed-up and simplifies the workflow on set and in post-production.\u003c\/p\u003e\n\u003cp\u003eThe ZEISS eXtended Data is a unique technology which is based on the \/I* Technology and provides information about the lens√¢‚Ǩ‚Ñ¢ distortion and shading characteristics in real-time. With the ZEISS CP.3 XD lenses, even small productions on a limited budget gain access to the advanced techniques common in state-of-the-art, big-budget films, commercials and television shows.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720791953575,"sku":"GC40-2177-328","price":7074.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/2177328_2_1.jpg?v=1666614860"},{"product_id":"zeiss-cp-3-35mm-t2-1-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 35mm\/T2.1 Feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 35mm\/T2.1 Feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 35mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 21, 25, 28, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line make fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time-consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSignature ZEISS Look\u003c\/h3\u003e\n\u003cp\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eNew Ergonomic Design\u003c\/h3\u003e\n\u003cp\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorised gimbal.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720792084647,"sku":"GC40-2177-925","price":7260.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/2177925_1_1.jpg?v=1666614852"},{"product_id":"zeiss-cp-3-25mm-t2-1-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 25mm T2.1 Feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 25mm T2.1 Feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 25mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 21, 28, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line make fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time-consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eSignature ZEISS Look\u003c\/h3\u003e\n\u003cp\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003c\/p\u003e\n\u003cp\u003e\u003c\/p\u003e\n\u003ch3\u003eNew Ergonomic Design\u003c\/h3\u003e\n\u003cp\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorised gimbal.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720792576167,"sku":"GC40-2181-404","price":7260.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/2181404_1_1.jpg?v=1666614860"},{"product_id":"zeiss-cp-3-21mm-t2-9-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 21mm T2.9 Feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 21mm\/T2.9 Feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 21mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 25, 28, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line make fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time-consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSignature ZEISS Look\u003c\/h3\u003e\n\u003cp\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eNew Ergonomic Design\u003c\/h3\u003e\n\u003cp\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720792740007,"sku":"GC40-2183-067","price":7260.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/zecp321t29ef_1.jpg?v=1666614831"},{"product_id":"zeiss-cp-3-135mm-t2-1-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 135mm T2.1 Feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 135mm\/T2.1 Feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 135mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 100mm CP.3 lens while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line make fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time-consuming.\u003c\/p\u003e\n\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\n\u003cp\u003eNote: While the CP.3 lenses are designed for a degree of user-serviceability regarding the mount, for ideal performance and calibration, B\u0026amp;H recommends that mount swaps and other lens adjustments be done by a trained lens technician at a service centre.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003eSignature ZEISS Look\u003c\/h3\u003e\n\n\u003cp\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003eNew Ergonomic Design\u003c\/h3\u003e\n\u003cp\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.\u003c\/p\u003e\n\n\u003cp\u003e\u003c\/p\u003e\n\n\u003ch3\u003eFeatures:\u003c\/h3\u003e\n\n\u003cp\u003eCovers Full-Frame Format.\u003c\/p\u003e\n\n\u003cp\u003eCanon EF Mount.\u003c\/p\u003e\n\n\u003cp\u003eT2.1 to T22 Aperture Range.\u003c\/p\u003e\n\n\u003cp\u003eGeared Focus and Iris Control Rings.\u003c\/p\u003e\n\n\u003cp\u003eClickless Iris Ring.\u003c\/p\u003e\n\n\u003cp\u003e14-Blade Iris.\u003c\/p\u003e\n\n\u003cp\u003eClassic ZEISS Image Rendering.\u003c\/p\u003e\n\n\u003cp\u003eImproved Ergonomics Over Last-Gen CP.2.\u003c\/p\u003e\n\n\u003cp\u003eNew Lens Coatings for Enhanced Contrast.\u003c\/p\u003e\n\n\u003cp\u003eLens Scale Marked in Feet.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720792805543,"sku":"GC40-2184-953","price":9680.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/2184953.jpg?v=1666614774"},{"product_id":"zeiss-cp-3-100mm-t2-1-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 100mm T2.1 Feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 100mm T2.1 Feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 100mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 135mm CP.3 lens while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line make fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time-consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSignature ZEISS Look\u003c\/h3\u003e\n\u003cp\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eNew Ergonomic Design\u003c\/h3\u003e\n\u003cp\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720792903847,"sku":"GC40-2185-162","price":8918.5,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/2185162_1.jpg?v=1666614771"},{"product_id":"zeiss-cp-3-18mm-t2-9-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 18mm T2.9 Feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 18mm\/T2.9 Feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 18mm Compact Prime lens features an all-new optical design over the CP.2 variant and shares the same physical length as the 15, 21, 25, 28, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line make fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time-consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSignature ZEISS Look\u003c\/h3\u003e\n\u003cp\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eNew Ergonomic Design\u003c\/h3\u003e\n\u003cp\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720792936615,"sku":"GC40-2186-840","price":8470.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/zecp31829ff_1.jpg?v=1666614814"},{"product_id":"zeiss-cp-3-15mm-t2-9-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 15mm T2.9 Feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 15mm\/T2.9 Feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 15mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 18, 21, 25, 28, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line make fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time-consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSignature ZEISS Look\u003c\/h3\u003e\n\u003cp\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eNew Ergonomic Design\u003c\/h3\u003e\n\u003cp\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720793297063,"sku":"GC40-2189-453","price":9680.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/zecp31529ef.jpg?v=1666614781"},{"product_id":"zeiss-cp-3-28mm-t2-1-feet-compact-prime-cine-lens-for-canon-ef-mount","title":"Zeiss CP.3 28mm T2.1 feet Compact Prime Cine Lens - Canon EF Mount","description":"\u003ch3\u003eZeiss CP.3 28mm\/T2.1 feet Compact Prime Cine Lens for Canon EF Mount\u003c\/h3\u003e\n\u003cp\u003eBuilding on the success of the well-regarded CP.2 lenses, ZEISS's CP.3 Compact Prime Lenses offer the same full-frame sensor coverage and classic ZEISS look in an updated form factor and with improved mechanics and lens coatings. This 28mm Compact Prime lens is derived from the same classic optical formula as the preceding CP.2 variant and shares the same physical length as the 15, 18, 21, 25, 35, 50, and 85mm CP.3 lenses while maintaining identical focus and iris gear positioning with the entire set of CP.3 lenses, relative to the mount. All CP.3 lenses also share the same 95mm front diameter. Similar physical attributes across the lens line make fitting lens accessories such as matte boxes, follow focuses, lens supports, and lens control motors easier and less time-consuming.\u003c\/p\u003e\n\u003cp\u003eAnother feature handed down from the preceding CP.2 lenses is the interchangeable mounts. This lens comes with a Canon EF mount installed. Though, if you wish to fit your CP.3 lens to a different camera, the lens mount can be swapped by the user for a separately available mount of a different kind. If you like the bokeh in your images to be round, even after stopping down, you will be pleased to know that the 14-bladed iris, made famous by the CP.2 lenses, has been retained.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eSignature ZEISS Look\u003c\/h3\u003e\n\u003cp\u003eZEISS lenses are known for their clean and crisp image rendering. The CP.3 series of lenses is no different. This CP.3 lens will accurately colour-match to other ZEISS cinema lenses inside and out of the CP.3 range. The CP.3 lenses feature improved lens coatings and anti-reflection masking over the CP.2 range for increased contrast and reduced flare, important for capturing content with the intent of an HDR-format release.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003ch3\u003eNew Ergonomic Design\u003c\/h3\u003e\n\u003cp\u003eFor enhanced ergonomics over the previous-generation CP.2 lenses, the CP.3 lens barrel has been reshaped to be more similar to the renowned ZEISS Ultra Prime lenses. This new shape is easier to handle and takes up less physical space than the original Compact Prime design. An even weight distribution ensures that these lenses will be at home handheld, locked down on a tripod, or flown on a Steadicam or motorized gimbal.\u003c\/p\u003e","brand":"Zeiss","offers":[{"title":"Default Title","offer_id":42720793428135,"sku":"GC40-2193-345","price":8007.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/zecp328t21ef_1.jpg?v=1666614879"},{"product_id":"xeen-24mm-t1-5-lens","title":"XEEN 24mm T1.5 Lens","description":"\u003cp\u003eExpand your video and filmmaking experiences with XEEN cinema lenses. With a T1.5 and outstanding optical performance for 4K+, focus on the Mise-en-scène of the images you want to create.\u003c\/p\u003e\u003cp\u003eXEEN lenses feature declicked gear rings in identical locations, so that changing lenses is no longer a hassle. Mounts are interchangeable, meaning each lens can be used on a variety of cameras. The XEEN series aims to delivers unparalleled performance with affordability to satisfy the needs of videographers and filmmakers, regardless of the situation or equipment.\u003c\/p\u003e\u003cp\u003eDiscover to Create\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\u003ctable class=\"data-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFocal length\u003c\/th\u003e\n\u003cth\u003e24mm\u003c\/th\u003e\n\u003cth\u003e50mm\u003c\/th\u003e\n\u003cth\u003e85mm\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eMaximum T-stop\u003c\/th\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eNegative size\u003c\/th\u003e\n\u003ctd\u003e24 mm X 36 mm\u003c\/td\u003e\n\u003ctd\u003e24 mm X  36 mm\u003c\/td\u003e\n\u003ctd\u003e24 mm X 36 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eAngle of view\u003c\/th\u003e\n\u003ctd\u003eFull Frame(1:1x)\u003c\/td\u003e\n\u003ctd\u003e84.1°\u003c\/td\u003e\n\u003ctd\u003e46.2°\u003c\/td\u003e\n\u003ctd\u003e28.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSuper 35\u003c\/td\u003e\n\u003ctd\u003e61.2°\u003c\/td\u003e\n\u003ctd\u003e31.2°\u003c\/td\u003e\n\u003ctd\u003e19.0°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAPS-C (1:1.5x)\u003c\/td\u003e\n\u003ctd\u003e60.4°\u003c\/td\u003e\n\u003ctd\u003e30.8°\u003c\/td\u003e\n\u003ctd\u003e18.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAPS-C (1:1.6x)\u003c\/td\u003e\n\u003ctd\u003e57.3°\u003c\/td\u003e\n\u003ctd\u003e29.0°\u003c\/td\u003e\n\u003ctd\u003e17.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds (1:2x)\u003c\/td\u003e\n\u003ctd\u003e47.6°\u003c\/td\u003e\n\u003ctd\u003e23.6°\u003c\/td\u003e\n\u003ctd\u003e14.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFocusing range\u003c\/th\u003e\n\u003ctd\u003e∞ to 0.25 m\u003c\/td\u003e\n\u003ctd\u003e∞ to 0.45 m\u003c\/td\u003e\n\u003ctd\u003e∞ to 1.12 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFront size\u003c\/th\u003e\n\u003ctd colspan=\"3\"\u003eΦ114mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eNumber of blades\u003c\/th\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c!--                \u003ctr\u003e\u003cth colspan=\"2\"\u003eNumber of elements\u003c\/th\u003e\u003ctd\u003e13 elements\u003c\/td\u003e\u003ctd\u003e9 elements\u003c\/td\u003e\u003ctd\u003e9 elements\u003c\/td\u003e\u003c\/tr\u003e--\u003e \u003c!--                \u003ctr\u003e\u003cth colspan=\"2\"\u003eNumber of groups\u003c\/th\u003e\u003ctd\u003e12 groups\u003c\/td\u003e\u003ctd\u003e6 groups\u003c\/td\u003e\u003ctd\u003e7 groups\u003c\/td\u003e\u003c\/tr\u003e--\u003e\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eSize\u003c\/th\u003e\n\u003ctd\u003ePL\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 113.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon EF\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 121.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNikon F\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 119.2mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 147.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 146.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"2\"\u003eAngle\u003c\/th\u003e\n\u003ctd\u003eFocus angle\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003e200°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIris angle\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003e40°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eWeight\u003cbr\u003e(without Lens cap)\u003c\/th\u003e\n\u003ctd\u003ePL\u003c\/td\u003e\n\u003ctd\u003e1,180g\u003c\/td\u003e\n\u003ctd\u003e1,160g\u003c\/td\u003e\n\u003ctd\u003e1,245g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon EF\u003c\/td\u003e\n\u003ctd\u003e1,180g\u003c\/td\u003e\n\u003ctd\u003e1,160g\u003c\/td\u003e\n\u003ctd\u003e1,245g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNikon F\u003c\/td\u003e\n\u003ctd\u003e1,135g\u003c\/td\u003e\n\u003ctd\u003e1,115g\u003c\/td\u003e\n\u003ctd\u003e1,200g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003ctd\u003e1,185g\u003c\/td\u003e\n\u003ctd\u003e1,165g\u003c\/td\u003e\n\u003ctd\u003e1,250g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds\u003c\/td\u003e\n\u003ctd\u003e1,185g\u003c\/td\u003e\n\u003ctd\u003e1,165g\u003c\/td\u003e\n\u003ctd\u003e1,250g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"XEEN","offers":[{"title":"Default Title","offer_id":42720794050727,"sku":"GC76-300012","price":2799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/xeen_24mm_3.jpg?v=1666614164"},{"product_id":"xeen-50mm-t1-5-lens","title":"XEEN 50mm T1.5 Lens","description":"\u003cp\u003eExpand your video and filmmaking experiences with XEEN cinema lenses. With a T1.5 and outstanding optical performance for 4K+, focus on the Mise-en-scène of the images you want to create.\u003c\/p\u003e\u003cp\u003eXEEN lenses feature declicked gear rings in identical locations, so that changing lenses is no longer a hassle. Mounts are interchangeable, meaning each lens can be used on a variety of cameras. The XEEN series aims to delivers unparalleled performance with affordability to satisfy the needs of videographers and filmmakers, regardless of the situation or equipment.\u003c\/p\u003e\u003cp\u003eDiscover to Create\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\u003ctable class=\"data-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFocal length\u003c\/th\u003e\n\u003cth\u003e24mm\u003c\/th\u003e\n\u003cth\u003e50mm\u003c\/th\u003e\n\u003cth\u003e85mm\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eMaximum T-stop\u003c\/th\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eNegative size\u003c\/th\u003e\n\u003ctd\u003e24 mm X 36 mm\u003c\/td\u003e\n\u003ctd\u003e24 mm X  36 mm\u003c\/td\u003e\n\u003ctd\u003e24 mm X 36 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eAngle of view\u003c\/th\u003e\n\u003ctd\u003eFull Frame(1:1x)\u003c\/td\u003e\n\u003ctd\u003e84.1°\u003c\/td\u003e\n\u003ctd\u003e46.2°\u003c\/td\u003e\n\u003ctd\u003e28.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSuper 35\u003c\/td\u003e\n\u003ctd\u003e61.2°\u003c\/td\u003e\n\u003ctd\u003e31.2°\u003c\/td\u003e\n\u003ctd\u003e19.0°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAPS-C (1:1.5x)\u003c\/td\u003e\n\u003ctd\u003e60.4°\u003c\/td\u003e\n\u003ctd\u003e30.8°\u003c\/td\u003e\n\u003ctd\u003e18.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAPS-C (1:1.6x)\u003c\/td\u003e\n\u003ctd\u003e57.3°\u003c\/td\u003e\n\u003ctd\u003e29.0°\u003c\/td\u003e\n\u003ctd\u003e17.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds (1:2x)\u003c\/td\u003e\n\u003ctd\u003e47.6°\u003c\/td\u003e\n\u003ctd\u003e23.6°\u003c\/td\u003e\n\u003ctd\u003e14.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFocusing range\u003c\/th\u003e\n\u003ctd\u003e∞ to 0.25 m\u003c\/td\u003e\n\u003ctd\u003e∞ to 0.45 m\u003c\/td\u003e\n\u003ctd\u003e∞ to 1.12 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFront size\u003c\/th\u003e\n\u003ctd colspan=\"3\"\u003eΦ114mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eNumber of blades\u003c\/th\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c!--                \u003ctr\u003e\u003cth colspan=\"2\"\u003eNumber of elements\u003c\/th\u003e\u003ctd\u003e13 elements\u003c\/td\u003e\u003ctd\u003e9 elements\u003c\/td\u003e\u003ctd\u003e9 elements\u003c\/td\u003e\u003c\/tr\u003e--\u003e \u003c!--                \u003ctr\u003e\u003cth colspan=\"2\"\u003eNumber of groups\u003c\/th\u003e\u003ctd\u003e12 groups\u003c\/td\u003e\u003ctd\u003e6 groups\u003c\/td\u003e\u003ctd\u003e7 groups\u003c\/td\u003e\u003c\/tr\u003e--\u003e\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eSize\u003c\/th\u003e\n\u003ctd\u003ePL\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 113.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon EF\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 121.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNikon F\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 119.2mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 147.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 146.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"2\"\u003eAngle\u003c\/th\u003e\n\u003ctd\u003eFocus angle\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003e200°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIris angle\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003e40°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eWeight\u003cbr\u003e(without Lens cap)\u003c\/th\u003e\n\u003ctd\u003ePL\u003c\/td\u003e\n\u003ctd\u003e1,180g\u003c\/td\u003e\n\u003ctd\u003e1,160g\u003c\/td\u003e\n\u003ctd\u003e1,245g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon EF\u003c\/td\u003e\n\u003ctd\u003e1,180g\u003c\/td\u003e\n\u003ctd\u003e1,160g\u003c\/td\u003e\n\u003ctd\u003e1,245g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNikon F\u003c\/td\u003e\n\u003ctd\u003e1,135g\u003c\/td\u003e\n\u003ctd\u003e1,115g\u003c\/td\u003e\n\u003ctd\u003e1,200g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003ctd\u003e1,185g\u003c\/td\u003e\n\u003ctd\u003e1,165g\u003c\/td\u003e\n\u003ctd\u003e1,250g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds\u003c\/td\u003e\n\u003ctd\u003e1,185g\u003c\/td\u003e\n\u003ctd\u003e1,165g\u003c\/td\u003e\n\u003ctd\u003e1,250g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"XEEN","offers":[{"title":"Default Title","offer_id":42720794509479,"sku":"GC76-300020","price":2799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/xeen_50mm_2_1.jpg?v=1666614169"},{"product_id":"xeen-85mm-t1-5-lens","title":"XEEN 85mm T1.5 Lens","description":"\u003cp\u003eExpand your video and filmmaking experiences with XEEN cinema lenses. With a T1.5 and outstanding optical performance for 4K+, focus on the Mise-en-scène of the images you want to create.\u003c\/p\u003e\u003cp\u003eXEEN lenses feature declicked gear rings in identical locations, so that changing lenses is no longer a hassle. Mounts are interchangeable, meaning each lens can be used on a variety of cameras. The XEEN series aims to delivers unparalleled performance with affordability to satisfy the needs of videographers and filmmakers, regardless of the situation or equipment.\u003c\/p\u003e\u003cp\u003eDiscover to Create\u003c\/p\u003e\u003cp\u003e \u003c\/p\u003e\u003cp\u003e\u003cstrong\u003eSpecifications\u003c\/strong\u003e\u003c\/p\u003e\u003ctable class=\"data-table\"\u003e\u003ctbody\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFocal length\u003c\/th\u003e\n\u003cth\u003e24mm\u003c\/th\u003e\n\u003cth\u003e50mm\u003c\/th\u003e\n\u003cth\u003e85mm\u003c\/th\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eMaximum T-stop\u003c\/th\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003ctd\u003eT1.5\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eNegative size\u003c\/th\u003e\n\u003ctd\u003e24 mm X 36 mm\u003c\/td\u003e\n\u003ctd\u003e24 mm X  36 mm\u003c\/td\u003e\n\u003ctd\u003e24 mm X 36 mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eAngle of view\u003c\/th\u003e\n\u003ctd\u003eFull Frame(1:1x)\u003c\/td\u003e\n\u003ctd\u003e84.1°\u003c\/td\u003e\n\u003ctd\u003e46.2°\u003c\/td\u003e\n\u003ctd\u003e28.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSuper 35\u003c\/td\u003e\n\u003ctd\u003e61.2°\u003c\/td\u003e\n\u003ctd\u003e31.2°\u003c\/td\u003e\n\u003ctd\u003e19.0°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAPS-C (1:1.5x)\u003c\/td\u003e\n\u003ctd\u003e60.4°\u003c\/td\u003e\n\u003ctd\u003e30.8°\u003c\/td\u003e\n\u003ctd\u003e18.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eAPS-C (1:1.6x)\u003c\/td\u003e\n\u003ctd\u003e57.3°\u003c\/td\u003e\n\u003ctd\u003e29.0°\u003c\/td\u003e\n\u003ctd\u003e17.7°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds (1:2x)\u003c\/td\u003e\n\u003ctd\u003e47.6°\u003c\/td\u003e\n\u003ctd\u003e23.6°\u003c\/td\u003e\n\u003ctd\u003e14.4°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFocusing range\u003c\/th\u003e\n\u003ctd\u003e∞ to 0.25 m\u003c\/td\u003e\n\u003ctd\u003e∞ to 0.45 m\u003c\/td\u003e\n\u003ctd\u003e∞ to 1.12 m\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eFront size\u003c\/th\u003e\n\u003ctd colspan=\"3\"\u003eΦ114mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth colspan=\"2\"\u003eNumber of blades\u003c\/th\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003ctd\u003e11\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c!--                \u003ctr\u003e\u003cth colspan=\"2\"\u003eNumber of elements\u003c\/th\u003e\u003ctd\u003e13 elements\u003c\/td\u003e\u003ctd\u003e9 elements\u003c\/td\u003e\u003ctd\u003e9 elements\u003c\/td\u003e\u003c\/tr\u003e--\u003e \u003c!--                \u003ctr\u003e\u003cth colspan=\"2\"\u003eNumber of groups\u003c\/th\u003e\u003ctd\u003e12 groups\u003c\/td\u003e\u003ctd\u003e6 groups\u003c\/td\u003e\u003ctd\u003e7 groups\u003c\/td\u003e\u003c\/tr\u003e--\u003e\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eSize\u003c\/th\u003e\n\u003ctd\u003ePL\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 113.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon EF\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 121.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNikon F\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 119.2mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 147.7mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003eΦ117.6mm x 146.5mm\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"2\"\u003eAngle\u003c\/th\u003e\n\u003ctd\u003eFocus angle\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003e200°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eIris angle\u003c\/td\u003e\n\u003ctd colspan=\"3\"\u003e40°\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003cth rowspan=\"5\"\u003eWeight\u003cbr\u003e(without Lens cap)\u003c\/th\u003e\n\u003ctd\u003ePL\u003c\/td\u003e\n\u003ctd\u003e1,180g\u003c\/td\u003e\n\u003ctd\u003e1,160g\u003c\/td\u003e\n\u003ctd\u003e1,245g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eCanon EF\u003c\/td\u003e\n\u003ctd\u003e1,180g\u003c\/td\u003e\n\u003ctd\u003e1,160g\u003c\/td\u003e\n\u003ctd\u003e1,245g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eNikon F\u003c\/td\u003e\n\u003ctd\u003e1,135g\u003c\/td\u003e\n\u003ctd\u003e1,115g\u003c\/td\u003e\n\u003ctd\u003e1,200g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eSony E\u003c\/td\u003e\n\u003ctd\u003e1,185g\u003c\/td\u003e\n\u003ctd\u003e1,165g\u003c\/td\u003e\n\u003ctd\u003e1,250g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eMicro Four Thirds\u003c\/td\u003e\n\u003ctd\u003e1,185g\u003c\/td\u003e\n\u003ctd\u003e1,165g\u003c\/td\u003e\n\u003ctd\u003e1,250g\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/tbody\u003e\u003c\/table\u003e","brand":"XEEN","offers":[{"title":"Default Title","offer_id":42720794804391,"sku":"GC76-300088","price":2799.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/xeen_85mm_2.jpg?v=1666614171"},{"product_id":"100mm-t3-1-macro-vdslr-umc-ii-canon-ef-full-frame-video-lens","title":"Samyang 100mm T3.1 Macro VDSLR UMC II Canon EF Full Frame Video Lens","description":"\u003cp\u003eThe lens allows more delicate video work with T number marks. The focus gear ring is installed for follow focus system. You can change the aperture quietly and smoothly with the uncoupled aperture gear rings. Also, distance scale and T numbers are marked on both sides of the lens for convenience.\u003c\/p\u003e\n\u003cp\u003eThe Samyang 100mm T3.1 has a low T number of T3.1. You can control the lens precisely when shooting under various exposure environment including relatively dark or too bright situations. This lens features 15 lenses in 12 groups including a high refractive lens (HR) and extra low dispersion lens (ED) to minimise colour aberration and unnecessary light dispersion, in order to offer high resolution throughout the image. The Ultra Multi Coating (UMC) is used to optimise light penetration and minimise flare and ghost. With such optical construction, it has 0.307m of minimum focal length to film subjects in a very near distance.\u003c\/p\u003e\n\u003cp\u003eThere are 9 aperture blades designed to be almost a full circle when the aperture is closed, which expresses starlike ray clearly and beautifully. The frame of the lens is compact and solid since it is made of high-strength aluminium alloy so you can create trustworthy images. Also, detachable petal-shaped hood minimises flare and ghost by sheltering the lens from unnecessary light.\u003c\/p\u003e","brand":"Samyang","offers":[{"title":"Default Title","offer_id":42720795558055,"sku":"GC76-400036","price":719.0,"currency_code":"AUD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/products\/gc8.jpg?v=1666593723"}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0603\/4083\/0375\/collections\/Canon_EF_Mount.jpg?v=1706600591","url":"https:\/\/www.georges.com.au\/collections\/canon-ef-mount-cine-lenses.oembed?page=4","provider":"Georges Cameras","version":"1.0","type":"link"}